WELDING_SOILS_FINAL

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murilo faller

florianópolis, brazil fourth-year architecture student [ufsc] federal university of santa catarina e-mail fallermurilo@gmail,com

photographic comissions

2023

industrial ruins research [ufsc] fe deral university of santa catarina photographic documentation industrial ruins for the urban per ception laboratory

2023 - ongoing modern heritage in florianópolis [ufsc] federal university of santa catarina photographic documentation of modern architectural heritage in florianópolis

2024

flour mills anthropologic research [ufsc] federal university of santa catarina + [iphan] the national institute of historic and artistic heritage audiovisual documentation of tra ditional mills in the coastal region of santa catarina

2025 estudio 4.4 - gloria cabral photographic portraits of architect gloria cabral and estudio 4.4 team

workshops

2023 atelier bow-wow+tsukamoto lab participation in the international seminar “atelier bow wow & tsukamoto lab”, promoted by gabriel kogan and yoshiharu tsukamoto at the mube/sp

2023 [sic] scientific initiation seminar participation in the 33rd scientific and technological initiation seminar - ufsc

2024 renace - fau/usp experimental construction site seminar in architecture and urbanism and national meeting of experimental construction sites

architecture competitions

2025

rubem berta urban plan collaboration for the integrated urban project competition of ru bem berta territory, carried out by the government of rio grande do sul state and iab/rs, together with gloria cabral’s team and studio 4.4

2025 reuse italy collaboration for the reuse italy competition together with ufsc undergraduate students team

academic experiece

2022 - 2023

urban perception laboratory member and researcher - [ufsc]

2022 - 2023 research

cnpq undergraduate scholarship for the project “incomplete project for an unfinished city: rehabilitation of residential ruins for populations in situations of social vulnerability”

2023

architecture model studio undergraduate member of ama/ [ufsc] in the internal infrastructure committee

2024 - ongoing projects laboratory member and researcher - [ufsc]

2024 - ongoing extension action extension and research on landscape aspects related to flour mills in santa catarina

2024 professional internship development of preliminary design for adapting the rectory auditorium into a cinema - [ufsc]

2024 professional internship restoration of ratcliff street historical building into a human rights institute - [ufsc] federal university of santa catarina

2024 - ongoing extension action documentation of modern architectural heritage in florianópolis - [ufsc]

languages

portuguese native language english intermediate spanish basic

termas de puritama

termas de polques

tropical soaker

mac rio

concreto mané

london mezzanine

brazilian heritage

museu do pão

35mm portrait

on a thousand-kilometer journey across the andes — lived over more than two weeks above 4,000 meters of altitude — this project set out to explore the delicate coexistence between human presence and a landscape as inhospitable as it is sublime, shaped by volcanoes. the path through chile and bolivia crossed extreme terrains: active volcanoes, silent deserts, sudden snowstorms, lightning-filled skies, and endless salt flats. along the way, it revealed how materials born from the earth’s primordial movements can be welded by human presence, even as their foundations lie within constantly transforming spaces. this initiated a trajectory toward tectonic and structural analysis, and an anthropological-spatial outcome, within a context of multi-existence, where fauna and flora survive according to their specific spatial conditions.

termas de puritama

the puritama hot springs are located in northern chile, about 30 km from san pedro de atacama, nestled in a canyon at 3,475 meters of altitude. eight natural thermal pools, with temperatures between 26°c and 33°c, are distributed along the course of the puritama river. the site is managed by the company explora, which also oversees the surrounding environmental reserve. the waters are of volcanic origin, heated by geothermal activity from the subsoil — a common feature in the andean region. this constant source of heat and moisture creates a micro-habitat that attracts native fauna, such as vicuñas, amid the desert. the vegetation surrounding the puritama river is adapted to arid and high-altitude conditions, serving as food for local fauna. the red wooden walkway, designed by chilean architect germán del sol, stands out for its suspension over the river — a striking element in the earthy arid landscape. natural light enters through the openings of the canyon, illuminating the structures and creating moving shadows throughout the day in the bathing houses.

the polques hot springs are located in southwestern bolivia, at about 4,394 meters of altitude, on the edge of laguna salada, within the salar de chalviri. they are part of the eduardo avaroa andean fauna national reserve, a protected area and national park managed by the national service of protected areas (sernap).the waters, of geothermal and volcanic origin, maintain an average temperature of 29 °c and form natural pools in a landscape marked by volcanoes, lagoons, and rock formations. local fauna includes flamingos, vicuñas, and other species adapted to the harsh climate of the altiplano. the flora is composed of high-altitude vegetation, such as llareta, which grows in dense green cushions. there is no known architect associated with the existing structures at the site.

tropical soaker

this partial documentation of the cultivated flora at roberto burle marx’s site, the mythical brazilian landscape architect, seeks to investigate new relationships within the legacy of a professional who was globally recognized for his unique work in urban garden production in brazil. the site, which was his home until the end of his life, was also the laboratory for his production at different scales. access to the flora found and documented by burle marx traces new considerations about an intellectual legacy that extrapolates the limits of design production and accesses an ephemeral sensi bility that is kept alive by the institute that bears his name.

the photographic documentation of the museum of contemporary art [1991], by oscar niemeyer, represents an individual investigative effort into the prominent formal relationship that the project establishes with the landscape of rio de janeiro. this photographic study seeks to find the intersection between architectural concept and design, where niemeyer’s poetics confronts guanabara bay and constructs a museographical introduction to the landscape.

disassembling the city of mané, formerly nossa senhora do desterro, located on the island of santa catarina: florianópolis. a place i chose to live in, filled with a little-documented modern architecture. within the project laboratory, an investigation takes place into this important heritage for the city. the redrawings and photographic journeys reveal the concrete used on a large scale for the production of human space on the island.

london mezzanine

there isn’t much to say about norman foster: it feels silly, which suits the cloudy city of london. the marks left on this ground are clear, where vast spaces were built above and below the surface. what contrasts most is the glass and metal; what prevails is what shines the brightest.

this commissioned work aims to document aspects of wheat flour production along the coast of santa catarina state. this project is part of a joint effort between the federal university of santa catarina and the national institute of historic and artistic heritage to register the intangible production practices of traditional communities. these communities experience a communal process of land and labor, following a centuries-old production method that today struggles to survive amid the rapid urbanization of surrounding cities such as florianópolis, balneário camboriú, and itajaí. this photographic documentation seeks to preserve the cultural heritage and traditional knowledge of these coastal communities, capturing both the technical aspects of flour production and the social dynamics that have sustained these practices across generations.

the bread museum, designed by brasil arquitetura studio, responds to a collective desire to preserve the production processes inherited from italian immigrants in southern brazil. this intervention, winner of the rodrigo melo franco de andrade award for outstanding heritage interventions in brazil, was carried out in an old mill located in the center of a small interior town, ilópolis. the creation of an annex that establishes a relationship of respect and contemporaneity with the mill aims not to elevate it to the status of art, but to structure it within a new cultural ensemble that preserves it and allows familiar accessibility to local communities in the educational and cultural processes promoted.

experiments, tests, practices: over the past three years, there have been records of streets, movements, actions, paths, objects — anything within space and time capable of being captured in a short exhibition: the capture of an event.

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