BujokAdam_PORTFOLIO by Adam Bujok

PORTFOLIO

Ing. arch. Adam Bujok +52 56 1964 8306

bujokadm@gmail.com

@intercity_photography

Av. Mexico Coyoacan 03 310, Ciudad de Mexico

COVER LETTER

Hello,

my name is Adam Bujok, am a junior architect from Prague, Czech Republic. To introduce my portfolio, would like to begin with a few facts about myself and provide a brief overview of my education and career.

hold a degree from the Czech Technical University in Prague, where had the opportunity to participate in the Erasmus+ program in Venice. For my diploma project, I worked in collaboration with both my home atelier in Prague and a Milanese atelier at the Politecnico di Milano. This partnership allowed me to consult the project across both cities, benefiting from insights and expertise in two distinct architectural environments.

Following my studies, was accepted into a PhD program at my alma mater. However, during my first year as a PhD student, I realized the importance of gaining more practical experience in the field. This realization motivated me to put my academic path on hold and pursue opportunities to work abroad, enriching my professional experience and enhancing my architectural skills in international settings.

Throughout my professional experience, I have participated in all phases of projects, from initial concept studies to completing full execution documentation. My work has involved collaborating with multidisciplinary teams, ensuring effective communication, and maintaining a focus on delivering high-quality design solutions. I have also been engaged in construction documentation and construction supervision, which has equipped me with the necessary skills to navigate the complexities of project development.

In addition to my project experience, believe my background can bring a fresh perspective to your atelier. I am committed to creating innovative and functional design solutions. My collaborative approach and ability to adapt to different environments enable me to contribute positively to the studio’s dynamic. I am particularly excited about the opportunity to learn from your team and to engage in various new projects in a new environment.

PERSONAL DATA

ING.ARCH.ADAM BUJOK

+52 56 1964 8306

bujokadm@gmail.com @intercity_photography

Av. Mexico Coyoacan 03 310, Ciudad de Mexico

*07.05.1997

Prague

Czech republic

Architect

EDUCATION

09/2012 - 06/2016

Secondary Technical School of Engineering Engineering and Architecture

10/2016 - 06/2020

Faculty of Architecture - Czech technical university bachelor´s degree in architecture and urbanism

06/2020 - 02/2023

Faculty of Architecture - Czech technical university master‘s degree in architecture and urbanism

01/2021 - 07/2021

Univerzita IUAV di Venezia Erasmus+ programme

09/2022 - 02/2023

Politecnico Milano - POLIMI Department of architecture

09/2023 - 03/2024

Faculty of Architecture - Czech technical university PhD Programme, Architecture, theory and creation

SKILLS

LANGUAGES:

WORK EXPERIENCE

06/2015 - 09/2015

Clam-Gallas Palace Guide to the Baroque Festival

09/2O16 - 06/2019

Stavební dokumentace - N.G.Builders. s.r.o. cooperation on various stages of project documentation

07/2O17 - 08/2O17

La Llacuna, Cataluna, Spain Archaeological research of the Iberian oppida 09/2017 - 02/2018

Faculty of Architecture - Czech technical university architectural and historical survey - Havel market, Josefov fortress 01/2018 - 02/2018

National Heritage Institute (NPÚ) inventory of building elements - Wimmer Palace 11/2O18 - 08/2O19

Klokner Institute - Czech technical university architectural and historical survey - Hlávka bridge 01/2O20 - 12/2021

Faculty of Architecture - Czech technical university archaeological research of medieval kitchens 10/2021 - 01/2022

Faculty of Architecture - Czech technical university cooperation on a public space research project

02/2022 - 05/2024

MENU architekti cooperation on various stages of project documentation 05/2023 - 11/2023

H3T architekti, MgA. Štěpán Řehoř cooperation on the implementation of projects 09/2023 - 05/2024

KOPEĆ DUŠEK architekti cooperation on various stages of project documentation

INTERESTS

SELECTED SCHOOL PROJECTS

FOOT BRIDGE, KRKONOŠE

Appearance and Construction of the Footbridge

The appearance and construction of this footbridge naturally stem from its location and specific conditions. The design of the footbridge over the Renner Stream was significantly influenced by the requirement for its drivability, which led to the widening of the cross-section to 3.3 meters at its narrowest point and the use of massive structural elements. Despite the challenges in design, this construction allowed for easier transportation of the footbridge to its final position. This made it possible to use a structural element that spans the entire seven-meter gap between the stone pylons on either side of the Renner Stream. The load-bearing elements consist of steel pressed „U“ profiles with a total length of 8 meters, covering 7 meters of the stream‘s width and 0.5 meters of placement on the pylons on both sides.

Integration of Bench and Footbridge

In the initial concepts, a minimalist bench was placed at the edge of the footbridge, allowing tourists to enjoy the view of the valley through which the stream flows. As the design evolved, the bench grew in size and became integrated into the footbridge, eventually merging both elements into a single shape and structure. The footbridge is oriented towards the most beautiful view, offering a glimpse through the valley onto the densely forested surrounding hills. The curve of the right side of the footbridge changes and adapts analogously to the contours of the valley formed by the stream. This allows users to comfortably sit on the edge of the footbridge or almost lie down at the widest point of the cross-section, without intruding on the driveable width of the footbridge.

The project took place in 2018 at the Zavřel-Jelínek atelier, led by prof. Ing. arch. ir. Zdeněk Zavřel, dr. h. c.

Technical information Lenght: narrowest point: overall width: height above w. level:

7,4 m 3,3 m 5,4 m 1,65 m

Per un ulteriore fissaggio dei profili serve un semplice sistema basato su giunti a coda di rondine e sistemi di scanalature maschio-femmina, i singoli profili hanno una goffratura sul lato superiore, che si estende gradualmente alla profondità del profilo. La linguetta della stessa sezione trasversale della scanalatura viene gradualmente inserita nelle scanalature per garantire il collegamento di 40 profili di un lato.

I profili del lato sud della passerella sono creati lungo il cerchio e completano il lato destro.

La loro altezza non raggiunge i valori standard prescritti e i profili sono quindi integrati con una ringhiera.

I profili del lato sud della passerella sono creati lungo il cerchio e completano il lato destro. La loro altezza non raggiunge i valori standard prescritti e i profili sono quindi integrati con una ringhiera.

Analogamente al lato destro, i profili si increspano e si alzano o si abbassano. Per questo motivo seguono la dinamica del torrente sotto la passerella e il graduale cambiamento del rilievo del paesaggio circostante.

LIBRARY - PRACHATICE

1. Context and Site

The site is located in close proximity to the historic core of Prachatice. Throughout the design process, it was essential to consider the presence of such a complex, selfcontained area and to engage with the context of the territory. We are heavily influenced by the heritage conservation area. We do not, cannot, and do not want to encroach upon the designated park area. Štěpánka Park is on the verge of reconstruction, but for now, it remains in a deplorable state, lacking purpose.

2. Avoiding the Fate of the Historic Center

In this project, aim to avoid the same fate that has befallen the historic center of Prachatice. We circumvent the center instead of actively utilizing it. The historic core of the city functions as little more than a museum, serving no other purpose. Štěpánka Park currently lacks any practical use, becoming a similar museum piece. Therefore, we are adding functionality. We pass through the park to enter the library, thereby populating the park and making it safer.

3. The Library’s Role and Interaction with the Park

The library, as the focal point at the park’s edge, bears significant responsibility for the park. It must communicate with the park and, in a way, shape it. The design adheres to the original boundaries of the historic section of the park. The building borders and defines this space. The glass façade is not just a feature for illuminating the interior; it serves as a means of interaction and cooperation between these elements.

„Heritage conservation areas are the most valuable, well-preserved territories with numerous cultural monuments that can be found in our country. They maintain an intact urban structure, characterized by a compact historical layout and buildings in their original volumes and shapes, including preserved façades of most historic structures. An essential component of these areas includes their public spaces and artistic elements, preserved historic gardens and parks, small-scale architecture, and other inventory.“

National Heritage Institute’s definitionof Heritage conservation areas areas

Hradební

Lesní

Entrance

Solní

Axonometry of the ground floor, showing the layout design and functional connection of the building with the park

Axonometry of the first underground floor, showing thea layout design and vertical connection between the two floors

The second part of this bachelor’s thesis includes the project documentation, covering all aspects required by Czech building law. This encompasses architectural and structural solutions, fire safety measures, and documentation of technical and technological systems, followed by site drawings. In the following section of the portfolio, present technical solution of key details in the cross-section of the building.

PODBĚLOHORSKÁ RESIDENCES

Project Context and Concept

The area surrounding our parcel is dominated by Podbělohorská Street, a thoroughfare designed for cars, where the existing development has become fragmented and disconnected. The surrounding, quieter streets have been transformed, turning their backs on Podbělohorská Street. New residential clusters have become increasingly isolated, locked away behind private gates.

Until recently, our parcel was occupied by garages, warehouses, and workshops—some functional, others deteriorating. The complex was inaccessible, fenced off, and closed to the public. As these garages and warehouses are being removed, new construction is planned. This development must rethink the relationship with Podbělohorská Street.

In my project, intentionally leave a significant portion of the land open and thoughtfully designed, yet minimally defined, allowing it to adapt and respond to future needs. This open space, anchored by a small structure at its edge where it meets Podbělohorská Street, acts as a subtle signal that something is happening here—a point of interest in the landscape.

The design of the proposed buildings is based on rational volumes and comfortable layouts. The structures are oriented to maximize views, relieve the urban density, and emphasize the unique topography of the site. The spaces between the buildings are enhanced with low walls, providing a buffer from the streets, creating a visual connection to the slope, and forming private or communal gardens accessible to all residents. The project anticipates housing 299 residents with 120 parking spaces.

Conceptual Visualization of the Facade of the Residential Building

Smrřinskástreet

Kvildská street

PodCísařkou street

Podbělohorskástreet

B.1.13.3 3bedroom apartemnt 89m 2+8m 2

REVITALIZATION

OF

THE OPAVA RIVERFRONT

The project focuses on revitalizing the Opava River waterfront, transforming it into a dynamic public space that reconnects the town with its natural surroundings. The design integrates several key components: pedestrian pathways, public parks, and infrastructural improvements, all while enhancing the e cological resilience of the river.

1. Pedestrian Connectivity

The project introduces a new pedestrian bridge, strategically placed to link both sides of the river and integrate seamlessly into the existing street grid. The design includes improvements to the bridge entrances and the surrounding streetscape, enhancing accessibility and flow. Alongside the bridge, the massing of new buildings along the adjacent streets is carefully considered to align with the surrounding urban context.

2. Park Development and School Connection

One of the core features is the connection between the local elementary school and the nearby football field, achieved through the creation of a linear park. This space is designed to cater to young athletes, students, and waiting parents, offering recreational and green spaces for the community.

A new bridge over the river’s tributary also enhances the connection between these spaces.

3. Promenade and Cycling Path

A key element of the project is the design of a continuous riverside promenade and a cycling path. This walkway runs along the banks, allowing for uninterrupted pedestrian and cyclist movement through the town, integrating the waterfront more deeply into the city’s daily life. The promenade is expanded at points to create seating areas, greenery, and „meanders“ where people can gather and relax.

4. Flood Protection and Lower Park Expansion

The lower part of the park has been extended to improve flood protection along the riverbank. A carefully designed paved upper park, combined with an orchard, connects the two park levels. The transition between the levels is marked by a cycling path and walking promenade, ensuring smooth movement while also enhancing the park’s visual appeal.5. Integration with the Urban Plan

The project includes the integration of school grounds into the park, enabling future school expansion. The remaining space has been dedicated to a public park. The design adheres to the urban plan’s guidelines for the site, repurposing former garage and garden colony areas for civic and public use.

5. Integration with the Urban Plan

6. Contrasting Riverbanks

The riverbanks are designed to offer distinct experiences. On one side, a paved embankment hosts urban markets and public events, while the other features a green strip transitioning directly into the river. A narrow fisherman’s path runs through this green belt, adding a natural touch. The riverside wall aligns with the fences of adjacent private properties, lowering to create more openness and interaction with the landscape.

7. Modernist Architecture Meets Nature

The revitalized riverfront acts as an extension of the nearby modernist residential areas, establishing a cohesive green corridor that connects these neighborhoods to the river. The park is organized with a clear hierarchy of functions: cycling and pedestrian paths, a network of streets that respond to the surrounding urban fabric, and sloped or flat park areas tailored to various recreational needs.

8. Connection to historical

At the park‘s eastern tip, a public square is proposed, bridging the gap between the historical city center and the modernist housing developments. The square, paved and framed by green spaces, serves as a visual cue for entry into the urban core. It also highlights the new pedestrian bridge, reinforcing the connection between different parts of the city.

9. Riverside Wall and Materiality

The right bank of the river is fortified with a riverside wall for most of its length, where a historic stone wall is complemented by a new concrete structure. This hard edge contrasts with the sloping, vegetated opposite bank, emphasizing the distinction between the compact historic city fabric and the more open, modernist buildings set within greenery. This contrast is further enhanced by the material choices: compacted gravel for the sloped left bank and paving for the right. The northern bridgehead, marking the city’s entry point, is also paved, signifying the transition into the urban core.

Seciton II. Seciton III. Seciton IV. Seciton V. Seciton VI. Seciton VII. Seciton VIII. Seciton IX.

Axonometric conceptual visualization of the river basin design

Sections

LAYERS OF PRAGUE: REVITALIZING THE BASTIONS

Historical discourse

Bastions, architectural fortifications that first emerged during the Renaissance, represented a significant evolution in military defense strategies. Developed in the 16th century as a response to advancements in artillery, these angular, outward-projecting structures replaced medieval city walls, offering more robust protection against siege warfare. Their design allowed for crossfire coverage and minimized blind spots, making them essential in the defense of key European cities. Commissioned by rulers such as the Habsburgs, these fortifications played a critical role in urban defense systems across Europe. In Prague, bastions were integral to the city’s protective infrastructure, defining the boundary between the medieval heart of the city and its expanding urban fabric.

Specifics of Prague´s bastions

Prague’s bastions, though deeply rooted in its historical landscape, have gradually become detached from the city‘s vibrant life. Today, they remain underutilized and largely neglected, with much of their potential left untapped. Scattered parks, like Marie Theresa Park, represent wellmeaning but ultimately insufficient attempts to revitalize these spaces. These fragmented green areas, while offering some respite, fail to fully integrate the bastions into the city‘s urban core, leaving them as mere dividing zones between Prague Castle and the surrounding neighborhoods.

The design

The vision for the bastions is one of transformation. Rather than leaving them as isolated relics, they must be incorporated into the living fabric of the city. How? By embedding them with new functions. The goal is not to erase or overshadow their historical significance but to envelop them in a way that enhances both their heritage and the urban experience.

The first approach is to „encase“ the bastions. The sections that remain should be repurposed and integrated into the city. Partially visible, the bastions would serve as the backbone for new residential or mixed-use developments, maintaining their structural and cultural integrity while supporting a contemporary layer of urban life.

The second approach draws inspiration from the concept of a garden city, specifically the Letná fortifications. This proposal envisions modest, low-rise row houses or fragmented blocks, gently filling the gap between the castle and the city, respecting the scale and character of the historic site. It is about creating a balance—where new buildings emerge humbly, forming a coherent dialogue with the old fortifications, while also embracing the principles of modern urban design.

The ultimate goal is to reimagine these bastions as more than historical monuments—they should become active elements in the city’s ongoing growth, generating dynamic, livable spaces that bridge the past and the future.

Metropolitan plan

As stated in Prague’s Metropolitan Plan, this layered complexity is central to the city’s identity:

„Prague’s unique quality lies in its heterogeneity and stratification. It is essential to strengthen these layers, adding to the city not just through high-quality contemporary architecture, but through vibrant activities within these spaces. The protection of historical heritage must catalyze the creation of a new layer of exceptional architecture, particularly in vacant areas at the edges of protected zones. We must not fear change—Genius loci will always adapt new layers to its own image.”

Saint Francis Saint Anna

Saint Mary

Saint Benedict Saint Venceslav

UNIVERSITY LIBRARY GUASTALLA, MILAN

Historical context

Since the early 20th century, the block served as the headquarters for the humanitarian organization SUM (Società Umanitaria). The organization was dedicated to the education and upliftment of lower social classes, focusing on improving education, employment, and social conditions for the working class. It operated in cities such as Naples, Rome, and Milan, with a guiding principle that education stabilizes individuals within society, thereby improving their social standing. In alignment with this mission, SUM established schools, vocational institutions, and a network of libraries in the cities where it was active.

During World War II, a significant portion of the block was destroyed. While the church and most of the monastery underwent reconstruction, a large part of the block, deemed of little architectural value, was replaced following an architectural competition in the 1950s.

This competition, organized by SUM, led to the addition of modernist structures with greater spatial capacity, designed to support functions beyond SUM’s original scope. These new buildings housed classrooms for the San Raffaele University and later UNIMI, along with offices and archives for the Milan Prosecutor‘s Office.

Proposed design

In response to the block‘s historical and current functions, the design introduces a specialized library that provides vital resources for the universities integrated into the existing structure of the block and of the city of Milan. The library is conceived as a hub of knowledge and research, housing extensive collections from the participating universities, the Società Umanitaria, and the ever-growing archives of Milan. In addition to public and specialized reading rooms, the library will offer research facilities, with areas dedicated to the study of historical documents and archival materials.

To support the educational mission of the universities, the project also includes flexible, multi-functional spaces such as seminar rooms and conference areas. These spaces are intended to be rented out to students and faculty, fostering collaboration and offering an accessible venue for lectures, workshops, and academic meetings.

The design further accommodates modern office spaces that serve as startup hubs for recent graduates or students needing a professional base near their university. These offices are designed to promote interdisciplinary collaboration and innovation, with direct access to the library and university resources. A significant portion of the building is thus dedicated to supporting the academic and professional growth of the students and recent graduates, making the space not just a repository of knowledge but an active part of the educational ecosystem.

1. Block perimeter

The block today is a collage of functions, disparate masses, and both successful and unsuccessful renovations. The whole includes classrooms from two universities, the Church of Santa Maria della Pace, a school under the patronage of the humanitarian organization SUM housed in a former monastery, as well as offices and archives of the prosecutor’s office. begin the proposal by naming and mapping the boundaries of the block. analyze the division of masses and epochs and search for visual connections or links to the surrounding urban fabric.

2. Urban anchor

plaza 1

With the proposed building, step back from the street, elevating the main façade and creating a small forecourt to highlight the importance of the institution. The building is raised by three steps.

plaza 2

The block lacks a defined central space. The spaces between the connected Renaissance convent and the modern structures from the 1920s are mostly filled with parking spaces. The individual masses do not communicate.

The block remains open at the northern corner, lacking cohesion and a defined focal point. The intermediate spaces serve as parking lots.

The first part of the proposal bypasses the library program and focuses on the urbanism of the block. It sets out a new center that will connect the disparate masses and provide a clear central focus for the block.

3. The block center

The masses surrounding the center have different heights, surfaces, and roof levels. Therefore, I begin to shape the newly defined center in terms of massing. I work with the permeability of the newly proposed building, the height of the silhouette, and its connection to the individual volumes.

The front of the plaza is designed as a two-story building with a lively terrace. The ground floor is intersected by side passages. I pave part of the space, and the rest is allocated to a small park.

4. Zoning of the building

The building has two faces. Externally, it contributes to the formation of public space, housing rentable spaces oriented towards the street—a gallery, bookstore, and stationery shop. These are functions accessible to the public. Internally, it faces the inner street, where I orient spaces tied to the block’s function—a night study room, lecture hall, and the main entrance to the university library.

5. The internal street

The shaping of the passage is inspired by the typical city block, with its essential principles echoed throughout. The passage is lined with functions that connect to the library and the block’s purpose—a night study room, lecture hall, cloakrooms, porter’s office, and the main entrance to the library. Walking through the passage, we reach the cloisters of the historical monastery, the university library, and the inner plaza of the block. The internal street narrows and widens according to the accent of the entrances to the various functions. The interior spaces are heated and serve as a day study room and rest area.

6. Library orientation

The library opens towards the internal street, which serves as its informal zone. Around the passage, on the second floor, runs an internal gallery. The gallery is separated from the library spaces by a glass wall. We remain in contact with the life of the street while maintaining the quiet of the study rooms. The public study rooms and the main free-access sections are oriented towards the internal street. The administrative spaces on the upper floors function independently from the university library but are connected by the passage from which the main staircase is accessed.

PIAZZA

Via San Barnaba

Via Manfredo Fanti

Piazza di San Rafaelo

Nuova educatione di San Rafaelo

Ospedale Maggiore policlinico

Nuova educatione di San Rafaelo

Francesco Daverio

Pace

Chiesa Santa Maria della pace

Chiestra di San Barnaba Societa Umanitaria

Piazza Umanitaria

Palazzo di Giustizia

Second Floor: Balcony of the main reading room

First Floor: Connection between the research room and the main reading room

KEY PROFESSIONAL PROJECTS

Pavel Mahdal architects/MENU architects

https://www.menuarchitekti.cz/ 02/2022 - 05/2024

KOPEĆ DUŠEK architects

https://www.kopecdusek.cz/ 09/2023 - 05/2024

MENU ARCHITECTS

At MENU Architects, we worked across all scales and phases of the project. Our focus spanned from interior renovations to urban planning and public space design. Throughout the completion of documentation, we collaborated with specialists and, in the final phase, carried out construction supervision. In my portfolio, I present three entries for architectural competitions. Two of these projects were awarded first place by the jury, and the third received third place.

MENU Architects is a young studio based in the Vinohrady district of Prague. Despite its presence in the capital, the studio undertakes projects across the entire Czech Republic. The practice was founded in 2014 by architect Pavel Mahdal under the name Pavel Mahdal Architects. In 2023, we formed a team of four and, under Mahdal’s continued leadership, established the MENU Architects studio.

MENU architekti s.r.o. Jana Masaryka 330/48 120 00 Praha

https://www.menuarchitekti.cz/ https://www.instagram.com/menuarchitekti/ https://www.facebook.com/menuarchitekti

TUCHLOVICE SQUARE

Tuchlovice Square currently lacks the qualities of a true town center. It fails to support pedestrian flow, cultural events, or function as a cohesive public space. The area, positioned at the intersection of Ke Stráži and Karlovarská streets, suffers from disconnection and inconsistent urban solutions. However, the space offers significant potential.

Our design strategy focuses on revitalizing existing layers rather than introducing entirely new ones. We aim to enhance the functional diversity of both sides of Karlovarská street, creating a pedestrianfriendly environment with green spaces and public amenities. The plan introduces better connectivity between key community spaces, such as shops, parks, and recreational areas, while maintaining and integrating mature trees as essential elements of the square‘s character. A new multi-functional structure will combine a bus stop, retail, public restrooms, and event facilities, ensuring the space serves both daily needs and larger town gatherings.

The square’s design emphasizes flexibility, allowing it to host a wide range of community events, from markets to festivals, transforming it into a vibrant and essential public space for Tuchlovice.

The project was the result of an architectural competition announced in January 2023 for the square in the town of Tuchlovice. This was our office’s first public space design.

The proposal was awarded first prize.

Visualization 3: View of the repaved and newly relocated road to create a forecourt for the existing public amenities

Visualization 2: Detail of the new paving of the square and the accent on the historical memorial site at the reconciliation stone

Visualization 1: Detail of the proposed front gardens of the western edge of the square, with the newly designed bus stop in the background

Steel band around the circle Separates the gravel area from the paving.

Gravel area Reinforced with grating near benches to prevent wear and tear.

Reconciliation stone Information panel placed on the ground in front of the stone.

Residential zone

Shot-blasted granite paving (8/10 cm), designed for vehicular access, laid in a fan pattern.

Surface drain Composed of arranged granite blocks.

Sidewalk

Shot-blasted granite tiles (20/20 cm), laid in a linear pattern.

Detail of the surroundings of the reconciliation stone

Detail of the residential zone

BECHYŇOVO SQUARE, PŘIBYSLAV,

The design of Přibyslav Square is inspired by the town’s unique morphology, shaped by the river’s arc and elevation changes, which have influenced the development of the settlement. The result is a horseshoe-shaped urban footprint that defines the town’s character.

The project aims to reconnect fragmented spaces and introduce greenery and gathering areas. A „green horseshoe“ linear park adapts to its surroundings, extending into adjacent streets to create a continuous green network

Key visual axes, especially the view towards St. John the Baptist Church, shape the layout. The main square remains open to highlight the town’s panorama, with a minimalist fountain placed along the church’s visual axis. A green strip runs along the northern edge, connecting different areas, including a park with rest spots, a revitalized fountain, and a flexible open space for events.

The southern road is redesigned to calm traffic and accommodate pedestrians and cyclists, enhancing accessibility and creating a multifunctional public space that supports everyday life and community activities.

The project was the result of an architectural competition announced in June of 2023 for the square rediesign in the town of Přibyslav.

The proposal was awarded third prize.

Visualization 1: View of the newly paved main square, with a townhall ont he right hand

Visualization 2: Redesigned main entrance to the elementary school

Visualization 3: Enhancement of existing greenery and reconstruction of the linear park surrounding the square

ALBRECHTICE NAD VLTAVOU SQUARE

The village square currently lacks a defined center and primarily serves as a parking lot and bus turnaround. The proposed design seeks to transform this space into a cohesive, functional public area by unifying fragmented elements and removing barriers.

Key to the design is the enhancement of the visual axis toward the church tower, establishing a smooth transition from the urban environment to the natural landscape surrounding the Albrechtický stream.

In the southern section of the square, where the main axes intersect, we propose a central public space—a paved area designed for events and gatherings. This design also includes the removal of the road near František Král’s house, fully integrating it into the square and promoting a sense of community.

To create a more inviting atmosphere, the northern part of the square will be softened with greenery, featuring a terraced seating area shaded by trees. This area will provide a tranquil spot for visitors.

We will also realign the connection between the road and the chapel cemetery, reinforcing the ceremonial path, which is a significant feature of the village. The introduction of tall, solitary trees typical of the region will enhance the visual appeal and create a layered landscape, making the square a vibrant hub for social events and gatherings.

This project was the result of an architectural competition announced in December 2023 for the square in the town of Albrechtice nad Vltavou.

The design was awarded first prize.

Park

KOPEĆ DUŠEK ARCHITECTS

Kopeć Dušek Architects is a well-established Prague-based architectural studio specializing in projects across a wide range of scales. Their professional portfolio includes family and residential houses, public space redesigns, large urban complexes, and both sudies of renovation and new construction of bridges in collaboration with architect Petr Tej‘s atelier. The studio manages all phases of project development, from initial concept studies to full execution documentation.

Under the leadership of Marek Kopeć, the studio builds on his previous experience as a lecturer at the Academy of Fine Arts in Prague. In addition to their architectural practice, both Marek Kopeć and Ondřej Dušek are actively engaged in academic publishing and curatorial work, contributing to the discourse on architecture through exhibitions and publications.

KOPEĆ DUŠEK architects

Umělecká 1005/5 17 00, Praha 7

https://www.kopecdusek.cz/

COMMUNITY HOUSE, HUMPOLEC

This project centers on the reconstruction and potential extensions of a building complex bounded by Soukenická, Husova, and Smetanova streets, with a southern service link connecting the department store and school. The scope includes the redesign of surrounding public spaces, focusing on the service road and the adjacent eastern park, serving as a key entry point to the event hall.

The existing school and community center, having undergone various reconstructions—primarily in the 1990s— are a patchwork of different architectural phases. Our approach seeks to preserve the strengths of the original design while removing unnecessary alterations and optimizing functionality. The volumes are unified through a new architectural language, creating a cohesive whole.

Similarly, the surrounding public space is treated with an eye for urban integration. In collaboration with landscape architects, we have enhanced the existing green infrastructure, forming a promenade that connects key green spaces throughout the city. Perpendicular to this promenade, we introduce a new link between two major squares in Humpolec, aligning new civic amenities along these axes and situating new entrances to complement the layout.

PORTFOLIO APPROACH

In this portfolio, only present projects in which was directly involved throughout all their phases. In the architectural studios, have worked on each stage of the projects—from initial design studies to construction documentation and on-site supervision. For the sake of brevity, I do not separately highlight each project phase.

The final contribution to this portfolio showcases my analog photography (Pentax MX) reflecting my primary passion outside of architecture.

Pala Tiziano_Annibale Vitellozzi, Pier Luigi Nervi_1956

Mausoleum of Hadrian/Castel Sant‘Angelo

Parrocchia San Valentino ai Parioli_Francesco Berarducci_1985-1986

Flaminio station_Rome EUR_Roma