A. Conway Pedron Architecture Portfolio

New Orleans Event Space CRITIC: MIKE McKAY & LIZ SWANSON Solar Decathlon CRITIC: GREG LUHAN & HILARY BRYON Architecture Code CRITIC: THOMAS SCHROEPFER Boston Performing Arts Center CRITIC: ERIC HOWELER END[eavour’s] GAME CRITIC: WES JONES (RE)TOOLING GABON CRITIC: BENJAMIN ARANDA Cornell NYCTech MORPHOSIS ARCHITECTS workPLACE ADVISOR: ERIC HOWELER GSD Platform 4 HÖWELER + YOON ARCHITECTURE [ULAR] s.u.t.d Pavilions SCHRÖPFER + HEE ARCHITECTS Palais Des Arts ARANDA\ LASCH Cite Clubhouse ARANDA\ LASCH Wonga Wongue ARANDA\ LASCH Wynwood Edible Forest ARANDA\ LASCH Light Field ARANDA\ LASCH Guiyang Free Trade Zone S.O.M. Brookfield Place Dubai S.O.M. Future Ark S.O.M. CURRICULUM VITAE

A. CONWAY PEDRON

UK/CoD THIRD YEAR DESIGN STUDIO CRITIC: MIKE McKAY & LIZ SWANSON

NEW ORLEANS EVENT SPACE

PLUG-IN PROGRAM Plug in Program

Grid acts as a ‘control’. Neutral grid shows every force and response which deviates from it.

Field Responds, Allowing Relationships to be established across site.

Site

Plug+Play: New Orleans Event Space Using an overriding, abstract view of layering as a catalyst for design, a system of circulation both of and between program elements is set up utilizing a basic diagram which shows the various program elements selected for this house which include a bedroom, living room, gallery, kitchen, public bathroom, and master bathroom. This diagram allows for the different programs to be both circulation themselves as well as destinations in and of themselves, which calls to mind Robert Venturi’s theory of the both/ and relationship in a complex and contradictory building. Thus, the experience of the space is layered in such a way as to allow for the inhabitant/ viewer to peel through the building as one would through an onion.

ERRATIC PLUG-IN WEIGHTED FORCES

CONTINUOUS PLUG-IN UNIFIED RESPONSE

MICRO-FIELDS

STATIC PLANAR CONDITION

1 2

3

4

5

PLUGIN SEATING ELEMENT

1

PLUGIN MEDIUM PAVILION

2

PLUGIN MARKET PAVILION

3

PLUGIN SMALL PAVILION

4

PLUGIN MEDIUM PAVILION

5

DIAGRAMS SITE

EXISTING SITE SUN PATH

SITE LAGOON CONNECTIONS

EXISTING SITE TRAFFIC AROUND SITE

WINTER

SUMMER SU

STOP SIGN STOP LIGHT YIELD SIGN

SITE SOUND

DIAGRAMS PLUGINS

PLUGIN VOODOO FESTIVAL

PLUGIN CONCERT EVENT parking/ concert staging

area

production compound artis

t com

pou

nd

Le Ritual

Bing

grandstand o Parlo

ur

VIP area

Noomoon Booths

African Heritage Tent artist area

Food Court

ATM’s

Preservation Hall Tent

small

stage

artist area

Press Area

WWOZ stage enterance

PLUGIN NEIGHBORHOOD MARKET

PLUGIN DRIVE-IN THEATRE

U. OF KENTUCKY FOURTH YEAR STUDIO CRITIC: GREG LUHAN & HILARY BRYON

SOLAR DECATHLON

SKY.BLUE HOUSE 7KH V‡N\ EOXH KRXVH HPERGLHV .HQWXFN\ V KLVWRULF DQG LQGLJHQRXV EUHH]HZD\ KRXVH GHVLJQ©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

A

B

C

E

D

F

51' - 3 3/4"

11' - 4"

0' - 6 3/4"

2' - 3 15/16"

8' - 0"

11' - 4"

1

1

1

1

1

A-314

A-315

A-316

A-317

2' - 3 13/16"

For Deck Plan see: L -100 series

0' - 6"

2' - 7"

2' - 6"

MECH ROOM

103

3' - 0"

7' - 10 3/4"

8' - 0"

9

6

5 4

6' - 11"

8' - 0"

A-313

1

BATHROOM

105 7

0' - 5 7/8" 4' - 3"

1

LIVING ROOM

DINING ROOM

KITCHEN

BEDROOM

101

102

104

106

3

A-312 1

A-311

NOTE: FOR ENLARGED PLANS, REFER TO: LIVING ROOM: I-101 DINING ROOM: I-111 MECHANICAL ROOM: I-111 KITCHEN: I-111 BATHROOM: I-131 BEDROOM: I-121

BM GL

For Deck Plan see: L-100 series

09/13/08

1' - 8 5/16"

09/13/08

1' - 2 1/4"

2

1 3

0' - 11 1/8"

1' - 7 7/8"

2009 SOLAR DECATHLON CONSTRUCTION DOCUMENTS 02 JUNE 2009 www.uky.edu/solarhouse

4' - 8 7/8"

5' - 5"

2 C:\Users\Jason\Desktop\UKY_SD_Arch_Local_JEM_JUNE_02_2009.rvt

8' - 0"

SHEET TITLE:

Plans-Floor Plan

1

FLOOR PLAN SCALE: 3/16" = 1'-0"

A - 111

2

D

3

Structural Steel Column, Refer to S-111 For Details and Sizing Wall Pocket for Dining Room Table Single-Axis Tracking Photovoltaic Roof Rack System with Integrated Thermal Chimney Terne Coated Stainless Steel Box Gutter and Fascia #0 MP S 5 .7 X .1S D T A F IL H .5 M .S 1 X 2P .S D T A F IL H

2 A-520

.5 M .S 1 X 2P .S D T A F IL H #0 MP S 5 .7 X .1S D T A F IL H

---

Casework

5' - 5 3/4"

Continuous 4 x 4 x 3/8 Aluminium Angle Aluminum Framed Glazed BIPV Rain Screen System

2' - 3 3/4"

Built in Kitchen Storage with Adjustable Shelving

---

4 A-522

Dishwasher

Radiant Sub Floor System, 1 1/8" Nominal Dimension, Refer to M-401 For Piping Layout Pattern

Cold Formed Steel Floor Joist Framing, refer to S-111 For Details and Sizing

0' - 1 1/2"

Continuous 4 x 4 x 3/8 Aluminium Angle

2' - 11 1/2"

3/8" Snap-in-Place, tongue-and-groove, Linoleum Flooring w/ Backing Board

0' - 0"

2 x 4 Staggered Stud Cold Formed Steel Framing with Dual 2 x 4 Top and Bottom Plate

3' - 0 1/4"

2' - 3"

Closed Cell Spray Foam Insulation, Average Wall Nominal Value = R40

Cold Formed Steel Floor Joist Framing, refer to S-111 For Details and Sizing Radiant Sub Floor System, 1 1/8" Nominal Dimension, Refer to M-401 for Piping Layout Pattern

1

SECTION AT SKIRT WALL SCALE: 1/2" = 1'-0"

2

SECTION AT KITCHEN STORAGE SCALE: 1/2" = 1'-0"

3

3/8" Snap-in-Place Tongue and groove, Linoleum Flooring w/ Backing Board

SECTION AT KITCHEN CABINETRY SCALE: 1/2" = 1'-0"

3

1

F

Low Slope, Full-Adhered, 2-ply Membrane, SBS Modified Bitumen Energy Star Reflective White Roofing System, with Cold Applied Adhesive, at .74 Nominal Reflectance

1 A-514

Terne Coated Stainless Steel Fascia Single-Axis Tracking Photovoltaic Roof Rack System with Integrated Thermal Chimney

Structural Steel Column, Refer to S-111 For Details and Sizing

Structural Steel Column, Refer to S-111 For Details and Sizing

#0 MP S 5 .7 X H 1L .SI D H T A F IP

.5 M .S 1 X 2P HL .SI D H T A F IP

Thermall Broken and Insuated Aluminum Framed Window System with Nominal U Value .16, SHGC .18, VT .32

Terne Coated Stainless Steel Box Gutter and Fascia

2 A-514

.5 M .S 1 X 2P HL .SI D H T A F IP

1 A-521 M .S 1 X .S D T A F IL H .5 2P

1 A-520

#0 MP S 5 .7 X .1S D T A F IL H .5 M .S 1 X 2P .S D T A F IL H

1 A-519 .5 M .S 1 X 2P .S D T A F IL H #0 MP S 5 .7 X .1S D T A F IL H

1' - 0"

#0 MP S 5 .7 X .1S D T A F IL H

1' - 0 1/4"

.5 M .S 1 X 2P .S D T A F IL H

1' - 2 1/4"

#0 MP S 5 .7 X H 1L .SI D H T A F IP

#0 MP S 5 .7 X .1S D T A F IL H

Continuous 4 x 4 x 3/8 Aluminium Angle

2 x 4 Staggered Stud Cold Formed Steel Framing with Dual 2 x 4 Top and Bottom Plate

0' - 6"

Built In Office with Adjustable Shelving

Closed Cell Spray Foam Insulation, Average Wall Nominal Value = R40

1' - 0"

Closed Cell Spray Foam Insulation, Average Wall Nominal Value = R40

Pre-Engineered Cherry Wood Veneer Wall Panel System on 5/8" Gyp. Board Painted and Finished with Zero-VOC, Higher Performance Coating

Architectural Wood Veneer Casework

0' - 5"

Aluminum Framed Glazed BIPV Rain Screen System

1' - 0"

Lowslope, Fully Adhered, Membrane Energy Star Reflective White Roofing System w/ Cold Applied Adhesive @ .74 Nominal Reflectance

.5 M S 1 X 2P .S D T A F IL H #0 MP S 5 .7 X .1S D T A F IL H

Continuous 4 x 4 x 3/8 Aluminium Angle Cold Formed Steel Floor Joist Framing, refer to S-111 For Details and Sizing

3 A-520

3/4" Structural Plywood Sheathing Vapor Permeable Membrane

2 A-521

3/4" Ground Contact Exterior Grade Plywood

SECTION AT CHAIR STORAGE 1/2" = 1'-0"

2 x 4 Staggered Stud Cold Formed Steel Framing with Dual 2 x 4 Top and Bottom Plate

.5 M S 1 X 2P .S D T A F IL H

5/16" Thick Cement Fiber Board Rainscreen System w/ Sealed Finished Surface, Non-Perforated

4

Closed Cell Spray Foam Insulation, Average Wall Nominal Value = R40

Cold Formed Steel Floor Joist Framing, refer to S-111 For Details and Sizing

5

SECTION AT BEDROOM BUMPOUT SCALE: 1/2" = 1'-0"

5/16" Thick Cement Fiber Board Rainscreen System with Sealed Finished Surface, Refer to A-215 for Custom Perforation Pattern

6

BEDROOM SECTION - OFFICE SCALE: 3/4" = 1'-0"

3 A-519

A

B

C

D

E

F

1

1

1

1

1

A-313

A-314

A-315

A-316

A-317

TOP OF SOLAR ENVELOPE 115' - 8 1/2"

6' - 7 1/2"

Single-Axis Tracking Photovoltaic Roof Rack System with Integrated Thermal Chimney TOP OF STEEL

9' - 1"

109' - 1"

Fade Resistant, Waterproof, Tongue and Groove Recycled Plastic Decking System

2' - 3 1/2"

TOP OF STEEL 100' - 0"

GROUND 97' - 8 1/2"

2

1

3

12' - 4" 6' - 11"

5' - 5"

TOP OF SOLAR ENVELOPE 115' - 8 1/2"

Single-Axis Tracking Photovoltaic Roof Rack System with Integrated Thermal Chimney

Thermally Broken and Insulated Aluminum Framed Skylight System with nominal U-Value .18 Winter, .17 Summer; SHGC .25, VT .56

6' - 7 1/2"

4 A-403

3 A-514 3' - 0"

TOP OF STEEL 109' - 1"

Fade Resistant, Waterproof, Tongue and Groove Recycled Plastic Decking System

9' - 1"

Thermally Broken and Insulated Aluminum Framed Window System with Nominal U Value .18 Winter, .17 Summer; SHGC .25, VT .56

2 Landscaping material refer to L-104/105 for plant selection

3 A-403 TOP OF STEEL 100' - 0"

2' - 3 1/2"

GROUND 97' - 8 1/2"

HARVARD GSD THIRD SEMESTER CORE STUDIO

BOSTON PERFORMING ARTS CENTER

Boston Performing Arts Center The new Boston Performing Arts Center, located along the Charles River in the historic North End neighborhood is an emblem to the harbor. Through its simple gestural structural diagram, it projects into the harbor, dissolving the reclaimed land at its base and allowing for the integration of the natural marsh habitat which for years had been controlled by manmade retention walls and barriers. The entire building, built along two large mega trusses with program hung from their mass, would act as a sort of suspended puppet, hovering above the water. The two performance halls are laid out in a simple barbell arrangment that optimizes lobby and entry conditions, thus minimizing impact on the ground of the site. Just as a puppeteer manipulates a suspended puppet, the programs of the performance arts center are suspended from a strctural system conposed of a mega-truss and lateral members that connect the mega trusses and provide the line of the roof.

CLASSROOM

HARBOR WALK

LOADING RESTAURANT CAFE

INSTRUMENT STORAGE

STORAGE

SHOP

OUTDOOR CAFE WARDROBE STORAGE

OUTDOOR PERFORMANCE SPACE CLASSROOM

CLASSROOM

ENTRY LOADING

ENTRY LEVEL FLOOR PLAN

DRESSING ROOMS

ORCHESTRA REHEARSAL

LOBBY

WARDROBE PERFORMANCE THEATRE

CONCERT STAGE

PERFORMANCE STAGE GREEN ROOM

CLASSROOM LOBBY

CONCERT HALL

LOBBY LEVEL FLOOR PLAN

CLASSROOM

REHEARSAL ROOMS

GREEN ROOM

WARDROBE

CONCERT HALL

BALCONY LOBBY

BALCONY LOBBY

PERFORMANCE THEATRE

PERFORMANCE STAGE

BLACK BOX THEATRE ( BELOW )

CLASSROOM

BALCONY LOBBY

MEZZANINE LEVEL FLOOR PLAN

HARVARD GSD FOURTH SEMESTER CORE STUDIO

ARCHITECTURE CODE

Willet’s Point, Queens Train Station This project was developed within the greater context of a new urbanity at the site of the current rail yard at Willets Point, Queens, New York. The site, famously called the Valley of Ashes in the Great Gatsby, is the site of an industrial no man's land near Citi Field with an accentuated need for intense circulation fluctuation. The train station therefore was developed as a manipulated set of circulatory tracts that shift and change scale depending on the most recent train schedules and utilities, both from the stadium, and from the new urbanity created. Therefore, both event and residential concerns needed to be addressed in dealing with an above ground system that would not provide a barrier condition on the site and would rather create a monumental and emblematic paradigm for shifting trends in transportation in the United States.

ADAPTABILITY TO TRAFFIC

Unaffected System

COMPRESSION TENSION

Circulation reacts to crowd density

The circulatory patterns were observed through various crowd simulation models including game theory, natural observation, lattice gas automota, social pressures, agent based, and fluid dynamics. The resulting paths of flows observed were overlaid on the generic formal condition of platforms along the track as dictacted by the turning radiuses of the Long Island Rail Road. The nodes of social congregation were then seen as “loose intersection” points that could be formalized and accentuated by the addition of vertical circulation to connect the loosely defined first level and the much more structured platform level.

HARVARD GSD FIFTH SEMESTER OPTION STUDIO

CRITIC: WES JONES

END[eavour’s] GAME

HERMAPHRODITUS: MUSEUM FOR SHUTTLES

SHUTTLE

EXHIBITION SPACE

CONFLICT

ARCHITECTURE

ARCHITECTURE

ARCHITECTURE

“To call architecture a game is to acknowledge a particular approach to the discipline. Beyond evoking an attitude of play and cunning, thinking architecture as game mobilized a spectrum of strategies and operations such that they become critical and discursive. In researching the many dimensions of gameness in architecture we have consulted historical, philosophical and architectural sources in an attempt to pin down the meaning of “game” and the intention of games in architecture. Through the identification of the key characteristics of games and theorizing their translation into architectural terms, we have proposed a preliminary set of rules which might guide the practice of architecture as a game. This approach proposes an evolving structure which, like any game, is activated by the strategies and tactics of the individual player.” -Studio Manual Within the context of the studio taught by visiting critic Wes Jones, the project, a museum for the Space Shutlte Endeavour in Exhibition Park, Los Angeles, was to be thought of as a game . Games are distinguished as much by their rules as by the play those rules enable or circumscribe. In architecture the more important rules are not inherited or legislated, but discovered on the fly, in the feeling of rightness that settles over the project as it is refined during the course of design. The game s natural regard for thinking and cleverness will be operationalized through willful, managed design that explicitly articulates relevant issues regarding the choice of games, their rule sets and criteria for success (and modes of failure), as well as the strategies and tactics of play.In the case of this design, the primary game played was one of historical interaction and juxtaposition as a means of preservation and additive architectural integration.

Following a midterm twist by Wes Jones, a second shuttle, the Russian shuttle Buran, was added to the program, thus creating a duality game that was integrated into the original historical reaction game. This created a new set of relationships that allowed for a potential new reading of the building in the circulation that unveils and reveals through lighting, structure, and color.

RENOVATION

ADDITION

CIRCULATION INFORMS DUALITY OBJECT A

OBJECT B

=

Based on a system of controlled recusive growth with the shuttle acting as a primary catalyst, the macro form of the exhibition space and the more hyper specific and predetermined form of the shuttle start to subdivide and create a cellular system of spatial conditions within the exhibition space. In this way, not only can the exhibition space act as an object that relates to site/ context conditions but can also be directly formally relative to the form of the space shuttle and program can organically be derived within the shape of the exhibition space itself.

HARVARD GSD SIXTH SEMESTER OPTION STUDIO

CRITIC: BENJAMIN ARANDA

(RE)TOOLING GABON

Symbiotic Vaulting: Libreville Airport Inherent in the parameters of airport functionality is the need to eliminate all traces of ecology. Sites mustbe absolutely flat, devoid of standing water, and lacking vegetation, which can attract unwanted wildlife. Not only do airports require a lack of ecological systems, spatially they require extremely expansive horizontal space, displacing large amounts of both ecological and urban program when sited close to a city. While local government explored new sites for a larger future airport, we proposed maintaining the current location and adding a second runway that is raised above the ground level. This allows for the airport to remain proximate to the city without sacrificing the ecological and urban program that most airports displace.

Parametric Operations Single Vault Creation

Landscape/Vault Integration

By elevating the runway and airport operations, we are separating airport functionality from ecological and urban phenomena that commonly interfere with airport operations. Elevating the airport program allows better hydrological, vegetal, and wildlife control within the airport site, while also allowing ecological and urban program to exist beneath and around the runway without interfering with standard airport operations.

1. VARIABLE:

Multifunctional site divisions and cellular aggregations

N NWW NE

NW

WNW

NEE

W

E

2. CONDITIONAL:

Structural and programmatic accomodations via formally complex geometric paradigms

ESE

WSW

3. SENSITIVE:

SE

SW

SSW

SSE

S

existing runway orientation

Ecologically destructive program mitigated through technological and geometric properties of the design

4. EMBLEMATIC: N

Tourism and ecotourism emphasized through fabricated jungle parks within the site

NNE

NE

NW

WNW

NEE

W

E

ESE

WSW

SE

SW

SSW

SSE

S

proposed runway orientation

5. SPECIFIC:

Formal development maintains aesthetic logic of site geometries

6. INFORMAL:

Informal development and programmatic insertions allowed to occur within areas of the site

HARVARD GSD MASTERS THESIS

workPLACE

workPLACE \\\ Ubiquitous Confluence Technology, particularly that of mobile computing, has become increasingly ubiquitous in contemporary culture. This has had a substantial impact on architecture and urbanism, generally redefining their various dichotomies and programmatic separations without dramatically changing the physical nature of this built environment.

Workspaces, and really the entire nature of work today, has been particularly affected by these changes, though the design of workspaces has not been considerably changed. While technology has become increasingly mobile, embedded, and augmented, specific places for work have been replaced by remote work and home offices, creating a sort of slacelessness. To counter this, a reimagining of the contemporary typology of the tech campus and tech incubator could produce a place for business that fosters innovation and discovery by exploiting and enhancing social and programmatic synergies.

PROTOTYPE traditional cellular offices

TAYLORISM

STREAMLINED

inverted urbanism

B端rolandschaft

STRUCTURALIST

cube farm

streamlined MONUMENT

galleria

open source

virtual office

PROTOTYPE action office

ROOF

LEVE

L

el 9 lev l e 8 lev l e 7 lev l e v e l 6 l e v 5 le l e 4 lev el 3 lev l e 2 lev el 1 lev

9 lev

el

mirr

or p lane

7 lev

el ROOF

el 9 lev l e 8 lev l e v 7 le l e 6 lev l e v e l 5 l e 4 lev el 3 lev l e v e 2l el 1 lev

LEVE

L

5 lev

el

5 lev

el el

8 lev

el 7 lev l e 6 lev

9 lev

el 7 lev el 5 lev el

3 lev

el el 5 lev l e 4 lev

1 lev

el

el 9 lev l e 8 lev l e v e l 7 l e 6 lev l e v e l 5 l e 4 lev el 3 lev l e v e l 2 el 1 lev

el 3 lev l e 2 lev

el

1 lev

5 lev

el el

3 lev 1 lev

el

Spaces between spaces, or areas of confluence, have the most potential for social augmentation. In existing office spaces, recognizing these is a matter of studying the preexisting conditions. In the formation of new buildings however, one need only look at conditions that would naturally occur in building. Necessary programs and spaces, such as vertical circulation, bathrooms, and lobbies can be emphasized and arranged in a way that would dramatically increase their effectiveness as a place of confluence. Rather than compressing these spaces into tightly knit cores to increase their absolute efficiency or shoved to the periphery of buildings, these spaces should become the heart of the building, weaving themselves into the fabric of the social spaces and becoming the primary spaces of social engagement, particularly as everybody has to use these spaces.

pop up store

DEMO DAY SEATING

OPEN PARTY AREA

START UP

PERSONAL LOCATION

Initial Idea Prototype Feasibility Studies Research and Development

COST

REVENUE

Angels, fff

ipo

seed capital mezzanine

ENTREPRENEUR

INCUBATOR

3rd 2nd 1st

PRE-INCUBATION Research and Development Start Up Planning Business Plan

WORKSPACE

Size: 1-3 People

valley of death break even

PROF. SERVICES

EDUCATION

TIME community

SMALL BUSINESS DEVELOPMENT CENTERS

vc’s, acquisitions/ mergers & Strategic Alliances

REVENUE

COST or STOCK

ipo

early stage mezzanine

Start up

3rd

INCUBATOR

2nd

INCUBATION

1st PROF. SERVICES

EDUCATION

TIME

Business Development Plan Incubation Services

ACCELERATION

WORKSPACE

Size: 5-12 People

valley of death break even

community

INCUBATION SPACE

Growth Preparation Services Internationalization

vc’s, acquisitions/ mergers & Strategic Alliances

STock (Usually 10%)

later stage

REVENUE

ipo mezzanine COMPANY

INCUBATOR

3rd 2nd 1st Size: 10-30 People

valley of death break even

GRADUATION

WORKSPACE

TIME

PROF. SERVICES

EDUCATION

community

SUCCESS!

workstation INTERACTIVE SCREEN Low privacy desk

Workstation Low privacy desk High privacy desk

L.I.C. INNOVATION CAMPUS

“The sprawling gigantismqueensboro of the bridge twentieth-century city, that was the leading inexorably to megalopolis and thence to necropolis, the death of the city.� (Mumford, 1960: quoted in Wilson, 1995 p. 147) 43rd street

The very boundaries between the various parts of the city would be brought into direct contact with each other in very complex networked ways. Given the globally pervasive nature of this new type of urbanism, it could even be inferred that cities boundaries would be obliterated, creating an absolute megalopolis. This super urbanism, or as Mumford considers is, dead urbanism, would be so complex and inundated with various networks, physical and digital, that its very character as a city in the traditional sense would be suspect.

MANHATTANN: U.ES. E.S.

HÖWELER + YOON ARCHITECTURE

WORK EXPERIENCE 07/1 11-0 03/12

GSD PLATFORM 4

GSD Platform 4 Installation at Gund Hall The Platform 4 exhibiton design compliments the publication of the Platform 4 book, and showcases work from the 2010-2011 academic year at the Harvard Graduate School of Design. The plywood tables serve as a modular display surface for the physical models. Each table is made of four 4X8 sheets of plywood with no material waste. Light fixtures with adjustable goosenecks allow users to refocus the attention to the models. Colored lights under the tables correspond to the exhibition themes and create subtle zones within the exhibtion.

SCHRÖPFER + HEE ARCHITECTS WORK EXPERIENCE 06//11 1-01/12

[ULAR] s.u.t.d Pavilions

TOP TRACK

Singapore University of Technology and Design Pavilions TELEVISION A1 POSTER BOARD HORIZONTAL SPACING ELEMENTS

RANDOM LATERAL MEMBERS BOTTOM TRACK

VERTICAL RIBS

The architecture of the Singapore University of Technology and Design (SUTD) Pavilions is based on a parametrically designed continuous “ribbon,” an analogous device used to give visual expression to the integrative curriculum of the new university. The ribbon weaves in and out of the lobby space, directed by a series of pre-defined nodes, and connects various spaces above and below. Where it passes between the lobby’s ceiling and floor, it materializes as one of the six pavilions. The constantly changing geometry of the ribbon leads to a unique form for each one of the structures. It also introduces a meandering circulation to the lobby space. To maintain the perception of the curvature of the pavilions and to add to their structural soundness, the design utilizes a system of parametrically derived lateral members. These correspond to the stress densities in the Ribbon at moments of extreme curvature that were computationally analyzed and translated into a seemingly random yet precise placement of the lateral members that is the result of the particular local geometries of the ribbon.

INTERIOR RENDERING

INTERIOR RENDERING

4A

4B

4C 4D

1A: CNC ROUTE VERTICAL MEMBERS 2A: ATTACH TRACK WITH SCREWS

3A: USING MULTIPLE PEOPLE, STAND PAVILION UPRIGHT

4A:PLACE EXCENTER FITTING INTO PREDRILLED HOLE (HOLE WHOULD BE 50% OF VERTICAL MEMBER THICKNESS) 4B: SCREW EXCENTER FITTING SCREW INTO OTHER TOP VERTICAL MEMBER. PLACE DOWELS INTO TOP VERTICAL MEMBER. 4C: APPLY GLUE TO ENDS OF BOTH VERTICAL MEMBERS AND SLIDE THE TOP VERTICAL MEMBER INTO PREDRILLED HOLES IN BOTTOM VERTICAL MEMBER. 4D: TIGHTEN EXCENTER FITTING SECURING MEMBERS.

5A: PLACE TOP TRACK IN GROOVES OF TOP VERTICAL 6A: PLACE HORIZONTAL SPACER MEMBERS BETWEEN APPROPRIATE VERTICAL MEMBERS (MEMBERS MEMBERS THAT DO NOT REACH TOP TRACK) 5B: USING SCREWS, ATTACH TRACK TO MEMBERS 6B: ATTACH USING SCREWS

7A: ATTACH L BRACKETS TO TRACKS 7B: STRING WIRE OR RATCHETING STRAPS AROUND COLUMN AND BRACKETS 7C: TIGHTEN WIRE OR RATCHETING STRAPS SECURING PAVILION TO COLUMN

8A: SLIDE RANDOM LATERAL MEMBERS INTO PRE-CNC MILLED HOLES IN VERTICAL MEMBERS. THE MEMBERS CORRESPOND TO DATA SHEET AND NUMBERING SYSTEM 8B: TRIM LATERAL MEMBERS AT ENDS. 8C: SECURE EVERY 4TH HOLE WITH SCREW THROUGH RANDOM LATERAL MEMBER AND INTO VERTICAL MEMBERS

MORPHOSIS ARCHITECTS WORK EXPERIENCE 08/2012-02/2013

Cornell NYCTech

Cornell Roosevelt Island Tech Campus

GALLERIA

ATRIUM

Project Manager- Jean Oei Project Team: Thom Mayne, Jean Oei, Ung Joo Scott Lee, Hunter Knight, Nicholas Fayad, Cory Bruegger, Conway Pedron, Simon McGown Role: Architectural Intern- Diagramming, Program layout, Site Plan, Wall Sections

LECTURE HALL

MULTI PURPOSE ROOM

MEZZANINE SEMINAR ROOMS CAFE

READING LIBRARY RETAIL SERVICE

"There is no modern prototype for a campus. You have to have a completely different model which has to do with transparency and exposing social connectivity and breaking down the Balkanization that happens departmentally." -Thom Mayne

COLLABORATION

HUB LOUNGES PRE-FUNCTION FOYER MICRO-KITCHENS

COLLABORATION

ATRIUM LOUNGE LOBBY

GRAND STAIRS

GALLERIA

ATRIUM

TELEPHONE PODS HUDDLE ROOMS (GALLERIA)

LARGE CONFERENCE ROOMS

TELEPHONE PODS

WORK ZONE A

SMALL CONFERENCE ROOMS SMALL CONFERENCE ROOMS

WORK ZONE B

WORK ZONE C

SWING SPACES MASTERS STUDIO

HUDDLE ROOMS HUDDLE ROOMS SWING SPACES LOCKERS

PROJECT ROOM

PRINT/ COPY NICHES

pv mR 04 03 02 01 4

b1 4 1

5

4

1

2

4

5 3

1

ATRIUM

2

LOBBY

3

CAFE

4

GALLERIA

5

AUDITORIUM

SEMINAR ROOM

SEMINAR ROOM

LECTURE

CAFE

LOWER FOYER

MASTERS STUDIO

J E

E

CAFE

M

W

PRE-FUNCTION FOYER

RECEPTION

OUTDOOR CAFE

LOUNGE

W

M

CONFERENCE

CONFERENCE

J

E ATRIUM

CONFERENCE E

HUB LOUNGE

MICRO KITCHEN

W

M

ARANDA \ LASCH WORK EXPERIENCE: AUG. 2013- SEPT. 2014

PALAIS DES ARTS

Palais Des Arts: Libreville, Gabon

Palais des Banquets

Palais de Spectacle

Conference Center

Palais de Banquet

Covered Walkway

Screen Wall

Canopy

Using an overriding, abstract view of layering as a catalyst for design, a system of circulation both of and between program elements is set up utilizing a basic diagram which shows the various program elements selected for this house which include a bedroom, living room, gallery, kitchen, public bathroom, and master bathroom. This diagram allows for the different programs to be both circulation themselves as well as destinations in and of themselves, which calls to mind Robert Venturi’s theory of the both/ and relationship in a complex and contradictory building. Thus, the experience of the space is layered in such a way as to allow for the inhabitant/ viewer to peel through the building as one would through an onion.

1. Extruded aluminum member

2. Aluminum members combine to form panels

3. Panels reciprocate to form larger panels

The structural system proposed for the canopy roof is a prefabricated component based system, assembled on site as a kit-of-parts. Each componenet consists of a “stress skin� panel where top and bottom surfaces contribute to the strength and stiffness of the structure.

4. Larger panels reciprocate to form trees

5. Trees reciprocate around central column

An interlocking reciprocal pattern is proposed to allow each plane of the roof to act as a two way spanning slab as well as mobilizing in plane stiffness and allow a very slender structure.

04

06

08

09

ARANDA \ LASCH WORK EXPERIENCE: AUGUST 2013- Present

WONGA WONGUE

11

10

12

13

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Sangm é lima

Ebolowa

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3°

a

CAMER OON Ovenga

Ambam N te m

Wonga Wongue Presidential Retreat

Minvoul

Ebebiyin Bitam

ni

Evinayong

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un vo

de

Mékambo

Mindemba

an

Makokou

Ab

bé

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nda h

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OGOOUÉ-IVINDO

ga

Mo

I vi

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nd

o Bo

Libreville

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Sam Mitzic

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P ointe P ongar a

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Baie de Corisco

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EQ U AT ORIAL GUINEA

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ATLANTIC

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CONGO

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ESTUAIRE

Equator

Ok

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MOYEN-OGOOUÉ

GABON

L ass

ué

Wonga Wongue

io

Bifoun

Gongoué C .Lopez

Lambaréné

Aboumi

OGOOUÉ-LOLO L. Onangu é

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Sindara

Aki éni

Lekei Moanda

Et é k é

un

Mimongo

ié

Guidouma Mandji

o mi

Mbigou L ékok

Lagune Igu é la

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Nyali

CONGO

Gamba

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Tchibanga

Mabanda

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Boumango Malinga

Lagune Ndogo

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Pa

L o ué

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Guietsou

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Lé koni

Franceville

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Mouila

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Mounana

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HAU T-OGOOUÉ

NGOUNIÉ

Lagune Nkomi

Omboué

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Koulamoutou

Iboundji

Fougamou

OGOOU É MARITIME

Onga

Okondja

Lastoursville

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Port-Gentil

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NYANGA Mayumba Kibangou

Moulèngui Binza National capital

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Ndindi

Pro vincial capital

Nzambi

Airpor ts

Kakamoeka

bo omo o om m Loubomo

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International boundary ui

Provincial boundary

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Main road Secondary road

BINDA CABINDA

Pointe-Noire Railroad

(ANGOLA) NGOLA) L

Oyane

Akandjo

Mvam

Equata

+193m

Pointe Ekoueta Niliani

MARINE RESERVE Extend TBD

Batanga

Oberting +248m Cirque de Grande Bam Bam +152m +153m

+152m

Sangatanga

Cirque de Petit Bam Bam +260m Petit Bambam Mont Ndougou +98m

Lac Esseb

Lac Abooue

Pointe de Sangatanga

Isaac

+230m +213m

BAIE DE SANGATANGA

Nzoghi LacAzingo

Gongoue

+100m

+165m

Pointe Tambinione

Lac Nikonie

Lake Site

Nendja Bissobilam

Mont Saoue +222m Mont Save +48m Mboudou

Kerye

Lac Igouloue Mont Noire +50m Petite Silang

Biawonque

Lac Ogondoue

Along

Oberting

Mont Sangatanga +100 m

Lac Ntchonie

Adole

Mandji

Atengame

Nague Abounaviri Dakar Emanagouga

Ekeoua

Longoue

Lac Adole

Ogoumalanga Mont Adouta +100m

Bembelie Lac Inyogo

Alowe

Plustard

Sant-Francois

Nzamata

Amengouingani

Kendjie

Oyingo

Elombe

Petite Elise

Allego

Aromba Issoloue

Akomba

Clainbanego Iguendjo

Amboki Batanga

PLAINE OSAMBA

Billape-Sainte-Pierre Afangombona Achouka

Mboumba

Abelago

Ngosoue

Okolo Esende

Kaze

Bengoue

Apari Nendja

Mpaga

Ngoumbi

Saira

Bongo Nkangue

Nzamene Lac Alombie Plaine Bia Bonga

The fundamental goal of the Wonga Wongue reserve is to create two integrated programs: a Presidential Retreat and a Conservation Agenda.

The Presidential Retreat is a base for exploring and protecting the reserve, enabling visitors to experience Wonga Wongue’s unique landscape and wildlife.

A reserve-wide Infrastructure Grid is designed to support the Conservation agenda and reinforce its principles of sustainability and environmental governance.

Location: Wonga Wongue, Gabon Date: 2013- Present In collaboration with Adjaye Associates, AKT Engineers, and IPC Landscape Architects

PRESIDENTIAL COMPLEX

A PRESIDENTIAL OUTPOST TO SANGATANGA LAKE 1

GUEST UNIT

BOH ACCESS

ANIMAL FEEDING

HELIPORT

A

LAKE DOCK

FOREST OUTPOST \ DINING

GUEST UNIT

Guest Units

Outposts

A

B

C

D

E

F

Oyane

Akandjo

Mvam

Equata

+193m

1

B C

A

Pointe Ekoueta Niliani

B

Batanga

Oberting B+248m Cirque de Grande Bam Bam +152m

2

B

B +153m

B A

A B+152m

Sangatanga

C

Cirque de Petit Bam Bam +260m Petit Bambam

Isaac

+230m +213m

BAIE DE SANGATANGA

Mont Ndougou +98m

Lac Esseb

Lac Abooue

Pointe de Sangatanga

Nzoghi

B

LacAzingo

Gongoue

3

+100m

A

B

A

+165m

B Pointe Tambinione

Lac Nikonie

C Nendja Bissobilam

Mont Saoue +222m Mont Save +48m Mboudou

Kerye

Mont Sangatanga +100 m

Lac Igouloue Mont Noire +50m Petite Silang

Biawonque

Lac Ogondoue

Along

Oberting

Lac Ntchonie

Adole

Mandji

Atengame

Nague

C

C

Dakar

4

Abounaviri

A

A Emanagouga

Longoue

Ekeoua

Lac Adole

Ogoumalanga Mont Adouta +100m

Bembelie Lac Inyogo

Alowe

Plustard

Sant-Francois

Nzamata

Amengouingani

Kendjie

Oyingo

Elombe

Petite Elise

Allego

C

Aromba Issoloue

Akomba

Clainbanego Iguendjo

Amboki

5

Batanga

PLAINE OSAMBA

Billape-Sainte-Pierre Afangombona Achouka

Lac Alombie Plaine Bia Bonga

Mboumba

Abelago

Ngosoue

Okolo Esende

Kaze

Bengoue

Apari Nendja

Mpaga

Ngoumbi

Saira

Bongo Nkangue

Nzamene

OBSERVATION DECK

BALCONY/ RAMP

+8.5m Roof Plan LIVING SPACE

BALCONY/ RAMP

+5.5m Main Floor Plan

OPEN MULTIPURPOSE SPACE

BALCONY/ RAMP

WC & STORAGE

0m Service Level Floor Plan

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5

PRE-FABRICATED BUILDING COMPONENTS

FRAME

FLOORS

RAMPS

ENCLOSURE

MISC. COMPONENTS

ARANDA \ LASCH WORK EXPERIENCE: AUGUST 2013- Present

GARDEN HOUSE

Cite de la Democratie Clubhouse It is said the best golf swing is effortless. For the Clubhouse in the Cite de la Democratie we imagine a building that starts at the top of a hill and effortlessly makes its way down to its nfinal destination, the golf course. Through a series of stepped terraces and a single curved roof that opens to views and gardens, the building is an integral part of the hill. It uses the site’s existing topography to make the transition from one space to the next seamless, and gracefully guides the visitor through their golfing experience.

The key to the building’s organization is its relationship to the hill. The building is situatedat its crest. From the entry lobby at the top, the layout of the entire building is visible, allowing a patron to immediately feel oriented and comfortable.

Through the trees one can also glimpse players on the golf course against a backdrop of breathtaking views of North Libreville. From the lobby, the building’s spaces cascade down the hill through the centrally located Pro Shop and locker rooms out to the golf course and back again to the restaurant and bar, which are positioned to optimize views of the course. Adjacent to the entry lobby is a separate dedicated entrance for the banquet hall and outdoor event space to ensure optimum flexibility in simultaneous programming.

LOBBY EVENTS

ADMIN RESTAURANT GOLF

Step 1: Capture Hill

Step 2: Terrace Hill

Step 3: Bring People In

Step 4: Cover Terraces

BANQUET HALL LOBBY

TRELLIS BANQUET HALL BANQUET HALL COURTYARD

+0.00

LOADING/STORAGE

WC

BREAK AREA

WC

SERVICE

SALON

RESTAURANT GARDEN (NO PUBLIC ACCESS)

-5.00 RESTAURANT LEVEL

LOBBY

TRELLIS BANQUET HALL COURTYARD

COURTYARD

+0.00 LOBBY LEVEL PRO SHOP

RESTAURANT BEYOND

-3.75 PRO SHOP LEVEL -5.00 RESTAURANT LEVEL

GOLF CART STORAGE

BANQUET HALL COURYARD GREEN ROOF

+0.00 LOBBY LEVEL

PRO SHOP

-3.75 PRO SHOP LEVEL -5.00 RESTAURANT LEVEL

RESTAURANT

BAR

GARDEN (NO PUBLIC ACCESS)

BAR

OUTDOOR BAR

REGISTRATION, RENTAL EQUIP.

MEETING ROOM (PUBLIC)

RESTING AREA

SHOWER

WC

GOLF CARD PATH

ARANDA \ LASCH WO ORK EXPERIENCE: AUGUST 201 13- Present

PORTO MONTENEGRO

Porto Montenegro Masterplan By extending the natural greenways and waterways of the local area into Porto Montenegro, we imagine a renaturalization of the site to create engaging outdoor spaces for residents and visitors alike. The idea is to let the natural landscape features immediately surrounding the site to continue through the development and create a seamless integration into the natural context of the site.

Captain’s Park at the Southeast corner of Porto Montenegro is a prominent landscape feature surrounding the site. Tree clusters planted throughout the development, appearing as continuations from the park, create lush streetscapes that are shaded and intimate. Waterways flowing from the mountain and into Porto Montenegro can be captured throughout the development as water design features, highlighting the site’s naval history and creating cooling environments.The continuation of public axes through the site and the creation of public and private spaces creates amenities that showcase the events and ecology of Porto Montenegro.

Location: Porto Montenegro, Montenegro In collaboration with WATG (London, UK) Date: 2013- present

1

6 3 5

4

2

7

1. Urban Beaches 2. Waterfront Park 3. Retail Promenade 4. Retail Village 5. Central Square 6. Heritage Square 7. Pier Park

ARANDA \ LASCH WORK K EXPE ERIE ENCE: AUGUST 2013- Present

WYNWOOD EDIBLE FOREST

Wynwood Gateway Competition Welcome to the Wynwood Edible Forest. In here you can eat everything. Fruits from the trees, greens from the bowls, vegetables from the ground. It is an Edible Forest, managed to be seasonal, evolving and sustainable. The Edible Forest promotes health and well being. It shares knowledge through plants. It keeps people involved and creates an awareness of the environment and the world around us.

Existing Oak Existing Oak

Existing Ackee Existing Avocado

Mango Palm Tropical Almond Neem

Moringa

Spanish Needle Existing Oak

Papaya Coconut Banana

Seagrape

Papaya

Retail Rear Entrance

Residence

3. Indulging: Fruit Platter 4. Healing: Medicine Bench

Residence

2. Gathering: Salad Dome 1. Tasting: Amus es-Bouches

Restaurant

5. Teaching: Vegetable Patch

28th Street

Fruit Platter

Salad Dome

Amuses-Bouches

29th Street Entrance

Existing Oak

Rear Entrance

Existing Oak

Existing Ackee

Mango

3. Indulging

3. Indulging 2. Gathering

2. Gathering

Fruit Platter

Fruit Platter Existing Avocado

Tropical Almond Restaurant

Salad Dome

Salad Dome Spanish Needle

Palm

4. Healing

4. Healing

Medicine Bench Neem

Medicine Bench

Moringa

1. Tasting

1. Tasting

Fragrant Bowls

Fragrant Bowls

Tamarind

5. Teaching Vegetable Patch

Vegetable Patch Existing Oak

Papaya

Coconut

5. Teaching Seagrape

Papaya

28th Street Entrance

Banana

ARANDA \ LASCH WORK EXPERIENCE: AUG. 2013- SEPT. 2014

LIGHT FIELD

Indianapolis City-County Bldg Plaza

Step 1: Create a Grove grade, it is low and accessible from all sides.

Step 2: Reveal the Fountain Plaza A new gathering space for the city is formed with terraced seating around the fountain.

Step 3: Insert Access and Street Life along the Edge programming invite the city into the plaza.

Light Field is a beacon for an emerging Downtown Indianapolis and a new model for sustainability and interaction. The design is inspired by Indiana’s agricultural landscape, by its simplicity, beauty, and magnitude. It is low, open, and transparent to reveal the CCB’s entrance and the six pillars to the surrounding city. Across a gently sloping landscape, a field of lights is arranged in a pattern that recalls Indiana’s agricultural grids. From this pattern, all the Plaza elements emerge. A Grove is planted with native trees that blossom in varying seasonal colors. A Fountain Plaza is revealed with a splash fountain that transforms into an ice rink during the winter. A new pedestal is created around the six pillars to underscore their symbolic importance. Street life animates every edge of the site. An Art Walk to the south with large-scale public art adds a new dimension to the Cultural Trail. Finally, Food Truck and Market Kiosk Pavilions give life to the east and west sides of the plaza.

The Light Field creates a safe, open and well-lit space after dark, thus activating the Indianapolis downtown at dusk and anticipating a community present beyond working hours. It is a low profile plaza for all to have easy access through. The gently sloping grade provides the necessary soil depth for plantings without resorting to traditional raised planters. It welcomes from all directions while enhancing the presence of the City County Building.

Light Field Elements 1. Grove 2. Fountain Plaza / Ice Rink 3. Pillars of the CCB 4. Art Walk 7b

5. Kiosk Pavilion (Commercial, Event & Market Support) 6. Shade Pavilion (Food Truck & Market Seating)

5

7a. Bicycle Amenities b. Pacer’s Bike Share

7a

4 1 2

3

6

7a

Low-Impact ice rink refrigeration system

Existing granite on site reused

Splash fountain equipmentrecirulcation system Native trees preserved Retention zone for rainwater used for landscaping and fountain Drainable gravel between pavers for water collection

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25

50

100

150

A. CONWAY PEDRON acpedron@gmail.com 444 51st Street #4 Brooklyn, NY 11220 270.300.3745 www.conwaypedron.com

EDUCATION EXPERIENCE Harvard University Masters of Architecture I Cambridge, MA Graduate School of Design Fall 2009-Spring 2013

University of Kentucky Bachelor of Arts in Architecture Lexington, KY Magna Cum Laude Graduate with Honors Fall 2004- Fall 2008

SKILLS

++++ +++ ++ +

Rhinoceros, Autocad, Adobe Photoshop, Adobe Illustrator, Adobe InDesign, Revit 3d Studio Max, GRevit, Grasshopper, Adobe Flash, Adobe After Effects Digital Project, Microstation, Rhinoscript, Ecotect SketchUp, Maya, Solid Works, Processing, Generative Components

LANGUAGES Fluent: English Proficient: French Basic: Mandarin Chinese, Italian

EMPLOYMENT Skidmore, Owings, & Merril LLC New York, NY Architectural Professional

Aranda \ Lasch New York, NY Architectural Designer

Morphosis Architects New York, NY Architectural Intern

Harvard University Graduate School of Design Cambridge, MA Teaching Assistant

Howeler Yoon Architects Boston, MA Architectural Intern

Shroepfer + Hee Cambridge, MA/ Singapore, Singapore Designer

Zeybekoglu/ Nayman Associates Bejing, China Architectural Intern

Lucas/Schwering Architects Lexington, KY Architectural Intern

Skidmore, Owings, & Merril LLC Chicago, IL Architectural Intern

L’agence Frédéric Borel Architecte Paris, FR Architectural Intern

Lusk Design Group Vine Grove/ Ft. Knox, KY Architectural Intern