الأندلس, مهد الفن المعماري المُدَجَّن, كتب عبداله ناصر بجنف, صنعاء نيوز

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‫ﺍﻷﻧﺩﻟﺱ‪ ,‬ﻣﻬﺩ‪ ‬ﺍﻟﻔﻥ‪ ‬ﺍﻟﻣﻌﻣﺎﺭﻱ‪ ‬ﺍﻟ ُﻣﺩَ ﱠﺟﻥ‬ ‫ﺍﻟﺜﻼﺛﺎء‪­28 ,‬ﻓﺒﺮﺍﻳﺮ­‪2017‬‬

‫ﺻﻨﻌﺎء‪ ‬ﻧﻴﻮﺯ‪ /‬ﻛﺘﺐ‪/ ‬ﻋﺒﺪﷲ‪ ‬ﻧﺎﺻﺮ‪ ‬ﺑﺠﻨﻒ‪ ­ ‬‬ ‫ﺑﺮﺝ‪ ‬ﺳﺎﻥ‪ ‬ﻣﺎﺭﺗﻴﻦ‪ . ‬ﺗﻴﺮﻭﺍﻝ‪.‬ﺇﺳﺒﺎﻧﻴﺎ‪.‬ﻣﻦ‪ ‬ﺍﻟﻄﺮﺍﺯ‪ ‬ﺍﻟﻤﻌﻤﺎﺭﻱ‪ ‬ﺍﻟ ُﻤ َﺪﺟﱠﻦ‪ , ‬ﺗﺼﻮﻳﺮ‪ ‬ﻋﺒﺪﷲ‪ ‬ﻧﺎﺻﺮ‪ ‬ﺑﺠﻨﻒ‬ ‫‪ ‬‬ ‫‪ ‬‬ ‫‪ ‬‬ ‫ﺍﻟﻔﻦ‪ ‬ﺍﻟﻤﻌﻤﺎﺭﻱ‪ ‬ﺍﻟ ُﻤ َﺪﺟﱠﻦ‪ (Mudéjar) ‬ﻅﻬﺮ‪ ‬ﻓﻲ‪ ‬ﻓﻲ‪ ‬ﺇﺳﺒﺎﻧﻴﺎ‪ ‬ﺍﻟﻘﺮﻥ‪ ‬ﺍﻟﺜﺎﻧﻲ‪ ‬ﻋﺸﺮ‪ ‬ﻭﺍﻣﺘﺪ‪ ‬ﺍﻟﻰ‪ ‬ﺍﻟﻘﺮﻥ‪ ‬ﺍﻟﺴﺎﺩﺱ‪ ‬ﻋﺸﺮ‬ ‫ﻣﻴﻼﺩﻱ‪ ‬ﻭﻫﻲ‪ ‬ﻳﻨﺘﺎﺝ‪ ‬ﻋﻦ‪ ‬ﺍﻣﺘﺰﺍﺝ‪ ‬ﺍﻟﻔﻦ‪ ‬ﺍﻹﺳﻼﻣﻲ‪­ ‬ﺍﻹﺳﺒﺎﻧﻲ‪ ‬ﻭﻫﻲ‪ ‬ﺧﺎﺻﻴﺔ‪ ‬ﻣﻤﻴﺰﺓ‪ ‬ﻅﻬﺮﺕ‪ ‬ﻓﻲ‪ ‬ﻫﺬﺍ‪ ‬ﺍﻟﺒﻠﺪ‪ ‬ﻭﺍﺗﺨﺬﺕ‬ ‫ﺍﺷﻜﺎﻝ‪ ‬ﻭﺃﺻﻨﺎﻑ‪ ‬ﻣﺘﻨﻮﻋﺔ‪ ‬ﻣﻨﻬﺎ‪ ‬ﺍﻟﻔﻦ‪ ‬ﺍﻟ ُﻤ َﺪﺟﱠﻦ‪ ‬ﺍﻟﺮﻭﻣﺎﻧﺴﻜﻲ‪ ‬ﻭﺍﻟ ُﻤ َﺪﺟﱠﻦ‪ ‬ﺍﻟﻘﻮﻁﻲ‪ , ‬ﺑﻌﺪ‪ ‬ﻓﺘﺮﺓ‪ ‬ﺍﻧﻘﻄﺎﻉ‪ ‬ﺍﺳﺘﻤﺮ‪ ‬ﻷﻛﺜﺮ‪ ‬ﻣﻦ‬ ‫ﺃﺭﺑﻌﺔ‪ ‬ﻗﺮﻭﻥ‪ ‬ﻅﻬﺮ‪ ‬ﺍﻟﻔﻦ‪ ‬ﺍﻟ ُﻤ َﺪﺟﱠﻦ‪ ‬ﺍﻟﺠﺪﻳﺪ‪ (Neomudéjar.) ‬ﻓﻲ‪ ‬ﻧﻬﺎﻳﺔ‪ ‬ﺍﻟﻘﺮﻥ‪ ‬ﺍﻟﺘﺎﺳﻊ‪ ‬ﻋﺸﺮ‪ ‬ﻭﺑﺪﺍﻳﺔ‪ ‬ﺍﻟﻘﺮﻥ‪ ‬ﺍﻟﻌﺸﺮﻳﻦ‬ ‫ﺍﻟﻤﻴﻼﺩﻱ‪ ‬ﻭﺗﻢ‪ ‬ﺗﺸﻴﻴﺪ‪ ‬ﺑﻌﺾ‪ ‬ﺍﻟﻤﺒﺎﻧﻲ‪ ‬ﻭﺳﺎﺣﺎﺕ‪ ‬ﻣﺼﺎﺭﻋﺔ‪ ‬ﺍﻟﺜﻴﺮﺍﻥ‪ ‬ﻭﺍﻷﺳﻮﺍﻕ‪ ‬ﻭﻣﺤﻄﺎﺕ‪ ‬ﺍﻟﻘﻄﺎﺭ‪ ,‬ﻣﻦ‪ ‬ﺃﺑﺮﺯﻫﺎ‪ ‬ﺳﺎﺣﺔ‬ ‫ﻣﺼﺎﺭﻋﺔ‪ ‬ﺍﻟﺜﻴﺮﺍﻥ‪ ‬ﻓﻲ‪ ‬ﻣﺪﺭﻳﺪ‪ ‬ﻭﻣﺒﻨﻰ‪ ‬ﺍﻟﺒﻴﺖ‪ ‬ﺍﻟﻌﺮﺑﻲ‪ ‬ﻓﻲ‪ ‬ﻣﺪﺭﻳﺪ‪,‬ﺍﺷﺘﻬﺮ‪ ‬ﻫﺬﺍ‪ ‬ﺍﻟﻄﺮﺍﺯ‪ ‬ﺑﺼﻮﺭﺓ‪ ‬ﺧﺎﺻﺔ‪ ‬ﻓﻲ‪ ‬ﺍﻟﻌﻤﺎﺭﺓ‪ ‬ﻭﺗﻢ‬ ‫ﺗﻄﺒﻴﻘﻬﺎ‪ ‬ﻓﻲ‪ ‬ﺍﻟﻤﺒﺎﻧﻲ‪ ‬ﺍﻟﻤﺴﻴﺤﻴﺔ‪ ‬ﺑﻄﺎﺑﻊ‪ ‬ﻓﻦ‪ ‬ﺍﻟﻌﻤﺎﺭﺓ‪ ‬ﺍﻹﺳﻼﻣﻲ‪ ‬ﺍﻹﺳﺒﺎﻧﻲ‪ ‬ﻧﺘﻴﺠﺔ‪ ‬ﺗﺄﺛﺮﻫﺎ‪ ‬ﺑﺘﻘﺎﻟﻴﺪ‪ ‬ﺍﻟﻌﻤﺎﺭﺓ‪ ‬ﻓﻲ‪ ‬ﺍﻷﻧﺪﻟﺲ‪ ‬ﻭﻫﻲ‬ ‫ﻅﺎﻫﺮﺓ‪ ‬ﻣﺤﻠﻴﺔ‪ ‬ﻧﺸﺄﺕ‪ ‬ﻭﺗﻄﻮﺭﺕ‪ ‬ﻓﻲ‪ ‬ﺇﺳﺒﺎﻧﻴﺎ‪ ‬ﺣﻴﺚ‪ ‬ﺩﺧﻠﺖ‪ ‬ﻋﻨﺎﺻﺮ‪ ‬ﺟﺪﻳﺪﺓ‪ ‬ﻓﻲ‪ ‬ﺍﻟﺒﻨﻴﺔ‪ ‬ﺍﻟﻤﻌﻤﺎﺭﻳﺔ‪ ‬ﻭﺍﻟﺘﺠﻤﻴﻠﻴﺔ‪ ‬ﻋﻠﻰ‪ ‬ﺷﻜﻞ‬ ‫ﻗﻮﺱ‪ ‬ﺣﺪﻭﺓ‪ ‬ﺣﺼﺎﻥ‪ ‬ﻭﺍﻻﻋﻤﺎﻝ‪ ‬ﺍﻟﺤﺮﻓﻴﺔ‪ ‬ﻋﻠﻰ‪ ‬ﺍﻟﺨﺸﺐ‪ ‬ﺍﻟﻤﺰﻳّﻦ‪ ‬ﺑﺄﻟﻮﺍﻥ‪ ‬ﻣﺘﻨﻮﻋﺔ‪ ‬ﻭﺍﻟﺤﺠﺎﺭﺓ‪ ‬ﻭﻋﻨﺎﺻﺮﺃﺧﺮﻯ‪ ‬ﻳﺘﻢ‪ ‬ﻭﺿﻌﻬﺎ‬ ‫ﻋﻠﻰ‪ ‬ﺃ ْﺳﻘُ ٌ‬ ‫ﻒ‪ ‬ﺍﻟﻤﺒﺎﻧﻲ‪, ‬ﺍﻟﻔﻦ‪ ‬ﺍﻟ ُﻤ َﺪﺟﱠﻦ‪ ‬ﻳﺴﺘﺨﺪﻡ‪ ‬ﻣﻮﺍﺩ‪ ‬ﺍﻟﺒﻨﺎء‪ ‬ﻣﻦ‪ ‬ﺍﻟﺠﺺ‪ ,‬ﺍﻟﻄﻮﺏ‪ ‬ﺍﻷﺣﻤﺮ‪ ‬ﺍﻟﻌﺎﺩﻱ‪ ‬ﻭﺍﻟﺰﻟﻴﺞ‪) ‬ﻋﺒﺎﺭﺓ‪ ‬ﻋﻦ‬ ‫ﺃﺣﺠﺎﺭ‪ ‬ﺻﻐﻴﺮﺓ‪ ‬ﻣﻦ‪ ‬ﻓﺴﻴﻔﺴﺎء(‪ ‬ﻭﺃﺧﺸﺎﺏ‪ ‬ﻣﺘﻨﻮﻋﺔ‪ .‬‬ ‫ﺍﻷﺳﺘﺎﺫ‪ ‬ﺍﻟﺪﻛﺘﻮﺭ‪ ‬ﺍﻹﺳﺒﺎﻧﻲ‪ ‬ﻏﻮﻧﺴﺎﻟﻮ‪ ‬ﺑﻮﺭﺭﺍﺱ‪ ‬ﺃﺣﺪ‪ ‬ﺃﺑﺮﺯ‪ ‬ﺍﻟﺒﺎﺣﺜﻴﻦ‪ ‬ﺍﻹﺳﺒﺎﻥ‪ ‬ﻓﻲ‪ ‬ﺍﻟﺜﺮﺍﺙ‪ ‬ﺍﻟﻌﺮﺑﻲ‪ ‬ﺍﻹﺳﻼﻣﻲ‪ ‬ﻭﺧﺎﺻﺔ‬ ‫ّ‬ ‫ﺍﻟﻄﺮﺍﺯ‪ ‬ﺍﻟﻤﻌﻤﺎﺭﻱ‪ ‬ﺍﻟﻤﺴﻤﻰ‪ ‬ﺍﻟﻔﻦ‪ ‬ﺍﻟ ُﻤ َﺪﺟﱠﻦ‪ Arte Mudéjar ‬ﺑﺎﻻﺳﺒﺎﻧﻲ‪, ‬ﻫﻮ‪ ‬ﺗﻌﺒﻴﺮ‪ ‬ﻳﺮﻣﺰ‪ ‬ﺇﻟﻰ‪ ‬ﺍﻟﻤﺴﻠﻢ‪ ‬ﺍﻷﻧﺪﻟﺴﻲ‪ ‬ﺍﻟﺬﻱ‬ ‫ﺑﻘﻲ‪ ‬ﻓﻲ‪ ‬ﺑﻼﺩ‪ ‬ﺍﻷﻧﺪﻟﺲ‪ ‬ﺑﻌﺪ‪ ‬ﻫﻴﻤﻨﺔ‪ ‬ﺍﻟﻤﻠﻮﻙ‪ ‬ﺍﻟﻜﺎﺛﻮﻟﻴﻚ‪ ‬ﻋﻠﻴﻬﺎ‪ ٬‬ﻭﻳﻄﻠﻖ‪ ‬ﺃﻳﻀﺎ‪ ‬ﻋﻠﻰ‪ ‬ﺃﺳﻠﻮﺏ‪ ‬ﻫﺆﻻء‪ ‬ﺍﻟﻤﺴﻠﻤﻴﻦ‪ ‬ﻓﻲ‪ ‬ﺍﻟﻔﻦ‬ ‫ﺍﻟﻤﻌﻤﺎﺭﻱ‪ ‬ﻭﺍﻟﺰﺧﺮﻓﻲ‪ ‬ﻅﻬﺮ‪ ‬ﻓﻲ‪ ‬ﺍﻟﻘﺮﻥ‪ ‬ﺍﻟﺜﺎﻧﻲ‪ ‬ﻋﺸﺮ‪ ‬ﻭﺍﻣﺘﺪ‪ ‬ﺍﻟﻰ‪ ‬ﺍﻟﻘﺮﻥ‪ ‬ﺍﻟﺴﺎﺩﺱ‪ ‬ﻋﺸﺮ‪ ‬ﻣﻴﻼﺩﻱ‪, ‬ﻏﻮﻧﺴﺎﻟﻮ‪ ‬ﻟﻪ‪ ‬ﺍﻟﻌﺪﻳﺪ‪ ‬ﻣﻦ‬ ‫ﺍﻟﻤﺆﻟﻔﺎﺕ‪ ‬ﻓﻲ‪ ‬ﻫﺬﺍ‪ ‬ﺍﻟﻤﺠﺎﻝ‪ ‬ﻭﺍﻟﺬﻱ‪ ‬ﺗﻬﺪﻑ‪ ‬ﺍﻟﻰ‪ ‬ﺇﻅﻬﺎﺭ‪ ‬ﺍﻟﻜﻨﻮﺯ‪ ‬ﺍﻟﺜﻤﻴﻨﺔ‪ ‬ﺍﻟﺘﻲ‪ ‬ﺧﻠﻔﻬﺎ‪ ‬ﺍﻟﻌﺮﺏ‪ ‬ﻓﻲ‪ ‬ﺍﻷﻧﺪﻟﺲ‪ ‬ﻭﻫﻲ‪ ‬ﻣﺤﻞ‬ ‫ﺩﺭﺍﺳﺎﺕ‪ ‬ﻭﺃﺑﺤﺎﺙ‪ ‬ﻣﺴﺘﻤﺮﺓ‪ ‬ﺍﻟﻰ‪ ‬ﻳﻮﻣﻨﺎ‪ ‬ﻫﺬﺍ‪ ,‬ﻛﺎﻥ‪ ‬ﻳﺮﺩﺩ‪ ‬ﺑﺎﻧﻨﺎ‪ ‬ﻧﺠﻬﻞ‪ ‬ﺍﻟﻜﺜﻴﺮ‪ ‬ﻋﻦ‪ ‬ﻫﺬﺍ‪ ‬ﺍﻹﺭﺙ‪ ‬ﺍﻟﻔﻨﻲ‪ ‬ﻭﺍﻟﻤﻌﻤﺎﺭﻱ‪ ‬ﻭﺍﻟﺜﻘﺎﻓﻲ‬ ‫ﻭﺍﻟﻠﻐﻮﻱ‪ ‬ﺣﻴﺚ‪ ‬ﻣﺎﺯﺍﻟﺖ‪ ‬ﺃﻏﻠﺒﻬﺎ‪ ‬ﻣﺪﻓﻮﻧﺔ‪ ‬ﻓﻲ‪ ‬ﺍﻟﺒﺎﻁﻦ‪ ‬ﻭﻟﻴﺲ‪ ‬ﻣﻦ‪ ‬ﺍﻟﺴﻬﻞ‪ ‬ﻁﻤﺲ‪ ‬ﻭﺟﻮﺩ‪ ‬ﺃﺳﺘﻤﺮ‪ ‬ﻻﻛﺜـﺮ‪ ‬ﻣﻦ‪ 781‬ﻋﺎﻣﺎً‪ ‬ﻓﻲ‬ ‫‪1/2‬‬

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الأندلس, مهد الفن المعماري المُدَجَّن, كتب عبداله ناصر بجنف, صنعاء نيوز by Abdullah Nasser Bagnaf - Issuu