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1
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2
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+& * $ " #) #* 1 & $ (0& () μ )μ )#& μ %! (+* ( #$. 9, 21, 39). - # !& & #'! .& $#(&( (#,#1& 2)( & # ! $ " ) ! .& (#,# μ .& .& $#/&.& $ # .& /'.& $ ( +& /& μ %0 )! $ ! 2 )&(& * +2/-#& #* + #* !* #$ * μ % !* ( #$. 30, 32, 41 - 43, 47, 49). - " #)(0& # /% & 1 ) & ($% #$ (#, %% /μ.* , ) $ !)# #$ μ μ + 1& 2( 21& # $ # $ " & # ( μ&!μ ( ( #$. 16). - " ) (& # /% (#,# μ & μ )μ )#& ),# $ (&#$ μ %! 2(+ ) $(& # # 2 ) ( μ&!μ ( ( #$. 14, 45) $ # ( 2% &"#&(* ( (& . /* # $( μ(* ! -! !* 0 )!* !* ( #$. 26). - ! + #$ /-! # !)(0& # μ & ) % "#& $ μ2 & )# $ # $ " #) # ( & 1 )( #μ & &#( ( #$. 20, 21). - (& # ( ()# /& #(* )μ/* ) * (+* . . (0* 2(+ 2)( ), # 2( !& μ )(2 (+ & (0 2( '+%/ (+ "(%( $ 2 (+ ( #$. 15, 24). - ( &/ #( $% (* 2(+ ( μ %0 )( μ μ (+ & $ $ + "!$ (& 19( #. 2#,) # μ $(#&/ )# # # / ,.) * ( ! (0* 2 ,)# μ 2(+ # μ % +$/ ,)1μ 1 & # ()(2(# # ! + $ $)#μ &! ! 2( ( +2/%(#2( & / ( #$. 3). &(& # /μ.* () (#,# μ & * (2 * $ # % "(#, 1 0 )! ,) !, 2(+ # 1 (+& ),#$ $(&# μ ( #$. 29). - " #)(0& # & 1 ) #μ & &# 2% $ # (+ . )#$(0 2 (+ ( #$. 55) $ # $ 2(# , ) $ !)# #$ ' + 1& $ "(& # ( μ&!μ (. 2($ %02 # ( 2 ( (+ 19(+ #. 2(
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7A23*9 A4)3 9 μ *51 -> 4 A7: 2 08 , 2 μ .)40 *3 0 ( 23. 40) 3 2 :μA408@5 2 7 :A>472A7 μ , 2 :423). A7 A) 2 0 μ 8μ)8250 3 0 7823+ A2.8 + A7 75 5 - 1μ> 7 A 8 334+ 2 7: 5> 27: 34, 7:9 3 2 3 ,1 2 3 )44047 ?<79 μ* 7 , 27 34, 79 7? A870.01 , :5 +80 0 3 2 3 1 82 μ>9 09 ( 23. 53, 54). ,5 2 :5 +80 0, 8*= 0 3 2 3 1 82 μ>9 >4=5 =5 A73 4: 1*5 =5 72;7.8 2@5. 5 23 1, 5 2 >4 1 8μ*5 37: @μ μ 3 257?8.2 ( 23. 9, 21, 48, 39). & 3)A72 A7 A 8)1:8 5 7A71 , 2 : 47A,5 3 9 44) , A7 2A4> 576 , = 7 A4*.μ .2 82 μ> 7: ;@87:. 2 *479 2 08 , 2 0 μ .)47 A);79 5 @ 80 A23)4:<0 09 *.09 .2 , 7 5 ,1 7 1 0μ27:8.7? A 82 > 8 A87-4+μ . 2 μ . 4? 80 6 )42 0 8μ>/ 2 :.87μ>5= 0 μ 4 7μ 8*9 :423> ( 23. 12, 14, 23) 7? A870.01 , 8).2 0 =5 80.μ @ =5.
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4
Abstract Restoration of Saint John Theologos in Lakki, Leros Nilos Pitsinos Architect Saint John Theologos in Lakki, Leros is a three – aisled basilica with a dome with a lot of building phases and repairs. The initial roof of wood structure of the 10th century. with characteristic decorative bricks internal and externall that interrupted a thin layer of coat. Around 1200, the church was converted into a vaulted church with cross – groined vaults with a dome, they are blocked openings and decorate externally with dentil courses. Instead of the nave, a porch is erected and the church is being painted. After 13th c. we have the walling of two arcades, the blocking three out of the four windows of the dome and the building of a wall that separates sanctuary from the main temple. Two more phases followed in the end of 19th c. and in the middle of 20th c. with the reconstruction of a southern aisle and the morphological differentiation with neoclassic elements of the western side and the central aisle of the main temple respectively. The church faced extensive cracks certain and open throughout, divergence from the vertical department of the nothern aisle and generalised deterioration of its materials. Also there were problems of humidity, subsidences and slippings. The revealing in big extent of phases of monument determined the proposals of restoration that included, firstly its static reinforcement with the construction of invisible perimetric exterior beam from concrete in the foundations, construction of two visible stone buttresses for reinforcement of the side of nothern aisle, the placement of three crab in the dome, the placement of five tie - beam in the clerestory, deep joints and injections and blocked of newer opening in central aisle, secondly the architectural proposals that foresaw the covering of the foundations of the nave and the porch and their depiction in the flooring with different colour, cover all the burials, cover beam in the foundations with slabs. demolition all newer coats and the maintenance of the initial ones of the 10th and 13th c., application of a thin layer of coat of similar constitution and formation with initial in the exterior walls and deep joints in the inner ones, enhancing all arched windows with the help of joints or with partial demolitions, enhancing of arcades with partial demolitions, demolition the neoclassic elements, cleaning the marble architectural members and the brick - decoration, maintenance of only the stone belfries, accentuation the horizontal rabbet of work in clerestory, coating of the southern aisle provided that it is of the 19th c. so as to be differentiated from the initial church, the revelation of flooring of 19th c. enhancing and maintainance of marble dedicatory inscription, conservation, fixing and cleaning of all revealed murals, replacement of all worn door and windows frames, maintenance of roof covering and its damp-proof with elastomer material.
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