UCL Masters Application Portfolio

PORTFOLIO ALEX PARK-WILSON SELECTED WORKS UCL MASTERS APPLICATION

| 2019 - 2023

EDUCATION

ARCHITECTURAL E

University of Kent, School of Architecture and Planning 2019-2022

Mar 2023 Present Day

OSG Part type

Jan 2022 Mar 2022

Bon Men ‘RIB

Apr 2016

Clag Wor arch

Apr 2016

Pete Wor prop on-s

BA (Hons) First Class Honours

ALEXANDER PARK-WILSON

I am driven by my passion for architecture and design and have a continued interest in exploring all aspects of the field, with a growing pursuit to explore neuroarchitecture, the use of robotics in architecture, as well as designing habitats in hostile environments . Along with exploring traditional hand-crafted techniques from different cultures and utilising generative and parametric design techniques.

I am constantly inspired by the ways we can enhance architecture and am excited to continue pushing the boundaries of what is possible in this field and research new innovations that can help spark new ideas for what architecture can be for us all.

As a current RIBA Part 1 Architectural Assistant, I am eager to further my exploration of architectural design and look forward to advancing my knowledge and skills.

I DECIDED TO DEDICATE MY LIFE TOWARDS DESIGN AND CREATING ARCHITECTURE THAT ENRICHES THE HUMAN EXPERIENCE AND SUPPORTS PRESENT AND FUTURE GENERATIONS

A Levels - Canterbury Academy A Art & Design (Fine Art) A D&T (Design and Technology / Product Design) A EPQ (‘Sustainability In Urban Areas’) *As well as courses taken in Mathematics in context and Geography

TECHNICAL SKILLS Rhino Grasshopper Revit Twinmotion Enscape Unreal Engine 5 Photoshop InDesgin Illustrator AutoCAD Vray Word Powerpoint Excel Sketch Up Python Blender 3Ds Max Premiere Pro After Effects

ADDITIONAL WORK Sep 2019 Jul 2022

VOLUNTEERING 2020 – 2021

Peer mentoring - University of Kent During stage 2 mentored groups of stage 1 students

MEMBERSHIP

Student RIBA member Former member of KASA Kent Architectural Student Association

Univ Exam - Tau thre - IBCP - Con ‘Fut - Gav

Aug 2020 Jan 2021

Selec Work futur

Jun 2018 Jul 2021

The W Part-

Jul 2017 Aug 2017

Le Pe Front

EXPERIENCE

G Architecture - Faversham, Kent t 1 Architecture Assistant, designing a variety of building es, forcusing of design and planning

nd Bryan Architects - Online ntored for a short period of time via the BA Future Architects Student Entoring Scheme’

gue Architects - Canterbury, Kent rks experience placement. Introduction to Sketch-up, hitectural drawing techniques and freehand drawing

er Jackson Architects - Whitstable, Kent rks experience placement. Assisting with client posals, including AUTOCAD, freehand drawing and site visits

K EXPERIENCE

versity Ambassador mples of types of work completed: ught school students at the Kent University Summer School and ree Kent based Secondary Schools (Dover, Hartsdown and Abby) P Research skills visit nducted mock interviews at Canterbury Academy as part of their tures Day’ event ve tours of the University campus

cted for Internship - University of Kent ked closer with the university to develop a website on Gomo for re ambassador training

Wheatsheaf Restaurant, Whitstable, Kent -time front of house waiter and desserts chef

etit Poussin Restaurant, Herne Bay, Kent t of house assistant, kitchen porter and chef assistant

CONTENTS [ 01 ] SELF BRIEF PROJECT

ACHIEVEMENTS

Jun 2022

Jan 2021

Jul 2020

University of Kent

[ 02 ]Academic PROJECT

Featured in ‘End of Year Show & Catalogue UV VU 22’

[ 03 ]Academic PROJECT

Featured in ‘End of Year Show & Catalogue Projection’

[ 04 ]Academic PROJECT

Awarded the ‘Rotary Prize’ in recognition of ‘Distinguished Performance’ in the Stage 1 of the Faculty of Humanities (Awarded to the top two students in Faculty of Humanities) Before University

Dec 2019

Sep 2014

GCSE

Experimentation

Ethereal Gallery - Stage 1 The Wind Swept Petal - Stage 2 Collective Dwelling - Stage 2 [ 05 ]Academic PROJECT

Souns - Stage 3

[ 06 ]SELF BRIEF PROJECT

Lunar Habitat

Sixth Form ‘Celebration of Achievement’ in Product Design

Kent School of Architecture Summer School ‘Certificate of Achievement’ 2014, 15, 16 & 18

[ 07]COMPERTITION PROJECT

‘Certificate of Achievement’ Kent School of Architecture View Finder Workshop

[ 09 ]CLIENT PROJECT

Winner of a Maths trip to Germany for ‘Outstanding Achievement’ in mathematics

[ 10 ]CLIENT PROJECT

Nagasaki Nuclear Memorial [ 08]CLIENT PROJECT

Goldhawk

Hatchgate

Molehill Well Being Centre OTHER ACADEMIC & COMPETITION PROJECTS [NOT INCLUDED]

The Chalk River - Stage 3 The Wind Swept Petal - Stage 2 Invisible City - Stage 1 Lunar Habitat - Self Brief Emotion Museum - Competition OTHER work PROJECTS [NOT INCULDED]

Molehill Well Being Centre Oakham City Hospital Cropredy Surgery Watts -Beech Court Winterbourne Manor Farm Dashwood Estate Marden Primary School Mill House Highstreet Wingham Jenners Great Pett Farm Upton Land Rushbourne Manor Farm

01 SELF BRIEF - 2023

Experimentatio

With Grasshopper and G

This is an ongoing hobby p and learn Grasshopper. I e and then create an image u

One of these projects w structures where small pie one another to create comp

In another project, I used create 3D forms by extrud voxels.

on

Graphics

project where I experiment explore form and structure, using these.

was to create aggregate eces multiply and branch off plex structures.

Conway’s Game of Life to ding and turning them into

Aggregate structures

3D Conway’s Game of Life

02 Academic PROJECT - STAGE 1 - 2019

One of the approaches was to take inspiration from the forest to produce the gallery. For example, the roof was inspirited by dead leaves layered on the forest floor and steam-bent wood was used in areas to reflect the natural structure, of a bird nest or water from the surrounding river.

The Ethereal Galley

Art Gallery

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Office ▪ Security Lift ▪ Toilets Main art exhibition area 1 (Henry Moore’s and J M W Turner’s work) Main art exhibition area 2 (Rose Wylie’s and DO HO SUH’s work)

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2nd Entrance/Exit Art studio rental Ghost art space (Adam Chodzko) Forest/outside gallary space

9. Meeting room 10. Book shop/seating/view down river 11. Art space - exhibition area 3

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In order to inspire a sense of discovery and curiosity with the primary goal to preserve the natural forest on site. I aimed to produce a gallary as an experience of a being a hidden ruin discovered in the forest - making it intriguing and giving the viewers a sense of adventure as they discover it with a

contrast between the nature and the brutalist form of the building. Inspiration was also taken by how light and nature can work with architecture to further enhance people’s experiences.

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Segregated walls with hollow space to connect with the outside for interesting effects with light and rain.

ii.

Video art space for the work of Shona Illingworth encapsulated withinstem-bent wood inspired by birds nests.

Limestone in conventional concrete contributes massive amounts of CO2 gas increasing global warming, so for this project, I wanted to make use of unique concretes such as cement without the limestone to lower CO2, possibly using MgO concrete (Ref: ‘Review of Magnesium Oxide in Concrete’ by Chongjiang Du ).

Using Magnesium oxide instead of limestone means the resulting MgO concrete has both compressive and tensile strengths higher than conventional concrete with no differences in thermal properties.

However a drawback is the autogenous expansion, as unlike traditional concrete is that it expands only for the early stages. This concrete can expand from 0-30mm within 3 years and is therefore at increased risk of cracking.

As cracked concrete has poor water resistance and freeze-thaw resistance; which can lead to the steel reinforcement corroding faster making the overall structure at risk of failure.

So perhaps using bio-concrete may also be beneficial, a concrete infused with a bacteria such as Bacillus that awakens within the cracks when wet from precipitation causing autonomous repair. As the bacteria use calcium lactate present to produce calcium carbonate/limestone allowing the building to repair itself within a few weeks reducing the effects of the extended autogenous expansion and increasing durability and lower maintains.

However, there are areas which need looking into more for these two concretes; and the practicality for use in a building.

The beauty of urban decay to nature can cultivate intrigue, this along with looking into how light interacts with architecture were elements I wished to utilise in this project. I look at Tado Ando as a precedent, especially his Church of Light and Wrightwood 659 Gallery.

Researching the Zen like brutalism where his meditative design creates a “haiku” effect emphasising nothingness / void and the beauty of simplicity and how light and other natural elements are used as a material to create a more engaging emotional response towards the architecture.

Grotesque Sculpture & Mind the Gap Sub categories within the Etheral Gallery project

As part of the ‘Etheral Gallery’ Project, we were challenged to delve into the exploration of the ‘Grotesque’.

I initially envisioned the architecture itself as an experimental space to evoke a visceral sense of the grotesque. However, to align more closely with the project brief, this concept evolved into a sculptural installation.

Commencing with sketches inspired by figures sketeched at the Beaney Museum Canterbury that embodied the elements of the grotesque, I sculpted a form that sought to merge the grotesque with elegance.

This initial design underwent further refinement following my engagement with the ‘Mind The Gap’ project. Where we were tasked with developing an insulation within a strict one-hour time limit.

Combining ideas from the ‘Grotesque; project, I experimented with weaving balloons into cracks on the main stairs leading to the studio.

Resulting with an installation which revealed itself in the shadows beneath the stairs, where the interplay of darkness and light accentuated the balloons.

03 Academic PROJECT - STAGE 2 - 2020

The Wind Swept Petal Perfume Workshop and Gardens

Formed around the interconnection between architecture and landscape. This factory not only produces perfumes but also allows visitors to come and tour the facility and develop their own perfume; with fresh ingredients from the gardens on site.

The building is situated over the fork in the River Stour, which is not a very well travelled area due to its unconventional access passing through someone’s drive.

The brutalist building is adorned with petal-like sail structures to show the theme of petals in the wind and contrast and merge architecture and its landscape. While functionally providing solar shading for the building.

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Being allowed to extend the site boundaries for better benefits to the design; such as connecting the site together for better accessibility and best orientation for south-facing glazing and cross ventilation.

The floral petals adorning the exterior are nylon weaved fabric sails formed over a light steel structure frame.

They are weather-resistant and allow airflow through resulting in improved cross ventilation.

19. Petal-shaped sails (solar shading) 20. One of the main Entrance/exits to landscape 21. Garden area covered by an overhang 22. Bridge over the river stour branches 23. Car park

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24. Stack ventilation atriums 25. Workshop/Classroom 26. Café and seating 27. Offices/Reception 28. WC / lift 29. Stour street 30. Gardens

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WC and lift for disability access Shops selling perfumes Storage Meeting area/offices Reception Car parking with access for deliveries

7. Workshop/Classroom 8. Production/distilling area 9. Storage for ingredients 10. Laboratory 11. Café and seating/lounge area 12. Yoga/dance studio 13. Production gardens 14. Event spaces 15. Path to Spa/gardens 16. Path to grade 1 listed chapel 17. Forest area 18. Stour street

Perfume distilling processes

Perfume distilling processes

04 Academic PROJECT - STAGE 2 - 2020

Key views on and off-site were de-constructed into perspective points which then were developed into planes to help from the massing of the site, isolating the views along the site to key locations. And to act as a barrier separating public and private space providing a secure space for the residents.

The Perspective Of Life

Multi Generational Collective Community Dwellings Collective dwellings, within the historical walls of Canterbury, housing a close-knit community with multi-generational residents.

The ideas of ‘view and perspectives’ became the key concept for this design as the word ‘perspective’ has two meanings - one physical and another emotional thus incorporates both these tangible and intangible aspects of the perspective views seen and the perspectives or views of the residents.

The main community hub has an integrated integration learning centre incorporating mentoring schemes; with houses, open-plan classrooms, a lounge area, a nursery and an atrium for connection to nature in a safe and controlled environment, which also provides lighting and fresh ventilation to the dwellings above.

The community centre for the elderly and nursery help to promote community relations, where parents have easy access to a nursery and the elderly have company to help battle elderly loneliness.

Vegetable and planting gardens are run by the community and help foster a green thumb in younger generations while giving something for older generations to attend to.

The environment at home is fundamental to your perception of life and you’re well-being. My aim is to bring your neighbour together in a healthy community space, where it pays homage to the past history of the site whilst looking towards the future.

The journey through life from young to old is all about changing perspectives, which is reflected with physical changes of views along the site to view alternative perspectives.

05 Academic PROJECT - Stage 3 - 2021

Souns

Youth Music Centre

Built on the principles of exchange, where musical instruments are restored and then reused within the centre. The building makes use of 70% of the existing Royal Harbour Car Park structure and expands this theme of reuse to its functions; to be more sustainable.

For the best sound quality, the four recording studios are separated by staggered double stud walls or double walls with acoustic treatments; on the top floors away from the nearby road and the public areas of the building.

Inspiration came from the way music visualisation can be demonstrated and the site’s landscape; where an old river sculpted the chalk cliffs down to the coast (Linking to previous Ramsgate projects).

The section shows the performance space, which contains a kinetic ceiling. This can be changed to alter and experiment with sound.

These are seen in the flow of the static forms and the kinetic elements of the roof, which respond and move to the music.

So live performances can have a more interesting impact – such as raising the ceiling to increase echo.

[1]

[ 1 ] The louvres near the gallery and garden are also kinetic these responded to the music being played, rippling like waves up the sides of the building, similar to that of the prototype. So the architecture alters and visually responds to the music

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1. Workshop located near car park for easy access for deliveries 2. Bin storage 3. Charity shop 4. Sheltered bus stop 5. Office 6. Games room/kitchen

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Ground Floor

7. Hall 8. Shop 9. Internet café / library 10. Backstage storage/lift 11. Art gallery/lift 12. Reception to the youth centre 13. Access to existing tunnels

Band Room

14. Bike storage 15. Gardens 16. WC 17. Meeting rooms 18. Green room 19. Performance space/stage 20. Outside public gallery

30.

1st Floor

Public Space / Gallery

21. Chill area to wait for the training room 22. Training rooms 23. Band storage 24. Band room 25. Tec booth/room

2nd Floor

26. Flexible space/Waiting area for performances 27. Steps outside performance space for minimal disruption

Cafe

28. Recording studio 29. Balcony 30. Utilities e.g. ventilation units/ heat exchanger/ mechanics for the kinetic celling in performance space

3rd Floor

Workshop 1

The clients current building is tucked away set back from the road, with Luis the Youth Work-team leader stating “people that live in Ramsgate don’t know that we’re here” so a building which can bring attention to itself and the charity would be beneficial, but the increase in awareness meant more safeguarding needs to be present.

The client’s requirements included larger recording studios, outdoor space, café, secure parking, a lift for equipment, storage space, and bike storage. They also expressed a desire to have a big live space and lots of small pods for different bands to practice in (self-contained rehearsal rooms).

They also mentioned that the current building (seen below) is old and needs lots of maintenance; which is an extra cost, so they’d prefer a more sustainable eco-friendly building.

The demolition of parts of the front of the car park allows for more public space near the road and more paths through the site allowing for more accessibility and safety for the community. However, to lower the costs and be more sustainable 70% of the original site was retained.

These sections show the unique roof that slopes down and weaves between the two enclosed footbridges. To reduce run off the roof carries the rainwater to be stored, reused or disposed of.

It also allows the people within the building to see the glass roof glistering, as water rushes over it, adding to the atmosphere of flowing creativity and relaxing space for music creation.

The diagrams also emphasise the kinetic installation created by those performing in the band room.

The building has some kinetic displays linked to the music within to attract the local community to commune in this cultural hub, inspiring creative works where the youth centre would be a celebration and cultivate talent in individuals instead of shedding them aside to be ignored, making this area a duel focus of helping Ramsgate’s youth cultivated creative talents for their future while integrating the community to help foster this and prevent any segregation there may be. So the space can be enjoyed by all while attending to its functions.

The prototype was reintroduced into the project as a kinetic structure / sculpture, acting as louvres keeping the space shaded during summer.

This kinetic structure responds to the music being played within the building by rippling to the notes of the music.

[1]

[ 1 ] Incorporation of the pavilion on a facade so music played within the building is kinetically reflected of the exterior of the building

KINETIC CEILING The performance space contains a double-story opening to allow for a view of the sea and natural light onto the stage.

This opening can be closed up using sound resistant walls, sealing the space for better acoustic quality when required.

Using Grasshopper within Rhino, an acoustics analysis was used to ensure the walls and ceiling provided the optimum sound quality. However, the performance space ceiling is kinetic, allowing the space to be used for more experimental sounds during live performances. The acoustic panels on the ceiling can move to highlight specific instruments in the performance or for example, raise to create more echo.

[1] This prototype was used to test the concept of the kinetic motion generated by music. This was later incorporated into the project as a visualisation of the music being played. The band rooms overlook this kinetic feature; therefore the students can see the architecture responding to the music they are playing.

As for the prototype itself, the idea was that it can be a temporary structure, that can be annually reconstructed at the Ramsgate Festival of Sound; to celebrate Ramsgate’s music and creative arts culture, as well as bring more recognition and funding to the clients charity.

The building has some kinetic displays linked to the music within to attract the local community to commune in this cultural hub inspiring creative works where the youth centre can be a celebration and cultivate talent in individuals instead of shedding them aside to be ignored, making this area due focuses in helping Ramsgate’s youth cultivated creative talents for their future while integrating the community to help foster this and prevent any segregation there may be. So the space can be enjoyed by all while attending to its functions.

The new spaces and attention may allow for the re-introduction of the intergenerational programme the charity once had where mentors can help guide the youth and pass on skills and experiences enriching the next generation so they have a safe space for learning and having fun.

Structural Details This page shows some structural details of the Souns building’s envelope, these details were developed with the ideas of sustainability and good acoustic quality for the performance spaces; while providing aesthetically pleasing materiality to the building.

06 OWN PROJECT - 2023 The lunar habitat is a structure with extensive connections that divide into different sectors.

It will be located at the poles of the moon where there is ice that can be used to form water and oxygen via electrolytic decomposition. The conditions on the moon’s surface are hostile, being a vacuum with no breathable air, a daily temperature difference of 200 degrees, solar radiation, and meteorite impacts.

Lunar Habitat_RISER

Created to explorer habitats in hostel environments and robotics use in architecture

The facility is self-sustaining. For energy, solar panels can charge 6-8 times faster due to the lack of an ozone layer, and Helium 3 can be collected for fusion reactors and rocket fuel. Hydroponic techniques are utilized for food and planting.

Artificial magnetic fields could be used to create barriers from radiation over critical areas.

Robotic rovers remove material to make trench

The first stage of lunar habitat would be temporary within a lander to help robots start future development

A facility constructed via prefabrication processes is lowered in place

A larger manufacturing facility can make smaller facilities and robots in a sterile environment before exposing them to the lunar surface

Material is covered over the facility to protect it from small meteorites and radiation

Rail gun launches folded mirrors as projects into obit feasible due to lower gravity on the moon (better from Mars) - mirrors travel towards the sun then opened out in arrays to focus sun energy into one spot for solar energy collection - forming a Dyson swarm

Robot rover is fitted with a 3D printing design to print refined moon material into printable material to cover habitats

Due to the fine material of the lunar surface screw foundations are used to keep settlements in place

Meteorites can be lowered into moon orbit for mining their resources

Technical station Living habitat with sleeping courters, mess hall and chill/meeting area

Nuclear reactor and battery banks Observation window

Communication and observation tower

Entrances/exits (airlock)

Backup communication centre and Technical station

Observation window Entrances/exits (airlock) Laboratory

Material Laboratory Greenhouse Waste treatment facility Smelting facility Laboratory Observation window Greenhouse

Manufacturing Facility Robotics repair station Agricultural and hydroponics

Medical centre

Water treatment facility/laboratory

Laboratory and storage

Dock/ airlock Entrances/exits (airlock)

For construction methods, the main facility is prefabricated in a sterile and safe environment and then moved to the lunar surface where 3D-printed materials cover the facility. The regolith, a blanket of unconsolidated loose dust covering the lunar surface, is smelted into basalt glass. The decomposition of the regolith into oxygen, silicon, and metals can be used for trusses and other components.

Kevlar and reinforced metal frames provide the main structural components, and then an external protective layer of regolith is 3D printed over it help with radiation and meteor impacts. Domes created using basalt glass cells are used for the greenhouses.

07 COMPETITION PROJECT - WORK STILLING PROGRESS - 2023

Nagasaki Nuclear Memorial

A memorial for the lives lost due to the Nagasaki and Hiroshima bombings during World War 2

I am currently working on a competition project for the 4th edition of the annual international architecture competition, “The Last Nuclear Bomb Memorial”.

This project was initiated by Bee Breeders in support of the United Nations Treaty on the prohibition of nuclear weapons, which was adopted in 2017, on the 75th anniversary of the bombings of Nagasaki and Hiroshima.

The project s known decom within Nagasa

What makes to include tex

seeks conceptual designs for a memorial to be located in any mmissioned nuclear weapon testing site. I’ve chosen to a site aki.

this competition unique is that submissions are not allowed xt.

The design comprises a ring of multiple level rectangle forms scattered around the perimeter of the ring.

These rectangle structures are interconnected and house a gallery and museum that focus on the events of World War 2, including the creation and use of nuclear weapons and their destructive impact.

The primary aim is to provide a place for learning on the history of these events.

Within the rings epicentre, an altar is placed, surrounded by a wooden pavilion made of a lattice timber construction.

This pavilion is designed for mourning and retrospection over learning.

The altar in the centre is surrounded by open landscape that represents the bomb exploding in the epicentre, leading to a void of space and a scattering of rubble left behind.

08 CLIENT PROJECT - OSG - 2023

Goldhawk

Apartment complex

Also at OSG, I spearheaded a project named Goldhawk, which is situated in London.

Goldhawk is a five story complex, with certain variations configured to function as a women’s refuge or student accommodation.

This project comprised over 40 concept designs, encompassing diverse variations of the building under varying parameters.

The project had a number of constraints, such as the right of light emanating from the nearby apartment complex.

Second Floor Plan

Ground Floor Plan

Ground Floor Plan First Floor Plan

OPTION A

DRAFT

OPTION - FLATS NOTE: FLOOD RISK IS IGNORED FOR THIS SCHEME NOTE: WINDOWS ON THE WEST FARECARD WITH FINS MAY NEED TO BE UNOPENABLE - (POSSIBLE ISSUE WITH VENTILATION)

Flat 05 amenity space Flat 05 amenity space Flat 06 amenity space 1 1 2

Flat 04 amenity space

This project was narrowed down to three potential options. The first option was to create flats exclusively, while the second option was to establish a women’s refuge for domestic violence victims. The latter had two sub options; one involved the addition of three separate one-bedroom housing studios, while the other included outdoor space with a playground.

9.2 m²

7.3 m²

2.6 m²

6.4 m²

Flat 06 amenity space Flat 06 amenity space 2 10.8 m² 3

F4 Bedroom 3 16.8 m²

F4 Liv / Kitchen /Dinning

7.6 m²

F5 Bedroom 3 13.2 m²

F5 Liv / Kitchen /Dinning

21.5 m²

F6 Liv / Kitchen /Dinning

21.1 m²

ensuite / wardrobe

40.5 m²

2.3 m²

F6 Bedroom 3 11.8 m²

F4 Bathroom

P1 Amentiy Space

F5 Bathroom

5.9 m²

F4 Bedroom 2

6.1 m²

5.4 m²

13.8 m²

P2 Amentiy Space 5.0 m²

3.6 m²

F4 Bedroom 4

14.4 m²

F5 Bedroom 1

14.6 m²

Flat 6

F5 Bedroom 2

P1 Bedroom

12.9 m²

F6 Bedroom 1

AOV

F6 Bedroom 2

7.5 m²

P2 Bedroom 9.6 m²

P1 Bathroom

11.5 m²

DRY

4.7 m²

9.6 m²

P2 Bathroom P3 Bathroom 4.7 m²

4.7 m²

P3 Hall

P2 Hall

1000

1000

1000

P2 Study

P3 Study

3.4 m²

3.4 m²

DN P1 Study

1424

P3 Bedroom

P1 Hall 3.4 m²

SS

1500

DRY

SERVICES

14.6 m²

2222

472

2.1 m²

5.0 m²

4.5 m²

Flat 5

9.6 m²

F4 Bedroom 1

Room

P3 Amentiy Space

F6 Bathroom Store / walk/ en suite

Flat 4

1299

Ground Floor Plan

DN

6.3 m²

6.3 m²

6.3 m²

1 2 3 4 5 6 7 8 9 10

18 17 16 15 14 13 12 11

SERVICES

This project required careful consideration of multiple elements such as the site’s constraints, the required number of flats, and the necessary amenities per resident (such as bin and cycle storage capacity, plant space, and fire safety strategies).

FIRST FLOOR

Resi Bike Store (3 Spaces) Visitor Bike Store (2 Spaces)

F1 Bedroom 3

F1 Liv / Kitchen /Dinning

F2 Bedroom 1

12.5 m²

16.8 m²

F1 Bathroom

Flat 1

F2 Bathroom

20.0 m²

F2 Liv / Kitchen /Dinning

5.4 m²

6.9 m²

30.2 m²

Flat 3

Bedroom 1 Bin Store

1299

DRY

F2 Bedroom 2

2222

9.8 m²

Store / Boiler

P2 Liv Room UP

9.8 m²

UP

P3 Liv Room 9.8 m²

Store / Boiler

Store / Boiler

F3 Bathroom 3

Plots Bike Store (3 Spaces)

6.4 m²

P1 WC 2.4 m²

P2 WC

P3 WC

Wash & Dry

2.4 m²

Wash & Dry

2.4 m²

UP

Wash & Dry

SS

2500 P1 Kichen/Dinning

1674

1424

472

11.7 m²

P1 Kichen/Dinning 11.7 m²

P1 Kichen/Dinning 11.7 m²

Bike Store (16 spaces)

1 2 3 4 5 6 7 8 9 10

18 17 16 15 14 13 12 11

865

P1 Liv Room

23.9 m²

7.6 m²

2.1 m²

4042 Garden Store

Plant

18.7 m²

20.3 m²

F1 En-suite

9.9 m²

DRY

15.1 m²

F3 Bedroom 2

F3 Liv / Kitchen /Dinning

2000m x 2000m

SERVICES

1265

985

1710

10.4 m²

1564

F3 Bedroom 1

Flat 2

F1 Bedroom 2

1332

40.3 m²

SERVICES

GROUND FLOOR Rev By

1

0

1

2

3

4

5

6

7

8

9

10

11

metres

Project Title Notes.

- Drawing may be scaled for planning and land registry only, not for Proposed development at construction purposes.

- The contractor is responsible for checking dimensions, tolerences and 95 Goldhawk Road, references. Report all discrepancies to OSG Architecture Limited London before proceeding with the works.

- Where an item is covered by drawings to different scales, the larger

Drawing Description

DRAFT FLOOR PLANS 01 - OPTION A

Drawing No.

23-1383 - 07 Purpose

A Rev

16.08.23 Date

MASSING OPTIONS Description Unit 2A, Capital House, 4 Jubilee Way, Faversham, Kent, ME13 8GD 01233 812 148

09 CLIENT PROJECT - OSG - 2023

Hatchgate Farm

Residential and commercial

One of the first projects i worked Main entrance Main entrance on as a Part 1 Architecture Assistant at OSG Architecture involved the Main entrance Main entrance redevelopment of Hatchgate Farm.

The task included the demolition Main entranceMain entrance of old, underused barns and the construction of five new dwellings and two commercial units atop the existing steel structure of some of the original barns.

This project involved the creation of multiple drawings and supporting documentation. My responsibilities encompassed direct client interactions, formulating and developing Courtyard facing Courtyard East facing East design concepts, and executing detailed modelling in Revit—from Courtyard facing East the site layout to the structures Courtyard facing East themselves.

Courtyard Courtyard facing East facing East

Path across courtyard Path across courtyard

Path across courtyard Path across courtyard

Path across courtyard Path across courtyard

Courtyard facing Courtyard South facing South

Courtyard facing South Courtyard facing South Courtyard Courtyard facing South facing South

Overview of residential Overview of residential

Overview of residential Overview of residential

Overview of residential

Overview of residential

Section AA 1 : 200

A1

Pond

CC ION

SECT ION

SECT

T3 Fraxinus exceisior (Common Ash)

BB

Section BB 1 : 200

AA ION

SECT

T4 Cupressus marcrocarpa (Monterey Cypress)

T3 Fraxinus exceisior (Common Ash)

Hatch Gate Farmhouse

T3 Fraxinus exceisior (Common Ash)

Issue

DAT

H5 Ulmus procera (English Elm)

T6 Prunus cerasifera (Myrobalan Plum)

Hatch Gate Court

Client :

G22 Franxinus exceisior (Common Ash), Quercus robur (Commn Oak), Mixed hedgerow

Garages

T20 Quercus robur (Common Oak)

S7 0

2

S7 0

2S7 0

Hippocastanum (Common Horse Chestnut) Hippocastanum (Common Horse Chestnut)

3

4

5

V

T11 Fraxinus excelsior (Common Ash)

Site Plan - Sections 1 : 1000

V

G22 Franxinus exceisior (Common Ash), Quercus robur (Commn Oak), Mixed hedgerow

G19 Salix chrysocoma (Weeping Willow)

T12 Fraxinus excelsior (Common Ash)

G19 Salix chrysocoma (Weeping Willow)

T13 Populus tremula (Aspen)

3 S7 0 4 S7 0

1

5

S7 0 S7 0 S7 0

2

G19 Salix chrysocoma (Weeping Willow)

T18 Salix fragilis (Crack Willow)

3

Project PROPO HATCH BLECH GRANG NELSO HURST RG10 0

Section CC 1 : 200

T10 Fraxinus excelsior (Common Ash)

Earth Bund

PLOT 05

G19 Salix chrysocoma (Weeping Willow)

4 Sewage treatment 5 plant 6

Attenuation Basin T21 Fraxinus excelsior (Common Ash)

S7 0

T31 Fraxinus excelsior (Common Ash) S7 0

PLOT 04

S7 0

PLOT 03 T9 Salix fragilis (Crack Willow)

PLOT 02

20 19 18 17

PLOT 01

16

13

12

11

10

9

8

7

T30 Fraxinus excelsior (Common Ash)

1

T14 Fraxinus excelsior (Common Ash) T15 Fraxinus excelsior (Common Ash) T16 Populus tremula (Aspen)

Pond

T17 Populus tremula (Aspen)

15

14

21 22

1

Title : S

T23 Magnolia hypoleuca (Japanese Bigleaf Magnolia)

T24 Betula pendula (Silver Birch)

Plant Compound

T21 Fraxinus excelsior (Common Ash)

H25 Mixed hedgrow

23 24

25 26

27 28

29 30

Scale : Drawn

Checke

31 32 Hatch Gate Court

G26 Salix fragilis (Crack Willow)

Hatch Gate Farmhouse

G26 Salix fragilis (Crack Willow) G26 Salix fragilis (Crack Willow)

5

G26 Salix fragilis (Crack Willow)

4

3

Garages

2 2

G26 Salix fragilis (Crack Willow)

Issue

DATE

DESCRIPTION

DRAWN

3 4

5

V

V

CHKD PLOT 05

G26 Salix fragilis (Crack Willow)

PLOT 01

G26 Salix fragilis (Crack Willow)

Unit 2A, Capital House, 4 Jubilee Way, 1 PLOT 02 Faversham, Kent, ME13 8GD 1 T: 01233 812 148

G26 Salix fragilis (Crack Willow) G26 Salix fragilis (Crack Willow) G26 Salix fragilis (Crack Willow)

www.osgarchitecture.com

PLOT 03 PLOT 04

G27 Ulmus procera (English Elm)

12 Waterside Way, Bedford Road, Northampton, NN4 7XD T:01604 608228

G 29 Eucalyptus gunni (Cider Gum), Cupressus macrocarpa (Monterey Cypress) G 29 Eucalyptus gunni (Cider Gum), Cupressus macrocarpa (Monterey Cypress)

E:measuredsurveys@carterjonas.co.uk www.carterjonas.co.uk

18 17 16

20 19

1

13 12

11 10

Project : PROPOSED RENOVATION & DEVELOPMENT AT HATCHGATE FARM BLECHER FARMS GRANGE FARM NELSONS LANE HURST RG10 0RR Title : SITE PLAN (WITH EXISTING TREES) 10

0

10

20

30

40

50

metres

3 Earth Bund 4 5 6 Attenuation Basin

Old Hatch Gate Farm Cottage

Client : BELCHER FARMS Old Hatch Gate Farm Cottage

2

9 8 7

Scale : 1:500 Drawn by : AW

Date : JULY 23 Surveyed by :

Checked by : DT

Dwg no : 23 - 1352_01

15 21

22

23

24

14

25

26

Plant Compound 27

28

29

30

31

32

10 CLIENT PROJECT - 0SG - 2023

Molehill

Well Being Centre The objective of this project was to construct a new well-being centre at Molehill, situated on Radnor Park Avenue. While the design was kept simple, the project faced constraints with respect to cost and funding for the community space. To overcome this challenge, three residential units were erected on the old well-being centre site, providing supported funding for the project and enabling the creation of a new centre.

NEW WELLBEING CENTRE DEVELOPMENT

NEW RESIDENTIAL DEVELOPMENT

NEW WELLBEING CENTRE DEVELOPMENT

NEW RESIDENTIAL DEVELOPMENT

NEW WELLBEING CENTRE DEVELOPMENT

NEW RESIDENTIAL DEVELOPMENT

PORTFOLIO ALEX PARK-WILSON

UCL MASTERS APPLICATION