www.afro.comJanuary 10, 2015 - January 10, 2015,
Volume 123 No. 23
A1 $1.00
The Afro-American
Nation’s #1 African American Newspaper 2014 Nielsen-Essence Consumer Report
JANUARY 10, 2015 - JANUARY 16, 2015
Selma’s Depiction of LBJ’s Reaction to ‘Michael Brown’ FB Voting Rights Role Challenged Post Forces Dispatcher to Quit By Zenitha Prince Senior AFRO Correspondent There is a loud buzz surrounding civil rights drama Selma. The film, partly a profile of Dr. Martin Luther King Jr. but mostly a dramatization of pivotal civil rights marches from Selma to Montgomery, Ala., in 1965, highlights what Temple University professor Molefi Kete Asante called
Join the 401,407 Facebook fans who follow the AFRO, the Black newspaper with the largest digital reach in the country. INSERT • Walmart
Listen to “First Edition” Join Host Sean Yoes Monday-Friday 5-7 p.m. on 88.9 WEAA FM, the Voice of the Community.
one of the most “historic” and “heroic” moments in the nation’s history. The protestors were agitating to achieve equal voting rights for Black Americans. On the one hand, Selma has received critical acclaim, garnering several Golden Globes nominations and considered an Oscar contender. “I loved the film. The film is so real...it’s powerful... it made me cry,” said Rep. John Lewis, D-Ga., who was severely beaten during the March 7, 1965 march that came to be known as Bloody Sunday, in an interview with MSNBC’s Andrea Mitchell. The very existence of the film is in itself a great achievement since “Hollywood for so long had avoided a film about Dr. King and the Civil Rights Movement,” said Gary May, history professor at University of Delaware. May, like many others, also praised the film’s elevation of the protestors’ role as agents of their own destiny. “At last, African Americans are the heroes of their own story,” he said. Others are not so
laudatory, however, particularly supporters of President Lyndon Johnson who said he was unjustly portrayed. The film downplays Johnson’s role, shows him as waffling on the voting rights legislation in favor of the War on Poverty, and as having a contentious relationship with Dr. King. In an opinion piece for the Washington Post, former Johnson advisor Joseph A. Califano Jr. said the film should be shunned. “The film falsely portrays President Lyndon B. Johnson as being at odds with Martin Luther King Jr. and even using the FBI to discredit him, as only reluctantly behind the Voting Rights Act of 1965 and as opposed to the Selma march itself,” Califano wrote. “In fact, Selma was LBJ’s idea, he considered the Voting Rights Act his greatest legislative achievement, he viewed King as an essential partner in getting it enacted Continued on A3
Read another critique of Selma on B7.
Your History • Your Community • Your News
afro.com
Courtesy photo
Former Baltimore County 9-1-1 dispatcher Kelli Murray. Murray resigned from her job on Jan. 6 after a Facebook post led to harassment and a call for her ouster by the local police union.
Kelli Murray, the Baltimore County dispatcher whose Facebook post on the death of Michael Brown led to online harassment and the local police union calling for her ouster, is pondering whether to resign from her job as her first day expected back to work approaches. Around early December, Murray had responded to a Facebook post by a fellow dispatcher in which the dispatcher said she was confused as to why people were rallying over Brown when police die in the line of duty on a regular basis. That post also referred to Brown as a ‘thug,’ according to Murray, and included phrases such as ‘who cares that he died’ and ‘let him bleed out.’ “That hurt my feelings,” Murray told the AFRO during a phone interview on Dec. 30. “I can only imagine how Mike Brown’s mother felt. It took me some time and then after a while I responded to it on my own personal page.” Murray’s response read, in part, “So, it’s okay to KILL Continued on A3
ACLU Md. Sets Ambitious Agenda For 2015 By Roberto Alejandro Special to the AFRO
Join the AFRO on Twitter and Facebook
By Roberto Alejandro Special to the AFRO
Requiring law enforcement agencies to report data on civil asset forfeitures, reforming the law enforcement officers bill of right (LEOBR), and legalizing marijuana are all on Maryland’s American Civil Liberties Union’s 2015 legislative agenda. “Civil
asset forfeiture is rife with potential conflicts of interest,” explained Toni Holness, public policy associate for ACLU MD during an interview with the AFRO, “because you have a system wherein local law enforcement agencies are funding themselves . . . with assets that are taken from everyday
Many of Baltimore’s problems are structural and can only be addressed with long-term solutions said former Baltimore mayor, Sheila Dixon, during a recent and wideranging conversation with the AFRO on the state of the city. Dixon said the nature of politics does not lend itself to this
enforcement officer can seize property from citizens if they believe the asset – whether a car, or cash found on a citizen – could have been used in a crime. Proceeds from the sale of these assets are often used to bolster law enforcement agencies’ budgets, even
“Civil asset forfeiture is rife with potential conflicts of interest.” – Toni Holness
Former Mayor Sheila Dixon Discusses State of the City
approach to policy making, but that greater courage must be shown by the city’s leaders in laying out long-term visions and trusting that the community will support them to see those visions through. “Dealing with systemic issues, for elected officials, is not something they focus on because it’s long-term,” Dixon said. Dixon served as AFRO file photo
By Roberto Alejandro Special to the AFRO
Marylanders, and the standard of proof for taking assets is really
Sheila Dixon
Continued on A4
low, it’s just a preponderance of the evidence.” According to Holness, a law
Continued on A4
Joan Williams’ Pasadena Redemption Ride Eludes Network Media Recognition By AFRO Staff Many viewers watched this year’s Rose Parade in Pasadena, Calif. with the expectation of at least a snippet about Joan Williams who graced the city banner float finally, after originally having been invited and disinvited in 1957. While local and national media outlets had previously carried stories about the original slight and the impending correction, Williams’
Continued on A4
Joan Williams led the Rose Parade banner float on January 1, 2015.
Copyright © 2015 by the Afro-American Company
Jan 14–Feb 8 This fictional account of a real night in history imagines the moment when Cassius Clay celebrated his 1964 world heavyweight boxing title victory in a small Miami hotel room with his friends, activist Malcolm X, singer Sam Cooke, and football star Jim Brown.
BEFORE THEY WERE ICONS THEY WERE FRIENDS
ONE NIGHT in MIAMI... By Kemp Powers Directed by Kwame Kwei-Armah
LIMITED ENGAGEMENT! TICKETS START AT $19 410.332.0033 | centerstage.org