portfolio_nov_2017

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ARCHITECTURE

OLA SOBCZYK


aleksandra (ola) sobczyk polish architecture student 92’ based in Paris ale_sobczyk@icloud.com +33 6 95 66 88 64


20 jun 1992, PL

Polish

15 rue d’Orsel� 75 018 Paris

studies oct 2012 - jun 2016 oct 2015 - jan 2016 jan 2015 - mai 2015

Warsaw University of Technology Bachelor of Science, Architecture and Urbanism Ecole Nationale Superieure d’Architecture de Strasbourg Erasmus exchange - Urban studies (program Master 1) Stanford University, CA

experience apr 2017 - now

oct 2016 - mar 2017

laisne roussel, Paris

Dominique Perrault, Paris internship� - project of renovation Tours Pascal, Paris (Revit) - project of renovation Bank Caixa Iena, Paris (Rhino, Autocad)

workshops aug 2016

Arquitectura Sin Fronteras (Madrid), Dominican Republic. voluntary job with community of Azua, Dominican Republic building a cultural centre with local materials

jul 2015 - aug 2015

Volterra International Design Workshop

oct 2012 - jun 2015

Workshop organized by University of Detroit Mercy in Volterra, Italy� Team project for sustainable district next to the ancient theatre under the supervision� of James Timberlake of Kieran Timberlake reArchitektura student group, WAPW, Warsaw

jul 2014 - nov 2014

ASK Summer School, Warsaw Building workshop - parametric pavillon Modular Light Cloud responsive to light and sound (via sensors using Arduino codes) Redesigning the pavillon for Museum of Modern Art in Warsaw leader for one of the groups - soldering the microsystems


languages polish english french spanish

tools Archicad Autocad Revit Rhinoceros (+ Vray) Grasshopper Photoshop Illustrator hand drawing models

interests

jazz

new technologies

scienc

istory

climbing

society

Jewish culture

others driving licence

jam singer

water lifeguard


projects. professional. > Place Mazas > Pascal Towers school. > Synagogue > new center for Warsaw > Tesla industry installations. > Modular Light Cloud > Integrator workshop. > La Bombita


Atelier d’Arsenal as a new life for the square in the center of Paris, reconnected to the river.


24.85m

²

149m

5m

1m

6m

14.7m

4m

3.2m

°

45

M

3m

45°

24.85m

4m

M

149

5m

1m

6m

14.7m

4m

3.2m

°

45

M

3m

45°

4m

Renderings by Weiss.

265 m²

45 m²

M

M

104 m²

M

UG.13.1.2 Pleine terre, espaces libres et surfaces végétalisées

96 m² 34 m²

138 m²

45°

3m

1m

6m

14.7m

4m

° 45

3.2m

24.85m

33 m²

²

149m

5m

16 m²

4m

Restrictions.

265 m²

M 33 m²


Sections.

Team: Nicolas Laisne, Dimitri Roussel, Julie Sion, Nicholas Preaud, Pierre Barbet, Edoardo Perrani, Ola Sobczyk, Marco Morra My work: - axonometric views : general, program, restrictions, environement, then organized by SO-IL (Rhino, Illustrator) - sections (Autocad, Illustrator) - working on big poster presentation

Plans.

Housing.


Axonometric view.

Renderings by Weiss.


Axonometric cut.

Section.


My Revit renderings.


design of

synagogue

Final project is located in Przedborz, Poland where my father comes from. It’s a synagogue with whole complex as a support - like yeshiva, kosher kitchen and mykvah are the support for whole jewish community in town. The inspiration was taken from my family background and Congragation Beth Israel project in Berkeley, CA where the locals wanted to rebuild their synagogue on the base of Przedborz’s one (project was supported by Elie Wiesel). The dispersed structure of the elements refer to irregular layout of jewish districts. Synagogues are always the higher and mykvahs take the natural water - my mykvah is on the edge of ground and river with a small pool. Main inspiration for the functions is Yad Vashem Institut Jerusalem.


case study idea Congregation Beth Israel Berkeley, CA

river Pilica

city of Przedborz

application Yehoshua Ellis prof. Jan Slyk individual research and thesis output project design

jewish cementery

place of the old synagogue

city of Przedborz


These two illustrations show idea of entrance through slope as one example of linking past and present (historical crossing the Red Sea - journey of the Jewish people).


city center - exit

saint space - synagogue

Pilica river.

jewish cementery - end of journey link between past and present


history of Przedborz

Holocaust memorium

synagogues nowadays

model of previous synagogue

museum

Plan.

A

B

C

D

E

F

G

S1(1)

4,0

S1(2)

4,0

S2 P4

P1

A

przekrรณj A - A

B

1 : 100

Section.

0,0

P1

C

D

-0,2

E

F

G


)

patio

restaurant kitchen

synagogue

mykvah

H

I

S1(1)

Ĺš6

J

K

L

M

N

R

S

R

S

S1(1)

S1(2)

P2 P3

4,0

0,0

I

P

10,6 10,0

H

O

P3

4,0

P2

J

4,0

L

M

S1(2)

0,0

P1

-0,2

K

5,2

S2

N

P1

O

P


S1(1) Ś6

S1(1)

profil stalowy do mocowania szkła o gr. 5 cm i wys. 12 cm

podwójne szklenie - warstwa hartowana 10 mm i warstwa laminowana 10 mm

profil stalowy gięty

profil stalowy gięty

Ś6

wkładka osb o wys. 200 mm i gr. 10 mm

płyty kamienne 600 x 300 mm z wapienia świetokrzyskiego o gr. 40 mm mocowane na stalowych kotwach Halfen o dł. 200 mm

kątownik stalowy 4cm x 4cm

profil stalowy gięty

detal 01

1 : 10

płyty kamienne 600 x 30m cm z wapienia świetokrzyskiego o gr. 30 mm mocowane na stalowych kotwach Halfen o dł. 200 mm

3 2 10

P3

2

25

płyta kamienna profilowana 600 x 300 mm profil betonowy w kształcie ‘wanny’ zbrojony włóknami polipropylenowymi o szer. 1200 mm, wys. 200 mm, gr. 20 mm wkładka izolacyjna ze styropianu eps o gr. 30 mm

0,00

P2

-0,20

12

20

6

2

0,00

20

10 1,5

-0,20

-0,48

alVersion

ati n

P2

detal 02

1 : 10

GSEduc

przekrój synagogi

1 : 25

slab 25cm

slab 18cm

wall 30cm colu mn 30 x 30 c m

Reinforced concrete - beam from grid longitudinal reinforcing bars - d. 2.0 cm

pile d. 30 cm

fou nda tion

wa ll 3 0cm slab 9 0cm beam 60 x 30 cm

wall 30cm foun dati on s lab 90cm

grid of beams 60 x 30 cm

slab 25cm

slab 18cm slab 18cm wall 25cm

wall 30cm column 30 x 30 cm

tranverse reinforcing bars - d. 2.4 cm

Reinforced concrete - slab

upper reinforcing bars - support

longitudinal reinforcing bars - d. 2.0 cm

lower reinforcing bars - spans

tranverse reinforcing bars - d. 2.4 cm

edge - d. 3cm upper reinforcing bar d. 2.0cm

lower reinforcing bar d. 2.4

pile d. 30 cm

wall 30cm


Entrance to the synagogue.

Model.

marble

Materials.

tiles of local limestone

cor-ten



RA

EL AP ET

RK

MA

TH

AU

S

CH

EN

RD

GA

Self-actualization

Esteem Belongingness love

Safety

Physiological

Maslow’s Hierarchy for needs for city center.

Functional types in city centers in Poland and its spatial layouts.

we were looking for the

new center for Warsaw. Our main idea is to create a new city center for Warsaw as this capital has no social and spatial center right now. We are taking the basic needs of city and its inhabitants and confronting them with typical functional types in polish cities - it’s a theoretical tower. Our design is more like a manifesto than real project with clear boundries and constructability.


Self-actualization

workshops

Esteem

art gallery chapel

Belongingness and love

Safety

forest

sport ramps

market

Physiological

info site

therms

Hierarchy in our building.


Those two visualisation were made by my coworkers.


Masterplan - connections between Forbach, FR and Saarbrucken, DE (teamwork of 4 students).


Tesla industry in Forbach as a part of resuscitation of mining area.

The Tesla industry is located in EuroZone - place for new industries between two countries - France and Germany. And the spot in Forbach blends in the politics of Tesla Industry in Europe - the main market of selling is in Frankfurt, Paris, whole Swiss et Belgium. The district consists of the factory which is connected with solar panels, the spot of research for students, showroom for Tesla, residential part and experimental residential part - all electrical and ecologic .


Environement analysis.

Transportation analysis.


System of electric cars in the area based on swarm intelligence.


Tesla industry - quiet and ecological.


Experimental housing.

Pavillon.

Co-working and university space.

Site plan.


please watch the promo :

https://vimeo.com/113373664


process

idea / discussion

from Grasshopper � optimization � to fabrication

3D printing nodes

choosing the best

Electronic’s systems� based on Arduino

Sensors to light� and sound

modular light cloud stands

for responsive structure to light and sound thanks to Arduino “Modular Light Cloud” installation was designed and manufactured during Summer School Workshops at ASK (Architecture for Society of Knowledge), an international Masters course at Warsaw University of Technology School of Architecture.

photos : ASK, Michal Pierzchalski, Leszek Liniecki, Agnieszka Krudowska, Agnieszka Szczepanska, Piotr Zbierajewski


plastic / aluminium tubes

we chose the ‘Eaten Edges’ conception.

LED stripes

plexi - boxes with electronic modules Arduino

3D printed nodes


Modular Light Cloud became the part of the performance at Museum of Modern Art in Warsaw right after its premiere. The structure needed to be redesign and reconstruct. The new elements needed to be create. I was responsible for one group which was taking care of soldering new Arduino systems with sensors, plugs and LED tapes which were all connected in the aluminium tubes. The other groups built the microsystems before our work and the whole structure in the museum.



big plywood circles small plywood circles (support)

plywood triangles (fondation)

integrator pw as integration

and collaboration between the students for achieving our aim

photos : reArchitektura group


process

phase idea

phase application

phase construction



me

20m2 = 2000 $ 6 weeks 30 volunteers The project of the new community center was held in La Bombita, the poorest district in Azua, Republica Dominicana. We built it from the local materials - bricks made out of the soil, reinforcement from bamboo and cladding - the mix of the limestone and river sand. During the whole project, we were taking care of the community as well - we gave our time to children and adults, playing, teaching English and so on. We had the discussions with local politicians and we saw the other ASF projects in Republica Dominicana and Haiti. I hope our time there made a real, even small, change to the thinking of the people of La Bombita.

Local materials we made and used.

90% soil

10% soil

+

50% river sand

+

10% lime

+

10% cement

+

50% lime

bricks



thank you


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