جامع الزيتونة في تونس, رونق العمارة الإسلامية, كتب عبدالله ناصر بجنف, صنعاء نيوز

‫‪2017-5-24‬‬

‫‪www.sanaanews.net/print.php?id=52571‬‬

‫ﺟﺎﻣﻊ‪ ‬ﺍﻟﺯﻳﺗﻭﻧﺔ‪ ‬ﻓﻲ‪ ‬ﺗﻭﻧﺱ‪ ,‬ﺭﻭﻧﻕ‪ ‬ﺍﻟﻌﻣﺎﺭﺓ‪ ‬ﺍﻹﺳﻼﻣﻳﺔ‬ ‫ﺍﻷﺭﺑﻌﺎء‪­24 ,‬ﻣﺎﻳﻮ­‪2017‬‬

‫ﺻﻨﻌﺎء‪ ‬ﻧﻴﻮﺯ‪ /‬ﻛﺘﺐ‪ /‬ﻋﺒﺪﷲ‪ ‬ﻧﺎﺻﺮ‪ ‬ﺑﺠﻨﻒ‪ ­ ‬‬ ‫ﺗﺒﻠﻎ‪ ‬ﻣﺴﺎﺣﺔ‪ ‬ﺗﻮﻧﺲ‪ 163,610‬ﻛﻢ‪ ²‬ﻭﺳﻜﺎﻧﻬﺎ‪10,982,754 ‬ﻧﺴﻤﺔ‪ ,‬ﻓﻲ‪ ‬ﺗﻮﻧﺲ‪ ‬ﺍﻟﻌﺎﺻﻤﺔ‪ ‬ﻳﻌﻴﺶ‪ ‬ﻓﻴﻬﺎ‪1.056.247 ‬‬ ‫ﻧﺴﻤﺔ‪ ‬ﻋﻠﻰ‪ ‬ﻣﺴﺎﺣﺔ‪ 212:63 ‬ﻛﻴﻠﻮﻣﺘﺮ‪ ‬ﻣﺮﺑﻊ‪ ,‬ﺗﺘﻤﻴﺰ‪ ‬ﺑﻮﺟﻮﺩ‪ ‬ﺟﺎﻣﻊ‪ ‬ﺍﻟﺰﻳﺘﻮﻧﺔ‪ ‬ﺻﺮﺡ‪ ‬ﺇﺳﻼﻣﻲ‪ ‬ﻭﺍﻟﻘﻠﺐ‪ ‬ﺍﻟﻨّﺎﺑﺾ‪ ‬ﻟﻤﻨﻄﻘﺔ‬ ‫ﺷﻤﺎﻝ‪ ‬ﺃﻓﺮﻳﻘﻴﺎ‪٬‬ﺃﺳﻬﻢ‪ ‬ﻓﻲ‪ ‬ﻧﺸﺮ‪ ‬ﺍﻹﺳﻼﻡ‪ ‬ﻋﻤﻮﻡ‪ ‬ﺍﻓﺮﻳﻘﻴﺎ‪ ‬ﻭﺃﺣﺪ‪ ‬ﻣﻨﺎﺭﺍﺗﻬﺎ‪ ‬ﻭﺃﻳﻘﻮﻧﺎﺗﻬﺎ‪ ‬ﺍﻟﺘﺎﺭﻳﺨﻴﺔ‪.‬‬ ‫ﺑﺎﺏ‪ ‬ﺍﻟﺒﺤﺮ‪ ‬ﻭﺍﻟﺬﻱ‪ ‬ﺗﻢ‪ ‬ﺗﺸﻴﻴﺪﻩ‪ ‬ﻓﻲ‪ ‬ﻋﻬﺪ‪ ‬ﺍﻷﻏﺎﻟﺒﺔ‪ ‬ﻭﻫﻲ‪ ‬ﺳﻼﻟﺔ‪ ‬ﻋﺮﺑﻴﺔ‪ ‬ﻣﻦ‪ ‬ﺑﻨﻲ‪ ‬ﺍﻟﻌﻨﺒﺮ‪ ‬ﺑﻦ‪ ‬ﻋﻤﺮﻭ‪ ‬ﻣﻦ‪ ‬ﻗﺒﻴﻠﺔ‪ ‬ﺑﻨﻲ‪ ‬ﺗﻤﻴﻢ‬ ‫ﻳﻌﺘﺒﺮ‪ ‬ﺃﻫﻢ‪ ‬ﺍﻟﻤﺪﺍﺧﻞ‪ ‬ﺍﻟﻰ‪ ‬ﺍﻟﻤﺪﻳﻨﺔ‪ ‬ﺍﻟﻌﺘﻴﻘﺔ‪ ‬ﻭﺍﻟﺬﻱ‪ ‬ﻳﻔﺼﻠﻬﺎ‪ ‬ﻋﻦ‪ ‬ﺍﻟﻤﺪﻳﻨﺔ‪ ‬ﺍﻟﺤﺪﻳﺜﺔ‪ ‬ﻭﺍﻟﺘﻲ‪ ‬ﺗﻨﺸﺮ‪ ‬ﻓﻴﻬﺎ‪ ‬ﺍﻟﻤﻘﺎﻫﻲ‪ ‬ﻭﺍﻟﻤﺒﺎﻧﻲ‪ ‬ﺫﺍﺕ‬ ‫ﺍﻟﻄﺮﺍﺯ‪ ‬ﺍﻟﻤﻌﻤﺎﺭﻱ‪ ‬ﺍﻟﻔﺮﻧﺴﻲ‪ ,‬ﻋﺒﻖ‪ ‬ﺍﻟﺘﺎﺭﻳﺦ‪ ‬ﻭﺍﻷﺻﺎﻟﺔ‪ ‬ﻧﺠﺪﻫﺎ‪ ‬ﻓﻲ‪ ‬ﺍﻟﻘﺼﺒﺔ‪ ‬ﺍﻟﻮﺍﻗﻌﺔ‪ ‬ﻓﻲ‪ ‬ﺍﻟﻤﺪﻳﻨﺔ‪ ‬ﺍﻟﻌﺘﻴﻘﺔ‪ ‬ﻭﺍﻟﺘﻲ‪ ‬ﺗﻨﺘﺸﺮ‬ ‫ﻓﻴﻬﺎ‪ ‬ﺍﻷﺳﻮﺍﻕ‪ ‬ﺍﻟﺸﻌﺒﻴﺔ‪ ‬ﺣﻴﺚ‪ ‬ﺗﻤﺘﺰﺝ‪ ‬ﻓﻴﻬﺎ‪ ‬ﺍﻟﺮﻭﺍﺋﺢ‪ ‬ﻭﺍﻷﻟﻮﺍﻥ‪ ‬ﻭﻋﻠﻰ‪ ‬ﺗﻘﺎﻁﻊ‪ ‬ﺃﺣﺪﻯ‪ ‬ﺍﻟﺸﻮﺍﺭﻉ‪ ‬ﺗﻘﻮﺩﻧﺎ‪ ‬ﺍﻟﻰ‪ ‬ﺟﺎﻣﻊ‪ ‬ﺍﻟﺰﻳﺘﻮﻧﺔ‬ ‫ﺍﻟﺘﺎﺭﻳﺨﻲ‪ ‬ﻭﺍﻟﺬﻱ‪ ‬ﻧﺮﺍﻩ‪ ‬ﻛﻜﺘﺎﺏ‪ ‬ﻣﻔﺘﻮﺡ‪ ‬ﻟﺘﺎﺭﻳﺦ‪ ‬ﻋﺮﻳﻖ‪ ‬ﺍﻣﺘﺰﺝ‪ ‬ﻓﻴﻪ‪ ‬ﺍﻷﻣﺠﺎﺩ‪ ‬ﻭﺍﻻﻧﺘﻜﺎﺳﺎﺕ‪ .‬ﺗﺠﻮﻟﻨﺎ‪ ‬ﻓﻲ‪ ‬ﺩﺍﺧﻞ‪ ‬ﺍﻟﺠﺎﻣﻊ‬ ‫ﻭﺃﻛﺜﺮ‪ ‬ﻣﺎ‪ ‬ﻟﻔﺖ‪ ‬ﺍﻧﺘﺒﺎﻫﻨﺎ‪ ‬ﻫﻮ‪ ‬ﺭﻭﻋﺔ‪ ‬ﺑﻨﺎءﻩ‪ ‬ﻭﺳﺎﺣﺘﺔ‪ ‬ﺍﻟﻮﺍﺳﻌﺔ‪ ‬ﻭﺍﺛﻨﺎء‪ ‬ﺗﻮﺍﺟﺪﻧﺎ‪ ‬ﺳﻘﻄﺖ‪ ‬ﺯﺧﺎﺕ‪ ‬ﻣﻦ‪ ‬ﺍﻷﻣﻄﺎﺭ‪ ,‬ﺯﻳﺎﺭﺓ‬ ‫ﺍﻟﺠﻮﺍﻣﻊ‪ ‬ﺍﻟﺘﺎﺭﻳﺨﻴﺔ‪ ‬ﻭﺍﻟﺘﻲ‪ ‬ﺳﺎﻫﻤﺖ‪ ‬ﻓﻲ‪ ‬ﻧﺸﺮ‪ ‬ﺭﺳﺎﻟﺔ‪ ‬ﺍﻹﺳﻼﻡ‪ ‬ﺍﻟﺼﺤﻴﺤﺔ‪ ‬ﺗﻜﺴﺒﻨﺎ‪ ‬ﺍﻟﻤﻌﺮﻓﺔ‪ ‬ﻭﺗﺠﺬﺑﻨﺎ‪ ‬ﻻﻛﺘﺸﺎﻑ‬ ‫ﻛﻨﻮﺯﻫﺎ‪.‬ﺟﺎﻣﻊ‪ ‬ﺍﻟﺰﻳﺘﻮﻧﺔ‪ ‬ﻣﻦ‪ ‬ﺑﻴﻦ‪ ‬ﺍﻭﺍﺋﻞ‪ ‬ﺍﻟﺠﻮﺍﻣﻊ‪ ‬ﻓﻲ‪ ‬ﺍﻟﻌﺎﻟﻢ‪ ‬ﺍﻹﺳﻼﻣﻲ‪ ‬ﻭﺍﻷﻗﺪﻡ‪ ‬ﻓﻲ‪ ‬ﺗﻮﻧﺲ‪ ‬ﻭﻓﻲ‪ ‬ﺃﻓﺮﻳﻘﻴﺎ‪ ‬ﺑﻌﺪ‪ ‬ﺟﺎﻣﻊ‪ ‬ﻋﻘﺒﺔ‬ ‫ﺑﻦ‪ ‬ﻧﺎﻓﻊ‪ ‬ﻓﻲ‪ ‬ﺍﻟﻘﻴﺮﻭﺍﻥ‪ .‬ﺟﺎﻣﻊ‪ ‬ﺍﻟﺰﻳﺘﻮﻧﺔ‪ ‬ﺗﺄﺳﺲ‪ ‬ﻓﻲ‪ 698 ‬ﻣﻴﻼﺩﻳﺔ‪ ‬ﻋﻠﻰ‪ ‬ﻳﺪ‪ ‬ﺣﺴﺎﻥ‪ ‬ﺑﻦ‪ ‬ﺍﻟﻨﻌﻤﺎﻥ‪ ٬‬ﺍﻟﺬﻱ‪ ‬ﻓﺘﺢ‪ ‬ﻣﺪﻳﻨﺔ‪ ‬ﺗﻮﻧﺲ‬ ‫ﻭﻗﺎﻡ‪ ‬ﻋﺒﻴﺪ‪ ‬ﷲ‪ ‬ﺑﻦ‪ ‬ﺍﻟﺤﺒﺤﺎﺏ‪ ‬ﺑﺈﺗﻤﺎﻡ‪ ‬ﻋﻤﺎﺭﺗﻪ‪ ‬ﻓﻲ‪ 736 ‬ﻣﻴﻼﺩﻳﺔ‪ ‬ﻭﻟﻜﻦ‪ ‬ﺍﻟﻤﻌﻠﻢ‪ ‬ﺑﺸﻜﻠﻪ‪ ‬ﺍﻟﺤﺎﻟﻲ‪ ‬ﻳﻌﻮﺩ‪ ‬ﺑﺎﻟﺘﺤﺪﻳﺪ‪ ‬ﺇﻟﻰ‪ ‬ﺳﻨﺔ‬ ‫‪ 864‬ﻣﻴﻼﺩﻳﺔ‪ .‬ﻓﻲ‪ ‬ﻛﺘﺎﺏ‪ ‬ﺍﻟﺰﻳﺘﻮﻧﺔ‪ ‬ﻗﺮﻭﻥ‪ ‬ﻣﻦ‪ ‬ﺍﻟﻔﻦ‪ ‬ﺍﻟﻤﻌﻤﺎﺭﻱ‪ ‬ﺍﻟﺘﻮﻧﺴﻲ‪ ‬ﻻﺳﺘﺎﺫ‪ ‬ﺍﻟﺤﻀﺎﺭﺓ‪ ‬ﺍﻹﺳﻼﻣﻴﺔ‪ ‬ﻋﺒﺪﺍﻟﻌﺰﻳﺰ‬ ‫ﺍﻟﺪﻭﻻﺗﻲ‪ ‬ﻭﺍﻟﺬﻱ‪ ‬ﻳﻌﺘﺒﺮ‪ ‬ﻣﻦ‪ ‬ﺃﻫﻢ‪ ‬ﺍﻟﻤﺼﺎﺩﺭ‪ ‬ﻭﻳﻘﺪﻡ‪ ‬ﺷﺮﺡ‪ ‬ﻣﺴﺘﻔﻴﺾ‪ ‬ﻭﺗﻔﺎﺻﻴﻞ‪ ‬ﻋﻦ‪ ‬ﺍﻟﻄﺮﺍﺯ‪ ‬ﺍﻟﻤﻌﻤﺎﺭﻱ‪ ‬ﻟﺠﺎﻣﻊ‪ ‬ﺍﻟﺰﻳﺘﻮﻧﺔ‬ ‫ﻭﻓﻴﻪ‪ ‬ﻧﻘﺮﺍء‪ ‬ﺑﺎﻥ‪ ‬ﺃﻫﻢ‪ ‬ﺍﻟﻤﻮﺍﺩ‪ ‬ﺍﻟﺘﻲ‪ ‬ﺷﻴّﺪ‪ ‬ﺑﻬﺎ‪ ‬ﺟﺎﻣﻊ‪ ‬ﺍﻟﺰﻳﺘﻮﻧﺔ‪ ‬ﻫﻲ‪“ ‬ﺍﻟﺤﺠﺎﺭﺓ‪ ٬‬ﺣﻴﺚ‪ ‬ﻛﺎﻧﺖ‪ ‬ﺃﻛﺜﺮ‪ ‬ﺍﻟﻌﻨﺎﺻﺮ‪ ‬ﺍﻟﻤﺴﺘﻌﻤﻠﺔ‪ ‬ﺳﻮﺍء‬ ‫ﻟﺪﻯ‪ ‬ﺗﺸﻴﻴﺪ‪ ‬ﺍﻟﺘﻴﺠﺎﻥ‪ ‬ﻭﺍﻷﻗﻮﺍﺱ‪ ‬ﻭﺍﻷﻋﻤﺪﺓ‪ ٬‬ﺃﺿﻒ‪ ‬ﺇﻟﻴﻬﺎ‪ ‬ﺍﻟﺼﺤﻦ‪ ‬ﺍﻟﺬﻱ‪ ‬ﻛﺎﻥ‪ ‬ﻣﻐﻄﻰ‪ ‬ﺑﺄﻟﻮﺍﺡ‪ ‬ﻣﺮﻣﺮﻳّﺔ‪ ‬ﻛﺒﻴﺮﺓ‪ ‬ﻣﺄﺧﻮﺫﺓ‪ ‬ﻣﻦ‬ ‫ﻣﻌﺎﺑﺪ‪ ‬ﺭﻭﻣﺎﻧﻴﺔ‪ ‬ﺗﻌﻮﺩ‪ ‬ﺇﻟﻰ‪ ‬ﺍﻟﻘﺮﻥ‪ ‬ﺍﻟﺜﺎﻧﻲ‪ ‬ﻗﺒﻞ‪ ‬ﺍﻟﻤﻴﻼﺩ‪..‬ﻭﻛﺬﻟﻚ‪ ‬ﺍﻷﻋﻤﺪﺓ‪ ‬ﺭﻭﻣﺎﻧﻴﺔ‪ ‬ﺍﻷﺻﻞ‪ ٬‬ﻭﺑﻠﻎ‪ ‬ﻋﺪﺩﻫﺎ‪ ‬ﺃﻛﺜﺮ‪ ‬ﻣﻦ‪400 ‬‬ ‫ﻗﻄﻌﺔ‪ ‬ﺭﻭﻣﺎﻧﻴﺔ‪ ‬ﻭﺑﻴﺰﻧﻄﻴﺔ‪ ‬ﻛﻤﺎ‪ ‬ﺗﻮﺟﺪ‪184‬ﻋﻤﻮﺩﺍ‪ ‬ﺑﺘﻴﺠﺎﻥ‪ ‬ﺃﺛﺮﻳﺔ‪ ‬ﺗﻌﻮﺩ‪ ‬ﺇﻟﻰ‪ ‬ﺍﻟﺤﻘﺒﺘﻴﻦ‪ ‬ﺍﻷﻧﺪﻟﺴﻴﺔ‪ ‬ﻭﺍﻟﺤﻔﺼﻴﺔ‪ ٬‬ﻓﻴﻤﺎ‪ ‬ﺑﻨﻴﺖ‬ ‫ﺍﻷﻗﻮﺍﺱ‪ ‬ﺣﺪﻭﻳّﺔ‪ ‬ﺍﻟﺸ ّﻜﻞ‪ ٬‬ﺃﻱ‪ ‬ﻣﺸﺎﺑﻬﺔ‪ ‬ﻟﺤﺪﻭﺓ‪ ‬ﺍﻟﻔﺮﺱ”‪ .‬ﺗﺘﻤﻴّﺰ‪ ‬ﻗﺒّﺔ‪ ‬ﻣﺤﺮﺍﺑﻪ‪ ‬ﺑﺰﺧﺮﻓﺔ‪ ‬ﻛﺎﻣﻞ‪ ‬ﺍﻟﻤﺴﺎﺣﺔ‪ ‬ﺍﻟﻈﺎﻫﺮﺓ‪ ‬ﻓﻲ‬ ‫ﺍﻟﻄﻮﺍﺑﻖ‪ ‬ﺍﻟﺜﻼﺛﺔ‪ ‬ﺑﺰﺧﺎﺭﻑ‪ ‬ﺑﺎﻟﻐﺔ‪ ‬ﻓﻲ‪ ‬ﺍﻟﺪﻗﺔ‪ ‬ﺗﻌﺘﺒﺮ‪ ‬ﺍﻟﻨﻤﻮﺫﺝ‪ ‬ﺍﻟﻔﺮﻳﺪ‪ ‬ﺍﻟﻤﻮﺟﻮﺩ‪ ‬ﻣﻦ‪ ‬ﻧﻮﻋﻪ‪ ‬ﻓﻲ‪ ‬ﺍﻟﻌﻤﺎﺭﺓ‪ ‬ﺍﻹﺳﻼﻣﻴﺔ‪ ‬ﻓﻲ‬ ‫ﻋﺼﻮﺭﻫﺎ‪ ‬ﺍﻷﻭﻟﻰ‪ ‬ﻭﻣﻨﺒﺮﻩ‪ ‬ﺍﻟﺨﺸﺒﻲ‪ ‬ﺍﻟﺬﻱ‪ ‬ﻳﻌﻮﺩ‪ ‬ﺻﻨﻌﻪ‪ ‬ﺇﻟﻰ‪ ‬ﻋﺎﻡ‪ 864 ‬ﻣﻴﻼﺩﻳﺔ‪ ‬ﻭﻫﻮ‪ ‬ﻗﺮﻳﺐ‪ ‬ﺍﻟﺸﺒﻪ‪ ‬ﺑﻤﻨﺒﺮ‪ ‬ﺍﻟﻘﻴﺮﻭﺍﻥ‪ ‬ﺇﺫ‬ ‫ﻳﺤﺘﻮﻱ‪ ‬ﻋﻠﻰ‪ 22 ‬ﺣﺸﻮﺓ‪ ‬ﻣﺴﺘﻄﻴﻠﺔ‪ ‬ﻣﺰﺩﺍﻧﺔ‪ ‬ﺑﺰﺧﺎﺭﻑ‪ ‬ﻫﻨﺪﺳﻴﺔ‪ ‬ﺑﺤﻔﺮ‪ ‬ﻏﺎﺋﺮ‪ ‬ﻣﻔﺮﻍ‪ .‬ﻳﺸﻜﻞ‪ ‬ﺍﻟﻤﺴﺠﺪ‪ ‬ﺍﻟﺠﺎﻣﻊ‪ ‬ﺍﻟﻴﻮﻡ‪ُ ‬ﻣ َﻌﻴﱠﻨﺎ ً‬ ‫‪1/2‬‬

‫‪http://www.sanaanews.net/print.php?id=52571‬‬

‫‪2017-5-24‬‬

‫‪www.sanaanews.net/print.php?id=52571‬‬

‫ﻣﻨﺤﺮﻓﺎً‪ ‬ﻣﺘﻮﺍﺯﻱ‪ ‬ﺍﻟﻀﻠﻌﻴﻦ‪ ‬ﺍﻟﺸﺮﻗﻲ‪ ‬ﻭﺍﻟﻐﺮﺑﻲ‪) ‬ﺃﺑﻌﺎﺩﻩ‪ ‬ﺷﺮﻗﺎً‪65 ‬ﻡ‪ ٬‬ﻏﺮﺑﺎً‪67 ‬ﻡ‪ ٬‬ﺷﻤﺎﻻً‪57 ‬ﻡ‪ ٬‬ﻭﻗﺒﻠﺘﻪ‪61 ‬ﻡ(‪ ‬ﻭﻓﻲ‪ ‬ﺭﻛﻨﻪ‬ ‫ﺍﻟﻐﺮﺑﻲ‪ ‬ﺗﻘﻊ‪ ‬ﻣﺌﺬﻧﺘﻪ‪ ‬ﻭﺍﻟﺬﻱ‪ ‬ﻳﺒﻠﻎ‪ ‬ﺍﺭﺗﻔﺎﻋﻬﺎ‪ 43 ‬ﻣﺘﺮﺍً‪ ‬ﺑﻌﺮﺽ‪9 ‬ﺃﻣﺘﺎﺭ‪ ,‬ﻭﻫﻲ‪ ‬ﻧﻤﻮﺫﺝ‪ ‬ﻣﻦ‪ ‬ﺍﻟﻄﺮﺍﺯ‪ ‬ﺍﻷﻣﻮﻱ‪ ‬ﻣﺮﺑﻌﺔ‪ ‬ﺍﻟﺰﻭﺍﻳﺎ‬ ‫ﻣﺼﻨﻮﻋﺔ‪ ‬ﻣﻦ‪ ‬ﺍﻟﺤﺠﺮ‪ ‬ﺍﻟﺠﻴﺮﻱ‪ ‬ﻋﻠﻰ‪ ‬ﺧﻠﻔﻴﺔ‪ ‬ﺍﻟﺤﺠﺮ‪ ‬ﺍﻟﺮﻣﻠﻲ‪ ‬ﻭﻣﻦ‪ ‬ﺃﺷﻬﺮ‪ ‬ﻧﻤﺎﺫﺟﻬﺎ‪ ‬ﻭﺍﻟﺘﻲ‪ ‬ﻣﺎﺯﺍﻟﺖ‪ ‬ﻗﺎﺋﻤﺔ‪ ‬ﺇﻟﻰ‪ ‬ﺍﻵﻥ‪ ‬ﻭﻫﻲ‬ ‫ﻣﺂﺫﻥ‪ ‬ﺍﻟﺠﺎﻣﻊ‪ ‬ﺍﻷﻣﻮﻱ‪ ‬ﻓﻲ‪ ‬ﺩﻣﺸﻖ‪ ‬ﻭﺍﻟﺨﻴﺮﺍﻟﺪﺍ‪ ‬ﻓﻲ‪ ‬ﺃﺷﺒﻴﻠﻴﺔ‪.‬‬ ‫ﺗﺒﻠﻎ‪ ‬ﻣﺴﺎﺣﺔ‪ ‬ﺟﺎﻣﻊ‪ ‬ﺍﻟﺰﻳﺘﻨﺔ‪ ‬ﺣﻮﺍﻟﻲ‪ 5000 ‬ﻣﺘﺮ‪ ‬ﻣﺮﺑﻊ‪ ٬‬ﻣﻨﻬﺎ‪ 1344 ‬ﻣﺘﺮﺍ‪ ‬ﻣﺮﺑﻌﺎ‪ ‬ﻣﺴﺎﺣﺔ‪ ‬ﻣﻐﻄﺎﺓ‪ ٬‬ﻭﻣﺜﻠﻤﺎ‪ ‬ﺍﺧﺘﻠﻒ‬ ‫ﺍﻟﻤﺆﺭﺧﻮﻥ‪ ‬ﺣﻮﻝ‪ ‬ﺑﺎﻧﻲ‪ ‬ﺍﻟﻤﺴﺠﺪ‪ ‬ﺍﻟﺠﺎﻣﻊ‪ ٬‬ﻓﻘﺪ‪ ‬ﺍﺧﺘﻠﻒ‪ ‬ﺍﻟﺮﻭﺍﺓ‪ ‬ﺣﻮﻝ‪ ‬ﺟﺬﺭ‪ ‬ﺗﺴﻤﻴﺘﻪ‪ ٬‬ﻓﻤﻨﻬﻢ‪ ‬ﻣﻦ‪ ‬ﺫﻛﺮ‪ ‬ﺃﻥ‪ ‬ﺍﻟﻔﺎﺗﺤﻴﻦ‪ ‬ﻭﺟﺪﻭﺍ‬ ‫ﻓﻲ‪ ‬ﻣﻜﺎﻥ‪ ‬ﺍﻟﺠﺎﻣﻊ‪ ‬ﺷﺠﺮﺓ‪ ‬ﺯﻳﺘﻮﻥ‪ ‬ﻣﻨﻔﺮﺩﺓ‪ ‬ﻓﺎﺳﺘﺄﻧﺴﻮﺍ‪ ‬ﺑﻬﺎ‪ ‬ﻭﻗﺎﻟﻮﺍ‪ : ‬ﺃﻧﻬﺎ‪ ‬ﻟﺘﺆﻧﺲ‪ ‬ﻫﺬﻩ‪ ‬ﺍﻟﺨﻀﺮﺍء‪ ‬ﻭﺃﻁﻠﻘﻮﺍ‪ ‬ﻋﻠﻰ‪ ‬ﺍﻟﺠﺎﻣﻊ‬ ‫ﺍﻟﺬﻱ‪ ‬ﺑﻨﻮﻩ‪ ‬ﻫﻨﺎﻙ‪ ‬ﺍﺳﻢ‪ ‬ﺟﺎﻣﻊ‪ ‬ﺍﻟﺰﻳﺘﻮﻧﺔ‪ .‬ﻛﻨﺖ‪ ‬ﺍﺗﺤﺪﺙ‪ ‬ﻣﻊ‪ ‬ﺑﻌﺾ‪ ‬ﺍﻷﺧﻮﺓ‪ ‬ﺍﻟﺘﻮﻧﺴﻴﻴﻦ‪ ‬ﻭﻛﺎﻧﻮﺍ‪ ‬ﻳﺴﺘﺨﺪﻣﻮﻥ‪ ‬ﺍﻟﻤﻔﺮﺩﺍﺕ‬ ‫ﺍﻟﻔﺮﻧﺴﻴﺔ‪ ‬ﺃﻛﺜﺮ‪ ‬ﻣﻦ‪ ‬ﺍﻟﻤﻔﺮﺩﺍﺕ‪ ‬ﺍﻟﻌﺮﺑﻴﺔ‪ ‬ﻭﺑﻌﺾ‪ ‬ﺍﻷ‪ ‬ﺣﻴﺎﻥ‪ ‬ﻳﻨﻘﻄﻊ‪ ‬ﺍﻟﺘﻮﺍﺻﻞ‪ ‬ﻣﻌﻬﻢ‪ ‬ﻭﻳﺪﺏ‪ ‬ﺍﻟﺼﻤﺖ‪ ‬ﺑﻴﻨﻨﺎ‪ ‬ﻭﻫﻲ‪ ‬ﻧﺘﻴﺠﺔ‬ ‫ﺍﻧﺘﺸﺎﺭ‪ ‬ﻣﺮﺍﻛﺰ‪ ‬ﺗﻌﻠﻴﻢ‪ ‬ﺍﻟﻠﻐﺔ‪ ‬ﺍﻟﻔﺮﻧﺴﻴﺔ‪ ‬ﻭﻓﻲ‪ ‬ﺍﻟﻤﻨﺎﻫﺞ‪ ‬ﺍﻟﺘﻌﻠﻴﻤﻴﺔ‪ ‬ﻓﻲ‪ ‬ﺍﻟﻤﺪﺍﺭﺳﺔ‪ ‬ﻭﺍﻟﻤﻌﺎﻫﺪ‪ ‬ﻭﺍﻟﺠﺎﻣﻌﺎﺕ‪ ‬ﻭﻛﺬﻟﻚ‪ ‬ﻭﺳﺎﺋﻞ‬ ‫ﺍﻹﻋﻼﻡ‪ ,‬ﺍﺟﺎﺩﺓ‪ ‬ﺍﻟﻠﻐﺎﺕ‪ ‬ﺗﻌﺘﺒﺮ‪ ‬ﺟﺴﺮ‪ ‬ﺗﻮﺍﺻﻞ‪ ‬ﻭﺍﻛﺘﺴﺎﺏ‪ ‬ﺛﻘﺎﻓﺔ‪ ‬ﻭﺍﺳﻌﺔ‪ ‬ﺗﻤﻜﻨﻨﺎ‪ ‬ﻣﻦ‪ ‬ﺗﻮﺳﻴﻊ‪ ‬ﻣﻌﺎﺭﻓﻨﺎ‪ ‬ﻭﻓﻬﻤﻨﺎ‪ ‬ﻟﺤﻀﺎﺭﺓ‬ ‫ﺍﻟﺸﻌﻮﺏ‪ ‬ﻭﻟﻜﻦ‪ ‬ﻫﺬﺍ‪ ‬ﻻﻳﻌﻨﻲ‪ ‬ﺗﺠﺎﻫﻞ‪ ‬ﺍﻟﻠﻐﺔ‪ ‬ﺍﻟﻌﺮﺑﻴﺔ‪ ,‬ﻓﻲ‪ ‬ﺍﻟﻔﺘﺮﺍﺕ‪ ‬ﺍﻟﺼﻌﺒﺔ‪ ‬ﻣﻦ‪ ‬ﺗﺎﺭﻳﺦ‪ ‬ﺗﻮﻧﺲ‪ ‬ﻛﺎﻥ‪ ‬ﻟﺠﺎﻣﻊ‪ ‬ﺍﻟﺰﻳﺘﻮﻧﺔ‪ ‬ﺩﻭﺭﺍ‬ ‫ﻫﺎﻣﺎ‪ ‬ﻓﻲ‪ ‬ﺍﻟﺤﻔﺎﻅ‪ ‬ﻭﺍﻟﺪﻓﺎﻉ‪ ‬ﻋﻦ‪ ‬ﺍﻟﻠﻐﺔ‪ ‬ﺍﻟﻌﺮﺑﻴﺔ‪ ‬ﻭﺧﺎﺻﺔ‪ ‬ﺑﻌﺪ‪ ‬ﺍﻧﺘﺸﺎﺭ‪ ‬ﺍﻟﻠﻐﺔ‪ ‬ﻭﺍﻟﺜﻘﺎﻓﺔ‪ ‬ﺍﻟﻔﺮﻧﺴﻴﺔ‪ ‬ﺑﻌﺪ‪ ‬ﺗﻮﻗﻴﻊ‪ ‬ﻣﻌﺎﻫﺪﺓ‪ ‬ﺑﺎﺭﺩﻭ‪ ‬ﺃﻭ‬ ‫ﻣﻌﺎﻫﺪﺓ‪ ‬ﻗﺼﺮ‪ ‬ﺍﻟﺴﻌﻴﺪ‪ ‬ﻓﻲ‪ 12 ‬ﻣﺎﻳﻮ‪ 1881 ‬ﺑﻴﻦ‪ ‬ﻓﺮﻧﺴﺎ‪ ‬ﻭﺑﺎﻱ‪ ‬ﺗﻮﻧﺲ‪ ‬ﻣﺤﻤﺪ‪ ‬ﺍﻟﺼﺎﺩﻕ‪ ‬ﺑﺎﻱ‪ ‬ﻭﺷﻜﻠﺖ‪ ‬ﺑﺪﺍﻳﺔ‪ ‬ﺍﻻﺳﺘﻌﻤﺎﺭ‬ ‫ﺍﻟﻔﺮﻧﺴﻲ‪ ‬ﻟﺘﻮﻧﺲ‪,‬ﻣﻤﺎ‪ ‬ﺟﻌﻞ‪ ‬ﺍﻟﺤﺎﻛﻢ‪ ‬ﺍﻟﻔﺮﻧﺴﻲ‪ ‬ﻟﺘﻮﻧﺲ‪ ‬ﻳﻘﻮﻝ‪ :‬ﻋﻨﺪﻣﺎ‪ ‬ﻗﺪﻣﺖ‪ ‬ﺍﻟﻲ‪ ‬ﺗﻮﻧﺲ‪ ‬ﻭﺟﺪﺕ‪ ‬ﺃﻛﺜﺮ‪ ‬ﻣﻦ‪ ‬ﻋﺸﺮﻳﻦ‪ ‬ﺃﻟﻒ‬ ‫ﻣﺪﺍﻓﻊ‪ ‬ﻭﻫﻮ‪ ‬ﻳﻘﺼﺪ‪ ‬ﻁﻼﺏ‪ ‬ﺍﻟﻌﻠﻢ‪ ‬ﻓﻲ‪ ‬ﺟﺎﻣﻊ‪ ‬ﺍﻟﺰﻳﺘﻮﻧﺔ‪,‬ﺗﻢ‪ ‬ﺍﻟﻐﺎء‪ ‬ﻫﺬﻩ‪ ‬ﺍﻟﻤﻌﺎﻫﺪﺓ‪ ‬ﺑﻌﺪ‪ ‬ﻧﻴﻞ‪ ‬ﺗﻮﻧﺲ‪ ‬ﻻﺳﺘﻘﻼﻟﻬﺎ‪ ‬ﻓﻲ‪ 20 ‬ﻣﺎﺭﺱ‬ ‫‪ .1956‬ﺟﺎﻣﻊ‪ ‬ﺍﻟﺰﻳﺘﻮﻧﺔ‪ ‬ﺃﺑﺮﺯ‪ ‬ﺍﻟﻤﻌﺎﻟﻢ‪ ‬ﺍﻟﺪﻳﻨﻴﺔ‪ ‬ﻭﺍﻟﻌﻠﻤﻴﺔ‪ ‬ﻭﺍﻟﻤﻌﻤﺎﺭﻳﺔ‪ ‬ﻓﻲ‪ ‬ﺗﻮﻧﺲ‪ ‬ﻣﺎﺯﺍﻝ‪ ‬ﺻﺎﻣﺪﺍ‪ ‬ﻳﺆﺩﻱ‪ ‬ﺩﻭﺭﻩ‪ ‬ﺍﻟﺮﻳﺎﺩﻱ‪ ‬ﻓﻲ‬ ‫ﻧﺸﺮﺍﻟﻌﻠﻢ‪ ‬ﻭﺍﻟﻤﻌﺮﻓﺔ‪ ‬ﻓﻲ‪ ‬ﻋﺎﻟﻢ‪ ‬ﻳﺸﻬﺪ‪ ‬ﺗﺤﻮﻻﺕ‪ ‬ﺳﺮﻳﻌﺔ‪ ‬ﻭﺗﺤﺖ‪ ‬ﻅﻼﻝ‪ ‬ﺍﻟﻌﻮﻟﻤﺔ‪ ‬ﻭﺍﻟﺘﻲ‪ ‬ﻣﻬﺪﺕ‪ ‬ﺍﻟﻄﺮﻳﻖ‪ ‬ﻻﻧﺘﺸﺎﺭ‪ ‬ﺛﻮﺭﺓ‬ ‫ﺍﻟﻤﻌﻠﻮﻣﺎﺕ‪ ‬ﻭﺍﻻﺗﺼﺎﻻﺕ‪ ‬ﺍﻟﺤﺪﻳﺜﺔ‪ ‬ﻭﻫﺬﺍ‪ ‬ﻣﺎﻳﺤﺘﻢ‪ ‬ﻋﻠﻰ‪ ‬ﺟﺎﻣﻊ‪ ‬ﺍﻟﺰﻳﺘﻮﻧﺔ‪ ‬ﻣﻮﺍﻛﺒﺘﻬﺎ‪.‬‬ ‫ﺗﻤﺖ‪ ‬ﻁﺒﺎﻋﺔ‪ ‬ﺍﻟﺨﺒﺮ‪ ‬ﻓﻲ‪ :‬ﺍﻷﺭﺑﻌﺎء‪­24 ,‬ﻣﺎﻳﻮ­‪ 2017‬ﺍﻟﺴﺎﻋﺔ‪ 08:10 :‬ﺹ‪ ‬‬ ‫ﻳﻤﻜﻨﻚ‪ ‬ﺍﻟﻮﺻﻮﻝ‪ ‬ﺇﻟﻰ‪ ‬ﺍﻟﺼﻔﺤﺔ‪ ‬ﺍﻷﺻﻠﻴﺔ‪ ‬ﻋﺒﺮ‪ ‬ﺍﻟﺮﺍﺑﻂ‪http://www.sanaanews.net/news­52571.htm :‬‬

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