Portfolio - semester 9

AAYUSHI BHATT UI0217

Explore | Analyse | design

EXPLORE

IR3014:Contextualising Interior Space Making

Roll No: UI0217

Name: Aayushi Bhatt

EXPLORE

IR3014:Contextualising Interior Space Making

ONE & ONLY REETHI RAH - MALDIVES Set on largest island on North Malle Atol, reethi rah speads over 109 acres of land and is isnpiered from Chinese , Maldivian and balinese architecture.

The resort and its 122 villas are made keeping in mind three words -

LUXURY

SPACE

PRIVACY

77 Beach Villas, 30 Water Villas 6 Two Villa residences 2 Grand Water Villas 1 Grand Residence with three bedrooms 1 Grand Sunset Residence with three bedrooms and two private infinity pools Apart from this, there are a few restaurants all serving different cusines and many spaces which allow the guests to engange into different activities like water sports, other sports for games like tennis etc, movie set up near the beach and multiple pockets where one can sit and just enoy the view.

Factor with make an experience worth remembering are: 1. Spectacular Location 2.. Attentive service 3. Range of activities 4. High end social dining Reethi rah is designed to offer its guest the best memories by incorporating all of the above.

BEACH VILLA Roll No: UI0217

Name: Aayushi Bhatt

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IR3014:Contextualising Interior Space Making

RENDERS AND ORIGINAL PHOTOS

RENDER

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REFRENCE IMAGE

Name: Aayushi Bhatt

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IR3014:Contextualising Interior Space Making

RENDERS AND REFRENCE PHOTOS

RENDER

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REFRENCE IMAGE

Name: Aayushi Bhatt

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IR3014:Contextualising Interior Space Making

ACCESSORIES LAYER :

ACCESSORIES & FIXTURES

Many diiferent accessories are added in the room like bottles of wine, fresh flowers in the bedroom, candles, soap dish and towels, bath robes, etc.

FIXTURE LAYER : The room is flooded with natural light during the day time, however at night - the pendant lights, Spot lights in the room lit it up. Other fixtures only include the TV and Split AC. FURNISHING LAYER : The different furnishings used in the space are linen used in upholstery. silk and cotton in the bed sheet and pillow covers inspired by the egyptian textiles, leather on wardrobe shutters and bamboo blinds on windows. Two rugs hold the furniture togther and make the space cozy.

FURNITURE LAYER : Different furniture used are dressing table, TV table, study table, bed, wardrobe , coffe table and arm chairs etc.

FURNITURE LAYER : The wall treatment includes the wall paint, wooden panels with ratan and linen.

FLOORING LAYER : The flooring is inspired from typical balinese flooring where inlay of wood is done along with tiles.

Here terrazo is used with teak wood.

FORM AND FINISHES Its a cubiodal form with a sloping roof. The entire room has wide and large fenestrations with just two partitons. the exterior cladding is of kapur wood.

EXPLODED LAYERS Roll No: UI0217

Name: Aayushi Bhatt

EXPLORE

IR3014:Contextualising Interior Space Making

TRADITIONAL BUILDING METHODS Traditional building methods used in the maldivian architecture are: 1. Thatched construction 2. Timber components 3. Marine structures.

Since the locally available materials are the reasons behind the constrcution techniques, cocnut husk, palm leaves , palm wood and other locally available wood is what was used in maldives. Over the years the techniques and materials have changed.Now imported teak is also used.

Rafters

Thatched Constrcution: Coconut thatching is the oldest form of roofing in the humid and tropical regions.

Thatched roofs and wall provide goood insulation and reduced fungal growth.

Coconut thatching mats are laid in overlapping layers & tied to the horizontal members.

Timber is the second material used prominently in the maldivian architecture. The entire framing here is done with kapur wood.

Bamboo Sturts and coir rope

beam and rafter junction Elongated form and long windows

Bamboo is used here to provide the rafters a support. Coir rope is another very traditionally made element.Here it is used to bind the bamboos and also in some furniture element.

To make coir ropes coconut husk is soaked, fiber extracted and dried. These strands are woven to form ropes of various thicknesses.

Roll No: UI0217

Name: Aayushi Bhatt

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IR3014:Contextualising Interior Space Making

Roll No: UI0217

FURNITURE LAYER

Name: Aayushi Bhatt

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IR3014:Contextualising Interior Space Making

FINISHES LAYER

FURNISHING LAYER

TYPES OF TIMBER USED

Teak wood

Mahagony

Linen

rugs

Cotton

brown silk

Yellow Silk

grey linen

Kapur wood

Timber is a material which is used in the traditional maldivian architecture since a very long time. It is used as a strcutural member and for other furnitures.

This space incorporates use of different kinds of wood. Teak wood, Mahagony - dark wood, Kapur wood for the framing,

FLOORING bamboo/ cane blinds Teak wood

Polished terrazo

IN FURNITURE

Kapur wood

PROMINENT USE OF MIRROR The use of mirror is very prominent in the entire room.

The mirrors are placed smartly so as to make the space look bigger and at the same time provide a dressing in the washroom area as well as in the bedroom area.

Long mirrors use on the partition wall, over the basin counter all emphasize more on the height of the space making the partitions seem longer and the celing higher.

Roll No: UI0217

Mahagony

Mirror

Quartz

Leather

Chip board

Wicker

Teak wood

Polished terrazo

Grey Polished terrazo

Name: Aayushi Bhatt

EXPLORE

IR3014:Contextualising Interior Space Making

EXPERIENCE MAPPING The entire room is nesteld in the lush green landscape giving the guest extensive privacy.

“Setting the trend for luxury within a tropical setting, The one & only Reethi rah is a perfect combination of simplicity and oplulence”

From the bed I see the blue waters , with th warm sunlight entering and falling on the warm white flooring.

Hammock / swings/ lounge chiars near the palm trees and the deck area provide those small pockets to sit around and spend time with nature.

Hammock / swings/ lounge chiars near the palm trees and the deck area provide those small pockets to sit around and spend time with nature.

“With its dreamy location, private apartment- sized villas and first - class service, one & only reethi rah is the kind of resort that spoils you for all others.”

High ceiling is exaggertd because of the vertical lines and partitions used, while the lines in the flooring ( teak wood inlay) and the one formed in the center due to the intersection of bamboo make the room feel long.

plan of the beach villa Roll No: UI0217

“A palm-fringed island idyll offering an array of facilities, powder-soft beaches and fabulous dining options. This award-winning resort, a favourite among A-listers, is perfect for couples and families in search of privacy and the ultimate in laidback luxury. This is tropical island living at its sublime best.”

Name: Aayushi Bhatt

EXPLORE

IR3014:Contextualising Interior Space Making

EXPERIENCE MAPPING

Its a private beach.

Swim, play, surf, enjoy the cool waters.

The white sands feel very warm and the trees around give a very tropical vibe. A morning exercise routine here in the fresh air with the light breeze and sound of beach feels like an amzing start to the day.

3 segments showing the service/ utility , bedroom and verandah space from left to right respectively.

Roll No: UI0217

Infinity swimming pool with adirect beach view . one can enjoy a glass of champaign here in the evening while watching the beautiful sunset.

Cross ventillation and large openings

Lounge chair to relx and soak the sun

Breakfast table in the shade to enjoy and enjoy amazing view.

Entering the villa past through the dense green patch and entering a large verandah.

luxurious room with large open spaces - circulation diagram

As Gathy explains, “if your villa is one side of the island, you wouldn’t even know who is on the other side.”

Fixed and loose furniture ( Red- fixed, Green - loose)

Name: Aayushi Bhatt

ANALYSIS

IR3014:Contextualising Interior Space Making

ANALYZE Study | observations | diagrams

Roll No: UI0217

Name: Aayushi Bhatt

ANALYSIS

IR3014:Contextualising Interior Space Making

The intricacy here is seen in the detailed carvings done on the ceiling and the the backdrop of the spa reception. The same carving deatiles are done on the columns on the sides .

These accompanies with the plane materials enhance the beauty of the workmanship.

The reception desk has a very intericate backdrop.

The frames are brought togther and allow visual connection with the lobby of the back office.The table is also designed uniquely with stone and wooden carvings.

Unlike the use of fabric , carviings and embroidary works what also brings out the charcter of these deatails is the right tpe of lighting.

The lighting shown in the above images creates a very specific kind of mood and effect. In the image here the passage flooring is lit and not the ceiling while in the image above the ceiling is lit up and the rest of the space is flooded with natural light.

Roll No: UI0217

Name: Aayushi Bhatt

ANALYSIS

IR3014:Contextualising Interior Space Making

BANYAN TREE ANJI - CHINA

Roll No: UI0217

Name: Aayushi Bhatt

ANALYSIS

IR3014:Contextualising Interior Space Making

GROUND FLOOR LOBBY

Luggage counter Foyer Book Bar Lobby Lounge Outdoor Tea house Group waiting area Reception Boutique Washroom

Roll No: UI0217

Name: Aayushi Bhatt

ANALYSIS

IR3014:Contextualising Interior Space Making

Group waiting area is connected to a separate lift lobby allowing guests to access rooms from there.

GUEST CIRCULATION The open courtyard and water pond connects to all the 4 activity zones.

The folding doors when completely opened create an open plan while at the same time allow the space to be separate and used differently.

washrooms have an indirect access such that the they are not visivbile from the lobby.

The seating arragments are such that one can sit alone as well as in groups facing different directions.

The lobby provides different types of activities to the guests to spend time while waiting.

1.Book bar 2.Tea Lounge 3.Lobby lounge

The two paths, one for groups and other for individuals reduces the chances of too much crowd at the reception desks.

Outdoor tea lounge allows the guests to relax and enjoy the natures beauty while sipping a hot cup of tea.

The lift lobby right next to the entrance allows the guests to access rooms directly without much circulation.

The lobby lounge is more comfortable waitng area with a view of the pond on one side and the natural landscape on the other

Boutique The boutique is right after the entrance allowing the guests to access it immediately while waiting at the reception desk Roll No: UI0217

Reception Area The entire volume is long and connects the guest to the retail one on one side and the lobby lounge on other side

Name: Aayushi Bhatt

ANALYSIS

IR3014:Contextualising Interior Space Making

VIEWS AND THE LANDSCAPE Central pond creates a calming effect due to which the guests might spend more time waiting and in and aorubnd the reception.

All the 4 volumes around the pond are divided usch that they are long and high automatically creating a grand feeling

The wide and large openings allows maximum flow of light and wind. The floding doors even allow the guests to access all the lobbies.

First thing one encounters when entering is the infinity view. The guests can see the central water body and the natural alndscape on the other side of the lobby.

The reception seems very open and large again becoz of the long stretch and clear circulation passages .

Roll No: UI0217

Name: Aayushi Bhatt

ANALYSIS

IR3014:Contextualising Interior Space Making

RECEPTION LOBBY IMAGES

View of the central pond and the view beyond

View of the central pond and ajacent spaces View of the central pond and ajacent spaces

View showing the lobby lounge Roll No: UI0217

View of the book bar

View of the central pond with the doors closed.

Name: Aayushi Bhatt

ANALYSIS

IR3014:Contextualising Interior Space Making

VUE HOTEL BEJING- PINK RABBIT RESTAURANT

Roll No: UI0217

Name: Aayushi Bhatt

ANALYSIS

IR3014:Contextualising Interior Space Making

PINK RABBIT RESTAURANT

Manager’s desk Alfresco Dining Communal seating Stage Bar and bar lounge BOH Show Kitchen Cigar room private dining Washroom Roll No: UI0217

Name: Aayushi Bhatt

ANALYSIS

IR3014:Contextualising Interior Space Making

STAFF CIRCULATION AND BACK OF HOUSE KITCHEN AND SEATING ARRANGMENT

Roll No: UI0217

Name: Aayushi Bhatt

ANALYSIS

IR3014:Contextualising Interior Space Making

TAJ THEOG RESORT

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Name: Aayushi Bhatt

ANALYSIS

IR3014:Contextualising Interior Space Making

SPA, GYM AND SALON

Gym Reception and waiting Salon Single treatment room Foot reflexology Couple treatment room Back of the house Children play area Roll No: UI0217

Name: Aayushi Bhatt

ANALYSIS

IR3014:Contextualising Interior Space Making

Roll No: UI0217

Name: Aayushi Bhatt

ANALYSIS

IR3014:Contextualising Interior Space Making

BANQUET AND CONFERENCE ROOM

Banquet 1 Washroom Banquet 2 Pre function area Conference gallery Conference room

Roll No: UI0217

Name: Aayushi Bhatt

ANALYSIS

IR3014:Contextualising Interior Space Making

Roll No: UI0217

Name: Aayushi Bhatt

VATIKA HOMES Concept| process | design

CONCEPT IR3014:Contextualising IR3014:Contextualising Interior Space Making - Exercise 1 Week 1 & 2 DESIGN Interior Space Making

Roll No: UI0217 Roll No: UI0217

Name: Aayushi Bhatt

Assignment 2 Unravelling, Tracing & Mapping

E1/W1-2 Aug 9th 2021 -Aug Name: Aayushi Bhatt

DESIGN Interior

CONCEPT IR3014:Contextualising IR3014:Contextualising Interior SpaceSpace MakingMaking - Exercise 1 Week 1&2

Roll UI0217 Roll No: No: UI0217

Name: Aayushi Bhatt

Assignment 2 Unravelling, Tracing & Mapping

Name: Aayushi Bhatt E1/W1-2 Aug 9th 2021 -Aug

DESIGN

IR3014:Contextualising Interior Space Making

INSPIRATION IN LIFE

INSPIRATION FROM SITE

Right from starting I have been inspired with the level of details I have seen in different types of embroidaries like zardosi. This is something that I saw in my mothers boutique right from a very young age.

Every little detail in the zardosi patterns brings out its rich character. Nothing looks as beautiful as the motifs done with the right craftmanship.

The concept for this resort emerges from similar artforms. It is the culminaton of what I experienced at the site , in the local city and the regional culture.

Early influnces and observaions

River and tea gardens

Site context

The obeservation and appreciation for details increased with my travel experiences. Sun temple of Konark, Khajuraon temples etc.

Travel experinces

Old city of Ahmedbad, mosques , sarkhej roza

Native city and surroundings

All these little observation about textures, carvings , stories and narratives in those carvings have stayed back with me and that is what i have noticed extensively in arts and crafts of north bengal.

The art of paintings patachitra, budhhist scrolls, monastries and their vibrant colors, the conch shell carvings, the mask making art and the dokra art all have very detail oriented process and output.

Roll No: UI0217

The colonial influences and the art & culture

Regional context

Local context

The city and the local materials

The different art forms in this region are - Painting patachitra, dokra art, Maks making , conch shell art. All of these require great workmanship, details and each of these narrate different stories. These form the basis of my concept. Along with this other observations and factors include the the colonial influences from the darjeeling tea garden, the local materials, and the tropical climate of siliguri.

Observations

Take away

Diagram showing river and tea gardens on either sides of the site.

Diagram showing the journey from city to site

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

CONCEPT ART - INTRICACY / ARTICULATION AND CRAFTS

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

UNDERSTANDING PATTACHITRA Purpose / function / activity to be carried in the space

What is the deciding factor ?

Human activities Material - wood

Stories / activities

chosing theme

Nature interwoven and in its true form

Bold lines

Nature at the core

Concept art

Nature

Pattachitra

2 themes

tea gardens in the background Frames

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Central figure Theme for every space is a fusion

Figurines

Reflection of nature in lots of elements

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

BASIS OF CHOSING PAINTINGS Pattachitra

Narrating stories through paintings and composing music for the same ( pater gaan)

Stories based on hindu mythology , gods and demons.

Since begining of pattachitra culture, lord krishna and his incarnations have been a constant ource of insipiration

Raas Leela - Restaurant and bar all about celebration - nature of celebration is feminine and that is full of exuberance, energy and excitement

Lord Buddha - Spa Peace, connecting with your innerself relaxing Roll No: UI0217

Nauka Vihar - Villas Spending some time with your loved ones.

Lord Krishna and Radhaa - Reception lobby Symbol of purest form of love and warmth

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

INTRICACY - WHAT & WHERE? Columns Architecture

Structural elements Roof

Complexity

Multiple layers of information

Opeinings & frames

Sophistication

INTRICACY

The quality of

Flooring Furniture

Details Interiors

being intricate Delicacy

Partitions Furnishings

Rich Character

Lighting

what is intricate?

Accessories

Complicated

inter-relating parts & elements Water bodies Landscape

form Color and scale

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making - Exercise 1 Week 1 & 2

LEVELS OF INTRICACY

Entrance gate could have some amount of details but most of them being subtle only.

The details here is not just in how good the food is but what type of ambience is the guest being provided.

This is where anyone would want to relax and enjoy the peace. The use of heavy details hence could be only in the main circulation while the rooms are much more subtle.

Reception area is second place which creates a strong impression. The experince generated here is what creates a memory.

This space is used for more than one purpose and hence should be flexibe.

WHAT ARE DIFFERENT LEVELS OF INTICRACY? Every space has certain areas and elements where there is more inticrate work and hence it stands out and is highlighted. However, other elements in that space are not completely blend, these too have a very basic ornamentation.

Lighting will play a very significant role in the drive way and entrance gate.

Lighitng in a restaurant can change the mood and the apperance of the food too.

Furniture and the common gathering spaces are the areas where inticracy can be incorporated.

water is a major element to create a calm feelnig.

Not just in terms of cooling the temperature but the noise of water falling or flowing itself has a healing power.

Its the first thing that the guests will see and hence needs to create a memory, while at the same time reflect the meaning of the name vatika.

Beautiful view from entrance, sides and waiting lounge is an additional factor for good experiences.

Entrance / Arrival

Reception Lobby

Inticrate columns, volume and the use of vibrant colors with the dark wood and warm lights emhasizing the details in partitons , and tables creates an remarkable experience.

The furniture here is temporary but the structure is somethng which could be used for inticracy and also the lighitng fixtures.

This could be in its upholstery or the curtains. It could be in the furniture or in the flooring.

Hence the amount of inticracy incorporated in different elemnets of any space determine the level of intricracy in that room.

LEGEND Landscape Lighitng Structure

Restaurant

Spa

Banquet

Rooms/ Villas

Furniture & furnishings Accessories/ Arts

Roll No: UI0217

Name : Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VIEW FROM TOP AND THE RIVER

ENTRANCE

Banquet garden

and

The entrance wall can be seen from the river

its

The entire walkway is along the banks of the river

Passage towards restaurant

TOP VIEW

The reception and tea lounge

Al-fresco dining

STRETCH 1 Tea garden villas

The forest area

Spa and the meditation area

River view villas

STRETCH 2

Based on the scale of what we see from the river , main raod and the plane ( due to the proximity of the airport) the intricacy in elevation is decided.

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

spill over area

River villas with private pool

River villas with private pool

Spa and gym

Yoga / meditation

View of stretch 2 - showing the rooms and spa Rooms

Private pool

Tea lounge / Bar

Spa and gym

Central courtyard and water body

Walkway connecting reception to spa alongside the river

Reception lobby

Pool area

Passage connecting reception and tea lounge

View of stretch 1 - showing reception, tea lounge and the spa Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

ZONING

Considering the site context. The spaces are divided such that the recreational spaces face the river side

Creating a journey inside that reflects the art and culture of the region. Most of which is refected in the reception, bar, restaurant and other public spaces.

Allowing the ciculation to follow the flow of river, and designing Spiling out the spaces near to the river. Programmetically designing the reception lobby, arrival etc more denser and spaces accordingly. the spa and the villa’s with more privacy and luxury.

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

INTRICACY IN LAYOUT 1

Resort name and Entrance Reception

2

Restaurant 7

8

Landscape

9

3

Room option

4

Spa and gym

5

Room layouts

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Places seen clealry from the plane

10

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

MASTER PLAN WITH ROOF

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Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

RECEPTION LOBBY

RIVER SIDE

Lobby Lounge Washroom

Back office for reception

POOLSIDE

Reception Lobby Boutique / retail

Waiting Lounge

ENTRANCE Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

ARTICULATION IN RECEPTION LOBBY

According to the geomtery the central water body is the focus point. The entire circulation is planned around it and can be viewed from all the sides, thus becoming a very crucial landscape element.

Roll No: UI0217

As one enters the space they can see right across it and see the river view from the entrance. Hence the central axis and the elements areound it are more intricate with details in column and the foyer area.

Apart from the central axis, the space which the guest see first is the reception lobby, hence the backdrop of this is also quite important.

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

CONCEPTUAL SKETCHES AND IDEATION

Sketch showing the reception table and the hanging fabric as a backdrop

Sketch and images showing rafter details

The main entrance element along the drive way emphasizing The column grid along the central axis and around the central water on the name of the hotel - vatika homes - land of gardens body is most ornamented and intricate. The language of these columns is based on the anglo indian and colonial columns seen in the regional context.

Roll No: UI0217

Sketch showing the reception table with colonial language and the hanging fabric as a backdrop. The table lamps are victorian lamps

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making - Exercise 1 Week 1 & 2

WAITING LOUNGE

WATER BODY

Jaalis

Chandilier

Hundis for lighting

RIVER

ENTRANCE

FOYER

LOBBY LOUNGE Decor / plants

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columns

WALKWAY Anglo indian furniture

Name : Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

RECEPTION LOBBY PLAN Washroom block

Reception

Tea lounge Entrance Lobby lounge

Group Waiting lounge

Admin block

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Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making - Exercise 1 Week 1 & 2

TRANSLATION OF PAINTINGS IN SPACE - RECEPTION

Color pallate

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Name : Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

RECEPTION LOBBY RENDERED PLAN- LOWER LEVEL

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Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

MEZANINE

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Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

RECEPTION LOBBY EXPLODED

Roof

Rafters and purlin

tropical garden -mezanine

The green and orange flooring motif tiles are customised taking inspiration from the paintings . These patterns differentiate the areas based on their functions The use of ths tiles is restricted only along the main axis and in the main reception lobby.

Along the central axis while enterinng one can see the river bank and the central water body becoming an interesting part of the circulation.

Tea lounge

Lobby lounge Mezanine seating Washroom Block

entrance foyer

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VIEW FROM ENTRANCE

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Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VIEW OF WATER BODY AND LOBBY LOUNGE

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Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VIEW FROM ENCLOSED WAITING ZONE

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Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VIEW FROM SEMI OPEN WAITING LOUNGE

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VIEW OF BRIDGE AND SEMI OPEN WAITING LOUNGE

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Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

RESTAURANT CONCEPTUAL SKETCHES Entrance passage

show Kitchen

Indoor seating

Communal seating Lounge seating

Alfresco dining

Sculptures/ columns

carved

water body and cultural performance stage

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Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

INTRICACY IN RESTAURANT

Following the same rule of geometery and circulation, the main axis of circulation is the region which shall be most intircate while the rest of the spaces shall have basic details.

Roll No: UI0217

The partitions and the furniture in the restuarnt will have colonial influences with details and carvings. These will be such that they allow visual connection with other spaces yet still provide the privacy required.

The landscape around restaurant becomes very crucial as its the place where people would enjoy and relax. The water body gives a very cooling and calm effect.

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making - Exercise 1 Week 1 & 2

fountains

Patachitra Hundis for lighting

ENTRANCE PASSAGE Kantha Embroidary Roll No: UI0217

Partitions

DINING Chandilier

ALFRESCO DINING Name : Aayushi Bhatt

Carving

Railing

Columns - decor

STAGE

DESIGN

IR3014:Contextualising Interior Space Making

RESTAURANT AND BAR PLAN

Restaurant

Bar

Pavellion

BOH

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Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

RESTAURANT PLAN

Buffet

Service road

BOH Enlosed dining area

Bridge

Semi open dining

Alfreso dining

Enlosed dining area

waiting lounge

Entrance Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making - Exercise 1 Week 1 & 2

TRANSLATION OF PAINTINGS IN SPACE - RESTAURANT AND BAR

UNFLODING THE STORY Since pattachitras are inspired from the hindu mythological stories, the basis for chosing Raas leela for bar and restaurant also has a strong mythological reasoning.

Once after a huge celebration people of brindavav got tired and were resting which is when Lord krishna start playing his flute and suddenly everyone start enjoying and gets boosted with enregy such that they start dancing. All the gopis start dancnig aroung Lord krishna and this becomes and ritual.

News of Raas Leela reaches Lord shiva who becomes curious of what must be happening there and why do all these women dance around Lord Krishna. He himslef being the God of dance Natraj, goes down to Brindavan to witness this dance of passion.

Upon reaching there, he realises that only females are allowed and no male can be there in Raas Leela. This is when he dresses up and a female - shivakshi and witnesses Raas Leela himslef. The story simply tell us that the nature of celebration itself is feminine, and femine is all about exuberance and cheerfulnes. Its the very nature of it. Raas Leela is a depiction of celebration, happiness and excitement for which people usually visit parties, bars and restaurants. Hence this Painting was chosen.

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Name : Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

RESTAURANT PLAN LOWER LEVEL

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Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

RESTAURANT PLAN MEZANINE LEVEL

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

RESTAURANT EXPLODED

Roof

Rafters and purlin

Planters and hundi lights

The green ceiling brings in the nature inside of the Bar area. Considering lots of trees in the painting and nature being extremely prominant.

Chandilers

partitions with fabric and carving The blue tiles,spiral and the central chandilier in the semi open dining area being in the center of the restaurant become the highlight.

These carved partitions can be pivoted and opened during the night time. These allow the light to filter through them and create interesting intricate shadows.

Roll No: UI0217

Buffet

Waiting lounge

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VIEW FROM ENTRANCE

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VIEW FROM WAITING LOUNGE

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VIEW OF SEMI OPEN DINING

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VIEW FROM THE CENTER OF THE RESTUARANT

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VIEW OF THE RESTAURANT FROM SIDE

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

BAR PLAN Walkway

Entrance

Forest

Semi open seating

Bar

Outdoor seating

water body

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

BAR PLAN

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

BAR EXPLODED VIEW

Roof

Rafters and purlin

Similar to the restaurant the green ceiling brings in the nature inside of the Bar area.

The blue bar is to highlight the bar area and seperate it from the other interiors similar to Image of Lord krishna creating a contrast and appearing different in the painitng.

Planters and bamboo lamps

Bar area

Semi open seating area open seating area Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

BAR LONG SECTION

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VIEW FROM THE OUT DOOR SEATING

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VIEW OF BAR

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VIEW OF+ THE SEATING AREA

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

SPA AND GYM

Entrance foyer

Salon Reception Waiting

and

Back of the house / Pantry

Gym

Single treatment rooms

Couple treatment rooms

water body

Yoga / meditation area

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

INTRICACY IN SPA AND GYM

Spa is a space where guest would want to just relax.

The central axis over here is also the main fcator on which intricacy is dependent,along with the water body around the circulation is planned.

Roll No: UI0217

The reception area along with the circulation passage and the washbasin, shower cubicles in the spa rooms is where inticracy can be seen in furniture and partitions.

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

INTRICACY IN LANDSCAPE

Sketch showing the central space and verandah around it.

For spa landscape becomes very importat since its a place where people would want to rellax and nature itslef is very calming and healing. The central water body and courtyard could be planned in different ways incorporating - greens, zen garden or fountains.

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making - Exercise 1 Week 1 & 2

ENTRANCE

Roll No: UI0217

WAITING LOUNGE

SALON

VERANDAH

SINGLE TREATMENT

Name : Aayushi Bhatt

WATER BODY

WALKWAY

YOGA/ MEDITATION

DESIGN

IR3014:Contextualising Interior Space Making

SPA PLAN

Entrance Foyer

Waiting lounge

BOH

Foot reflexology

Single treatment room

Gym

Yoga

Foot reflexology

Single treatment room

Pavellion

Forest Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making - Exercise 1 Week 1 & 2

TRANSLATION OF PAINTINGS IN SPACE - SPA

Roll No: UI0217

Name : Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

SPA PLAN LOWER LEVEL

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

SPA PLAN WITH MEZANINE

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

Roll No: UI0217

IR3014:Contextualising Interior Space Making - Exercise 1 Week 1 & 2

Name : Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

SPA EXPLODED VIEW

Roof

Pargola The couple treatment is goven on the upper level so as for them to anjoy the best location from where they can see the tea gardens and the river clearly.

Couple treatment room

seating / Balcony area Pavellion The use of red, black and yellow is strongly based on the pallate of the painting and seperates the spaces from circulation area.

Medatition / Yoga room

foot reflexology The blue tiles used are customised and are used as a flooring materials only in the central axis area.

Gym Waiting lounge

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VIEW FROM SPA RECEPTION

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VIEW OF WATER BODY

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VIEW OF TREATMENT ROOMS

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

TREATMENT ROOM

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

INTRICACY IN VILLAS

In the villas the space is divided in three area - the entrance, relaxing and sleeping area, washroom and dressing area. The central space is where guests will spend most of their time and hence that is where intricacy is more. It can be incorporated in the furniture , flooring and also the accessories.

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VILLAS

There are two types of villas- both have a bed and seating , dressing and wahsroom with a shower and a bath tub with directs acces to the pricate pool. the deck area has a small seating and a spill out area to relax and have breakfast.

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making - Exercise 1 Week 1 & 2

SHORT AND LONG SECTION VIILA 1

Chandiliers / Punkhas

China wear / Brackets

Study table

Bed and side table

DECK Roll No: UI0217

HIGH BED

STUDY

SEATING

SHOWER Name : Aayushi Bhatt

BATH TUB

BED

CONSOLE

ENTRANCE DOOR

DESIGN

IR3014:Contextualising Interior Space Making

PLAN OF VILLA

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making - Exercise 1 Week 1 & 2

TRANSLATION OF PAINTINGS IN SPACE - VILLA

UNFLODING THE STORY It is said that during summer season, Lord Krishna along with Radha and other Gopikas would sail through Yamuna River in huge boats and enjoy the cool breeze. They would sing songs and seek pleasure and bessings of lord krishna. The painting narrates that story and the same idea is refoected in the villa where families would come to spend time enjoy each others company and enjoy the serne beauty the resort is surrounded with.

Roll No: UI0217

Name : Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VILLA PLAN - LOWER LEVEL

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VILLA PLAN - UPPER LEVEL

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VILLA ELEVATION

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VIEWS WHILE ENTERING THE VILLA

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VIEW OF THE WASHROOM

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

EXTERIOR VIEW

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VIEW SHOWING BOTH THE ROOMS

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

VIEW SHOWING GARDEN SEATING

Roll No: UI0217

Name: Aayushi Bhatt

DESIGN

IR3014:Contextualising Interior Space Making

Roll No: UI0217

Name: Aayushi Bhatt