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The notion that literary works are ultimately about language, that their medium is their message, is one of the most fruitful of structuralist ideas and we have already noticed its theoretical foundations in the work of Jakobson. It validates the post-romantic sense that form and content are one, because it postulates that form is content. At one level, this permits, for instance, Todorov to argue that the ultimate subject of a work like The Thousand and One Night is the act of story-telling, of narration itself: that for the character involved- indeed for homo loquens at large- narration equals life: 'the absence of narration death'........... (Structuralism and Semiotics, p,100).
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