Architectural Portfolio I Selected Works 2019 I Anna Kosichenko

Architectural Portfolio Selected Works

by Anna Kosichenko

+1 647 870 1699 (CA) kosichenkoanna@gmail.com

Hello, my name is Anna

While growing up in Moscow, Russia I have observed the interactisons between life and architecture. One of the lessons I learned is the power architecture has over people in a rapidly growing metropolis. When I first came to Toronto, I have observed the same principles working in a different culture. This transition to the new city allowed me to understand how crucial architecture is to understanding another culture. As an architectural science student, I am very passionate about learning and exploring how art of building making can influence the society we live in and the essential collaboration and teamwork can create purposeful architecture.

EDUCATION Ryerson University, Toronto, Canada

2015-2019

Faculty of Architectural Science

WORK EXPERIENCE Paul H. Cocker Galley

2018

Temporary Assistant in Paul H. Cocker Gallery in Ryerson Architectural Science Department. Assisted with constructing and installing exhibitions for “DWELL: Student Housing as Campus Renewal”, “The Graduate Thesis Work Show”, and “2018 DAS Year End Show”. As well, assisted with CACB accreditation.

Exhibition company “100krat” Ltd, Moscow, Russia

Summer 2017

Ed Mirvish Theatre, Toronto, Canada

Summer 2018 and 2016

Winners, Toronto, Canada

Summer 2018

Exhibition Stand Designer and Manager Assistant.

Designed several exhibition projects, communicated with clients, created shop drawings. As well, assisted the project manager before and during exhibitions.

Theatre usher. Was responsible for patron’s safety during shows, checked entry tickets, escorted people to their seats.

Store Associate. Was responsible for operating cash registers and helping with products and services as well as organizing the store.

SKILLS Adobe Suite

school related projects, graphic design related work at 100krat in summer 2017

Grasshopper, Weaverbird, Lunchbox for Rhino

AutoCad

3d Printing, Laser cutting, Woodworking

Rhino 5 and 6

Physical Model Making

Revit (BIM)

Drawing and Sketching

3ds Max

Wix (web site design)

school related projects, exhibition design and shop drawings related work at 100krat in summer 2017

school related projects, exhibition design related work and shop drawings at 100krat in summer 2017

school related projects, familiar with Greenbuilding studio

exhibition design related work at 100krat in summer 2017

SketchUp

school related projects

school related projects, personal development

school related projects, personal development

school related projects, personal development

as manager assistant at 100krat helped to improve the existing and create new we page for the firm in summer 2017, personal development

personal development

Vray for Rhino and 3ds Max

school related projects, exhibition design related work and shop drawings at 100krat in summer 2017

Stop-Motion Animation personal development

AWARDS AND EXTRACURRICULAR ACTIVITIES DAS Year End Show

2018 and 2016

International VELUX Award Competition

2018 and 2016

AIAS Mentorship Program (mentor)

2018 and 2017

Annual exhibition of selected student projects in Ryerson, faculty of Architectural Science. Showcased final studio project physical model and renders.

Semi-annual international student competition, with focus on the investigation of daylight in buildings. Team leader and designer.

Organized by AIAS Ryerson Chapter. Have mentored two second year architectural students

2017

DAS Lounge Competition (winner)

Student competition to create a lounge spaces in Ryerson Architectural Science Department. Team leader and designer.

2017

Student Design Competition: Growing Our Community

Canada-wide student competition to create a community garden pavilion in Ottawa. Organized by Aga Khan Foundation. Team leader and designer.

2016-2017

Ryerson Kendo Club (President since Fall 2016)

Ryerson University club dedicated to japanese swordsmanship. As a president was responsible for organizing events, recruiting new members and meeting needs of club members and administration.

LANGUAGES English Fluent

Russian

Fluent, Mother-tongue

REFERENCES Alexandra Berceanu

Vincent Hui

Communications, Archive Specialist and Exhibition Designer at Ryerson Architectural Science Program

Associate Professor at Ryerson Architectural Science Program

+1 416-979-5360 ext. 2597 alexandra.berceanu@ryerson.ca

+1 416-979-5000 ext. 7962 vincent.hui@ryerson.ca

FUZE DISTILLERY

This project is located across from the Distillery District in Toronto. The building encases whiskey and vodka distillery, restaurant, bar, tasting and retail space, as well as, offices and classrooms.

This project was the final 3rd year project and was designed in pairs.

My partner and I decided to create the firewall separating the building into two in order to separate the programs and accommodate Ontario Building Code fire separation requirements. The east building encases the distillery, offices and classrooms, while the west is locating the bar, restaurant, retail and tasting area on the west overlooking the park. The biggest challenge was the Ontario Heritage Act, which required to maintain every side, but the west facade. Thus, it was decided place the restaurant and the bar to the west and create an iconic and landmark like look, which is visible from the series of parks on the west. We have decided to create two overlapping crystals: black for the night bar, light for the daytime restaurant.

Made in Collaboration with Nicola Caccavella Revit (BIM), Autocad, Rhino

F1 D E

Program Diagram

A2

Restaurant and Bar Distillery Offices Shops

Ground Floor Plan Scale 1:600

South Elevation Scale 1:800

One of the Key elements in this project was the tasting area on a ground floor. The tasting was located in the centre of the building and was the first space visible coming from an entrance on the south. It was also enclosed within an atrium and was a centerpoint of circulation.

The materiality of spaces varied depending on the program. The distillery, offices and classrooms in the west building were made of rustic materials: brick, concrete and wood, while the light crystal was made of channels glass and steel, and black crystal was covered with black toughened glass. In addition, the structural systems for two buildings is different. The east used steel columns and beams, whereas, crystals use the rigid frame structural system to allow for more stability, flexibility and spaciousness.

West Elevation Scale 1:800

Second Floor Plan

Third Floor Plan Scale 1:600

Longitudinal Section

Transverse Section Scale 1:500

1

3D Structure

Scale

Checked by

Drawn by

Date

BIG G

Description

DD-11

April 9, A Ch

Fuse Distillery Structural Project number

No.

Consultant Address Address Phone Fax e-mail

Consultant Address Address Phone Fax e-mail

Consultant Address Address Phone Fax e-mail

Consultant Address Address Phone Fax e-mail

Consultant Address Address Phone Fax e-mail

www.autodesk.com/revit

Restaurant Interior Render

50x50 HSS Adapter

Channel Glass Aerogel Insulation

Wind Anchor Angle

Aluminum Window Frame

Wind Anchor Mounting Bracket

Double Paint Window

Channel Glass Frame

Exploded Axonometric: Channel Glass Wall Assembly

Channel Glass to Grade Scale 1 : 10

Detail by Nicola Caccavella

Backing Board Adhesive Layer

STO Substructure

Black Toughened Glass

Aluminum Window Frame Double Paint Window

Rigid Insulation

Reveal Profile

DensGlass Sheathing

Exploded Axonometric: Toughened Glass

Air Barrier

Batt Insulation Steel Stud

250 mm Steel Rigid Frame

6 mm Toughened Glass Panel 4 mm Adhesive Layer 20 mm Sto Backing Board

10 mm Drywall 10 mm Plywood Vapor Barrier

40 mm Sto Substructure and Air Space 55 mm Sto Substructure 50 mm Rigid Insulation Air Barrier 16 mm DensGlass Sheathing

20 mm Concrete Floor Finish 30 mm Floor Membrane

250 mm Steel Stud with Batt Insulation 4 mm

Space

150 mm Intermediate Floor Decking, Concrete Fill

Steel Cap

Steel Angle to Support the Slab 250 mm Steel Stud with Batt Insulation 300 mm Steel Girder

300 mm Steel I-beam

Connection to Slab Scale 1 : 10

15 mm Roof Membrane 15 mm Roof Membrane 100 mm Board Insulation 100 mm Board Insulation Steel Angle Steel Angle Vapor Barrier Vapor Barrier

ng rapet Capping Profile ntilation Z Profile

15 mm Roof Membrane 15 mm Roof Membra 30 mm Thermal Insulation 30 mm Thermal Insu 150 mm Board Insulation 150 mm Board Insul

einforcement eel Angle Reinforcement Vapor Barrier Vapor Barrier

Steel Deck mm Hollow Steel Deck

80 mm Hollow Steel Deck 80 mm Hollow Steel

Support Steel Deck eel Angle to Support Steel Deck Stud 0 mm Steel Stud ation h Batt Insulation ned Glass Panel mm Toughened Glass Panel e Layer mm Adhesive Layer cking Board mm Sto Backing Board

300 mm Steel Girder 300 mm Steel Girder

300 mm Steel I-beam 300 mm Steel I-beam

bstructure mm Sto Substructure bstructure mm Sto Substructure d Air Space nsulation mm Rigid Insulation Barrier Glass mm DensGlass eathing

4 mm

Parapet Detail Scale 1 : 10

e

Spac

4 mm

e

Spac

nel 4 mm

e

Spac

250 mm Steel Rigid Frame 10 mm Drywall 10 mm Plywood Vapor Barrier

20 mm Concrete Floor Finish 30 mm Floor Membrane

5% Slope

500 mm Concrete Floor

Isolation Joint 30 mm Protection Board Vapor Retarder Gravel Bed, Compacted Soil Steel Rigid Frame Concrete Fill Base Plate, Non-Shrink Grout

600 mm

Anchor Rod, Leveling Nuts

300 mm 250 mm

600 mm Concrete Block

600 mm

Cant Strip

Connection to Grade Superstop Waterstop Scale 1 : 15

945 mm

250 mm Concrete Footing

Throughout the semester of working on FUZE Distillery I have created over 10 physical models of different scales. Pictures on the left is one of the structural models created at 1:250 scale.

The picture on the left features 1:200 sectional model made of mdf and acrylic. Also the photo features three massing models: two of which were made of cardboard and acrylic, and the last one was a wood massing. The picture features models selected for Ryerson Architectural Science Department Year End Show 2018. The show showcases selected works of students from Architectural Science Department, all works were chosen by faculty.

NORDIC FUNERAL

Nordic Funeral is an ancient burial ritual of Vikings when warrior’s deceased body is burned while soul is transferred to Valhalla. In this ritual one’s body is placed on a boat or a ship and later burned on a ground or water. This method was often used by Vikings and allowed their soul to be forever commemorated. This ritual uses the architecture of the ship, the most precious item in Viking’s possession, as a grave which dies with its owner. In this case, architecture becomes the support for the body and is a crucial part of the celebration of death. In this project I have used jointless wood construction to create architecture which when burnt leaves no trace. The wood used is pine, which was also used in Viking’s ships and shields. I used Structural wood frames and thin wood sheets to create a burnable catafalque which resembles Viking ship and honors the dead.

Rhino, Autocad

Back Elevation Scale 1:100

Side Elevation

Transverse Section

Longitudinal Section

L’Anse aux Meadows was the first Viking settlement in North America and is a significant historical site surrounded by stone shore and meadow. It is a perfect place for a Nordic Funeral due to its stony shore, flat landscape, relation to the Labrador Sea and Vikings’ history.

Site Plan Scale 1:1000

Front Elevation

Structural Frame Connection

Plan

Wood Sheet Connection at Ground

Wood Sheet Connection at the Top

PROFESSIONAL WORK: HERZOG

This project was created for “Herzog Germany”, a Germany based automotive mechanics supplier company. When working at “100krat” Ltd I was the lead designer for this project and was responsible for executing visuals, shop drawings and communicating with the client, project manager and the build team throughout the development of the design. The program consisted of series of display areas, reception and a private meeting room. This project was built and exhibited on MIMS 2017 in Moscow, Russia.

3ds Max, Autocad

more flexible with both compact and spread out possibilities. The design draws inspiration from the triangles found on the feature wall just south of the gallery as well as the bright red already used within the space.

In order to respect how this part of the building is used this design is aimed to blend in when not in use, to prevent impeding the operations of the gallery.

When the seats are locked into the wall, it looks like a uniform wall and doesn’t interfere with circulation.

Their placement on the wall corresponds to the vivid coulors of the reveled wall at the back. The way they are secured is shown in the diagram the right. Additionally different amounts of seats can be removed allowing for various configurations, as seen in the diagrams to the left.

DAS LOUNGE COMPETITION: TRIAD

This competition was hosted by Architecture Student Union in October 2017 and created to raise awareness about the lack of lounge spaces in Ryerson Architectural Science Building. I assembled the team was in charge of organizing meetings, deadlines and communicating our results with the ACU. As well, created the final layout for the project, designed and developed “blue� part of this project.

The project is currently in the prototyping stage and is planned to be built by January 2019.

Made in Collaboration with Kathleen Crisol and Diana Klissarova Rhino, Autocad

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people in the area to use seating able to accommodate their numbers. It is flexible and doesn’t limit people to a single configuration.

Located on the ground floor is the design based on rectangles. It uses the colour yellow to reflect the dynamic and energetic nature of the space. It provides an opportunity for the many people in the area to use seating able to accommodate their In order to respectnumbers. how this Itpart of theand building is is flexible used this design is aimed to limit blend in when doesn’t people tonot a in use, to prevent impeding the operations of the gallery. single configuration.

When the seats are locked into the wall, it looks like a uniform wall and doesn’t interfere with circulation.

Their placement on the wall corresponds to the vivid coulors of the reveled wall at the back. The way they are secured is shown in the diagram the right. Additionally different amounts of seats can be removed allowing for various configurations, as seen in the diagrams to the left.

Right by the Paul H. Cocker Gallery, our intervention allows the space to become even more flexible with both compact and spread out possibilities. The design draws inspiration from the triangles found on the feature wall just south of the gallery as well as the bright red already used within the space.

Right by the Paul H. Cocker Gallery, our intervention allows the space to become even more flexible with both compact and spread out possibilities. The design draws inspiration from the triangles found on the feature wall just south of the gallery as well as the bright red already used within the space.

In order to respect how this part of the building used this design is aimed to blend in when not in us to prevent impeding the operations of the galler When the seats are locked into the wall, it looks lik a uniform wall and doesn’t interfere with circulatio Their placement on the wall corresponds to th vivid coulors of the reveled wall at the back. Th way they are secured is shown in the diagram th right. Additionally different amounts of seats can b removed allowing for various configurations, as see in the diagrams to the left.

In order to respect how this part of the building is used this design is aimed to blend in when not in use, Paul H. Cocker to prevent impeding the operationsRight of by thethegallery.

Gallery, our intervention allows When the seats are locked into the the wall,space it looks like to become even a uniform wall and doesn’t interfere more with flexible circulation. with both compact and spreadto outthe possibilities. The Their placement on the wall corresponds draws The inspiration from vivid coulors of the reveled wall atdesign the back. the triangles found on the feaway they are secured is shown in the diagram the ture wall just south of the gallery right. Additionally different amounts as ofwell seats can be red already as the bright used withinas theseen space. removed allowing for various configurations, in the diagrams to the left.

In order to respect how this part of the building is used this design is aimed to blend in when not in use, to prevent impeding the operations of the gallery.

When the seats are locked into the wall, it looks like a uniform wall and doesn’t interfere with circulation.

Their placement on the wall corresponds to the vivid coulors of the reveled wall at the back. The way they are secured is shown in the diagram the right. Additionally different amounts of seats can be removed allowing for various configurations, as seen in the diagrams to the left.

circ blue deg and to plug floo ord bou attr

3D PRINTING: DECIPHERING FORM

This project was part of the ASC734: Advanced Digital Design class taught by Jason Ramelson. The project required student to explore a new digital tool and create a form which was later 3D printed.

I have used Grasshopper for Rhino 6, as well as Weaverbird and LunchBox to create a 3D object and later Cura for Ultimaker to 3D print it at 75 by 75 mm size object.

Grasshopper, Weaverbird, LunchBox, Cura

DIGITAL DRAWING: PRIDE

This poster was created for Las Vegas studio taught by Vincent Hui. After visiting Las Vegas as part of the curriculum each student chose one of seven deadly sins and explored how sin is shown in Las Vegas now and will evolve through architecture in 50 years. My sin was Pride. I saw the sin being reflected in wealth differences, as well as, obsession with ones looks. Therefore, in my work I predicted the city will grow taller, while the class difference will become more apparent with poor being at the bottom while rich will rise up. At the same time, the concept of vanity is reflected in popularizing and normalizing cosmetic surgery, which will eventually become the conveyor belt system.

Original Canvas Size 600 by 1300 mm Adobe Sketch, Procreate

SKETCHING

Sketching and Drawing are my hobbies which often prove themselves useful in my school work.

I often use watercolor or graphite sketches for my studio projects and exercises. Sketches shown in this portfolio are made for research and analysis of IRCAM by Renzo Piano and Les Halles in Paris.

Watercolor, Ink, Markers, Pencil, Graphite

Thank you Anna Kosichenko