WIP The Monastic City Portfolio 02

DS22 Portfolio MArch Year 2

ALEJANDRO ABREU HERMOSO

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This report documents the technical ambition of a theoretical design project situated in Hanoi, Vietnam.

Complementing the design portfolio, this document expands on how the project’s technological aspects, material explorations, construction phasing and detailing have influenced the iterations of the design process.

Department of Architecture & Built Environment University of Westminster May 2020

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Contents The Monastic City

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Project Brief

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Design Development

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Technological Ambition

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Statement of Intent

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Site Analysis

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Climate Pollution Climate Change: Monsoon and Flooding Risks

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Local Material

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Engineered Structural Bamboo Considerations and Characteristics Material Precedent Banana Leaf as Building Skin UHPC (Rice Husk Ash Cement)

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Site Preparation

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Existing Site Surgical Piling Symbiotic Engineered Bamboo Structure Flooring/ Partitions / Skins

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Detailed Fragment

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Fragment Overview Exploded Axo Detailed Section Zoomed In Details Prefabrication and Manufacture Environmental Strategy

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Conclusion

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DS_22 / Resilient City: An Oasis in Fractured Landscape Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

Qui venis voluptat min nonem haria quos aute nos nonsequae as doluptati autente numentorro dolest licti odi volor mi, niment omnime mossequatur, niendipsum denihit pe por re dolorum destiam fuga. Pudi sendicta nam sinci sum site que as quae nonsequi omniscidi officip suntorite pa qui volupta volor modicta tionsequi

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ut as moluptas aut aliqui as eictemped magnimus.

Siti rem hillandis et mossequam reptat mo de quos dolecero quodia con est, sit et fugita dolo tempore henimi, od eossenis dolut quatur audi conem apidundi cupis modisquis aut la corit alias dolupta nulpa aborentia voluptatisto idebistibus ex eligendant latum volentur?

Aborrunt fugiat. Ximusapero mo et voluptatenis in eturPerum audaepudis volorest aut lab in pro que offic tectem que pe pos moluptat everor secus essitae es cus ut at quos ma cus dolupta ecaboru mquiate iunt voloribus et od quia dendit rectae pa que comnihitat quianda ntotat.

Solupiciis as ex ersped quatios anihilicimin repudionse cupti simus doloressit ut maximenis sitis voloris experrum intias sedit quatur se evene sim reritinimus.

Magnam nullatque corio dolo est, temoluptat.

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Introduction Vietnam as a Fragmented Landscape

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

Qui venis voluptat min nonem haria quos aute nos nonsequae as doluptati autente numentorro dolest licti odi volor mi, niment omnime mossequatur, niendipsum denihit pe por re dolorum destiam fuga. Pudi sendicta nam sinci sum site que as quae nonsequi omniscidi officip suntorite pa qui volupta volor modicta tionsequi

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Project 01 / Part 1 Group Work Device: Frequencies

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Notion of Oasis Giving a Voice to the Unheard

Frequency Transmissions as the basis for the Device

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam Opposite Page: Concept drawing of the Device placing the Central Highlands as the territory for frequencies voicing the unheard narratives of the Montgnard population

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Montagnards The People of the Mountain

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam

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Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam

KOM TUN PROVINCE

GAI LAI PROVINCE

DAK LAK PROVINCE

DAK NONG PROVINCE

LAM DONG PROVINCE

CENTRAL HIGHLANDS NARRATIVE MAP

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Device Concept and Manifesto DEVICE :

Uncensored Frequencies

FUNCTION :

An resilient device to generate audible transmissions of the unheard and marginalised and expose hidden layers within the land.

CONCEPT:

Utilising the censored climate of Vietnam’s single party state, the device aims to perform a spatially hidden and uncensored audible transmission that will require the user to use various tools provided by the device to read the landscape and follow instructions to understand the device.

The device is to bringforth confusion by creating a series of visible and invisible, highlighting the complexity and history of the land. Using the historical and current knowledge of the loudspeakers of the Vietnam War, previously used as warning signals of impending aerial strikes and now used as the fastest channel to dismantle information politically, The device will propose to create a frequency generated through narrating the untold stories of the montgards in the Central highlands, giving them a voice to express, communiticate and practices their tradiitons in an uncensored manner while mapping their ever changing boundries.

The use of anaglyph lenses will be to reveal the 'hidden' collective oasis areas within the landscape, represented by the 'transmitters'.

The hidden landscape will be represented through mixed visual CMYK mapping technique exposing the case of invisible and visible- ' censored and uncensored'. The user will be invited to view the landscape using anaglyph lenses secured on a spatial grid. Adjusting the lenses to deconstruct the hidden layers of the landscape and isolateing particular information which wouldve otherwise been difficult to see. The lenses allow them to perceive alternative visions of the urban realm revealing various clue on how to navigate the site. The resilient device provides frequencies allowing the narration of the unheard to tell untold stories, communitcation and proetection within the communities

RESILIENCE OR

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OASIS :

Resilience operating as an invisible Oasis

DIMENSIONS:

1600mm x 500mm x 1000mm

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Device Precedents

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' Untitled ' Shipla Gupta

' In Your Tongue I Cannot Hide ' Shipla Gupta

A mechanical residential gate, the type installed in front of private driveways for seclusion and safety. This one, however, with its exaggerated spikes and protruding metal frame, swings back and forth of its own accord, hitting the gallery wall aggressively – and eventually cracking and breaking it. Gupta relates the strange central shape in the metalwork both to the outline of a territory and ‘a hole in a brain’, giving the gate a hauntingly anthropomorphic quality.

The sound installation gives voice to 100 poets who have been jailed for their writing or beliefs. Visitors will encounter 100 microphones suspended over metal rods, each piercing a verse of poetry. Each microphone in turn recites a fragment of the poets’ words, spoken first by a single voice then echoed by a chorus which shifts across space. It incorporates a strong spatial dimension, unfolding a soundscape which cannot be experienced from a single standpoint, but which requires the visitor to move through the space, to actively listen.

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' Eavesdropping ' - LTL Architects

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! t" t" i i The idea of the device is to listen-in to private! conversations, calling this a transgression into public consciousness. The seats are facing a low volume speaker within an enclosed area. The microphone is then moved across the gallery through a motorised pulley system picking up conversations.

Our concept stemming from this is to create uncensored information where people can listen into, defying what is forced upon them from the government.

' Floating Lanterns ' Louise Yeung, Anthony Lau, Denis Tsang Since ancient times, flying paper laterns have been used as warning signs for floods. The device is placed around the city where when a certain water theshold is passed, the device will rise up and serve as a warning.

By creating a functional device, it allows the device to be useful and not just something that highlights apparant issues.

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Materiality Specification

FREQUENCY TRANSMITTERS:

Deconstructed Radio Components Electrical Wire and Clips Speakers For sound Emission and Story Telling Batteries Found Materials Copper Rods Circuit Motors Circuit Speed Control Regulator Stainless steel: Nuts and Bolts, Wire

LANDSCAPE:

Plaster Base - Inverted Contour Bowl Acrylic gears Electrical Wire Acrylic Circut Board 20lb Fishing Line Wire Metal Rings Copper Rod Deconstructed Gear Motor 3D Printed Signal Stands Batteries Welded Metal Frame

LENSES:

Dismantled Camera Lenses at varying sizes Metalic Camera Frame Supports Clear Acrylic Lense Coloured Acetate Film UV Lights

MAPPING:

CMYK Colour Mapping Invisible Ink Pen Mapping UV Lights Hidden Elevated Laser Cut Villages Spatial Copper Grid Welded Metal Frame

ADDITIONAL

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Stools For Obsevation and Interaction

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Conceptual Functions

'Elevated Woven Topography'

[1]

'Frequency Transmitters'

[2]

'Hidden Mapping'

[3]

Stainless steel antenna Re-purposed metal contact ring Crocodile Clips

We envisioned the device to obtain a composition of layers which would represent certain aspects of the fragmented landscape of which we wanted to exaggerate and expose. Each of the layers, broken down by the images above would be combined to create an encrypted and blurred version of the central highlands. The use of a series of lenses would be incorporated to be used as a tool for searching for the Montagnard narratives.

Electrical wire Metal rod support for contact ring

As an initial move we sough to construct a series of transmitters which would emit a radio transmission which could be â&#x20AC;&#x2DC;pluggedâ&#x20AC;&#x2122; into to provide an audible voice narrating the stories of the marginalised population. The transmitters would take a subservient role to the lens as a method of searching for the narratives.

12V DC Circuit Motor Crocodile Clips Rotation Cord 12V Alkaline Battery Re-purposed metal support stand Early Transmitter Design

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'Lens Viewfinders'

[4]

'Movement and Trails'

[5]

'Inverted Landscape'

[6]

Transmitters Cultural + Political Layering

'Topographical Landscape'

Early Device Design

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Lens Development We sought to explore the operation of the lens through sketches and methods of production. Using the concept of coloured filters, we found success in exploring how light and colour could filter out printed images. We also explored how the lenses could operate as moving objects, allowing multiple views of hidden landscape and tested the soldering of components of an SLR camera to copper rods as a way of making the lenses.

Fragmented Camera Lens Precedent

Lens Viewfinder

Fixed pivot lenses

Moving pivot lenses

Pivoting Coloured Lenses Vibrating Mental Antenna

Coloured Lenses

Topographical Landscape

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Device Development Axo

Lens Viewfinder Sketch

Scale of Soldered Lense

Coloured Filter Tests Over a Narrative Image

Soldered Lens Holders

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Layer Hierarchy

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam

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A Lenses and Steel 'Flexible' Frame

B Topographical Wire Landscape

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Metal Rod Transmitters

D 3D Printed Rod Stands

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Mechanical Gears

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Steel Support Frame

Clear Acrylic

H Hidden Neighbourhood 'CMYK' Routes

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Plaster Cast Inversed Topographical Landscape

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Plaster Cast Support

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Process and Testing

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

Qui venis voluptat min nonem haria quos aute nos nonsequae as doluptati autente numentorro dolest licti odi volor mi, niment omnime

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Narrative Mapping Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos

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Final Design Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam

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Model Photographs

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Re-Mapping the Central Highlands

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Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari

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Towards a Notion of Oasis

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

Qui venis voluptat min nonem haria quos aute nos nonsequae as doluptati autente numentorro dolest licti odi volor mi, niment omnime mossequatur, niendipsum denihit pe por re dolorum destiam fuga. Pudi sendicta nam sinci sum site que as quae nonsequi omniscidi officip suntorite pa qui volupta volor modicta tionsequi

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Field Trip : Hanoi

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

Qui venis voluptat min nonem haria quos aute

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Hanoi - The City of Peace Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio.

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City Analysis

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A Visual Catalogue of Hanoi's Urban Conditions

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

Qui venis voluptat min nonem haria quos aute nos nonsequae as doluptati autente numentorro dolest licti odi volor mi, niment omnime mossequatur, niendipsum denihit pe por re dolorum destiam fuga. Pudi sendicta nam sinci sum site que as quae nonsequi omniscidi officip suntorite pa qui volupta volor modicta tionsequi

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'Decades of Hunger' (1945 - 1970) : Rooftops as a solution to famine Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

Qui venis voluptat min nonem haria quos aute nos nonsequae as doluptati autente numentorro dolest licti odi volor mi, niment omnime mossequatur, niendipsum denihit pe por re

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Hanoi is home to approximately 15,000 street vendors â&#x20AC;&#x201D; most of them female migrants Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

Qui venis voluptat min nonem haria quos aute nos nonsequae as doluptati autente numentorro

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Project 02 :

"Thành Phố Tu Viện" (The Monastic City)

Please click on the link below for an audible presentation of the following section: vimeo.com/TheMonasticCity/Part2

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'HEROIC MOTHERS'

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The Identity of Women in Vietnam : 'Heroic Mothers'

'Grow Soya Beans'

'Save the Country, Save the Youth'

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

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'Protect and take Ownership in your Village'

'Fight For Our Future'

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The Identity of Women in Vietnam : Mother Goddess Worship 'Dao Mau'

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

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Narrative of the Tradeswomen

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

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Identifying a Fractured Landscape: The Tradeswomen of Hanoi

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

Qui venis voluptat min nonem haria quos aute

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A Tradeswoman's Journey Between the Rural and the City

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'Ca Dao' A Vietnamese Folk 'Unaccompanied Song' Các hạt cọ nhỏ bị sọc bởi tĩnh mạch.

Tôi gần nhà bây giờ, nhưng sớm thôi, Em sẽ ở xa.

Tôi kết hôn với bạn khi tôi mười ba tuổi. Đến mười tám tuổi, tôi đã có năm đứa con.

Tôi sẽ phải bán bốn hoặc năm giỏ Gạo tuốt, kilôgam bông.

Chúng ta sẽ ăn ít hơn. Quả đắng này Tôi sẽ mút mà không phàn nàn, kẻo mọi người cười.

Nước chảy, nhưng đau buồn sẽ không cuốn trôi.

Cỏ có mùi ngọt ngào, nhưng trái tim sẽ không cảm thấy bị tổn thương.

Chúng tôi nói lời tạm biệt - chúng tôi chia tay, dừng lại ở mỗi bước.

The little palm nuts are streaked by veins.

I am close to home now, but soon, I will be far away.

I married you when I was thirteen.

By eighteen, I already had five children.

I'll have to sell four or five baskets Of threshed rice, kilos of cotton.

We'll eat less. This bitter berry I'll suck without complaints, lest everyone laughs.

The water flows, yet grief won't wash away.

The grass smells sweet, yet hearts won't feel assuaged.

We say goodbye - we part, halting at each step.

'Street Vending Provides an opportunity for circular migration whilst maintaining a rural family identity'

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In search of a New Urban Typology

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

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Theoretical Framework Is the Monastery the Answer?

TRADESWOMEN RURAL IDENTITY

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MOTHER GODDESS WORSHIP

MONASTERY TYPOLOGY

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"A fully lived space, a simultaneously real-andimagined, actual-andvirtual locus of structured individuality and collective experience of everyday life"

- Edward W. Soja, Thirdspace Theory

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam

67

9

2

6

3 1

5 8

4

1

MAIN CLOISTER COURTYARD

2

MONKS CELL ROOMS

3

REFECTORY

4

CHURCH

5

COURTYARD

6

GUEST CHAMBERS

7 7

An Exploration into the Monastery Typology

KITCHEN

8

SERVICE COURTYARD

9

WATCH TOWER

10 BARNS AND GRANARIES 10

CHARTERHOUSE OF FLORECE (EMA MONASTERY) ITALY - FLORENCE

2 3 4

1 7

8

1

CLOISTER COURTYARD

2

CHURCH

3

VESTRY

4

CHAPTER HOUSE

5

REFECTORY

6

OLD CHAPEL

7

KITCHEN

8

ABBOTS QUARTER

5 6

PADISE CISTERCIAN MONASTERY - PADISE - ESTONIA

9 6

9 7

2 1

3

4

1

MAIN TEMPLE

2

MAITREYAS TEMPLE

3

BROM STON TEMPLE

4

GOLDEN TEMPLE

5

PROTECTORS CHAPEL

6

BROM STOM TEMPLE

7 5

MANDALA TEMPLE

8

NUNâ&#x20AC;&#x2122;S TEMPLE

9

NEW ENTRANCE HALL

10 KITCHEN AND STOREROOMS

8

TABO BUDDHIST MONASTERY - HiMACHAL PRADESH INDIA

1

2

3

5

1

CHURCH

2

CLOISTER

3

CHAPTER HOUSE

4

MONKS QUARTERS

5

MONKS QUARTERS

6

INFIRMARY

7 4

7

6

FRATER AND KITCHEN

8

ABBOTS KITCHEN

9

ABBOTS LODGINGS

10 INFIRMARERS QUARTERS

10 9

8

ROCHE ABBEY CISTERCIAN MONASTERY - YORKSHIRE ENGLAND

1

2 6

5

3 7

1

CHURCH

2

SOUTH PRECINT

3

CHAPTER ROOMS

4

SOUTHERN WING

5

MONKS QUARTERS

6

NORTH PRECINCT

7

4

NOTHERN WING

8

NUNS QUARTERS

9

WEST OUTHOUSE

9 8

ST JOHNS ABBEY CISTERCIAN MONASTERY - MUSTAIR - SWITZERLAND

3

7

1

2

10

12

9

4

6

KYAMRA CHENMO COURTYARD NANGKOR PASSAGE

4

KITCHEN AND LAUNDRY

5

NGA-KHANG GATE

6

LULSANG GATE

7

GOSUM TEMPLE

8

KITCHEN AND MONKS QUARTERS

9

NANGKOR TEMPLE

11 SHIRA COURTYARD 5

12 EATERY

8

TSUKLAKHANG BUDDHIST MONASTERY - GANGTOK INDIA

11

11

12 10

13

9 14

8 15

3 1 7

16 6

17

5

4 2

18

20

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MAIN GATE

10 MONKS QUARTERS

11

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam

1 2 3

19

21

22

23

ST GALL CAROLINGIAN MONASTERY - ST GALLEN SWITZERLAND

1

ST GALL CHURCH

13 ABBOTTS HOUSE

2

TOWERS OF ST GABRIEL AND ST MICHAEL

14 SCHOOL

3

CLOISTER COURT

15 HOSPITAL

4

HOSPITAL FOR THE POOR

16 CELLAR

5

CATTLE

17 STABLES

6

SERVANTS QUARTER

18 FARMERS QUARTERA

7

BREWHOUSE

19 PIG FOLD

8

BLACKSMITHS QUARTERS

20 GOAT FOLD

9

GRAIN STOREROOMS

21 SHEEP FOLD

10 CEMENTARY

22 STABLES

11 MONK DORMITARY ROOMS

23 COW BARN

12 GARDEN ROOMS

CHURCH

St Johns Abbey Mustair Tsukakhang Monastery

SPATIAL CONNECTION BETWEEN COURTYARD AND TEMPLE

BARNS AND GRANARIES

Roche Abbey

Charterhouse of Noneque

INDIVIDUAL CELL HOUSES AROUND CLOISTER

Chapterhouse Ema

GUESTHOUSES

Padise Monastery

SMALLER COURTYARDS

St Galls Monastery

INVERTED COURTYARD

Tabo Monastery

HEALTH AND EDUCATION

BREW HOUSES

69

Exploration of an Urban Monastic Typology responding to the different conditions within Hanoi's Fabric

1 2

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam

70

INFILL COURTYARD INTERSTITIAL STREET OCCUPATION

3

FRAGMENTED TUBE HOUSES

4

WOMENS MUSEUM EXTENSION

5

LINERAR POCKET INFILL

6

OFF STREET INFILL

7

GA HANOI TRAIN STATION COURTYARDS

8

ROOF TOP OCCUPATION

9

FRAGMENTED COURTYARD

10

TUBE HOUSE OCCUPATION

11

RAISED STREET

12

PRIVATE ROOFTOP GARDENS

13

SEPARATED PODS

14

HALF COURTYARD

3

1

2

4

5 8

6 7

9

10

11

12

13

14

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Manifesto: A Monastic Intervention

1

Reclaim the social identity of the vendor to the city through a monastic Intervention

2

Secure and improve the territorial and socioeconomic hierarchy of the tradeswoman

3

Radical transformation of home beyond shelter

4

72

Shared ownership of collective and flexible sub-letting of property to enhance rural and urban migration patterns

5

Reduction of working hours and diversification of Income

6

Re-production of rural trade heritage and expansion of trade boundaries

73

The Manifesto Re-drawn

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo.

Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

Qui venis voluptat min nonem haria quos aute nos nonsequae as doluptati autente numentorro dolest licti

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75

EXISTING TUBE HOUSE

PROPOSED INTERVENTIONS

Manifesto Design Intent

WOVEN SECOND SKIN DAYLIGHT

AGRICULTURAL LAND

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo.

Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

Qui venis voluptat min nonem haria quos aute nos nonsequae as doluptati autente numentorro dolest licti

2

1

1 2

76

EXISTING TUBE HOUSE BUILDING REFECTORY + COMMUNAL KITCHEN

3

ROOF CHICKEN FARM

4

TEA ROOM + LIBRARY

5

GARDEN ROOFS & FACADE - TEA LEAF FARMING

6

SEASONAL RENTABLE ACCOMODATION

7

MOTHER GODDESS TEMPLE + SPACES OF SECLUSION

8

OCCUPATION OF EXISTING BUILDING LEVEL

9

PUBLIC GROUND LEVEL MARKET

10

PRIVATE 'COURTYARD' FOR TRADESWOMEN SPACE FOR INFORMAL SOCIAL ACTIVITY

11

FIXED SINGLE UNIT ACCOMODATION FOR TRADESWOMEN

12

HIDDEN ACCESS THROUGH EXISTING BUILDING FABRIC - BIKE AND GOODS STORAGE

12

CONCEPT SECTION

3

5

6

11

7

4

10

8

9

PROGRAMMATIC SECTION

77

78

Strategic Interventions at a City Wide Scale

79

Strategic Interventions Axonometric

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam

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81

Rural Material Precedents

5.

1.

2.

1 - 4. Fernando Lapposse, Totomoxtle.

5. Vietnamese Palm Cladding 6. Vietnamese Villagers.

Harvesting Crops, Vietnamese Womens Museum.

7. Studio Morrison, 'Mother' Wicker Installation.

8. Climbing Frame Library, Farming Architects, Vietnam 9. Banana Leaf Wrapping 10. Traditional Basket Weaving 11.Heather and Ivan Morrison, Im So Sorry Goodbye Project 12. Beng Chu Cafe with Contemporary Vietnamese Features.

13. Red House, Studio TAA. 14. Chicken House, A playground for Children and Chickens, Tropical Space Architects

82

6.

3.

4.

7.

12.

8.

9.

13.

10.

11.

14.

83

In Praise of Post-Colonial Regionalism

'Los Rivales', Diego Rivera, 1931 Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

Qui venis voluptat min nonem haria quos aute nos nonsequae as doluptati autente numentorro dolest licti odi volor mi, niment omnime mossequatur, niendipsum denihit pe por re

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85

Celebrating the Collective Experience of Everyday Life

'Woman Playing the Lute' Mai Trung Hu, 1980 Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

Qui venis voluptat min nonem haria quos aute nos nonsequae as doluptati autente numentorro dolest licti odi volor mi, niment omnime mossequatur, niendipsum denihit pe por re

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87

The Real and Imagined

88

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari

89

Banana Leaf Loom Section

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam

90

91

Early Massing Drawing

92

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam

93

Rurality through Materiality

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam

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1

MOTHER GODDESS TEMPLE FLAGS

2

ROOF CLAY SHINGLES

3

ENGINEERED BAMBOO STRUCTURAL FRAME

4

BAMBOO SCRIMBER JOISTS

5

CLAY TILE SHUTTERS

6

REPURPOSED WOOD WINDOW SHUTTERS

7

BASKET AND GOODS STORAGE

8

BANANA LEAF SKIN

1

2 3

4

5

6

7

8

95

Physical Model Photographs

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam

96

97

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam

98

99

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam

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101

102

Abstract Site Plan

103

Abstract Facade Painting

104

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam

105

B

A

B

106

Ground Floor Plan

A

107

B

A

B

108

Typical Floor Plan

A

109

B

A

B

110

Top Floor Plan

A

111

A New Monastic & Agricultural Roofscape

112

113

Detailed Fragment (Section A-A)

114

3 1

2

6

4 5

Upper Level Details

8

9

10 7

1. Banana Leaf Skin 2. Secondary E. Bamboo Joists for Secondary Skin 3. Rotational Cultivation Door (E. Bamboo and irrigation channels) 4. Cable Ties for Secondary Skin 5. Agricultural Floor Build Up (Soil, Substrate, Water Retention Layer, Vapour Barrier, Foil) 6. Prefab E.Bamboo Primary Structure 7. Clay tiles and Steel Fixings 8. Mechanically Openable Roof Brise-Soleil 9. E. Bamboo Secondary Structure Joists 10. E.Bamboo Veneer

115

3

1

6 2

4

5

Existing and New Proposal Connection + Roof Structure 6 7

8 9

10

116

1. E. Bamboo and Steel Connection 2. Sliding Wardrobe and Door (Laminated Bamboo).

3. Internal Floor Build Up ( Upper Level) 4. E.Bamboo Staircase 5. Steel Connector with Bolts to the Existing Tube House Slab 6. Opening for Glass Sky Light 7. E. Bamboo Battens 8. E.Bamboo Veneer 9. E. Bamboo Prefabricated Primary Structure 10. Agricultural Floor Build Up

3

1

4

2

5

Accomodation and Foundation Details 6

7

8

9

10

1. Prefab E.Bamboo Sturcture for Skin 2. Banana Leaf Tiles 3. Steel Cables + E.Bamboo Battens 4. Flip Up Bed and bamboo window shutters 5. Clay Tile Ventilation Openings 6. Prefab E.Bamboo Primary Structure 7. Steel Angled Connectors 8. UHPC Wall 9. UHPC Foundation 10. UHPC Pile

117

Exploded Axonometric of Building Components

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam

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1

PRIMARY ENGINEERED BAMBOO FRAME

2

ENGINEERED BAMBOO JOISTS

3

CABLE TIES FOR SECONDARY SKIN

4

BANANA LEAF TILES

5

ENGINEERED BAMBOO FRAME FOR SECONDARY SKIN

6

STEEL AND CONCRETE ANCHOR

7

UHPC PILES AND FOUNDATION SLABS

8

EXISTING TUBE HOUSE STRUCTURE

9

DOUBLE ENGINEERED BAMBOO AND STEEL CONNECTION

10

INTERNAL LAMINATED BAMBOO PARTITIONS

11

CLAY ROOF TILES

12

FLOOR BUILD UP (MATERIAL DEPENDENT ON LOCATION)

119

(Section B-B)

120

121

Flexible & Rentable Accomodation Units

122

123

124

Moments Throughout the Monastic City

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

Qui venis voluptat min nonem haria quos aute nos

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126

Concealing the Monastery : A Fortress of Agricultural Production

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

Qui venis voluptat min nonem haria quos aute nos nonsequae as doluptati autente numentorro dolest

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128

Celebrating a Rural Identity

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam

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Production as an Oasis Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae

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131

132

The Temple Shrines : Spaces of Meditation and Prayer

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

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134

A Symbiotic Connection Between the Rural and the Uban

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

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136

137

Rurality as a Notion of Oasis

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

Qui venis voluptat min nonem haria quos aute nos nonsequae as doluptati autente numentorro dolest licti odi volor mi, niment omnime mossequatur, niendipsum denihit pe por re dolorum destiam fuga. Pudi sendicta nam sinci sum site que as quae nonsequi omniscidi officip suntorite pa qui volupta volor modicta tionsequi ut as moluptas aut aliqui as eictemped magnimus.

138

Beres num nis qui beatur molut estrum eiuntem quis eos dolupta ecestis seque eiur sitaest pra simolores venti tem hilitem hilliqu aeperia perum am quiducia et labo. Et officia inciam fugitat vendae eatur acculla borrovitae raeprererae landerc iumenest, ipsam ipitias pedist fugia quae suntibu saperit eatio. Nem utate sim quam facero ipsum quae si doluptatibea conseque lit, culpari tataturescit repellu ptatios ipis dit peliquos dolupta prem facepudam, cum explam, totam quo et acia isqui doles nim eum ius.

Qui venis voluptat min nonem haria quos aute nos nonsequae as doluptati autente numentorro dolest licti odi volor mi, niment omnime mossequatur, niendipsum denihit pe por re dolorum destiam fuga. Pudi sendicta nam sinci sum site que as quae nonsequi omniscidi officip suntorite pa qui volupta volor modicta tionsequi ut as moluptas aut aliqui as eictemped magnimus.

139