The Wines of Greece

Page 1


Copyright © Konstantinos Lazarakis, 2018, 2024

The right of Konstantinos Lazarakis to be identified as the author of this book has been asserted in accordance with the Copyright, Designs and Patents Act 1988.

First published in 2018 by Infinite Ideas Limited

This edition published 2024 by Académie du Vin Library Ltd academieduvinlibrary.com

All rights reserved. Except for the quotation of small passages for the purposes of criticism or review, no part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except under the terms of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London W1T 4LP, UK, without the permission in writing of the publisher.

A CIP catalogue record for this book is available from the British Library

ISBN 978–1–913141–59–2

Brand and product names are trademarks or registered trademarks of their respective owners.

All web addresses were checked and correct at time of going to press.

Front cover © Jon Arnold Images Ltd/Alamy Stock Photo

Black and white photos courtesy of Achaia Clauss (p.290); Anatolikos Vineyards (pp.78, 86); Boutari (p.192); Ktima Gerovassiliou (p.131); Ktima Matsa (p.192); Ktima Papagiannakos (p.196); Ktima Semeli (p.258); Ktima Sigalas (pp.309, 310); Ktima Voyatzi (p.102); Robola Cooperative of Cephalonia (p.52); Vassaltis Vineyards (p.326); Zoinos Winery (p.161).

Coloured plates courtesy of Afianes Wines (p.6, bottom); Gentilini Winery & Vineyards (p.4, bottom); Katogi Averoff (p.3, bottom); Ktima Hatzimichalis (p.4, top); Ktima Porto Carras (p.2, top); Ktima Sigalas (p.6, top); Ktima Skouras (p.5, bottom); Ktima Theopetra Tsililis (p.2, bottom); Manousakis Winery (p.8, top); Monemvasia Winery (p.5 top); Tsantali (p.1; p.3, top); United Winemaking Agricultural Cooperative of Samos (p.7); Wines of Crete (p.8, bottom).

Maps by Darren Lingard: www.darrenlingard.co.uk

Typeset by Suntec, India

Printed in Great Britain

1 The hisTory of GreeK wine

A detailed account of the history of Greek wine is beyond the scope of this book. There is an amazing wealth of material describing its appearance, role and relevance, ranging from the seventh century BC to modern times. In the last two centuries, a large number of books have been published dedicated entirely to the subject. The main reason behind the existence of so many sources is that wine has always been inextricably interwoven into the fabric of everyday Greek life. The Greeks developed an entire philosophy of life in which wine played a dominant part – it was not just a drink, but a celebration of the cultivation of the vine, an appreciation of life itself, and a catalyst in the establishment of rapport between people and countries. Wine has always been looked upon as a means to lift everyday life out of the ordinary, and has been associated with philosophy, with something divine, with perfection itself.

AncienT GreeK wine

There is no clear evidence to show exactly when the cultivation of the vine began in Greece. Numerous sources indicate that wine production and consumption began in around the third millennium BC, but there are speculations that the starting point could have been a lot earlier. Crete was the cradle of the Minoan civilization, and wine was consumed on this island in the second millennium BC. The Babylonians in Mesopotamia and the Ancient Egyptians also made wine during the same period, although, for the latter, wine was mainly a luxury item.

haphazard manner. An exception to this was the propagation of vines for the production of Corinthiaki, a variety used for the production of raisins, called Stafida in Greek. In the decades that followed and up to the end of the century, plantings of Corinthiaki almost quadrupled, while the acreage of wine grapes only doubled.

The devastation of French vineyards by phylloxera in the late nineteenth century came as a blessing for Greek Corinthiaki growers. Exports of dried Corinthiaki grapes (raisins) to France both for consumption and the production of wine increased exponentially. However, France managed to recover from phylloxera in the early twentieth century and, within a few years, French wine production resumed, duty became obligatory on imported raisins, and a ban was imposed on wine made from dried grapes, imported or otherwise. To make matters worse, competition increased dramatically with the introduction of other varieties suitable for raisin production from Australia and California. In a short period of time, the most valuable export product of Greek agriculture had become redundant, and prices plummeted. This raisin crisis drove much of the agrarian population to abandon the countryside and seek a better life either in urban centres or in other countries.

As early as the mid-1700s, attempts had been made to establish wine companies in Greece. In 1858 two wine companies were established in Patra and Cephalonia, but they did not last. By the end of the nineteenth century there were only ten companies making products derived from grapes, mainly distillates. Although some of these companies did manage to win a few medals in international wine competitions, the rest of Greek wine was made using primitive methods and sold in bulk. Stability was poorly understood, and oxidation was prevalent. The only way to make this wine at all palatable was to add pine resin, giving rise to retsina. The quality of the retsinas served in wine tavernas, called kapilia in the big cities, was so low that it drove many people to drink beer instead.

The TwenTieTh cenTUry

The twentieth century was probably the most eventful in Greece’s long and colourful history. After almost 400 years of an unchanging, miserable way of life for most, things began to change – but not without a price

being paid. As well as the Balkan Wars of 1912–13, Greece was heavily involved in both world wars, and its own devastating civil war in the 1940s. There were also many minor clashes with Turkey and with some of the northern Balkan countries. It is often said that the first ever Greeks not called upon to bear arms to defend the nation were those born after 1975. The economy of the country was in a poor condition after these various conflicts, but the Greeks, with an optimism that must be infused in their DNA, saw every problem as a potential opportunity. While the public sector was in many cases more concerned with its own survival than running the country, private companies flourished for most of the second half of the twentieth century. Greece’s difficult economic history meant that its people became adept at problem-solving and adaptation –their experience gave them the skills to become some of the most seasoned business people in Europe.

Rise and fall

The second decade of the twentieth century saw a significant enlargement of the Greek state. After the addition of the Ionian islands in 1864 and Thessaly in 1881, the size of the country remained stable for close to thirty years. Then, in 1913 and 1914, Epirus, Macedonia and the Aegean islands, including Crete, officially became part of the Greek state. Six years later, Thrace and the small islands of Imvros and Tenedos were acquired, although the two isles and the eastern part of Thrace had to be returned to Turkey just two years later.

These continuous land additions make following the significance of viticulture and the rate of new plantings quite difficult. By 1916, the area under vine had reached around 200,000 hectares, but thereafter expansion came to a halt. The main reason was the problems caused by phylloxera. The first known incidence of phylloxera in Greece occurred in 1898 in the northern region of Pilea near Thessaloniki. The spread of the disease in Macedonia was rapid and devastating. Although vineyard planting reached an all-time high in 1916 with 200,000 hectares under vine, vineyards began to shrink significantly after 1920 as a direct result of the spread of phylloxera. The introduction of American rootstocks provided a much-needed solution and plantings started to increase once more, especially in central Greece and the Peloponnese. Nevertheless, the vineyard area never reached the level of 1915–16 again.

Robola is used as a single varietal in the Robola of Cephalonia PDO, but growers in other parts of Greece, recognizing its potential, have begun planting it elsewhere. In Cephalonia, it is one of the most expensive wine grapes in Greece, however nowhere near Assyrtiko in Santorini.

Robola is best when grown at high altitudes (above 300 metres/985 feet), on sloping, well-drained, gravelly soils that are poor in organic matter. The ground is so rocky in the Cephalonia PDO zone that the Venetians named the wine ‘vino di sasso’ (wine of stone). The vine is fairly vigorous, but sensitive to water stress, and is susceptible to powdery mildew, botrytis and several vine viruses. Bunches are relatively small and loose, with small berries. Robola is compatible with most rootstocks available in Greece today, but it is still predominantly an ungrafted variety, grown as a bush vine.

In the cellar, Robola used to be considered sensitive to oxidation, and minimal handling from vine to pressing was deemed essential. There were people who believed that the true Robola character could only be tasted on Cephalonia – and that even transporting a bottle to the mainland apparently led to a loss of aromas. Recent examples from

Robola harvest in Cephalonia

leading producers of the island, such as Gentilini and Sclavos, are far more adventurous and show completely different facets of Robola.

Robola produces aromatic, fresh wines of exceptional quality that are characterized by delicate citrus and mineral aromas, balanced, crisp acidity and medium body. Robola possesses a firm, almost Germanic elegance that is rarely encountered in Mediterranean whites. The best examples of Robola of Cephalonia PDO wines can be superb and show interesting results when aged for a couple of years in bottle.

Savatiano

Savatiano is the most commonly planted indigenous grape variety in Greece, covering more than 11,000 hectares. It is mostly seen in Attica, the island of Evia, and Viotia (Central Greece), but extensive vineyards can be found on the Cyclades islands, in Macedonia and in the Peloponnese. It is also planted on Cephalonia (Ionian Islands) where it is known locally as Perahortiko. It is a variety used in the Anchialos PDO with Roditis and in several regional wine designations. Yet the bulk of Savatiano is used for the production of retsina and other wines.

The vine is moderately vigorous and resistant to powdery and downy mildews and water stress. Bunches are large, sometimes weighing up to 500 grams and, if cultivated in flat, fertile, irrigated vineyards, yields can exceed 250 hectolitres per hectare. As with other varieties that tend towards high yields, Savatiano grapes give more promising results when grown in cooler climates and on dry, moderately infertile soils. In addition, carefully cultivated old vines, such as those in Roxanne Matsa’s Attica vineyards, can strike a good balance between alcohol, acidity and extract.

Savatiano is a great case for illustrating the changing tides in Greek wine production. It is a grape that still has an image problem. Highyielding Savatiano gives very dull, bland wines. But careful winemaking and restrained alcohol levels can result in an excellent, easygoing style. Nevertheless, there is a lot of bad Savatiano in the market, usually retsina, mainly because both vine and wine have been mistreated. Over the last decade, Savatiano has returned in style. Producers like Papagiannakos and Mylonas craft versions that can be late release, old vine, single vineyard, orange, wild ferment, no sulphites or any combination of the above. The new Savatiano is here to stay.

Yet wine production in Thrace has an illustrious past. Throughout Classical and well into Byzantine times, wine produced in the area was famous, especially in the town of Maronia, southern Rodopi, and could demand high export prices. After all, this was supposed to be the wine that Odysseus used to fool Polyphemus, the most famous Cyclops, by getting him drunk so that he could escape. Mythology aside, there is a wealth of archaeological evidence showing a thriving wine industry, and Maronios Oenos, wine from Maronia, and Ismarios from the eponymous mountain standing on the east of town, were the first wines in Ancient Greece to become famous.

The decisive move away from viticulture happened during the second half of the nineteenth century. Local landowners realized that the lack of any substantial wine businesses nearby was making tableand wine-grape production financially unfeasible. Instead, tobacco, sugar cane and cotton were identified as products that could guarantee significant returns, and certain sites in central Xanthi and Rodopi

An ancient installation in Thrace for treading grapes

proved particularly suitable for the production of top-quality tobacco. High demand for these products, plus a strong local Muslim population, pushed viticulture into the shadows.

Vines for wine-grape production continued to exist, but only on a small scale and mainly for domestic consumption. From the 1920s onward, the first waves of refugees from eastern Thrace (modern-day Turkey) – where vine-growing had been a major part of the culture –slightly reinvigorated wine consumption. Nevertheless, the impact was far less evident here than the boost these people gave to wine further west in Macedonia. Quantities produced were low, and minute volumes were traded, since the relatively insignificant demand was satisfied with wines from the nearby islands of Thassos and Bozcaada (Turkey), from Asenovgrad (in Bulgaria), Kirklareli (in Turkey) and, to a lesser degree, from Kavala in Macedonia. Another factor limiting the expansion of wine culture was the fact that the Muslim population preferred ouzo to wine or grape-related distillates.

From the 1970s, the tobacco, cotton and sugar-cane crops favoured by growers around Thrace ceased to be popular among national traders, who could find alternative and cheaper sources in Eastern Europe. Consequently, demand decreased. People started evaluating other ways of using their land and vineyard plantations emerged as one option. However, at that time the big companies of central Macedonia were not interested in buying fruit from Thrace. Meanwhile producers in Kavala and Drama were small, so their needs were met by local vineyards. In addition, building a new modern winery, with its high initial capital and heavy running costs, proved out of reach for all interested parties – particularly since the possibility of EU funding was remote.

A new beGinninG

However, the situation was set to change. In the the early 1990s, established wine producer Evangelos Tsantalis decided to move into Thrace. In the Maronia region it established a joint venture with a local businessman Apostolos Tassou. The new venture, Maronia AE, needed a legislational framework within which to work. This was soon after the laws governing regional PGIs had been introduced, so the required paperwork was swiftly

Tsantali Maronia Vineyards

Maronia

tel.: +30 23990 76100, 23990 61466 www.tsantali.com; info@tsantali.com

vineyards owned: 56 ha; annual production: c. 310,000 bottles; farming: precision agriculture and certified organic see also tsantali entries on pages 119, 138, 172 and 324

The establishment of Maronia Vineyards by Tsantali was a classic Tsantali move. Wines from Maronia and Ismaros were extremely successful in ancient times, and this solid past was a perfect match for Evangelos Tsantalis’ plans to develop modern wines destined to compete in foreign markets. For this he required an underdeveloped, and therefore cheaper, region. The project began in the early 1990s with Maronia Vineyards, then named Maronia AE, with Tsantalis and Apostolos Tassou as the founding partners. In the early 2000s the partners split, with the children of Tassou moving on to create Kikones.

Initially, the focus of the Tsantalis Maronia venture was the production of varietal wines, with a large percentage of them aged in oak. The focus was on international grape varieties, mainly Chardonnay, Viognier, Sauvignon Blanc, Merlot, Syrah and Grenache Rouge, together with some plantings of Malvasia, Roditis and Limnio. In 2007 this also became the first vineyard in Greece where precision viticulture was practised. Currently, harvested grapes are transported in small crates to the main Tsantali winery in Aghios Pavlos, Halkidiki.

The wine range from Maronia has changed a lot in the last decade, in styles, blends, names and varietals. The core wine of Maronia is the Mavroudi, which is barrel aged, with a quarter of new oak. This may be one of the finest-value red wines coming from Greece. The Kanenas range is not associated with the Maronia Vineyards on a marketing level but it originated here. The white Kanenas is a fresh Muscat of Alexandria–Chardonnay blend, while the rosé and the red are Mavroudi with Syrah. Wines are easy drinking and good value.

Ktima Vourvoukeli

67061 avdira, Xanthi

tel.: +30 25410 51580

www.ktima-vourvoukeli.gr; info@ktima-vourvoukeli.gr

vineyards owned: 10 ha; annual production: approximately 150,000 bottles; farming: certified organic, biodynamic

Ktima Vourvoukeli was one of the first wine producers to be established in Avdira, with the first bottlings in 2001. It was established by Nikos Vourvoukelis, who sadly passed away in 2014. However, his two sons, Odysseas and Giorgos, are determined to progress the estate to the next level.

Fruit is sourced mostly from owned vineyards that are about as close as one could get to the sea. Four hectares dedicated to red varieties are located 3 kilometres (1.86 miles) from the shore, while the other six, planted mainly with whites, are just 500 metres (1,640 feet) from the beach. The organically cultivated vineyards are predominantly planted with Greek varieties, plus Sauvignon Blanc, Syrah, Merlot and Cinsault. Assyrtiko was brought in from Santorini and a Roditis clone came from the Peloponnese (rather than the nearer vineyards of Macedonia). Cuttings from Zoumiatiko and Pamidi have been painstakingly gathered from old vineyards in the region and sent to Italy for nursery grafting.

The philosophy behind the winery is evident in the most remarkable part of the vineyards – a small section that constitutes a local viticultural archive. Vourvoukelis originally planted about 100 vines from local but unidentified varieties that he found in old vineyards planted long before cuttings from other parts of Greece were introduced on a large scale.

Two brand names are used: the upmarket Lagara (meaning ‘pure liquid’) and Avdiros, which is simpler in style. Both ranges are blends, with the reds being juicy, soft and charming. However, the two varietal labels are the best Vourvoukelis wines: a medium bodied Assyrtiko and an excellent, American-oak-aged Limnio.

Other notable producer

Evritika Kellaria

trigono, 680 07 Evros

tel.: 2552 085501

website: www.evritko.gr

Classifications

PDO Naoussa – still red: dry; semi-dry; semi-sweet. red variety: Xinomavro.

Communes of note: Gastra, Yianakohori, Fitia, Pola nera, ramnista, strantza, trilofos.

PGI Imathia – still white, rosé and red

Naoussa overlooks the plain of central Macedonia, at altitudes ranging from 150 to 400 metres (492 to 1,312 feet). There are nine villages in the appellation, including Naoussa, and the soils are a patchwork of limestone, loam, sand and clay. The climate is cooler than the lower areas of Imathia, but not as cold as Florina. Northern winds can be an inhibiting factor, not because of their severity but because of their chilling effect, sometimes resulting in spring frosts. The prefecture of Thessaloniki has stronger winds in comparison, but in Naoussa the highest winds occur during April and May, when vine growth is young, while further east the most intense winds are during the summer months. Growers try to select sheltered sites, usually with a southeasterly aspect.

Naoussa is a mono-varietal appellation, dedicated entirely to Xinomavro. This is the region where the variety excels, producing some of its best wines. Clonal selection is important, with most Naoussa stock delivering more tannin and fruit than, for example, the early maturing clone of Velvendos. In Naoussa, harvest starts at the end of September, but the complete harvest across all parts of the region spans around three weeks. October has three times as much rain as September, causing problems for late-ripening vintages.

Vintage variations aside, Xinomavro responds badly to high yields, producing a very low level of anthocyanins and aggressive tannins. The legal limit of the appellation is 70 hectolitres per hectare, but qualityoriented producers wishing to make styles with good extract have to opt for no more than half that. Xinomavro in Naoussa is often compared with Pinot Noir in Burgundy, but the occasionally fierce tannic structure of this PDO makes Nebbiolo and Barolo far better comparisons. There is a lack of colour, which browns quickly, a lack of sweet primary fruit

aromas and flavours, a firm structure, with high acidity, often angular tannins, and a lack of fatness and softness on the palate.

If made well, Naoussa is one of the great Greek wines, offering an amazing depth, breathtaking complexity, and possibly the longest ageing potential of any dry Greek wine. The Boutari winery has preserved some significant stocks from vintages going back to the early 1970s, which illustrate how Naoussa can not only survive but also improve over at least two decades. However, this style of Xinomavro is not so easy to sell. Naoussa needs food, but a lot of, usually younger, drinkers demand softer, more accessible wines that can be drunk on their own, such as the more approachable Agiorgitiko wines from Nemea. Naoussa producers should thank the hipster sommeliers around the world who understand what treasure Xinomavro can be.

At the moment, Naoussa wines come in a variety of styles. The first is the traditional Naoussa: moderately pale in colour, turning to tawny after a few years; low in primary fruit, but intense, spicy and animallike on the nose; medium in body, with firm tannins and high acidity. The second style is a more ambitious version of the first with longer extractions and higher tannins, but is not necessarily deeper in colour or higher in alcohol.

Another type is an attempt to present a more modern Xinomavro by muting the most aggressive elements of the variety. Winemakers opt for an easy style that is slightly fuller in body and slightly reduced in acidity, while cool soaking prior to fermentation or whole-berry fermentation are used to give ruby-red colour and softer tannins. Small amounts of Merlot round off the palate and add sweetness and fruit on the nose. This Merlot addition downgrades the wine to Imathia PGI status, but it would be interesting to discuss if a small proportion of international grapes, in the Chianti Classico manner, could be beneficial to the quality of wine. Currently, any discussion of the subject is a casus belli for most people in Naoussa wine.

A milestone of the soft approach was the basic Naoussa from Boutari in the 2000 vintage, an electrifying wine that made many wonder how was it possible for Xinomavro to be so sexy. The last style of Xinomavro is dense, extracted, tannic and oaky, but a lot more commercial than a typical Xinomavro. All these approaches, and several others that are hybrids, offer successful, serious wines for their respective target markets

have demonstrated that different pine forests, different altitudes, even resins taken from the same tree but from cuts facing different directions, or cuts made during different phases of the moon, will result in different wines. In 2016 Kechris, in an unprecedented move, arranged a vertical tasting of Tear of the Pine for journalists and trade that spanned every single vintage. All the wines were balanced, complex and still youthful. They were not top quality retsinas but top quality wines that happen to be retsinas. If people have since then been clearing cellar space for stocking retsinas it is down to this family.

Other notable producer

Ampelou Chora

57001 neo risio, thessaloniki tel.: +30 23923 06797 www.ampelouchora.gr; info@ampelouchora.gr

cenTrAL MAceDoniA – hALKiDiKi

The capital of Halkidiki prefecture is Poligiros in the heart of the region. Apart from its northern borders with the prefecture of Thessaloniki, the rest of the region is surrounded by sea. Halkidiki is one of Greece’s most distinguished landshapes: a ‘hand’ of three peninsulas extending into the Aegean Sea. These are, from west to east, Kassandra, Sithonia and Athos, otherwise known as Aghion Oros, or Holy Mountain. The land that joins Halkidiki to the rest of the mainland is dominated by Mount Holomondas (1,166 metres/3,825 feet). Kassandra is fairly flat but the middle peninsula of Sithonia has its eponymous 817-metre (2,680-foot) mountain, and Athos has the imposing presence of Mount Athos, with the 2,030 metre (6,660 foot) peak at its southernmost tip.

A unique institution, the Aghion Oros, or ‘Holy Mountain’ has been the heart of the Eastern Orthodox Church for over one thousand years. The peninsula comprises twenty large monasteries and is scattered with skites, religious cottages where the monks live. The Greek state practically considers Aghion Oros to be a separate country, and monks are subject to religious laws rather than those passed by the Greek parliament. Aghion Oros is considered sacred and only men – and male animals – are allowed to enter the area. It is a place of stunning natural

beauty and visiting it, for those who can (a special permit is required), is an unsurpassed experience.

Climate and history

The climate of Halkidiki is ideal for viticulture – it is essentially maritime, escaping the hot spells found further south or inland. Very few areas of Halkidiki do not have a view of the sea and, wherever one stands, the coast is only a few kilometres away. The combination of the area’s topography and the sea’s proximity means that there are plenty of sites benefiting from both the positive influence of the sea and a relatively high altitude. There is little threat of disease, and organic viticulture has always been practised here.

In ancient times Halkidiki probably made some of the most celebrated wines of Greece, with the historic towns of Mendi and Skioni in Kassandra having particularly notable histories. Viticulture has remained important over the years and vine-growing and winemaking owe a lot to the monks of Aghion Oros. In some ways, the monasteries of Athos have acted as an ark, preserving the culture, experience and know-how gathered over the centuries. Wine was particularly tightly woven into the monks’ lifestyle, winemaking would have been a major activity and the wine itself was possibly the only luxury they were allowed. Vine growing was kept to a high standard and wine was always treated with the utmost respect, being regarded as one of the most valuable assets the monks had. The inhabitants of Aghion Oros had a very special relationship with wine and it was used for sacramental, spiritual and even healing purposes – each monk had a certain daily allowance for wine, which was doubled whenever he fell ill.

Regions and classifications

Halkidiki is second only to Florina in Macedonia in terms of vineyard coverage, with 1,025 hectares. Porto Carras has almost half of these (475 hectares) and over half of the remaining vineyards are found in Aghion Oros. Kassandra is the least important area. As with many Macedonian regions, there are not many local varieties, with most land dedicated to Assyrtiko, Athiri, Limnio, Xinomavro and Grenache Rouge.

Halkidiki has one PDO, Slopes of Meliton, an appellation covering both red and white wine, tailor-made for the needs of the former Domaine Carras. Initially only the varieties were dictated by legislation,

found in many wines of the same genre, and they can age for more than a decade.

Ktima Papagiannakos

Pousi-Kalogeri, 19003 Markopoulo, attica

tel.: +30 22990 25206

www.papagiannakos.gr; info@papagiannakos.gr

vineyards owned: 11 hectares; annual production: c. 200,000 bottles; farming: conventional

The Papagiannakos family has been making wine since the early twentieth century, with the current owner, Vassilis Papagiannakos, involved for the last twenty years. It is Vassilis that brought this estate to the forefront of modern Greek wine; he is one of the very first people who believed in Savatiano’s potential. Vassilis also created one of Greece’s most beautiful wineries, its first bioclimatic one, very close to Athens airport. A must visit, even if you have to squeeze it in between flights.

Inside the modern, bioclimatic boutique winery Ktima Papagiannakos

It was a bottle of Savatiano 1999 presented blind to Papagiannakos by British wine merchant Mark Savage MW, in 2009, that made him think of the possibilities. The guess was youthful fine burgundy, even though this wine had never had any oak treatment. Papagiannakos

returned to his winery, cellared the last thousand bottles of the 2008 vintage and declared the wine sold out. Over the years, visitors to the estate were presented with occasional tastings of this wine, causing much surprise and delight. Vassilis became certain that he needed to take the winemaking up several notches.

Now Papagiannakos produces a line-up of majestic Savatianos. There is an Old Vine version, from vineyards that are more than half a century old, a very balanced oak-Fermented Vareli, a single vineyard Vientzi and a Natural Savatiano that is wild fermented but very well behaved. The retsina is very elegant and fresh. The varietal labels of Malagousia, Assyrtiko and even Greco are very reliable, while the reds are very juicy and soft. Melias is a sweet wine made in the traditional way of the region. Malagousia is harvested at full ripeness – but not overripe –about 40 per cent of the must is boiled and concentrated and then added back, little by little, to the fermenting must.

Sokos Wines

ag.Dimitriou, 19008 Erythres, attica tel.: +30 22630 62759 www.sokoswines.gr; sokoswns@sokoswines.gr vineyards owned: 30 hectares; annual production: 3 million bottles; farming: conventional This winery is one of the largest in Attica and a sizeable player in both exports and the local market. Argiris Sokos, the chief winemaker and the second generation member of the family, produces an honest, down-toearth range of wines that offer extreme value for money. Nevertheless, the investment in vineyards is extensive and shows commitment. The portfolio of the winery is vast, with Savatiano and Malagousia being the core labels, both showing varietal but cool-climate typicity. Although the Epilinios family of labels is excellent, it is the Ktima Lapotripi that excels: the white is an Assyrtiko–Chardonnay and the red is Agiorgitiko–Cabernet Sauvignon.

410 The wines of Greece

blends 132, 275

wines 85–6, 88, 275–6

Mavtrotragano grape 302

Mediterra Winery (Heraklio) 374

Megapanos Winery (Attica) 193–4

Melas, Kyros 214

Melissinos Winery (Cephalonia) 231

Meliton PDO 45, 46, 59, 135–6

Melitzani Ktima (Imathia) 117

Melitzanis family 117

Melnik grape 83

Mercouri Estate (Ilia) 279

Mercouri Ktima (Ilia) 281–2

Merlot grape 71–2, 184, 209, 369

blends 72, 105, 120, 143, 144, 149, 170, 172, 173, 188, 194, 203, 210, 212–13, 214, 257, 260, 264, 269, 292, 295, 332, 363, 370, 376

wines 130, 137, 148–9, 150, 168, 195, 202, 250, 253, 255, 278

Messenikolas PDO 73, 177

Messinia 276–9

Ktima Apostolopoulos 278

Ktima Dereskos 278 grape varieties and PGI classifications 277

Inomessiniaki 278

Nestor Winery 278

Tsolis Winery 279

Methymnaeos winery (Lesvos) 350

Michalakis Ktima (Heraklio) 377

Milea Ktima (Magnissia) 168

Minos-Miliarakis Wines (Heraklio) 374–5

Mitropoulos, Neratzis and Evanthia 140

Monemvasia grape 49–50, 64, 273–4, 299, 304–5

classificatons 274, 305 wine and blends 274–5, 302, 306, 367

Monemvasia Winery (Laconia) 274–5

monks of Aghios Efstathios 136–7 of Mega Spileo 292

Monsieur Nicolas Winery (Karditsa) 177

Montofoli Ktima (Evia) 207

Moraitico – Giorgos Moraitis Winery (Paros) 305–6

Moraitis family 305–6

Moraitis Winery (Paros) 306

Morris, Jasper 70

Moschatella grape 226

Moschofilero grape and clones 57–8, 188, 264–6

classifications 267

wines and blends 193, 242, 247, 249, 250, 251–2, 253, 257, 259, 260, 263, 267–71, 292

Moschomavro grape 99, 100–101 wines and blends 101, 103, 144 Mouhtaro 64

Mount Athos monastery 62

Mount Olympus 168–9 Mountrihas, Apostolos 317 Muscat grape 57, 224 of Alexandria 50, 88, 137, 346 of Hamburg 51, 169–70, 176 Muscat Blanc 50–51, 227, 228, 368, 378 Muscat of Spinas 359, 362, 363, 370, 375, 376 of Patra and of Rio of Patra 242, 283, 287, 288, 293 legislation 384

PDO and classifications 288, 340–41, 378 Cephalonia 227, 228 Rhodes 334, 335 Samos 340–43, 346 wines and blends 86, 88, 137, 144, 205, 231, 256, 283–4, 291, 293, 295, 343–6, 347–8, 363, 367, 370, 371

Muses Ktima (Viotia) 201–2

Mylonas Winery (Attica) 194

Mylopotamos Winery (Halkidiki) 136–7

Mytilinaios, Nikos 343

Naoussa 105–9

PDO 70, 106, 109–11

Nassiakos, Leonidas 258

National Interprofessional Organisation of Vine and Wine 26–7

Negoska grape 66–7, 125 classification 125 wine and blends 70, 109, 112, 126–7, 128, 162

Nemea PDO 60, 162, 191

Neratzi Ktima (Serres) 140–41

Neratzis wines 141

Nestor Winery (Messinia) 278

Nigrikiotiko grape 101

Nikos Gavalas Winery (Heraklio) 372

Nopera Wines (Samos) 343

Northern Aegean Islands 339–40

Chios 350–52

Ikaria 352–4

Lesvos 348–50

see also Limnos; Samos Noulas Wines (Attica) 195

oak 38–9, 45, 56, 285, 315

Oenogenesis Winery (Drama) 150–51

Oinotria Land Costa Lazaridi Domaine (Attica) 195–6

organic viticulture 89, 129, 132, 213, 229, 249, 269, 343, 347

Orkopoulos, Theodoros 228–9

Ouzo 349

Oxizidis, Yiannis 148

Palivos Ktima (Corinth) 254

Pamidi grape and wines, 83, 87, 89

Pantos, Andreas 129

Papadopoulos, Yiannis 152

Papaeconomou, Yiannis 325

Papagiannakos Ktima (Attica) 196–7

Papagiannopoulos, Panagiotis 295

Papaioannou Vineyards (Corinth) 254–5

Papantonis Winery (Argolida) 263

Paraskevopoulos, Yiannis 248, 312, 319

Paris Sigalas 66

Paros 303–6 grapes and PDO classifications 50, 304–5 producers

Cooperative Union of Winemakers of Paros 306

Moraitico - Giorgos Moraitis Winery 305–6

Moraitis Winery 306

topography, climate and viticulture 303–4

Parparoussis Winery (Achaia) 24, 293

Paterianakis Domaine (Heraklio) 375

Patra PDO 59, 242, 287, 293 sweet wines 283–5

Patraiki Wines (Achaia) 295

Pavlidis Ktima (Drama) 151–2

Pella (Central Macedonia) 120–22

Peloponnese 239–95 classifications 47, 49, 242–3 geography and climate 239–40 history 240–41

Patra PDO 59, 242, 287, 293 sweet wines 283–5 regions see Achaia; Arcadia; Argolida; Corinth; Ilia; Laconia; Messinia

Peppas, Christos 230

Petrakopoulos, Nikos 231

Peza PDO 64

phylloxera 129, 297, 311, 358–9

Picard, Elsa 214

Pieria (Central Macedonia) 122–4

Pieria Eratini 122–3

Pirgakis Ktima (Corinth) 256–7

Platani grape 312

Pneumatikakis Winery (Chania) 364

Pontiglio Winery (Corfu) 237

Porto Carras Ktima (Halkidiki) 137–8

Potamisi grape 300, 301

Prekniariko grape and wine 111–12, 113

producers see cooperatives and individual regions’ names

Protopapas Winery (Kavala) 146

Pyrgos Vassilisis Ktima (Attica) 199

raisin production 18, 219, 233

Ramnista 114, 116 Rapsani 169, 170–73

Raptis Ktima (Corinth) 257

Refosco 130 regulations see legislation Repanis Ktima (Corinth) 257

Rethymno 54, 364

Rethymno, see also Crete retsina

classifications 183 history of production 16, 19, 53, 59, 194, 300 rise and fall 181–3

OKP Retsina 384–5

wines 133–4, 189, 194, 197, 199, 206, 223, 249, 295

Rhodes 332–37 history and climate 332–3 PDOs 46, 49, 64, 334–5 classifications 335 producers

Alexandris Family Winery 337

CAIR 335–6

Emery 336–7

Kounaki Wines 337 vineyards and viticulture 333–5

Rhous Tamiolakis Winery (Heraklio) 375–6

Robinson, Jancis 83

Robola classification 228 grape 51–3, 220, 222, 224–5, 230

Robola of Cephalonia 42, 255 wines and blends 228, 229–30, 231–3, 237, 282

Robola of Cephalonia Cooperative (Cephalonia) 231–2

Roditis blends 105, 112, 162, 167, 168, 173, 198, 249, 251, 263, 269

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.