Council, London, the Daniel Langlois Foundation of Canada and the Biennial Prize of the Arts of Colombia. She has received national and international support, among them Delfina Foundation London, and research-creation grants from the Ministry of Culture, the Universidad Nacional de Colombia and the District Institute of Culture of Bogotá. Selected for the Yaddo Art Residence in New York. Nicolás Gómez He works s an artist, curator and art historian. Through the exploration with different media -mainly the painting and the sculpture- he goes to visual codes for the representation of the sensory and perceptive experience of the space. He works with objects and images that reveal the tensions between the artificial and the natural, and the sensory in relation to the systems of categorization and the measurement of science and language.
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Both in his artistic work and in his research work, he has deepened references to the rural and urban landscape in modern and contemporary art, as well as the development and validity of abstract art. Graduated from the Art program of the University de los Andes (Bogotá, 2008) and the Master of Science in Art History from Goldsmiths University (London, 2010). He has exhibited his work in Proartes (Cali, 2016), Lokkus Gallery (Medellín, 2016), Maca (Bogotá, 2016), Salón Comunal (Bogota, 2016), Pereira Art Museum (2015), Galería Nueveochenta , 2014), Doce Cero Cero Gallery (Bogotá, 2013), Valenzuela Klenner Gallery (Bogotá, 2013); Santa Fe Gallery (Bogotá, 2012) and Project Room of the Universidad de los Andes (Bogotá, 2007). He has been profesor at the Universidad de los Andes (Bogotá), Universidad de la Sabana (Bogotá) and Universidad del Tolima (Ibagué). He regularly publishes essays and historical and critical articles on modern and contemporary Colombian art and has worked on curatorial projects for various institutions such as the National Museum, La Tertulia Museum and Banco de la República. (Text was taken from: http://www.arteinformado.com/guia/f/nicolas-gomez-echeverri-45631 on May 19, 2017)
tALk: NuEvOs LímitEs DE LA DEmOCRACiA Michel Wieviorka France
Until the mid-1980s, democracy did not seem to concern philosophical reflection in the field of political sociology. It was enough to think of it as the regime opposed to communism and dictatorship. Since then, critical thinking has developed in several ways, giving the impression of some discomfort when it comes to thinking about the solution to the great contemporary challenges, for example: social difficulties, injustice, inequalities, crisis of Political and party representation, institutional deficiencies and the treatment of culturally or religious orders, violence, etc.