Abby Joy Winter - Lehigh Undergraduate Portfolio

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Abby Joy Winter Undergraduate Portfo f lio 2014



Abby Joy Winter 133 Cider Press Dr. Mullica Hill, NJ 08062 ajw215@lehigh.edu (856) 340-0421


Large Graphite Self Portrait Drawing I - Spring 2012 40” x 32”


hank you to Lehigh University, the department of Art, Architecture and Design Professors and Faculty, my friends, and especially my family, for supporting me throughout my undergraduate education and for encouraging me to pursue my love of architcetural design. his portfolio would have not been the same without all of you.


Yale Library New Haven, CT Photo by Abby Joy Winter 2014


Lehigh University Undergraduate Portfolio Form and Movement Unitary Modulation Connected Movement Undulating Flow

Architectural Designs 2D Extrusion San Francisco Row Home One Room School House Urban Infill River Front Museum Site Guggenheim Helsinki

Other Projects Graphite Drawings Sculptures Wooden Bench Illuminated Object



Form and Movement

“Design is not making beauty, beauty emerges

----- Louis Kahn


Unitary Modulation in collaboration with Toby Nicastro

Summer Studio 2014 . Professor Jung

In this project our inspiration came from a pattern we found on a piece of leather. We used that pattern as a springboard into our overall flow of the composition. After we established the composition, we created a unit that would represent our flow in the best way.

Pattern on leather

Compositional Diagram

Made two streams of small elements on both sides with a stream of big elements in the center

Made all elements into quadrilaterals

Connected lines to form this wavy pattern made up of parallelograms


The Movement The composition that we came up with called for an element that could be manipulated in height as well as in width. We also wanted an element that represented the recurring “V� shape in our compositional diagram.

Creating the element

folded piece in half

cut corner off at 25 degree angle folded and placed upright on legs to create unit

placed side by side


Variations of the Element

The only thing that is the same about each element is that they sit on the same 25 degree angle

This shows the concentration of similar units based on leg span. The red are the units with the larger leg distance.

The units are varied in width, height as well as the span between the two legs of a single unit. These variations are the reason for the undulating flow in the composition

unit height

unit width

This shows the peaks and valleys of the composition based on unit height variation. The blue are the taller units. leg span


FINAL MODEL bristol paper and glue 12” x 14”



Close up of movement



Connected Movement Summer Studio . Summer 2014 . Professor Jung

This project was used to explore the relationship between an individual element and the overall movement of the composition. Through manipulating the basic element size and varying the distance and connection between each element, a specific sense of movement was achieved, both laterally and vertically.

Initial Design Stage

Scored

Evolution of element array types

Same size cubes Fold up

Connect ends

The cube gets larger every horizontal row

Connect more ends to create cube

Cubes get larger on a diagonal


Evolution of Compositional Movement Diagonal “V� pattern

Moved center line down

Added unit variation

Variations

in cubes size

Connections added

in the triangular hole opening size


FINAL MODEL paper and glue 28”x26”


Verticality of Composition

Variation in unit and spacing

FINAL MODEL


Model Flipped Upside Down

Model in original position The cube is convex

Model flipped upsdie down

The cube is now concave

Cube forms are still present when the model is flipped, forming an


Undulating Flow Summer 2014 Studio . Professor Hyun-Tae Jung

This project started out with a single 3D element. The units were then connected, using brass fasteners, to create a composition with depth and movement. The fasteners were construction elements as well as design elements. The final piece has movement throughout the composition because of the gradual element changes.

Different Approach

Initial shape

Added space in between triangles to make the element more sturdy, and added tabs to the ends of the triangles for connection purposes

Multiplied shape

Scored fold lines

In the initial element, the connections between the diamonds were too fragile

Initial basic element


Final 3D element

Connected end tabs

Pushed triangles and tabs down

Connection

Used brass fasteners to attach the elements together. The head of the fastener is visible on the top of the grid as well as the bottom.


Final F


Various sizes within the grid composition

Once connected, forces pull the elements to create compositional movement

Close up of swelling

Final Model aerial view Bristol paper and brass fasteners 56� x 36� x 3�



This elemental array has two pockets of the largest unit and one pocket of the smallest unit. Units get gradually bigger and smaller to connect these pockets.



Architectural Design

“All architecture is shelter, all great architecture is the design of space that contains, cuddles, exalts, or stimulates the persons in that space.� ----- Philip Johnson


2D Extrusion Project Architecture Studio I . Spring 2012 . Professor Viscardi At the beginning of this design process, we created a 2D composition from lines and rectangles. Then, we had to extrude these lines to create planes and solid forms. Through this extrusion I was able to make my 3D element.

2D into 3D through line and plane extrusion Space blocking with white space over black background

Thinner lines added to fill in space

Cut out overlapping parts. This created more forms to extrude


Multiple Element Arrangement This unit makes a square in plan and a cube in 3D form


San Francisco Row Home The second part of this project allowed us to pick a program for our 3D element. Putting the 3D elements on an incline reminded me of row homes in San Francisco so this became my program

3D element changed to 3D masses

A single row home with a front porch, stairs down to the sidewalk and windows


One single row home 8”x7”x6”

Bright color schemes are very popular in San Francisco and they distinquish one family’s row home from another The average street slope in San Francisco is about 17 degrees

FINAL PROJECT Chipboard 20”x10”9”



One Room School House Architecture Studio III . Spring 2014 . Professor Jung

The Psychology Department needs a one-room school house to conduct experiments with younger children. The department is located in Chandler-Ullmann, which is right next to the site location. The purpose of the building is to make it fun for the children, yet functional and in close proximity for the researchers. Design Process

Drew diagonal lines to create diamonds

This past winter was the 6th th snowiest sno winter in Bethlehem, PA since 1922.. By February, we had nches of snow. The many already accumulated 57 inches snowstorms and the snowflake ake became the inspiration ake and igloo-like form. The behind the crystal snowflake initial pointed elementss resemb resemble a snowflake and the overall shape represents an ingloo-like form.

Cut out a three diamond shape from dotted lines

Scored diagonals along the bottom. Straight lines are convex folds and dotted lines are concave folds

Connected edges to make element even more 3D

3D triangular element

Made another similar element and overlapped the two

Kept overlapping and connecting more crystal-like elements together until it created a single igloo-like mass


Site Analysis

Fritz Lab

Site Parking ChandlerUllmann

The site of the building is located on a hill behind Chandler-Ullmann. The assignment required the building to be one level and propped up on a stilt structure. The structure I chose was a deck feature in the back of the building.

Site Plan

Outside Area Used as play space for children as well as an eating area Placed a smaller triangle of the same proportion inside each triangle. This created definition by outlining each individual triangle.

Also placed an opaque triangle inside of the windows. This creates an outline of a triangle when light shines through.

Inside Area Used as a multipurpose classroom with bathrooms and closet for storage of school and personal items


Circulation

Outdoor Area / Patio

This one room floor plan allows for easy circulation inside the building. It allows direct access to the bathrooms and closet. The open space also allows the educator to rearrange the room for a different educational atmosphere. The only way to exit the building from the patio is to go back in through the school house. This ensures that no child escapes during play time. Also, it forces students to go through the building so that they do not forget their belongings inside.

Classroom Area

Closet

Girls Boys

Enter

Floor Plan and Circulation

Section Cut


FINAL MODEL at night with lights


FINAL MODEL aerial view


FINAL MODEL with snow covered site Size: 21” x 20” Scale: 1” = 3’


Front View

Side View

Use of Color Since the focus of this schoolhouse was young children, I decided to incorporate some color into the design. The entrance,shown above,is mostly blue to be exciting and inviting to the children who are coming to school. The blue is also used as the patio color,signifying that this outdoor space is the play area.

Side View

The windows also have an interior blue triangle to bring the whole building together. This interior blue triangle also allows for light to pass through and form an outline of a triangle.

Back View


Urban Infill in South Bethlehem Architecture Studio III . Spring 2014 . Professor Jung

Building in an urban context proves to be a challenge for designers. They are confined to a space that the surrounding buildings create. The designer must take the foot print they are given and build upwards. Instead of designing volumes and form for this project, we focused on designing the outer skin and interior space as well as interior circulation.

E Gra h am P l.

A d am s S t r e e t

New Street S u b w ay

Fu n House

A le x and ir a’s B o o s t m o b ile B is t r o

N aw ab

E 4th Street

Site Dimension Analysis

Before

50’ 34’ 40’

After

30’ S U B WAY

FUN HOUSE

Alexandria’s Bistro

S it e S t re e t

70’


Analysis of Site and Surrounding Area Programs in the Area

South Bethlehem is very popular for their night life bar scene as well as their many small, family owned restaurants. These restaurants are all different cultures.

After

Restaurant and Food

Retail

Bar and Night Life

Types of Housing in the Area

In the city of South Bethlehem itself, there are many residential areas as well as many college kids attending Lehigh University. Many people are within walking distance of the site.

Residential Housing

Lehigh Campus Housing

Vehicular and Pedestrian Traffic Levels

The site is located at the corner of one of the most congested intersections in South Bethlehem. This means many people will be driving by the site and hopefully that will bring in a lot more unanticipated business. Heavy

Medium

Light


Site Analysis and Program Program Selection As a student of Lehigh University, I have realized that South Bethlehem does not have many grocery stores. I have also realized that these stores carry few, if any, fresh produce. South Bethlehem has been recently labeled labeled as a “food desert” because of the lack of fresh produce.

C-Town

Pantry 1 Aharts

Bottom Dollar Foods

Food Store Locations in South Bethlehem

Connection to Community Every Thursday in the fall, vendors from all over the Lehigh Valley area bring their produce to sell at Lehigh University’s Campus Square. Campus Square

11 m

10 miles

iles

Nazareth

Easton Easton

35 miles Bethlehem

iles

5m

es

il 30 m

Hellertown

Hamburg Kutztown

Vendors from the Lehigh Valley

Program The program of this building is a farmer’s market/ restaurant, where vendors can bring their fresh food and produce year round.


Internal Program and Design The main design focus of this building is the internal program and layout. The key concept of the building is to have one floor that shares both programs, to express that all the food in the restaurant and the farmer’s market came from the same local vendors.

Restaurant

Internal Design Concept

Farmer’s Market

Initial Layout

Final Layout Basic Shape

stacked and elongated

Stacked

Section Cut Stacked and Reversed

Elongated

reverse stacking and elongated

The final internal layout is two elongated elements stacked on top of each other. The first floor is the farmer’s market area. The second floor has both produce as well as a restaurant area. The third floor is the restaurant only.


Each farmer’s market vendor can sell their produce and goods from inside their own stand. There is a cut out in the front where the buyer can stand and pay for their goods at the cash regiester.

New Location

Old Location

Farmer’s Market Restaurant Kitchen

The new location is only 2 blocks away from the old location. The new location is open rain or shine and in all seasons.

Storage


Design Process

Original Design

SInce my building design was not a flat and continuous surface, I had to figure out how to design a skin that could be wrapped around a building with protruding areas. I decided that I wanted to design something that was continuous to the eye, even though the side of the building is not continuous in itself. switchback lines

more organic

pulled linee to n focal point

old front facade continuous lines from this view

changed the design from 2D to 3D kept windows in the original spot

long organic lines

same curving motion, yet geometric again

S U B W AY

stack layers

FUN HOUSE

Alexandria’s Bistro

Back Facade Front facade in context


Technical Drawings

Reception Desk

Section Cut 1

Floor 3

Restaurant Area Kitchen

Section Cut 2

Deli Bar Deli/Sandwich Area

Farmer's Market Area

Floor 2

Men

Women

Farmer's Market Area

Entrance

Floor 1 Stairway to Storage

Section Cut 3 Storage Area

Basement

Floor plans


Section Cut 1

Section Cut 3

Section Cut 2



View of Top

Back View

FINAL MODEL Basswood, glue, and acrylic 2 0 ”x4 ”x9 ”


Left: Axonometric view from front RIght Top: Farmer’s Markett Right Middle: Produce Stand Right Bottom: Eating Areas


Axonometric View view from back


North Bethlehem


South Bethlehem River Front Architecture Studio III . Spring 2014 . Professor Jung

Site Green Areas

r Lehigh Rive

This project was to develop a river front area on the south side of Bethlehem, PA. The site is 1500 feet long and about 200 feet wide. One main purpose of this project was to extend the green area in the community. The south side lacks green space, as shown in the map on the left. The hope for this new green area is to bring more space and activities to this side of Bethlehem. 200 ft 180 ft

N

1500 ft

Map of North and South Bethlehem and Site

Existing Bike Paths Bike paths are very prevalent by the river front, on both sides of the river. This means there is easy access to the site from all over Bethlehem. It is even accessible by people on the South side who do not have cars.

N

Site

Bike Paths

Fahy Bridge Hill to Hill Bridge

LEHIGH RIVER

South Bethlehem


Program Analysis

The average median household income on the south side of Bethlehem is $25,000 a year. The average median household income on the north side is greater, falling at $35,000 a year.

The south side needs a free and outdoor activity space. The south side can not afford to spend as much money on activties as the north side. N

Median Household Income $10,000-20,000 $20,000-30,000

Since the new park in on the south side, their demographics will be more influential in placing the program. There seems to be more people between the ages of 21-40 on the east side, therefore, that will be the active side of the site.

$30,000-40,000

Median Residence Age (yrs)

0-20 61-80

$40,000-50,000

21-40 41-60 81-100

There are several recreational areas around Bethlehem, however, none are around this area of South Bethlehem . Most of the recreational areas are on the north side of town, which are too far to go for families without cars.

.5 mile radius

Programs Around the Area Tennis Courts Dog Park

N

Green Areas/Park Areas Playgrounds Pavilions


Design Strategy The idea behind this design are the three different levels of the site. The main level is the road level, which slopes slightly downward towards the bottom level. Various areas of the curve are sloped downward so people can walk down a grassy incline from the top level to the bottom level. There are no stairs needed in this design. This bottom level is 8ft above water level. There are also a few areas of land that protrude up from the main level to form the highest level.

Simple curved line

Pushed and pulled the line to get the desired curvature

Pushed down the front part to create two separate levels

Pushed down the bends in the line to create access to the bottom level

Added elevation by pulling a few areas up above the top level

Elevations and levels Raised Up Level Main Level Pushed Down Level Water Level

Upper Level - 20 ft Main Level - 16 ft Lower Level - 8 ft Water Level - 0 ft


Bike/Walking Path This This well and

runs throughout the entire site. path unifies the whole site as as unifies the site with North South Bethlehem.

1.

3. 2. 4. 5.

6.

7.

9.

8.

1. 2. 3. 4. 5. 6. 7. 8.

Dog Park Swimming Area Playground Bathing House Pavilion Area Tennis Courts Open Field for activities Museum

Loud and Active Side - East Side This is the loud side of the site and the most active side. This side is more for younger families with kids and active adults who like to play tennis, frisbee, swim etc.


Quiet and Nature Side - West Side This is the quiet and more peaceful side of the site, where people can get in touch with nature. This side is more for the older population and/or couples who want to come to the riverfront and relax. Also, there is more greenery and trees on this side of the site.

9. 10. 11. 12. 13. 14. 15.

Lookout Spot Boulder Climbing/Sitting Area Picnic Area Flower Garden Fountain Area Fishing Cove Forest Walkway

10. 12.

F ore st 13. 11. 11.

15.

N 14.

Bridge to North Bethlehem

Program Layout


The museum is tucked under the land. The building shape mimicks the shape of the land that is above it. The two shapes represent stepping stones in nature

View from East to West

En tran ce

Glass curved curtain wall on both levels. Looks like two lit up bands, which is a beacon of light at night time for boaters

View from East to West


Flower garden, rock climbing and bench area

Picnic benches and tennis court

Fountain area walkway

Fishing pier, bridge and forested walkway

N

FINAL MODEL Wooden model Scale 1”=32’ Actual Size 47”x8”x1/2”


Guggenheim Helsinki Museum Fall 2014 . Studio IV . Professor Ussler Design Process

Off center lines

Slant down every other line

This project was to design a proposition for the new Guggenheim museum in Helsinki. Since wood is one of the popular building materials in Finland, I decided to make that the focus of my design. The paneling in the design is meant to resemble wood paneling used in many homes in Finland. In addition to that I used wood as one of the building materials which brings warmth to the exterior as well as the interior design.

Connect to form overlapping panels

Slant the top

2D overlapping panels turned into 3D overlapping panels

Add triangular window slits

Elongated

Enter 4 large overlapping panels made of iron ductile and beachwood


3rd floor

2nd floor

1st floor

Section cut 1

20 ‘ 24 ‘

28 ‘ entrance

Section Cut 2

The section cut displays the nice three story atrium in the museum as well as the grand switchback staircase in the middle of the atrium


Site Plan

View of Museum in the Actual Site

The site plan is right next to water as well as a park area and a cluster of government buildings. There is continuous circulation around the site area as well as the building. The new paths in the site connect to the already exsisting paths in the area.

All of the renderings were done in Revit

East Elevation


Gallery Space

Gallery Space Final Model in Revit

The glass triangular panels caused light to come into some of the exterior galleries as shown in the top left corner. These panels act as a natural light source and in some cases, offer a nice view in addition to looking at artwork.

Entrance Area

The main entrance is underneath the triangular piece that hangs down from the building. This acts as a shelter and shade area for the visitors. It also acts as a distinctive land marker for the entrance to the building.

GUGGENHEIM HELSINKI

North Elevation

West Elevation

Sorth Elevation


Music Player Drawing I Spring 2012 Graphite


-----

Drawings

“Music is liquid architecture; Architecture is frozen music.� ----Johann Wolfgang von Goethe


N ig h t o n t h e To w n Drawing I . Spring 2012 All drawn in graphite




Sculpture “Architecture is inhabited sculpture” ----- Constantin Brancusi

“What sculpture is to a block of marble, education is to the soul.” ----- Joseph Addison


Sculpture I . Fall 2012 . Professor Ramsdale

Form Fusion “Eyelash Curler”

Plaster the fusion of an organic form and a geometric form

All sculpture photos taken by Professo r Heather Ramsdale


Tape Sculpture “Work Meets Play” in collaboration with Courtney Jarvis

Life size sculptures

These two sculptures were made of saran wrap and packing tape. The two are interacting in Lehigh’s Rauch Business Center, a quiet and studious environment. The girl is swinging near the man who is reading and is attempting to kick the book out of his hand so that he will come and play with her.

Back View


Three Words Project 3D Design . Fall 2011 . Professor Ramsdale

CLUMSY, DRAB, TAUT Unit

For this project we each had to randomly pick three description words out of a pile. We then had to design and create a sculpture out of wood that portrayed these three words.

The original design had two intersecting parts, made up of a similar, but varied unit. The unit is meant to look as if it is being stretched, or taut. At the same time, the composition is clumsy and appears to be leaning or falling over. Although the composition is dynamic, certain parts, like the end of each element, appear to be flat and drab.

Design Process Sketches

Added two more interecting pieces to the bottom and middle sections Above are three different rotated views

The final piece has 4 intersecting pieces


Top View

Alternate side view

FINAL MOD E L Wood and glue 14” x 7” x 5”



Additional Projects

“Architecture is a continuing dialogue between generations which creates an environment across time� - - - - - Vincent Scully


Winter Dual Bench Project Architectural Technology . Professor Nikolov and Viscardi . Fall 2014

The fountain outside Chandler-Ullmann and the circular stone wall are popular seating areas for students in the summer, however, not in the winter. The goal of the project was to built a sheltered seating area out of wood on top of the existing seating area. My classmates and I spent one day designing the structure, and then the next day building and assembling it. The seating structure is made from 2x4s and connected bent wood created the arch.

photo by Anthony Viscardi

This project was part of the Hammerschlag design-build series at Lehigh University

View of how we latched the benches to both sides photo by Anthony Viscardi


The distance from circle to fountain, or from bench to bench, is about 12 feet wide

Entrance archway into Chandler-Ullmann

Connection between bench back and arch


Illuminated Lamp Project 3D Design .

Fall 2011 .

Our assignment was to make a illuminated object made out of yupo paper, a synthetic paper material that lets some light through. We also had to incorporate bent wood lamination in our final model.

scored into 4 sections

connected ends

Variation of diamond cut outs

cut diamonds out

Basic Concept

The overlapping of different sized, transparent diamonds over a light source created gradual shading

Professer Ramsdale


FINAL MODEL 6”X6”X23” Yupo Paper and bent wood lamination 6”X6”X23” Yupo Paper

Incorporated bent wood lamination in the base of the lamp as well as used it to hold the light source in place.





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