This music festival kicked off the whole traditional event, and
羅伯特·沃茨也曾說過他所見、所聞之處都是激浪。激浪就像是一張網，網
Fluxus promptly spread in the whole of Europe.
在隨後的日子裡不斷有人自投羅網，也有人偏愛在網邊遊徊。
brought New Music to its height. Through activities as such
羅了全世界，也網羅了各路人馬，有畫家、雕塑家、音樂家、作家、建築師等。
OMNIPRESENT FLUXUS
當然 蠱惑人心的“愚民 政 策”絕 對功不可沒——“人 人都是藝 術家”；拒
Fluxus is not: a movement, a moment in history, an
圖，它模糊了生活和藝術，藝術家和觀眾的界限。對於藝術創作，激浪派
organization. Fluxus is: an idea, a kind of work, a tendency, a way of life, a changing set of people who do Fluxworks. –Dick Higgins
Robert Watts said that there were Fluxus wherever he went, whatever he saw. Fluxus was like a web, connecting all –
painters, sculptors, musicians, authors, architects – a great
number of them fell in voluntarily, but a greater number of
絕“高雅藝術”走進“平凡藝術”； “生活即是藝術”等標語勾勒出一幅藍
主張簡易、有趣、不矯飾、注重作品本身、不需要技巧及無止境的聯系，這 又從根本上降低了藝術的門檻，倡導全民參與。
手段高明的激浪者
喬治·麥素納斯（George Maciunas），激浪派創始人，創辦激浪商店使藝術 品量產化，使得藝術不再只是上流社會的玩物。
them oscillated in and out.
約翰·凱奇（John Cage），美國著名實驗音樂作品家，被視作激浪精神之
“ANYTHING CAN BE ART AND ANYONE CAN DO IT”—GEORGE MACIUNAS
沒有任何音符，演奏會受現場環境與觀 眾行為影響，觀 眾從四分半的寂
父。 “實驗音樂”打破了一切既定的音樂法則，其代表作《4′33″(1952)》 靜中去感受一切。他的哲學觀點是音樂的本質不是演奏而是聆聽。
Fluxus blurred the boundary between life and art, and that
喬治·布萊希特（George Brecht），美國觀念藝術家、作曲家、化學家。他發
creation, Fluxus encouraged simplicity, humor, anti-mannerism,
方式廣泛傳播。
between the artist and the spectator. Regarding artistic
focused on the work itself, and did not care for techniques and unlimited associations. This fundamentally freed art from its pedestal and encouraged participation of all.
明了一種藝術形式“事件樂譜（Event Score）”並以郵寄藝術（mail art）的 馬塞爾·杜尚（Marcel Duchamp）， “實驗藝術”先驅，他的作品《手提箱裡 的盒子（Boîte-en-valise, 1935-41）》催生了另一種激浪藝術形式“激浪盒
SMART FLUXUS George Maciunas was considered the founder of the Fluxus. He also opened the Fluxus shop through which art became
John Cage was an influential experimental musician, and
was considered the father of the Fluxus. Experimental music broke all set limits, with the 4’33”（1952） as its example par
excellence. The performance of 4’33” did not involve a single note, and the audience has to feel four and half minutes of
silence in which his/her own sound and the environment are brought to the foreground. Cage’s philosophy had it that the nature of music is not performance but the act of listening.
George Brecht was an American conceptual artist, composer and chemist. He invented the Event Score and started spreading art in the form of mail art.
Marcel Duchamp was also considered a Fluxus-people. As an avant-garde artist, his Boîte-en-valise (1935-41) gave birth to
Photography by George Maciunas.
the upper class.
Simultaneous performance, 1964, by Ben Vautier and Alison Knowles.
subject to massive productions, and was no longer a toy of