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الرسام الأسباني أماليو غارسيا ديل مورال وحوار مع برج الخيرالدة في إشبيلية , كتب عبدالله ناصر بجنف

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‫‪22/3/2019‬‬

‫‪www.sanaanews.net/print.php?id=65234‬‬

‫ﺍﻟﺭﺳﺎﻡ‪ ‬ﺍﻷﺳﺑﺎﻧﻲ‪ ‬ﺃﻣﺎﻟﻳﻭ‪ ‬ﻏﺎﺭﺳﻳﺎ‪ ‬ﺩﻳﻝ‪ ‬ﻣﻭﺭﺍﻝ‪ ‬ﻭﺣﻭﺍﺭ‪ ‬ﻣﻊ‪ ‬ﺑﺭﺝ‪ ‬ﺍﻟﺧﻳﺭﺍﻟﺩﺓ‪ ‬ﻓﻲ‪ ‬ﺇﺷﺑﻳﻠﻳﺔ‬ ‫ﺍﻟﺠﻤﻌﺔ‪­22 ,‬ﻣﺎﺭﺱ­‪2019‬‬

‫ﺻﻨﻌﺎء‪ ‬ﻧﻴﻮﺯ‪ /‬ﻛﺘﺐ‪ /‬ﻋﺒﺪﷲ‪ ‬ﻧﺎﺻﺮ‪ ‬ﺑﺠﻨﻒ‪ ­ ‬‬ ‫‪ ‬‬ ‫ﺃﻭﻝ‪ ‬ﻣﺎ‪ ‬ﻳﻠﻔﺖ‪ ‬ﺍﻧﺘﺒﺎﻩ‪ ‬ﺍﻟﺰﻭﺍﺭ‪ ‬ﻋﻠﻰ‪ ‬ﻣﺪﺧﻞ‪ ‬ﻣﺆﺳﺴﺴﺔ‪ ‬ﻭﻣﺘﺤﻒ‪ ‬ﺍﻟﺮﺳﺎﻡ‪ ‬ﺍﻷﺳﺒﺎﻧﻲ‪ ‬ﺃﻣﺎﻟﻴﻮ‪ ‬ﻏﺎﺭﺳﻴﺎ‪ ‬ﺩﻳﻞ‪ ‬ﻣﻮﺭﺍﻝ‪ ‬ﺍﻟﺜﻘﺎﻓﻴﺔ‬ ‫ﻟﻮﺣﺔ‪ ‬ﺑﺎﺭﺯﺓ‪ ‬ﻣﺪﻭﻥ‪ ‬ﻋﻠﻴﻬﺎ‪ ‬ﻫﺬﻩ‪ ‬ﺍﻟﻌﺒﺎﺭﺓ‪ ) ‬ﻟﻘﺪ‪َ ‬ﺷﺎﺩَ‪ ‬ﺃﻣﺎﻟﻴﻮ‪ ‬ﻫﺬﻩ‪ ‬ﺍﻟﺪﺍﺭ‪ ‬ﻗﺮﺑﺎﻧﺎ‪ ‬ﻟﻤﺌﺬﻧﺔ‪ ‬ﺍﻟﺨﻴﺮﺍﻟﺪﺓ‪ ( ‬ﺑﺎﻟﻠﻐﺎﺕ‪ ‬ﺍﻷﺳﺒﺎﻧﻴﺔ‬ ‫ﻭﺍﻟﻌﺒﺮﻳﺔ‪ ‬ﻭﺍﻟﻌﺮﺑﻴﺔ‪ ‬ﻭﻫﻲ‪ ‬ﺭﻣﺰ‪ ‬ﺗﻌﺎﻳﺶ‪ ‬ﺍﻟﺜﻘﺎﻓﺎﺕ‪ ‬ﺍﻟﺜﻼﺙ‪ ‬ﻓﻲ‪ ‬ﻣﺪﻳﻨﺔ‪ ‬ﺇﺷﺒﻴﻠﻴﺔ‪ .‬ﺍﻟﻔﻨﺎﻥ‪ ‬ﻭﺍﻷﻛﺎﺩﻳﻤﻲ‪ ‬ﺍﻷﺳﺒﺎﻧﻲ‪ ‬ﺃﻣﺎﻟﻴﻮ‬ ‫ﻏﺎﺭﺳﻴﺎ‪ ‬ﺩﻳﻞ‪ ‬ﻣﻮﺭﺍﻝ‪ ‬ﻳﻌﺘﺒﺮ‪ ‬ﻣﻦ‪ ‬ﺑﻴﻦ‪ ‬ﺃﺑﺮﺯ‪ ‬ﺍﻟﺮﺳﺎﻣﻴﻦ‪ ‬ﻓﻲ‪ ‬ﺇﺳﺒﺎﻧﻴﺎ‪ ‬ﺣﻴﺚ‪ ‬ﺗﺘﻤﻴﺰ‪ ‬ﺃﻋﻤﺎﻟﻪ‪ ‬ﺑﻘﻮﺓ‪ ‬ﺍﻷﻟﻮﺍﻥ‪ ‬ﻭﻧﻘﺎﻭﺓ‪ ‬ﺍﻟﺘﻌﺒﻴﺮ‬ ‫ﺗﺤﻤﻞ‪ ‬ﻓﻲ‪ ‬ﻁﻴﺎﺗﻬﺎ‪ ‬ﺭﺳﺎﻟﺔ‪ ‬ﻓﻨﻴﺔ‪ ‬ﻭﺇﻧﺴﺎﻧﻴﺔ‪ ‬ﻭﻓﻲ‪ ‬ﻧﻔﺲ‪ ‬ﺍﻟﻮﻗﺖ‪ ‬ﺗﺨﺎﻁﺐ‪ ‬ﺟﺬﻭﺭ‪ ‬ﻭﺗﻘﺎﻟﻴﺪ‪ ‬ﺍﻟﺜﻘﺎﻓﺔ‪ ‬ﺍﻷﻧﺪﻟﺴﻴﺔ‪ ‬ﻛﻤﺎ‪ ‬ﺍﺭﺗﺒﻂ‪ ‬ﺑﻌﻼﻗﺔ‬ ‫ﺧﺎﺻﺔ‪ ‬ﺑﻤﺌﺬﻧﺔ‪ ‬ﺍﻟﻤﺴﺠﺪ‪ ‬ﺍﻟﻜﺒﻴﺮ‪ ‬ﻓﻲ‪ ‬ﺇﺷﺒﻴﻠﻴﺔ‪ ‬ﻭﺍﻟﻤﻌﺮﻭﻓﺔ‪ ‬ﺑﺎﺳﻢ‪ ‬ﺍﻟﺨﻴﺮﺍﻟﺪﺓ‪ , ‬ﻣﻨﺬ‪ ‬ﻋﺎﻡ‪ 1973 ‬ﺳﻜﻦ‪ ‬ﻓﻲ‪ ‬ﻫﺬﺍ‪ ‬ﺍﻟﻤﺒﻨﻰ‪ ‬ﺍﻷﻧﻴﻖ‬ ‫ﻣﻦ‪ ‬ﺍﻟﻄﺮﺍﺯ‪ ‬ﺍﻷﻧﺪﻟﺴﻲ‪ ‬ﻭﺍﻟﺬﻱ‪ ‬ﻳﺘﻜﻮﻥ‪ ‬ﻣﻦ‪ ‬ﺃﺭﺑﻌﺔ‪ ‬ﻁﻮﺍﺑﻖ‪ ‬ﻣﺘﺠﺎﻧﺴﺔ‪ ‬ﺗﻢ‪ ‬ﺗﺸﻴﻴﺪﻩ‪ ‬ﻓﻲ‪ ‬ﻋﺎﻡ‪ 1918 ‬ﺣﻴﺚ‪ ‬ﺍﺳﺘﺨﺪﻣﺔ‪ ‬ﻛﺴﻜﻦ‬ ‫ﺷﺨﺼﻲ‪ ‬ﻭﻭﺭﺷﺔ‪ ‬ﻋﻤﻠﻪ‪ ‬ﻭﺃﺳﺘﻮﺩﻳﻮ‪ ‬ﻟﻠﺮﺳﻢ‪ ‬ﻣﻘﺎﺑﻞ‪ ‬ﻣﺌﺬﻧﺔ‪ ‬ﺍﻟﺨﻴﺮﺍﻟﺪﺓ‪ ‬ﺣﻴﺚ‪ ‬ﺍﺣﺘﻠﺖ‪ ‬ﻣﻜﺎﻧﺔ‪ ‬ﺧﺎﺻﺔ‪ ‬ﺑﺎﻟﻨﺴﺒﺔ‪ ‬ﻟﻠﺮﺳﺎﻡ‪ ‬ﻭﻫﻮ‬ ‫ﻳﺸﺎﻫﺪﻫﺎ‪ ‬ﺑﺎﺳﺘﻤﺮﺍﺭ‪ ‬ﻣﻦ‪ ‬ﻋﺪﺓ‪ ‬ﺯﻭﺍﻳﺎ‪ ‬ﻣﻦ‪ ‬ﻣﻨﺰﻟﻪ‪ ‬ﻭﻣﻦ‪ ‬ﺍﻟﻨﻮﺍﻓﺬ‪ ‬ﻭﻋﻠﻰ‪ ‬ﺳﻄﺢ‪ ‬ﺍﻟﻤﻨﺰﻝ‪ ‬ﻭﻗﺪ‪ ‬ﺟﺴﺪﻫﺎ‪ ‬ﻓﻲ‪ ‬ﺍﻟﻌﺪﻳﺪ‪ ‬ﻣﻦ‪ ‬ﺃﻋﻤﺎﻟﻪ‬ ‫ﺍﻟﻔﻨﻴﺔ‪ ‬ﻭﺍﻟﺘﺸﻜﻴﻠﻴﺔ‪ ‬ﻭﺍﻟﺘﻲ‪ ‬ﺟﻤﻌﺖ‪ ‬ﺑﻴﻦ‪ ‬ﺗﻴﺎﺭﺍﺕ‪ ‬ﺍﻟﻔﻦ‪ ‬ﺍﻟﺘﺸﺨﻴﺼﻲ‪ ‬ﻭﺍﻟﻮﺍﻗﻌﻴﺔ‪ ‬ﻭﺍﻟﻄﻼﺋﻌﻴﺔ‪ . ‬ﺗﻢ‪ ‬ﺗﺤﻮﻳﻞ‪ ‬ﻫﺬﺍ‪ ‬ﺍﻟﻤﻨﺰﻝ‪ ‬ﺑﻌﺪ‬ ‫ﺗﺮﻣﻴﻤﺔ‪ ‬ﻭﺻﻴﺎﻧﺘﻪ‪ ‬ﺑﺸﻜﻞ‪ ‬ﻛﺎﻣﻞ‪ ‬ﺍﻟﻰ‪ ‬ﻣﺘﺤﻒ‪ ‬ﻭﻣﺆﺳﺴﺔ‪ ‬ﺛﻘﺎﻓﻴﺔ‪ ‬ﺗﺤﻤﻞ‪ ‬ﺗﺤﻤﻞ‪ ‬ﺍﺳﻤﻪ‪ ‬ﻣﻨﺬ‪ 3 ‬ﻓﺒﺮﺍﻳﺮ‪ ‬ﻋﺎﻡ‪ ,1995 ‬ﺍﻟﻤﺒﻨﻰ‬ ‫ﻳﺤﻤﻞ‪ ‬ﺭﻗﻢ‪ 7 ‬ﻭﺍﺟﻬﺘﻪ‪ ‬ﻣﻄﻠﻴﺔ‪ ‬ﺑﺎﻟﻠﻮﻧﻴﻦ‪ ‬ﺍﻷﺑﻴﺾ‪ ‬ﻭﺍﻷﺻﻔﺮ‪ ‬ﻭﻫﻲ‪ ‬ﻣﻴﺰﺓ‪ ‬ﺍﻟﻌﺪﻳﺪ‪ ‬ﻣﻦ‪ ‬ﺍﻟﻤﻨﺎﺯﻝ‪ ‬ﻓﻲ‪ ‬ﺇﺷﺒﻴﻠﻴﺔ‪ ,‬ﻳﻘﻊ‪ ‬ﻓﻲ‪ ‬ﺍﻟﻤﺪﻳﻨﺔ‬ ‫ﺍﻟﻌﺘﻴﻘﺔ‪ ‬ﻓﻲ‪ ‬ﺣﻲ‪ ‬ﺳﺎﻧﺘﺎ‪ ‬ﻛﺮﻭﺱ‪ ‬ﺍﻣﺎﻡ‪ ‬ﺳﺎﺣﺔ‪ ‬ﻭﺣﺪﻳﻘﺔ‪ ‬ﺩﻭﻧﻨﺎ‪ ‬ﺍﻟﺒﻴﺮﺍ‪ ‬ﺗﺤﻴﻂ‪ ‬ﺑﻬﺎ‪ ‬ﺃﺷﺠﺎﺭ‪ ‬ﺍﻟﻨﺎﺭﻧﺞ‪) ‬ﺍﻟﺒﺮﺗﻘﺎﻝ‪ ‬ﺍﻟﻤﺮ(‪ ‬ﺍﻟﺘﻲ‪ ‬ﺗﺸﺘﻬﺮ‬ ‫ﺑﻬﺎ‪ ‬ﻣﺪﻳﻨﺔ‪ ‬ﺇﺷﺒﻴﻠﻴﺔ‪ , ‬ﻳﺘﻮﺳﻄﻬﺎ‪ ‬ﻧﺎﻓﻮﺭﺓ‪ ‬ﻣﻴﺎﻩ‪ ‬ﺗﻤﺘﺰﺝ‪ ‬ﺧﺮﻳﺮﻫﺎ‪ ‬ﻣﻊ‪ ‬ﺗﻐﺎﺭﻳﺪ‪ ‬ﺍﻟﻌﺼﺎﻓﻴﺮ‪ ‬ﻓﻲ‪ ‬ﺑﻴﺌﺔ‪ ‬ﻳﻌﻤﻬﺎ‪ ‬ﺍﻟﺴﻜﻮﻥ‪ ‬ﻭﺍﻟﻬﺪﺅ‪, ‬‬ ‫ﻭﻫﻨﺎ‪ ‬ﻳﺒﺪﺍء‪ ‬ﺣﻮﺍﺭ‪ ‬ﺍﻟﻄﺒﻴﻌﺔ‪ ‬ﻣﻊ‪ ‬ﺍﻟﻔﻦ‪ . ‬ﻣﺆﺳﺴﺔ‪ ‬ﻭﻣﺘﺤﻒ‪ ‬ﺃﻣﺎﻟﻴﻮ‪ ‬ﺗﺤﺘﻮﻱ‪ ‬ﻋﻠﻰ‪ ‬ﺃﻏﻠﺐ‪ ‬ﺍﻋﻤﺎﻟﻪ‪ ‬ﺍﻟﻔﻨﻴﺔ‪ ‬ﺧﻼﻝ‪ ‬ﻣﺴﻴﺮﺗﻪ‪ ‬ﺍﻟﻔﻨﻴﺔ‬ ‫ﺍﻟﻄﻮﻳﻠﺔ‪ ‬ﻣﻊ‪ ‬ﺍﻟﻔﻦ‪ ‬ﺍﻟﺘﺸﻜﻴﻠﻲ‪ ‬ﻭﻳﻠﻘﺐ‪ ‬ﺑﺮﺳﺎﻡ‪ ‬ﻣﻨﺎﺭﺓ‪ ‬ﺍﻟﺨﻴﺮﺍﻟﺪﺓ‪ ‬ﺑﺎﻋﺘﺒﺎﺭﺓ‪ ‬ﺍﻟﻔﻨﺎﻥ‪ ‬ﺍﻷﺳﺒﺎﻧﻲ‪ ‬ﺍﻟﻮﺣﻴﺪ‪ ‬ﺍﻟﺬﻱ‪ ‬ﺭﺳﻢ‪ 365 ‬ﻟﻮﺣﺔ‬ ‫ﻟﻤﺌﺬﻧﺔ‪ ‬ﺍﻭ‪ ‬ﻣﻨﺎﺭﺓ‪ ‬ﺍﻟﻤﺴﺠﺪ‪ ‬ﺍﻟﻜﺒﻴﺮ‪ ‬ﺍﻟﺨﻴﺮﺍﻟﺪﺓ‪ ‬ﻓﻲ‪ ‬ﺇﺷﺒﻴﻠﻴﺔ‪ ‬ﺑﻌﺪﺓ‪ ‬ﺃﻟﻮﺍﻥ‪ ‬ﺫﺍﺕ‪ ‬ﺃﺿﻮﺍء‪ ‬ﻣﺨﺘﻠﻔﺔ‪ ‬ﻳﻌﻜﺲ‪ ‬ﻓﻴﻬﺎ‪ ‬ﻣﻜﺎﻧﺘﻬﺎ‪ ‬ﺍﻟﺨﺎﺻﺔ‬ ‫ﻓﻲ‪ ‬ﻗﻠﻮﺏ‪ ‬ﻭﻭﺟﺪﺍﻥ‪ ‬ﺃﻫﻞ‪ ‬ﺇﺷﺒﻴﻠﻴﺔ‪ . ‬ﻫﺬﻩ‪ ‬ﺍﻟﻤﻨﺎﺭﺓ‪ ‬ﺍﻭ‪ ‬ﺍﻟﺒﺮﺝ‪ ‬ﺗﻢ‪ ‬ﺗﺸﻴﻴﺪﻩ‪ ‬ﻓﻲ‪ ‬ﻋﻬﺪ‪ ‬ﺍﻟﻤﻠﻚ‪ ‬ﺃﺑﻮ‪ ‬ﻳﻮﺳﻒ‪ ‬ﻳﻌﻘﻮﺏ‪ ‬ﺍﻟﻤﻨﺼﻮﺭ‬ ‫‪1/2‬‬

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‫‪22/3/2019‬‬

‫‪www.sanaanews.net/print.php?id=65234‬‬

‫ﺍﻟﻤﻮﺣﺪﻱ‪ ‬ﺧﻠﻴﻔﺔ‪ ‬ﺍﻟﻤﻮﺣﺪﻳﻦ‪ ‬ﻓﻲ‪ ‬ﻋﺎﻡ‪1184 ‬ﻡ‪ , ‬ﻣﺎﺯﺍﻟﺖ‪ ‬ﺗﺒﺪﻭ‪ ‬ﺇﻟﻰ‪ ‬ﻳﻮﻣﻨﺎ‪ ‬ﻗﺎﺋﻤﺔ‪ ‬ﻭﺷﺎﻣﺨﺔ‪ ‬ﻋﻠﻰ‪ ‬ﺍﺭﺗﻔﺎﻉ‪ 97,5 ‬ﻣﺘﺮ‪ ‬ﻓﻲ‬ ‫ﻣﺪﻳﻨﺔ‪ ‬ﺇﺷﺒﻴﻠﻴﺔ‪ ‬ﺑﻌﺪ‪ ‬ﺇﺿﺎﻓﺔ‪ ‬ﺑﻌﺾ‪ ‬ﺍﻟﺘﻌﺪﻳﻼﺕ‪ ‬ﻋﻠﻴﻬﺎ‪ ‬ﻓﻲ‪ ‬ﻓﺘﺮﺍﺕ‪ ‬ﺯﻣﻨﻴﺔ‪ ‬ﻣﺨﺘﻠﻔﺔ‪ . ‬ﻣﺆﺳﺴﺔ‪ ‬ﺃﻣﺎﻟﻴﻮ‪ , ‬ﻣﺒﻨﻰ‪ ‬ﻣﻔﺘﻮﺡ‪ ‬ﻟﻜﻞ‬ ‫ﺍﻟﺰﻭﺍﺭ‪ ‬ﻟﻠﺘﻌﺮﻑ‪ ‬ﻋﻦ‪ ‬ﻗﺮﺏ‪ ‬ﻋﻠﻰ‪ ‬ﺍﻷﻋﻤﺎﻝ‪ ‬ﺍﻟﻔﻨﻴﺔ‪ ‬ﺍﻟﺘﻲ‪ ‬ﺗﺮﻛﻬﺎ‪ ‬ﻫﺬﺍ‪ ‬ﺍﻟﻔﻨﺎﻥ‪ ‬ﻛﻤﺎ‪ ‬ﺗﻘﺎﻡ‪ ‬ﻓﻴﻬﺎ‪ ‬ﺍﻟﻌﺪﻳﺪ‪ ‬ﻣﻦ‪ ‬ﺍﻷﻧﺸﻄﺔ‪ ‬ﺍﻟﺜﻘﺎﻓﻴﺔ‬ ‫ﻭﺍﻟﻔﻨﻴﺔ‪ ‬ﻳﺪﻳﺮﻫﺎ‪ ‬ﺍﻷﺳﺘﺎﺫ‪ ‬ﻣﺎﻧﻮﻳﻞ‪ ‬ﻛﺎﺑﺎﻳﻴﺮﻭ‪ ‬ﻛﺎﻻﺑﻴﺎ‪ ‬ﻭﻣﺎﺭﻳﺎ‪ ‬ﺧﻮﺳﻴﻪ‪ ‬ﺩﻳﻞ‪ ‬ﻣﻮﺭﺍﻝ‪ ‬ﺍﺑﻨﺔ‪ ‬ﺍﻟﺮﺳﺎﻡ‪ ‬ﺍﻟﺮﺍﺣﻞ‪ ‬ﺃﻣﺎﻟﻴﻮ‪ ‬ﻭﻫﻲ‪ ‬ﺃﺳﺘﺎﺫﺓ‬ ‫ﺍﻟﺮﺳﻢ‪ ‬ﻓﻲ‪ ‬ﻛﻠﻴﺔ‪ ‬ﺍﻟﻔﻨﻮﻥ‪ ‬ﺍﻟﺠﻤﻴﻠﺔ‪ ‬ﻓﻲ‪ ‬ﺇﺷﺒﻴﻠﻴﺔ‪ ‬ﻭﺭﺳﺎﻣﺔ‪ ‬ﺑﺎﺭﺯﺓ‪ ‬ﻟﻬﺎ‪ ‬ﺷﺎﺭﻛﺖ‪ ‬ﻓﻲ‪ ‬ﺍﻟﻌﺪﻳﺪ‪ ‬ﻣﻦ‪ ‬ﺍﻟﻤﻌﺎﺭﺽ‪ ‬ﺍﻟﻔﻨﻴﺔ‪ ‬ﺍﻟﺘﺸﻜﻴﻠﻴﺔ‬ ‫ﺩﺍﺧﻞ‪ ‬ﻭﺧﺎﺭﺝ‪ ‬ﺇﺳﺒﺎﻧﻴﺎ‪.‬‬ ‫‪ ‬‬ ‫‪ ‬‬ ‫ﺍﻟﻔﻦ‪ ‬ﺑﺸﻜﻞ‪ ‬ﻋﺎﻡ‪ ‬ﻭﺍﻟﻔﻦ‪ ‬ﺍﻟﺘﺸﻜﻴﻠﻲ‪ ‬ﺑﺸﻜﻞ‪ ‬ﺧﺎﺹ‪ ‬ﻫﻮ‪ ‬ﺟﺰء‪ ‬ﻫﺎﻡ‪ ‬ﻣﻦ‪ ‬ﺍﻟﺜﻘﺎﻓﺔ‪ ‬ﻭﺍﻟﺘﻲ‪ ‬ﺗﺮﻓﺪﻧﺎ‪ ‬ﺑﺎﻟﻤﻌﺎﺭﻑ‪ ‬ﺍﻹﻧﺴﺎﻧﻴﺔ‪ ‬ﻭﺗﺠﺴﺪ‪ ‬ﻓﻲ‬ ‫ﻧﻔﺲ‪ ‬ﺍﻟﻮﻗﺖ‪ ‬ﺇﺑﺪﺍﻋﺎﺕ‪ ‬ﺍﻟﻔﻨﺎﻧﻴﻦ‪ ‬ﻭﺗﻔﺎﻋﻠﻬﻢ‪ ‬ﻣﻊ‪ ‬ﻣﺤﻴﻄﻬﻢ‪ , ‬ﺍﻟﺮﺳﺎﻡ‪ ‬ﺃﻣﺎﻟﻴﻮ‪ ‬ﺍﺳﺘﻄﺎﻉ‪ ‬ﺑﺮﺷﻴﺘﻪ‪ ‬ﺍﻥ‪ ‬ﻳﺠﺬﺏ‪ ‬ﺍﻷﻧﻈﺎﺭ‪ ‬ﻧﺤﻮ‪ ‬ﻣﻨﺎﺭﺓ‬ ‫ﺍﻟﺨﻴﺮﺍﻟﺪﺓ‪ ‬ﻋﺒﺮ‪ ‬ﻟﻮﺣﺎﺗﻪ‪ ‬ﺍﻟﺘﻲ‪ ‬ﺗﺠﺴﺪ‪ ‬ﻫﺬﻩ‪ ‬ﺍﻟﻌﻼﻗﺔ‪ ‬ﺑﻴﻦ‪ ‬ﺍﻟﻔﻨﺎﻥ‪ ‬ﻭﻣﺤﻴﻄﺔ‪ , ‬ﺛﻤﺔ‪ ‬ﻗﻮﻝ‪ ‬ﻣﺸﻬﻮﺭ‪ ‬ﻻﺑﻦ‪ ‬ﺭﺷﺪ‪ ‬ﻭﺍﻟﺬﻱ‪ ‬ﻛﺎﻥ‪ ‬ﻗﺎﺿﻲ‬ ‫ﻣﺪﻳﻨﺔ‪ ‬ﻗﺮﻁﺒﺔ‪ ‬ﻓﻲ‪ ‬ﺍﻟﻔﺘﺮﺓ‪ ‬ﻣﻦ‪ ‬ﻋﺎﻡ‪1180 ‬ﻡ‪ ‬ﺇﻟﻰ‪ ‬ﻋﺎﻡ‪1190 ‬ﻡ‪ ‬ﻣﻔﺎﺩﻫﺎ‪ ‬ﺍﻧﻪ‪ ‬ﺍﺫﺍ‪ ‬ﺗﻮﻓﻲ‪ ‬ﻣﻮﺳﻴﻘﻲ‪ ‬ﻓﻲ‪ ‬ﻗﺮﻁﺒﺔ‪ ‬ﻓﺎﻥ‪ ‬ﺃﺩﻭﺍﺗﻪ‬ ‫ﺍﻟﻔﻨﻴﺔ‪ ‬ﻳﺘﻢ‪ ‬ﻧﻘﻠﻬﺎ‪ ‬ﺇﻟﻰ‪ ‬ﺇﺷﺒﻴﻠﻴﺔ‪ ‬ﻓﻲ‪ ‬ﺣﻴﻦ‪ ‬ﺍﺫﺍ‪ ‬ﻣﺎ‪ ‬ﺗﻮﻓﻲ‪ ‬ﻋﺎﻟﻢ‪ ‬ﻓﻲ‪ ‬ﺗﻠﻚ‪ ‬ﺍﻟﻤﺪﻳﻨﺔ‪ ‬ﻓﺎﻥ‪ ‬ﻛﺘﺒﻪ‪ ‬ﻳﺘﻢ‪ ‬ﻧﻘﻠﻬﺎ‪ ‬ﺇﻟﻰ‪ ‬ﻗﺮﻁﺒﺔ‪ ‬ﻭﻟﻜﻦ‪ ‬ﺍﻟﺮﺳﺎﻡ‬ ‫ﺃﻣﺎﻟﻴﻮ‪ ‬ﻏﺎﺭﺳﻴﺎ‪ ‬ﺩﻳﻞ‪ ‬ﻣﻮﺭﺍﻝ‪ ‬ﻭﺍﻟﺬﻱ‪ ‬ﻭﻟﺪ‪ ‬ﻓﻲ‪ ‬ﻏﺮﻧﺎﻁﺔ‪ ‬ﻓﻲ‪ ‬ﻋﺎﻡ‪ 1922 ‬ﻭﻋﺎﺵ‪ ‬ﻭﺃﺑﺪﻉ‪ ‬ﻓﻲ‪ ‬ﺇﺷﺒﻴﻠﻴﺔ‪ ‬ﺣﺘﻰ‪ ‬ﺃﺧﺮ‪ ‬ﻟﺤﻈﺎﺕ‬ ‫ﺣﻴﺎﺗﻪ‪ ‬ﻭﻛﺎﻥ‪ ‬ﺭﺣﻴﻠﻪ‪ ‬ﺍﻷﺑﺪﻱ‪ ‬ﻓﻴﻬﺎ‪ ‬ﻓﻲ‪ 1995 ‬ﻓﺎﻥ‪ ‬ﺭﻳﺸﺘﻪ‪ ‬ﻭﻟﻮﺣﺎﺗﻪ‪ ‬ﺍﻟﺘﺸﻜﻴﻠﻴﺔ‪ ‬ﺑﻘﺖ‪ ‬ﻓﻲ‪ ‬ﻫﺬﻩ‪ ‬ﺍﻟﻤﺪﻳﻨﺔ‪ ‬ﻛﻤﺎ‪ ‬ﺗﺮﻙ‪ ‬ﺧﻠﻔﺔ‬ ‫ﺍﻟﻌﺪﻳﺪ‪ ‬ﻣﻦ‪ ‬ﺍﻷﻋﻤﺎﻝ‪ ‬ﺍﻟﻔﻨﻴﺔ‪ ‬ﻭﺍﻷﺩﺑﻴﺔ‪ ‬ﻭﺳﺘﻴﻘﻰ‪ ‬ﻓﻲ‪ ‬ﺫﺍﻛﺮﺓ‪ ‬ﻣﺤﺒﻲ‪ ‬ﻭﻣﺘﺎﺑﻌﻲ‪ ‬ﺍﻟﻔﻦ‪ ‬ﺍﻟﺘﺸﻜﻠﻴﻠﻲ‪ ‬ﺍﻟﺤﺪﻳﺚ‪ ‬ﻭﺧﺎﺻﺔ‪ ‬ﻭﺍﻥ‪ ‬ﺃﻏﻠﺐ‬ ‫ﻟﻮﺣﺎﺗﻪ‪ ‬ﺗﻌﺎﻧﻖ‪ ‬ﺟﺪﺭﺍﻥ‪ ‬ﻭﺳﻤﺎء‪ ‬ﻭﺷﻮﺭﺍﻉ‪ ‬ﻭﺭﻭﺍﺋﺢ‪ ‬ﺇﺷﺒﻴﻠﻴﺔ‪ ‬ﻭﺍﻷﻧﺪﻟﺲ‪. ‬‬ ‫ﺗﻤﺖ‪ ‬ﻁﺒﺎﻋﺔ‪ ‬ﺍﻟﺨﺒﺮ‪ ‬ﻓﻲ‪ :‬ﺍﻟﺠﻤﻌﺔ‪­22 ,‬ﻣﺎﺭﺱ­‪ 2019‬ﺍﻟﺴﺎﻋﺔ‪ 11:25 :‬ﺹ‪ ‬‬ ‫ﻳﻤﻜﻨﻚ‪ ‬ﺍﻟﻮﺻﻮﻝ‪ ‬ﺇﻟﻰ‪ ‬ﺍﻟﺼﻔﺤﺔ‪ ‬ﺍﻷﺻﻠﻴﺔ‪ ‬ﻋﺒﺮ‪ ‬ﺍﻟﺮﺍﺑﻂ‪http://www.sanaanews.net/news­65234.htm :‬‬

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الرسام الأسباني أماليو غارسيا ديل مورال وحوار مع برج الخيرالدة في إشبيلية , كتب عبدالله ناصر بجنف by Abdullah Nasser Bagnaf - Issuu