Portfolio

ARCHITECTURE PORTFOLIO SELECTED WORKS l 2020

BY AISHWARYA VYAWAHARE UB ARCHITECTURE l M.ARCH GRADUATE STUDENT l SEMESTER 3 www.linkedin.com/in/aishwarya-vyawahare

CONTENTS LOST IN THOUGHTS Situated Technologies l Masters of Architecture l Semester 2 l Fall 2020

CITY ARTS Designing an art museum l Masters of Architecture l Semester 1 l Spring 2020

THE SOLVED MAZE Design Competition l 2020

THE BEST SELF Independent Study l Summer 2020

THE BLACK TAJ Design Competition l 2018

LOGO FOR INDIAN ARMY Graphic Design l 2018

Probabilities, or numerical calculations reflect how likely an event will occur or how likely a given proposition is true. It introduces a rule of probabilistic inference, a principle of conditionalization: that one should change one’s beliefs by rendering them conditional to new evidence.

For this project, we explored questions of probability through the application of machine learning techniques tool RunnwayML to classify uncertain and ambiguous objects and events, with the aim of opening up these proverbial black boxes to broader scrutiny.

I used RunwayML to merge different datasets to create abstract spaces (Please watch it here https://www.youtube.com/watch?v=lmG_ZA-5pjg ) and eventually create a short movie called ‘Lost in Thoughts’. The movie is an illustration of a person trying to reach an idea while in the process he is lost in thoughts, where his thoughts are represented by the abstract spaces.

(Please watch it here https://www.youtube.com/watch?v=eELSXjNLMsc )

LOST IN THOUGHTS Situated technologies l Masters of Architecture l Semester 2

In the 21st century, The art museum is no longer a neutral depository of objects, but has taken on the role of cultural forum. Spatially, it is expected to accommodate a wide range of evolving media and curatorial possibilities. Experientially, it must enable visitors to engage with art in a variety of ways collectively, individually and digitally. Programmatically, gallery spaces must be supported by a range of public functions including education, entertainment, restaurants and shops. Finally, urban presence is a crucial factor in the design of an art institution. The urban calibration of the building -how it connects with the city and enhances the lives of both visitors and citizens – is critical in the formation of its institutional image.

Architecturally, this set of expanded demands presents major systemic and tectonic challenges.

What kinds of spaces are best suited to the display of contemporary art? How is the curatorial requirement for strict environmental control to be balanced with the benefits of viewing art in natural light? How can the museum be zoned to provide different levels of public access, while also allowing for programmatic flexibility and porosity?

This project envisages a new museum for Buffalo, which will house an important and growing permanent collection of post-World War II and contemporary art.

The building must be designed to support a wide range of curatorial and programmatic capabilities. It will include spaces to display pieces from the permanent collection; host travelling exhibitions of significant contemporary artists from around the world; and provide venues for a diverse range of public programs.

Today’s artists and architects are exploring new territories in media and materials, representation and communication. The task is to speculate about the architecture that can best house this new work and enhance public cultural life in Buffalo.

CITY ARTS Designing an art museum l Masters of Architecture l Semester 1

DELAWARE AVENUE

CHIPPEWA STREET

TOP VIEW OF THE SITE- 2

TOP VIEW OF THE SITE MAP- 1

RELATIONSHIP OF THE STRUCTURE WITH SITE

FIRST FLOOR

MEZZANINE FLOOR

SECOND FLOOR

THIRD FLOOR

FOURTH FLOOR

FIFTH FLOOR

SIXTH FLOOR

CIRCULATION DIAGRAMS

ART CIRCULATION

PUBLIC CIRCULATION

SEVENTH FLOOR

RELATIONSHIP OF THE STRUCTURE WITH SITE

ENVELOPE STUDY

SECTION PERSPECTIVE

GALLERY TYPE - 1

GALLERY TYPE - 2

SECTION OF GALLERY TYPE - 1

SECTION OF GALLERY TYPE - 2

NIGHT VIEW OF THE GALLERY

Unlearning the conventional public toilet looks like here is an innovative, functional and a visually appealing toilet design that serves as a building icon, synchronizing with the surrounding context.

Though the primary use of the designed structure should be as a public toilet, alongside this, the structure is innovatively designed as a space for community interaction, in addition to its primary function. The space is additionally visualized as a recreational/ educational/ social/ urban functional area.

The total area of the space does not exceed 100 sq.mt. and all age groups of the demography can use the space.

The additional space aspect of the toilet adds value to society and the site’s context. The design is efficient in terms of planning, hygiene, odour-free surrounding and space usage.

The designed toilet is comfortable/convenient to use.

The design intervention aims to address the efficiency of public restrooms, their sanitary facilities, spatial distribution and mainly, privacy and comfort, which ultimately improve peoples’ lives. The design here acts as a module, which can be replicated in different areas similar to the site context chosen.

THE SOLVED MAZE DESIGN COMPETITION PROJECT

LOCATION : SECTOR 17, CHANDIGARH SITE : URBAN PLAZA (MARKET)

The design of this project revolves around public toilet which also acts as a community space. The idea of a maze is creating spaces within the boundaries which connects with other spaces and at the same time creates a buffer area between the toilet and the interactive space.

SAFE AND HYGENIC TOILET MODULE - SECTION

MINIMAL AND SMART

TOILET MODULE - PLAN

CONNECTION AND VOID

INCLUSIVE AND DIVERSE

DESIGN AND CONTEXT

FIRST FLOOR

SECOND FLOOR

SECTION

This Independent Study project provided us the opportunity to work with real-world clients and meet project goals. Our team developed a conceptual design proposal for Best Self using trauma-informed principles and incorporating Doc Wayne and other therapy programs.

This project was conducted in collaboration with CJS Architects.

BEST SELF PROJECT INDEPENDENT STUDY l SUMMER 2020

Bryant neighborhood of Downtown Buffalo. Within close proximity to American Red cross building, as well as various religious centers and residential homes.

FIRST FLOOR

PROPOSED

EXISTING

BASKETBALL COURT

ACTIVITY WALL

ACITIVITY WALL + BASKETBALL COURT

SMART ROOM THERAPY ROOMS

SMART ROOM (DOUBLE HEIGHT SPACE) READING AREA ( MEZZANINE SPACE )

SECOND FLOOR

PROPOSED

EXISTING

MULTIPURPOSE ROOM

EXHIBITION AREA + WAITING AREA

It is said that the Black Taj is an incomplete dream of Shah Jahan, a shadow of the Taj on the other side of the river Yamuna and a place that would compliment the original undyed structure of Taj Mahal. The proposed design concept is a thus, a tribute to the monument of Taj Mahal, a place that would compliment the whole identity of the Emperor and his dynasty. The basic idea behind the design is to restore and revive the history !

Breaking down the quintessence of the history, it seems to be more about the people and their way of living and not just the sovereign rulers and their war fares. It is a major representation of the people, and the evolution of their way of living. What reflects the people is their culture and traditions, which the design reflects through the 'Art Forms.' 'Art defines the culture and traditions, and thus the people in turn.' Why we say that? Culture is that soft thread of the society that binds the people together and gives them an identity, which is expressed through various forms of arts. And these art forms are conveyed from one generations to another, making it a concrete form of the soft cultural thread, which thus becomes a significant element for our concept. The design majorly focuses on this element of the concept, by providing spaces for the lost and the local artists, where they act as conveyor of the history and culture.

BLACK TAJ DESIGN COMPETITION l 2018

AMPHITHEATRE

ROOF

LIBRARY

The brief was to design a logo for 150th anniversary of a unit in the Indian army. The proposed design is a tribute to the unit's services to nation for over 150 years, an honour to the sesquicentenary.

The primary thought behind the design was to represent the unit in terms of - strength, balance and bravery, to symbolize the extensive body works that’s been done over the years for the country with tremendous courage, dedication and sacrifices The motive has been achieved by depicting the design through a phoenix bird, the wings, the rising sun , a sword, and a triangle.

The phoenix bird is a symbol of rebirth from the ashes of the Past. It also represents victory of life over death , thus immortality. It means to rise from the flames as a winner, beating all the challenges and defeating hard times. While the wings represent the quality of intelligence , according to Rigveda, and the ability to fly high , meaning to achieve high goals. The rising sun is a representation for new beginnings. The sword symbolizes power, strength, protection , courage and chivalry. And the triangle being the strongest of all shapes, represents the strength , and also balance .

The use of colors in the design has been kept very minimal and specific. The combination of the black and gold makes design strong and clear to eyes.

Black is a symbol of power, strength, control, and beginnings.

While the color gold represents success, achievement and triumph, as well as sophistication and prestige.

LOGO FOR INDIAN ARMY GRAPHIC DESIGN l 2018

AS AN ARCHITECT YOU DESIGN FOR PRESENT WITH AN AWARENESS OF THE PAST FOR A FUTURE WHICH IS ESSENTIALLY UNKNOWN.

- SIR NORMAN FOSTER