A
lec Andrea Del Rosario is a production designer whose work reflects ambition and attention to detail. Her designs are consistently inspired by the functional aesthetics incorporated in different sub-genres of science fiction, such as cyberpunk Always pursuing improvement in her techniques, she showcases a deep appreciation for understanding the various mechanisms behind practical effects
Through a combination of skilled craftsmanship and an eye for unconventional materials, Alec specializes in armor construction and property design. She finds enjoyment in the challenge of maximizing the limits of a performance space, and to master construction for a wide variety of genres is her aspiration in her career
Alec seeks to build worlds from galaxies far, far away through her passion for learning diverse methods of construction and discovering new media
EDUCATION
De La Salle - College of Saint Benilde - Malate, Manila
Bachelor of Arts: Production Design (Gradutated with Honorable Mention)
PROFESSIONALSUMMARY
Skilled multitasker with superior work ethic and good teamwork, problem-solving and organizational skills. Meticulous and detail-oriented with excellent observational and communication skills. Willing to take on any task to help team. Reliable and dedicated team player with passionate and resourceful approach.
SKILLS
Team Collaboration
Sketching and Brainstorming
Prop and Set Installation
Painting
Scenic Design and Construction
Texture Painting
PROFESSIONAL EXPERIENCE
Attention to Detail
Multitasking and Organization
Creative and Resourceful
Prop Design
Styling
Fluency in English
Head Wardrobe | Starman (2024) - Malate, Manila
Constructed full-body space suit from scratch within 4 weeks.
Sourced over 5 sets of costumes totaling under the given budget.
Applied on-the-spot repairs on set.
Proven ability to learn quickly and adapt to new situations.
Skilled at problem solving in fast-paced environments.
Puppet Maker | Love My Buddy (2024) - Malate, Manila
Constructed 5 puppets of varying designs from scratch within 4 weeks.
Utilized skills in styling and composition to finalize puppet colors and designs.
Utilized different hand-sewing techniques depending on each puppet shape.
Researched and implemented innovative design techniques and strategies to reduce production costs.
Property Department | Balitoc Nga Ngipen (2023) - Malate, Manila
Constructed over 5 props from scratch based on historical references and research within 4 weeks.
Participated in detailing of prosthetics.
Purchased and sourced materials totaling under the given budget.
Worked effectively in fast-paced environments.
Costume Designer | ‘Yun Na Nga, Kung ‘Yun Na Nga (2024) - Malate, Manila
Designed and constructed a total of 15 costumes within 5 weeks.
Utilized existing knowledge on historical fashion combined with thorough research to produce original designs.
Completed alterations and on-the-spot repairs throughout show days.
Purchased and sourced materials for costumes totaling under the given budget.
Displayed leadership in delegation of tasks and construction guidance among interns.
09/2024 - 10/2024
02/2024 - 03/2024
01/2023 - 02/2023
03/2024 - 04/2024
Event Stylist | Midnight Murder (2024) - Pasig, Manila 10/2024
Designed and styled decorations according to the given “murder mystery” them.
Produced over 5 displays with materials totaling under the given budget.
Hand painted mural within 3 days.
Showcased creative thinking and problem solving skills throughout the ingress process.
Workshop Speaker | TLE Camp (2024) - Makati, Manila
Prepared an effective crash course presentation on Production Design with an activity suitable for Grade 10 students.
Provided hands-on guidance throughout the workshop proper.
Expressed fluency in English and public speaking skills.
11/2024
ProfessionalWorks
Screen captures from the film’s scenes featuring the full-body space suit
Screen captures from the film’s scenes featuring the full-body space suit and other costumes
HEAD WARDROBE - STARMAN (2024)
Screen captures from the first episode featuring the handmade puppets
Screen captures from the film’s scenes featuring the telegraph prop
Approved build of Japanese military telegrap p prop for the 2023 short film “Balitoc Nga Ngipen” directed by Mike Cabarles
Final build before weathering process
(Above) Hand-written Japanese characters and labels (Below) Weathering of prop with acrylic paints.
Onstage photos of costumes throughout the show week
Sketches from the design process of each costume
Sketches from the design process of each costume.
E t h t f di l d hibit i
OtherWorks
Picture by Jaydee Jasa
Pictures by Jaydee Jasa
Final armor build complete with LEDS Inspired by various toilet-themed paraphernalia
Close up of armor piece after installing LEDS and weathering
(Left) Prelimina (Right) Pattern
Priming each piece before finalizing desired color blockings.
Final prop build for the imagined staging of 2022 limited series “Star Wars: Andor” by Tony Gilroy
Assembly of parts made from sanded foam and miscellaneous scrap parts
Close up on hand-engraved label and weathering; used a mixture of sawdust, acrylic paints, and wall putty
(Above) Meticulous priming to prep for chrome coat (Below) Full coating of chrome before weathering.
Sketches for the costumes of Princess Leia and Han
from “Star
as set in the Italian Renaissance and English Renaissance periods
Solo
Wars”
nastasia featured in The Xcerpts (2023). Complete with red by dry ice
Pictures by Andie Lim and Renn Alamodin
(Above) Foam and latex mask recreation of the character Shin from the 2020 anime “Dorohedoro”
(Below) Black and white rendition of Star Wars character Darth Maul; complete with air dry clay horn prosthetics and hand-painted background
and hair and makeup design for
Costume
Oberon from “A Midsummer Night’s Dream” based on the concept of 1920s orientalism