event programme schedule of the day
page 4 - 29 page 30 - 31
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Making an EXIT Fri 29 – Sat 30 March | 8am – 8am Chisenhale Dance Space 64-84 Chisenhale Road, London E3 5QZ
From the morning of March 29th to the morning of March 30th, a 24-hour celebration of the arts will mark the planned exit from the EU. Whatever happens, Making an EXIT will chart a unique, unrepeatable journey through performance at Chisenhale Dance Space. We invite you to explore what it means to be apart together and discover what matters most as we face the unknown. This marathon of art will open and close with a breakfast, framing 24 hours of history. Join us and feast your senses on 24 encounters, provocations, events and surprises in between these ceremonial gatherings. Curated by Chisenhale Dance Space members Antigone Avdi, Antonio de la Fe, Rachel Gomme, Timothy Trimingham Lee and Danai Pappa, Making an Exit will feature a dazzling range of creativity, mapping space and time through transformation, communion, invention and play. Experience boundaries blur, assumptions fly and worlds tremble as we move collectively into the uncertainty of the future. Tickets allow multiple entries and exits to the event until Fri 11pm and then ‘Exit Only’ until Sat 6am.
tickets www.chisenhaledancespace.co.uk £15 Standard | £20 with one breakfast | £24 with two breakfasts
#MakinganEXITCDS
@ChisenhaleDance
This project is supported using public funding by the National Lottery through Arts Council England and Chisenhale Dance Members’ Allotment Fund
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breadcrumbs by Alisa Oleva Fri 8:00 - Sat 8:00 live feed 24-hours Walking is the way I deal with loss. With footsteps I imprint myself in the cityscape. With footsteps I feel like I belong. At 8 am on the 29th of March I will exit my current house and embark on a 24-hour walk around London. --Alisa’s practice aims to offer an alternative way to experience and engage with the everyday urban life around us by merging the sense of real and imaginary within the cityscape. She treats the city as her studio and urban life as material. _ @alisaoleva Š Alisa Oleva
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One Last Dance – An Chéad Damhsa by Instant Dissidence (Rita Marcalo) screenings Fri 8:00 - 20:00 & Sat 1:40 artistic director / performer: Rita Marcalo artist / film-maker: Juliet Davies: film editor: Scout Stuart music credits within each film project manager: Kristina Lomas (founder of ecoaffinity) project collaborators: Annette Kratz (Germany), Lara Buffard (France), Karolina Piwonska (Poland), Fred Dalmasso (France), Agne Kluoniute (Lithuania), Barbara Grabher (Austria), Michelle Dee (England), Catherine Heinemeyer (Northern Ireland), Susanne Thomas (Germany), Vie Clerc Lusandu and Kerian Lusandu (France), Leentje Van de Cruys (Belgium), Julie Lockett (England) plus Rita Marcalo One Last Dance – An Chéad Damhsa is supported using public funding by the National Lottery through Arts Council England. For additional funders, partners and individual donors go to onelastdance-ancheaddamhsa.tumblr.com An Instant Dissidence production.
One Last Dance – An Chéad Damhsa was a perambulating dance between Guildford (the location Rita lived in when she first arrived in the UK as an Erasmus student in 1994) and Cloughjordan (the rural Irish village that she is moving to post-Brexit). --Rita Marcalo is an artistic director/performer who is interested in solving problems creatively. Rita founded Instant Dissidence in 2002, a dance theatre company based in Leeds. Rita has a BA (Hons) in dance (Human Kinetics College of Lisbon Technical University), an MA in choreography (1998, University of Surrey) and a PhD, and is a lecturer in dance at York St John University. She trained in dance at the professional school of the Lisbon Dance Company, and has since toured in Portugal, Spain, Belgium, the United States and the United Kingdom. onelastdance-ancheaddamhsa.tumblr.com © Kristina Lomas
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You me we, they them us by Susan Kempster participation Fri 9:00 - 20:00 screenings Fri 23:30 & Sat 1:20 performed by: Susan Kempster and participating public, who will all be credited in the final edit. Have your say on Brexit. Take a moment to vent, air, express your thoughts and feelings. Allow yourself a moment of catharsis, or reflection – go wild, let your hair down. Become immortalised, and captured, yes, captured, in this historic moment. --Susan is a dance artist, performer, teacher and award-winning choreographer. Originally from Australia, she lived for two decades in Spain. Since living in the UK, she completed an MA in Contemporary Performance Practices graduating with a distinction and has been expanding her work as a theatre maker. _ www.susankempster.com Š JC Candanedo
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(Dis)Connected by PartSuspended – Hari Marini Fri 11:00, 21:20 & Sat 00:35 performed by: Mark Amura, Efi Dementi collaborators: Hari Marini, George Moustakas, Andreas Tsanakas sound artist: MarcelDune special thanks to Jules Deering, Technical Director of Drama (Queen Mary University of London), Agelos Pasc, Katerina Plota
You are facing The Event. The unknown. A million futures lie ahead of you, just like the million-less-one pasts that failed to materialise. The present is a tightrope, that single path your life is on. You play a game of chance. --PartSuspended is the brainchild of Hari Marini, a performance maker, independent writer and researcher. Hari founded PartSuspended in 2006 as a dynamic platform on which to foster a wide variety of performances and collaborations with other artists. The group creates performances from personal experiences, everyday life, social space and architecture. _ www.partsuspended.com Š Hari Marini
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On Air by SALSAROSA Fri 11:00, 11:20, 11:40, 12:00, 12:20, 12:40, 16:00 16:20 & 16:40 performed by: Stella Papi and Elisa Vassena sound collaborator: Davy Berryman music credit: Everybody’s Talkin' by Harry Nilson On Air is a performed encounter for 2 audience members at a time, exploring what silently lies under the surface of a conversation and its different levels of interaction: the body talking, the discourse unravelling in the mind, the voice of the surroundings. --SALSAROSA is Stella Papi and Elisa Vassena. They both graduated from Trinity Laban in 2012 and worked independently for artists such as: Tino Sehgal, Janine Harrington, Dog Kennel Hill Project, Tilted Productions, Pablo Bronstein, Susan Sentler. Their collaboration started in 2013 and since then they have visited different European festivals: HangartFest (Italy), Sanafest (Norway), Swallowsfeet (UK), Cinematica (Italy), Deptford X (UK). Their piece On Air was awarded the 2015 Deptford X Fringe Award as best creation. _ www.siamosalsarosa.wordpress.com Š Christie Smith
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Furl by Tate n Lyle Fri 11:40, 23:55 & Sat 5:30 Through a simple twist, a flag swirls up to knot and trap the foot that steps in it. Furl teeters knee-deep in the crunchy pleasures of billowing plastic. A repeated attempt to clear the space produces minor choreographies of imbalance and extraction that meditate on compromise, mess, and graceless exits. Made with the support of Dance4 --Tate n Lyle is the collaboration of Rohanne Udall (b. 1990) and Paul Hughes (b. 1991). Trained in fine art, philosophy, and dance, they present artistic and curatorial projects across stages, galleries, studios and digital spaces. They are currently preoccupied with: emotion, gesture, hosting, idiocy, in/sincerity, institutions, logics, materiality, peers, undercutting and smirking. _ www.tatenlyle.com Š Tate n Lyle
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Stabat Mater by Patricia Okenwa Fri 12:25 performed by: Piedad Albarracin, Estela Merlos, Anna Borini, Alex Miles Standard, Stephanie McMann, Stephen Quildan dramaturg: Peggy Olislaegers music by: Geoff Holroyde and James Holroyde Commissioned by B-MOTION Festival, Opera Estate, Bassano del Grappa, Italy Supported by Arts Council of England, Sadler's Wells, Stone Nest, Rambert, Dance West, Theatre Festival Boulevard S-Hertogenbosch The Netherlands, Addison Community Champions. Stabat Mater is designed as a ritual that adapts and evolves in each space and setting. The central solo draws on gestures and movement held in the physical memory, the images multiplying as they are performed by the dancer, representing the commonality yet uniqueness of the maternal experience. The myth of the perfect maternal state is transcended by the complexity, pleasure and conflict. --Patricia Okenwa is a founding member of New Movement Collective (NMC), a company dancer at Rambert for 12 years and as a choreographer, created ‘Hydrargyrum’ for the company repertoire in 2016. Recent projects include ‘glitch' for Renaud Wiser Company 2018 and VR experiences Dust and Camouflage with digital artists Maria Júdová and Andrej Boleslavsky. _ www.patriciaokenwa.com © Stephen Wright 10
16 Years by Pepa Ubera Fri 13:10 16 years takes the form of a personal ritual that expands into a collective practice. We might hear a manifesto, dance furiously in the darkness or fall asleep staying closer in this moment of separation. What if we give permission to decide what is real and so... what can have an effect on us? --Pepa Ubera is an artist working with choreography and video. Her work brings attention to the complexity of the contemporary moment and intends to embrace different perspectives including holding opposites at the same time. She is currently working with how choreography deals with imagination in order to create new sustainable relations. _ pepaubera.com Š Teniola Komolafe
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Out of all the places where we could be / In the folds of our being by Petra Söör Fri 13:30 performance and movement by: Mariana Camiloti, Fiona Millward, Petra Söör concept, text and sound: Petra Söör in sound collaboration with Michael Picknett Out of all the places where we could be/In the folds of our being invites you into an environment, a place and a brief moment in time, an evolving performance and maybe a form of love song. Out of all the places to dwell, this is where we have come to be together... Bodies and voices, the invisible and unpronounceable in between creating a here... welcome to rest in the folds you are. First conceived in October 2018, with thanks to Alex Howard and Without Measure, Chisenhale Dance Space, the Making an Exit team and everyone directly or indirectly involved.
--Petra grew up in Sweden and Italy and works in dance and performance with a base in the UK. She has worked as a freelance performer in a variety of contexts and also researches and develops her own work and practice. _ petrasoor.wordpress.com © Petra Söör
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one wall of me by Kasia Witek Fri 13:55 "Without self-understanding we cannot hope for enduring solutions to environmental problems, which are fundamentally human problems." Yi-Fu Tuan
choreography: Kasia Witek created with and performed by: Elisa Vassena, Tora Hed, Anders Duckworth, Stella Papi/Kasia Witek music direction: Alex Roth cello: Alice Purton produced by: Rosie Watt (Spin Arts) With support of Arts Council England, Leeds Inspired Fund, The Place, Coventry University, Kala Sangam Arts. one wall of me is about experiencing the space around and about how we choose to see it. How the way we see it affects a sense of separation. It is about interconnectivity of everything and about what happens when we perceive it. It is about embracing the unknown without looking for any conclusion. It is about a human crisis of perception.
--Kasia’s choreographic work ranges between installation, video, theatre and outdoor performance. As a maker she deals with themes of intelligence of the body and environmental empathy. Working with ecocentric values at the forefront she looks at the connectivity between human and non-human others. Dancing as navigating through the unknown. _ www.kasiawitekdance.com Š Camilla Greenwell 13
Choir of Sound and Silence by Sara Ruddock Fri 14:55, 16:00 & 23:10 A shared space of listening, of sound and silence, the audible and not quite audible. With a score as framework, be part of a People’s Choir of voices and utterances, potentialities of multiple listening, vibration, sensing and sounding, of resisting and insisting together-alone. --Sara Ruddock is a dance artist and choreographer based in London, active in the field of dance and choreography since 2002, having worked with a range of choreographers and artist collaborators such as Deborah Hay, Julie Cunningham, Mayra Martin Ganzinotti and Stefan Jovanovic. Her choreographic research engages experiential practices of movement, sound, rhythm and vibration. _sararuddock.com Š C Ruddock
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Whatever happened to the Glory Days? by Catherine Hoffmann Fri 15:20 Songs and texts, created from interviews with people from all over the UK about their break-ups are spluttered, danced and spoken. In between there are texts written about economy, being down and out in Britain, love, separation, hopes and fears - flurries and spats. The last song is an attempt to heal our wounds - a way to make peace with each other and to find a way through. --Catherine Hoffmann mixes performance and music, pushing into absurdity using autobiographical material, song, choreography and objects. ‘Cyst-er Act’ - a kind of messy live art musical in relation to womb mishaps, fertility, ageing and childlessness will be touring from March 2019. She also made ‘Free Lunch with the StenchWench’ – A personal account of shame, poverty and class amongst other staged and participatory projects. _ www.cathoffmann.com © Eftychia Vlachou
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this foreign mansion by Claudia Palazzo Fri 17:00 Freedom lies just outside the bedroom of this foreign mansion. Put that violin back in its box. --Claudia Palazzo is an artist and dancer working across and at the intersections of dance, performance art, alternative cabaret and film using her body as a responsive site to her environment. Her work exists somewhere between the nightclub, gallery and street and focuses on the live experience as a place for highly charged connections. Claudia is often preoccupied with how to move through, deal with and oppose systems of violence. _ claudiapalazzo.tumblr.com Š Christa-Holka
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gru & gru by Mariana Camiloti and Petra Söör Fri 17:35 choreography and performance by: Mariana Camiloti and Petra Söör audio recordings from Arjuzanx, edited by: Michael Picknett gru & gru was first performed in Stroud in October 2018 as part of Room to Meander Festival. Thanks to Alex Howard, Mike Picknett and Fiona Millward The duo opens with an audio recording of Arjuzanx Wetlands in France. A migratory birds specialist talks in detail about the migration of cranes (‘grue' in French). Together, (sometimes holding hands) we take-off. Weaving through, tracing our routes, moving and dissolving our own imaginary borders, heading into the unknown. We stand (up) for each other. You change path. I land. We go. Matching…as one, but not quite. Settling and leaving again. You reorientate yourself, I acclimatise. Pause. Take the lead. We stand (sometimes holding hands) - side by side. Front. Back to back. “go, change, stop, and, end.”
--Mariana is originally from Brazil and has some Italian and Spanish roots. She is a performer and dance maker based in London and has collaborated with a range of independent choreographers and companies since 2006. _ www.marianacamiloti.com Petra grew up in Sweden and Italy and works in dance and performance with a base in the UK. She has worked as a freelance performer in a variety of contexts and also researches and develops her own work and practice. _ petrasoor.wordpress.com © Petra Söör 17
Marginal Bodies by Antonio Branco & Riccardo T. Fri 17:55, 19:10, 23:30 & Sat 00:55 Marginal Bodies is a monument to “the other” that gets activated by performance and therefore changes over time. The performance establishes a correlation between the ego and the abject, exploring the intimacy, the violence, and the healing constructed around this relation. --António Branco & Riccardo T. are a performance art duo based in London, originally from Portugal and Italy respectively. Their work is about the body and its presentation. About its physicality, aura, psyche, and identity. The body is their first and ultimate instrument, raw material and site for performance. With their work Antonio and Riccardo aim to get people to reconnect with the forgotten freedoms of their bodies and minds. By drawing from their own experiences their work primarily focuses on the queer body, the energy inherent to such a presence and its social implications. Their research then branches out into related themes of contemporary sexuality, gender norms, porn consumption, and fetishisation. _ www.antonioandriccardo.com © Antonio Branco and Riccardo T.
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Red Lines by Mil Vukovic-Smart Fri 18:15 concept, direction, choreography and performance: Mil Vukovic-Smart co-choreographed and performed with: Luigi Ambrosio dramaturgy: Paul Hughes sound design: JulZin music/sound extracts from: audio recorded outside UK Parliament on the evening of 15 January 2019, before the MPs’ first vote on Theresa May’s Brexit Deal and The Blue Danube by Johann Strauss, Wiener Philharmoniker, Karl Bohm, © 2011 Deutsche Grammophon. Production: Mil Smart Dance © 2019 Red Lines - a duet deconstructing the oldest European form of couple dancing – the waltz – in response to a sound recorded outside Westminster Palace on the evening of MPs’ first vote on Theresa May’s Brexit deal on 15 January 2019. --Mil Vukovic-Smart is a dance artist and choreographer, developing works that create a mood at the intersection of dance, performance and visual art. Mil holds an MRes Choreography & Performance from Roehampton University and is currently a PhD candidate exploring choreography and spatial design at Chelsea College of Arts. _ milsmartdance.com © AndySmart 19
Brown Handbag by Monsur Mansoor Fri 18:50 Carrying a hammer in a handbag and safety clothes as armour, I dance against trans erasure. This is a meditation, a ritual for self-defence and a brown fantasy towards a landscape where overwhelmed, wasteful and purposeless dances rule. A new work-in-progress. Thanks to Hypatia Vourloumis, Rietveld Academie, Odbhut Queer Bengali Group, Kala Sangam Arts Centre, Steakhouse Live & Dance City for their support. --Monsur Mansoor (they/them) is a performance artist who works with dance & live art. Their work has been presented at Steakhouse Live Festival, Goldsmiths University, Lofft Das Theatre Leipzig, Chisenhale Dance, Yorkshire Dance, Passenger Films, Live Art Development Agency & The Wallace Collection. _ www.monsurmansoor.com Š Mihaela Brebnel
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The Hypocrites Fri 19:40 band members: Sarah Cook, Tora Hed, Inari Hulkkonen, Sophie Hutchinson performing at Making an Exit: Sarah Cook, Tora Hed, Inari Hulkkonen The Hypocrites is an avant-garde-feminist-punk band. They’ve got no skill; no clue and they don’t care. The show is abstract and real. The Hypocrites ONLY exists as LIVE performance. They occupy space to generate an outlet for inner worlds. --The Hypocrites were formed in 2018, and consist of four band members, Sarah Cook, Sophie Hutchinson, Tora Hed, and Inari Hulkkonen. They met through dance training and formed through the dance community of Leeds. They have previous performed at underground dance parties and in anarchist music venues in Leeds. _ facebook.com/thehypocritesband © Ozzy Moysey
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I want to be yours by Katye Coe Fri 20:10, 20:40 & Sat 1:45 I speak of loss and longing, of heartbreak and fear, and my unbreakable Britishness that feels difficult to admit. I will be in Germany to make my plea. --Katye Coe is a dancer and activist based in the UK. Her work as a performer spans over 20 years of international performance practice and as a dancer she collaborates currently with Joe Moran, Florence Peake, Jonathan Burrows and Matteo Fargion, Keira Greene, Charlie Morrissey, Stefan Jevanović, Matthias Sperling. _ katyecoeprojects.wordpress.com Š David Edwards
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Iced Fish Eyes by Timothy Trimingham Lee Fri 20:20 written & directed by: Timothy Trimingham Lee featuring: Adam Welsh sound by: Rob Hart Iced Fish Eyes is a paranoid monodrama about a hacker whose mind and body have been hacked. After dreaming of discovering a severed head in an email attachment, he’s infected with a virus that can travel from a computer screen into the bloodstream. --Timothy Trimingham Lee is a Bermudian theatre maker with extensive UK and international experience. He is Associate Lecturer of Music Theatre at London Studio Centre. Recently, he collaborated with Adam Welsh on There but for the grace of God (go I) at Soho Theatre, Camden People’s Theatre, and ARC Stockton. _ Timothy Trimingham Lee © Milosh Rodic
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Noise Loop Bootstrap Paradox by Neal Spowage Fri 20:50 In this work I explore the absurdity of trying to describe where we are and what we are doing. Of becoming self-aware and simultaneously unaware. I use effort, disruption and interference as tools for performance. --Neal Spowage is a British-born artist who designs, builds and composes with Sculptural Electronic Musical Instruments and realises works for them using the disciplines of dance, video art and live art. Neal’s interests include collaborative relationships, movement, interaction, sculpture, objects as totems, live performance, negotiating expertise between disciplines, gender dynamics, and video documentation as art. _ www.nealspowage.com Š Neal Spowage
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Clamour In The Gulch by Rob Hart Fri 21:55 created and performed by: Rob Hart Clamour In The Gulch is a live performance for sound and projection. Rob Hart delicately manipulates loops of Super-8 film to reveal striking and unexpected images. The images degrade and distort, leading to their eventual destruction. The flickering light is also translated into audio signals creating a dense, dreamlike soundscape.
--Rob Hart is a sound artist and filmmaker. His live performances incorporate homemade electronics, amplified textures, striking analog projections, feedback loops and surreal personal monologues. He trained at Edinburgh University (MSc) and also works primarily as a sound designer and composer for theatre. _ www.robhartav.com Š Flyn Vibert
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Lambchop Magoo Does Brexit by Hannah Ballou Fri 22:35 Lambchop Magoo, the world’s cutest assassin, has kindly arranged for Mrs May to face a firing squad... of sorts. But can Hope the Brexitslayer, Child Born of the Referendum stop our audience from bloodying their hands? Will they choose Violence or Hope? It's the Final Countdown... will Love Tear Us Apart... Again? --Hannah is a comedian, artist, writer, and lecturer in Drama & Theatre Arts at Kingston University. Her latest performance Shhh was produced at The Place by the Woman SRSLY collective. She is also the Senior Personal Assistant to Marina Abramopug. _ www.hannahballou.com Š JasonGriffiths
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MOVEMENT 12 (FLOATING) by Hamish MacPherson Sat 2:20 A long, dreamy podcast with live accompaniment meandering through practices and metaphors of floating… drifting through somatics, plankton ecologies and philosophical thought experiments by way of post-rock and psychedelic folk… Featuring Peter Adamson, Alexandra Baybutt, Sarah Blissett, Derek McCormack, Ilana Mitchell, Charlie Morrissey, Osho, Ben Page, Cait Read, Susan Sentler and students at LASALLE College of the Arts Singapore and Rachael Wiseman. Part of THIS MOVEMENT, a project exploring how politics is made through the movements of bodies. Supported by Dance on the Radio. --Hamish MacPherson is a London-based choreographer. He uses performances, workshops, larps, games and other things to create environments for people to think, learn and be together. These structures are often decentralised and self-organising, combining physical activity and conversation. hamishmacpherson.co.uk © Hamish MacPherson
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Friday 28 March at 8am
CONTINENTAL BREAKFAST
“Why, sometimes I've believed as many as six impossible things before breakfast.” ― Lewis Carroll, Alice in Wonderland
master of Ceremonies Antonio de la Fe 28
Saturday 29 March at 6am
UnFULL ENGLISH BREAKFAST
“Begin at the beginning," the King said, very gravely, "and go on till you come to the end: then stop.” ― Lewis Carroll, Alice in Wonderland master of Ceremonies Antonio de la Fe 29
Schedule of the day | Making an EXIT | Fri 29 – Sat 30 March | 8am – 8am | Chisenhale Dance Space, 64-84 Chisenhale Road, London E3 5QZ Friday 29 March 2019 Continental Breakfast
8:00 -10:00
participation / performance
performance studio
8:00 - 8:00
breadcrumbs by Alisa Oleva
live feed 24-hours
outdoors
page 3
8:00 - 20:00
One Last Dance – An Chéad Damhsa by Instant Dissidence (Rita Marcalo)
film screening
lounge
page 4
9:00 - 20:00
You me we, they them us by Susan Kempster
participation
artist’s room
page 5
11:00 -11:20
(Dis)Connected by PartSuspended - Hari Marini (1)
performance
performance studio
page 6
11:00 - 13:00
On Air by SALSAROSA (1)
participation / performance
research studio
page 7
11:40 - 12:00
Furl by Tate n Lyle (1)
performance
performance studio
page 8
12:25 – 12:50
Stabat Mater by Patricia Okenwa
performance
performance studio
page 9
13:10 - 13:25
16 Years by Pepa Ubera
performance
performance studio
page 10
13:30 - 13:45
Out of all the places where we could be / In the folds of our being by Petra Söör
performance
research studio
page 11
13:55 - 14:45
one wall of me by Kasia Witek
performance
performance studio
page 12
14:55 - 15:15
Choir of Sound and Silence by Sara Ruddock (1)
participation / performance
research studio
page 13
15:20 - 15:40
Whatever happened to the Glory Days? by Catherine Hoffmann
performance
performance studio
page 14
16:00 - 16:20
Choir of Sound and Silence by Sara Ruddock (2)
participation / performance
performance studio
page13
16:00 - 17:00
On Air by SALSAROSA (2)
participation / performance
research studio
page 7
17:00 - 17:20
this foreign mansion by Claudia Palazzo
performance
performance studio
page 15
17:35 - 17:55
gru & gru by Mariana Camiloti & Petra Söör
performance
performance studio
page 17
17:55 - 18:15
Marginal Bodies by Antonio Branco & Riccardo T. (1)
live sculpture installation
research studio
page 16
18:15 - 18:35
Red Lines by Mil Vukovic-Smart
performance
performance studio
page 18
18:50 - 19:10
Brown Handbag by Monsur Mansoor
performance
performance studio
page 19
19:10 – 19:35
Marginal Bodies by Antonio Branco & Riccardo T. (2)
live sculpture installation
research studio
page 16
19:40 - 20:10
THE HYPOCRITES
live music
performance studio
page 20
20:10 - 21:10
I want to be yours by Katye Coe (1)
Soundscape / chill-out
research studio
page 21
20:20 - 20:40
Iced Fish Eyes by Timothy Trimingham Lee
performance
performance studio
page 22
20:50 - 21:05
Noise Loop Bootstrap Paradox by Neal Spowage
performance
performance studio
page 23
21:20 - 21:40
(Dis)Connected by PartSuspended - Hari Marini (2)
performance
performance studio
page 6
21:55 - 22:25
Clamour In The Gulch by Rob Hart
live music
performance studio
page 24
22:35 - 22:55
Lambchop Magoo Does Brexit by Hannah Ballou
performance
performance studio
page 25
COUNTDOWN
23:00
performance studio
23:10 - 23:30
Choir of Sound and Silence by Sara Ruddock (3)
participation / performance
performance studio
page 13
23:30 – 23:50
You me we, they them us by Susan Kempster
film screening
lounge
page 5
23:30 – 23:55
Marginal Bodies by Antonio Branco & Riccardo T. (3)
live sculpture installation
research studio
page 16
23:55 - 00:20
Furl by Tate n Lyle (2)
performance
performance studio
page 8
Saturday 30 March 2019 00:35 - 00:55
(Dis)Connected by PartSuspended - Hari Marini (3)
performance
performance studio
page 6
00:55 – 1:20
Marginal Bodies by Antonio Branco & Riccardo T. (4)
live sculpture installation
research studio
page 16
1:20 - 2:00
You me we, they them us & One Last Dance – An Chéad Damhsa (London)
film screening
performance studio
page 4 & 5
1:45 - 2:15
I want to be yours by Katye Coe (2)
Soundscape / chill-out
research studio
page 21
2:20 - 5:20
MOVEMENT 12 (FLOATING) by Hamish MacPherson
performance / chill-out time
performance studio
page 26
5:30 - 6:00
Furl by Tate n Lyle (3)
performance
performance studio
page 8
participation / performance
research studio
6:00 - 8:00
UnFull English Breakfast
*please note that times may change slightly | last updated: 24 Mar 2019, 12:47
