An Open End The idea of how volume enhances the experience of a space to how exposure is used as experience is the basic summaries dwelled upon.
Aashna Chheda PID20002
The BIG Re-Think
Interior Techniques in Interior Design Practices
ID 4010 | Level 4 | PG Program
Master of Interior Design Monsoon 2020 | Faculty of Design CEPT University
An Open End
ID 4010 | Level 4 | PG Program
The idea of how volume enhances the experience of a space to how exposure is used as experience is the basic summaries dwelled upon.
The BIG Re-Think
Interior Techniques in Interior Design Practices Master of Interior Design Monsoon 2020 | Faculty of Design CEPT University
Content
0. About Studio
It emphasizes the relationship between Interior techniques and its expression, identity and design outcome
1. Objectory
To question the design process through an understanding of a designed object
2. Factory
It focuses on the planning of manufacturing and execution.
3. Developing the Argument
Studying projects, and understanding of questions like why what, how.
4. Role 1 | Intervening the Existing
Retaining the essence of the site and carefully assessing how the intervention affects what exists.
5. Role 2 | Standardised Interiors
The concept of fluidity is inspired by the idea of exploring and altering materiality, which in turn reverted to fulfilling the argument
6. Role 3 | Identity Driven Interiors
Techniques such as Fragmentation, creation of Contrast, Interplay of light, Fluidity, Seamlessness, and visual connection, are used in ideation and development of the concept.
The BIG Re-Think Interior Techniques in Interior Design Practices Master Tutor: Prof. Kireet Patel Studio Tutors: Rishav Jain and Aparajita Basu Assistants: Shail Sheth and Paramdeep Singh Dayani
Brief Outline: The intention of this studio is to develop a multitude of notions, approaches, positions and arguments with reference to interior techniques and its implications on the interior design practice. Here interior technique is defined as “A method, tool and medium that modifies, alters, conceals, exposes an interior element, thus transforming the transformable quality of the space.” The studio offers an opportunity to develop a design position in different contexts by questioning preconceived notions of interior design. It emphasizes the relationship between Interior techniques and its expression, identity and design outcome. The first four weeks are part of the common foundation program, where students from all streams work together to develop common skills and abilities. The later part of the studio is largely divided into two modules: the first module builds an argument on interior techniques through existing projects and the second module intends to develop a systematic approach to the application of the argument in three different contexts. It is an opportunity to develop an individual design position for disparate sites keeping the program constant.
Learning Outcomes: After completing this studio unit, the student will be able to: • Ability to develop a systematic argument/position/ approach on the interdependence between interior techniques and practice. • Ability to translate/represent the design argument/ position/approach through 3- dimensional and material based outcomes. • Ability to organize and evaluate the programmatic and pragmatic potential of derived design position. • Ability to build a design vocabulary and test it through the selected context (site/program).
(As per the studio proposal*)
Week 01-02 | FD PG Common Exercises
Objectory Process: Objectory is an idea that intends to put the object first. This exercise is an opportunity for designers to question the design process through an understanding of a designed object without focusing on the problem itself. The exercise aims to develop a methodology to identify, list, and analyse objects by dismantling its parts and components. The final deliverable demonstrates precision by way of observing and representing. The study of tolerance is achieved through identifying the assembly of parts, materials, and accuracy by way of orthographic and exploded axonometric/isometric drawings. Documenting the object -Documenting the object in a way which shows how it is held in the hand/ operated/ used. Dismantling and documenting the components -Dismantling the object without damaging the parts. -Organize the parts in the sequence of their assembly. Presentation of the analysis -Using isometric/ axonometric drawings we had to record, document and identify assembly, parts of the objects and object itself.
Selection of Objects 1. Sanitizer Spray Bottle 2. Pen 3. Glue Stick
The Glue Stick works on the mechanism of a rotating screw-jack, which has a gear box and a lead screw which converts the rotatory motion into linear motion.
Glue sticks are solid adhesives in a cylindrical body with twist or push-up tubes. The user can apply glue by holding an open tube, thus keeping their ďŹ ngers clean; because of their easy-to-use and economic value, glue sticks are a popular school and ofďŹ ce supplies. A glue stick body needs to be twisted up from the barrel for use and retracted back after using. The hardnaess and cohesion of the stick body are essential for the spreading and extension/ retraction property. The glue gel should be able to resist the pressure caused by rubbing on the substrate surface, and free to extend and retract in push-up tubes.
MANUFACTURING PROCESS
1. The adhesive recipe is first mixed in large vats. 2. Once mixed, the glue is drawn into a filling reservoir which drops a perfectly measured amount of the mix into each and every plastic tube. 3. During this time the glue is extremely hot, move on to a cooling station where they are capped by a series of robotic arms. 4. The glue sticks are once again fed into a second cooling chamber which assures that the liquidized glue cools into a solid form inside the tube, finalizing the production process and rendering the glue sticks ready for retail. HISTORY Henkel AG & Company was the first company to design and introduce the glue stick. Henkel began selling glue sticks in 1969 under the name Pritt Stick, which was prototyped after a tube of lipstick with the intentions of making the application of glue cleaner and easier.
Week 03-04 | FD PG Common Exercises
Factory Process: A factory is a place where materials are processed and transformed with precision, accuracy, and tolerance for assembly. This exercise imitates a manufacturing environment where the process of making starts with a well-planned strategy. It focuses on the planning of manufacturing and execution. The exercise revolves around exploring the ideas of the detail, assembly, tectonics and material as a central core of making. The Planning of Making will involve a thorough understanding of these terms and the concepts related to them are described below with reference to Eclker James’s discourse from his book, Language of Space and Form.
Sketches by Aashna Chheda Use of bold material forms to create a platform for the book to rest.
Sketches by Aditi Banka Slender material forms with no wastage of material to create a stand for the book.
Sketches by Aishwarya Deosthale Profile exploration celebrating structural aspects of wood to hold the metal book holder.
Carrying forward the BOLD forms and SLENDERNESS of the object to structurally explore materials to its limits.
Use of simgle steel plate to cut, bend and join to become a structure on its own.
A single sheet of metal used to hold the book as shown in the images.
Cutting and folding of metal sheets
Model paper explorations and structural resolutions for ceiling suspended structure.
Twisted metal sheets placed diagonally and horizontally to cater to the tensile and lateral forces.
Connection of twisted metal members to the wooden frame suspended from the ceiling. Book holder exploration paper model
Week 05 | FD PG Module 01
Developing the Argument Brief: The Projects chosen are varied in terms of their typologies, but after studying them, an understanding of questions like why what, how is developed. The historical era centered projects revolve around restoration and reuse as their major pivotal concepts. The spatial revival in today’s context is one of the major attributes pondered upon. The idea of how volume enhances the experience of a space to how exposure is used as experience is the basic summaries dwelled upon. The Standardised mass customised projects use the base idea of colour as a concept and how a palette of materials/ colours create an ambience, a focal point, make an element pop or make them seamlessly blend into space. Sensory articulation is seen to have been another key aspect used whilst designing. The Individual identity-driven projects have used material as a metaphor in designing the spaces allowing them to create a harmonic balance with what is to be designed.
HISTORICAL / ERA CENTERED PROJECT BARADARI / STUDIO LOTUS, Jaipur
Modifies
Conceals
Exposes
Alters
Commix of Time
Infusion of modern and contemporary with the existing building
Thikari work conceals the modern outside
Dispite the addition of volume, Openess in contrast to intimate
Water
M i n i m a l contemporary display adds a sense of openess within the constricted palatial setting
The outside is contemporary and modern in contrast to the inside
Sensory Articulation
cascade limits the sound
The Archade blends in the exteriorwithout over powering
Intergration of nature in the setting
Material, Colour, Furniture Minimalistic Furniture in contrast to the palatial and grand furniture
Seamless blend in the exposed materials
The colours alter the mood, casual to intimate
HISTORICAL / ERA CENTERED PROJECT BARADARI / STUDIO LOTUS, Jaipur
-The Baradari at City Palace Jaipur in Rajasthan cites an insightful example of how design brings inherent value to a place where conventions on conservation and adaptive re-use are looked at. -Conversion of an area of the former palace cafĂŠ as a fine-dining destination. -The interventions sought to achieve this by representing the architecture and craftsmanship of Jaipur in a way that would inevitably tie it to the region and yet be a contemporary expression. -The existing buildings have been restored by stripping them of layers of paint and cement plaster. The exposed rubble masonry has then been repaired with lime mortar with details that are formed in lime plaster.
Tools
Medium
Commix of Time
- Planning amidst thr ex- - Distinction in terms of c isting structure olour, tactility.
Sensory Articulation
- Water cascade introduced - Nature used as a tool to create a sense of calm
Material, Colour, Furniture
Material
Method
-Restoration by repainting and plastering the stone walls with limestone - Thikri art on the marble
-Water cascade reduced the sound -The plants create a sense of interest in the ambience
-Buffer for the sound -creates a micro-environment -cools the courtyard in the summer
- Walls, floor, ceiling in- -Creating variation in excontrast of the outside to perience the inside
- Metal, fluted marble, and mirrors heightening the historical vocabulary Layering ofdesign, craftsmanship, materials
HISTORICAL / ERA CENTERED PROJECT TIANU THE REVIVAL PROJECT - STUDIO PKA, Mumbai
Modifies
Semi Private Public
Conceals
Exposes
Alters
Private
Heirarchy through transition
The spaces are segregated in terms of accesibility
The work space on the mezzanine floor, is a private space
partitions were added to accomodate the functions
Division of Volume
The existing floor is divided by introduction of a mezzanine floor to accomodate the function
The wooden beams and rafters of the roof are exposed
Heirarchy of spaces is created through materials
Exposing; an expression
The exposed materials modify the language of the space
Half partitions segregate the spaces
The wooden rafters and purlins are seen as it is a furniture store
Tools
Medium
Material
Heirarchy through transition
- Floor and walls act as a tool for the transition in the interiors
-Creation of public, private and semi private spaces eith the introduction of elements
- The brick wall has been painted white, on one plane -exposed brick wall on other plane
Division of Volume
-Mezzanine divides the sigle storey structure - Staircase creates a breake in the height
-Dividing the space by introducing an element - visual detachment
-Wood is used to interest the viewer adding to the function of the store
- Ceiling has wooden rafters and purlins for structural support - Half walls are used to distinguish spaces - Materials are used in their natural form
- The restoration of the building was done, - the plaster was removed from the brick walls, and kept exposed -concrete half wall added, acts as a surface for exhibiting
The mezzanine alters the window design
HISTORICAL / ERA CENTERED PROJECT TIANU THE REVIVAL PROJECT - STUDIO PKA, Mumbai
-The brand – a furniture retail outlet designed on the ground floor of a Victorian Era building in Ballard Estate. -The space was acquired with a large double heighted open floor plate, interjected by a low height mezzanine, boarded arched fenestrations and devoid of a connect with the street. -In order to make the space habitable the windows were opened up, the partitions removed, and necessary retrofitting was carried out to ensure structural stability. -While a hierarchy of spaces exists, a conscious effort was made for it to be kept to a bare minimum
- Ceiling - Half walls Exposing; an - Materials expression
Method
HISTORICAL / ERA CENTERED PROJECT CAFE ZOE, BUSRIDE, Mumbai.
Modifies
Conceals
Exposes
Alters
Volumetric Play
The horizontal and vertical elements divide the volume
Mezzanine creates division
a
Open floor plan without any partitions
The height of the space is a surpise to the one who enters
The exposed pipes create a composition on the walls
The neutral palette acts as a canvas for everthing to be objectified
Visual Articulation
The North light windows are the interesting elements retained, brining in the
Building system
The wooden rafters affected by fire, were replaced with steel structural elements
The entrie system is exposed creating an industrial feel
The steel structure seen in the space but not creating visual barriers
HISTORICAL / ERA CENTERED PROJECT CAFE ZOE, BUSRIDE, Mumbai.
Tools
Volumetric -The Floor acts as a tool Play to divide a volume
Visual Articulation
Building system -The cafe, was introdued into a half damaged in the fire. - The cafe is designed by busride, they have retained the existing walls, without changing much.
- North Light -Colour -Furniture
-Columns and Beams -Slab
Medium
Material
Method
-Dividing the space - Visual division
- Addition to the existing walls Furniture arranged allowing an open floor plan
- Lighting up the interiors - walls are neutral in colour -Objectified against the colours
- Existing north light win dows retained - Painting, exposed. - Minimlistic furniture
- Metal beams and colums are used as the structural elements
- Welding and riveting to hold the structure in place
STANDARDISED- MASS CUSTOMISED PROJECT PROJECT GO, MYVN ARCHITECTURE, Banglore
Modifies
Conceals
Exposes
Alters
Colour as a concept
Colours with a white envolope bring in a sharp contrast
Existing columns are painted over creating a seamless enclosure of the colour,
Color creates interesting frames
Work area gets defined with painted aisles with neutal grey to balance the contrast
Spatial Transition
The sliding writing partitions being the central design element bind the whole space
Colours conceal the cluttered exposed ceiling
The power supply for the workstations have been taken from the ceiling,
Movable workstations provide greater flexibility in the spatial layout.
T h e parabolic ceiling has been treated
Material used to create interest Installation creates an enclosure modifying the cuboidal room
Rectangular Ceiling gets hidden
Tools
Medium
Writable laminate on top
STANDARDISED- MASS CUSTOMISED PROJECT PROJECT GO, MYVN ARCHITECTURE, Banglore
- Wall, Colour as a -Floor, concept -Ceiling -columns
Spatial Transition
-The Baradari at City Palace Jaipur in Rajasthan cites an insightful example of how design brings inherent value to a place where conventions on conservation and adaptive re-use are looked at. -Conversion of an area of the former palace cafĂŠ as a fine-dining destination. -The interventions sought to achieve this by representing the architecture and craftsmanship of Jaipur in a way that would inevitably tie it to the region and yet be a contemporary expression. -The existing buildings have been restored by stripping them of layers of paint and cement plaster. The exposed rubble masonry has then been repaired with lime mortar with details that are formed in lime plaster.
Material used to create interest
Material
Method
- Hides the exposed serivces of the ceiling - To create a seamless enclosure of the colour
-Walls, Ceiling, floors, coloumns are painted to create a distinction
-Partition walls Furniture layout
- Privacy by enclosing the space -flexibility in the spatial layout
- Sliding partition walls, - light movable furniture
- Treated Ceiling
-creates an enclosure for the people
- Polycarbonate sheets create gleaming glow and translucency on the edges.
STANDARDISED- MASS CUSTOMISED PROJECT QUALIA RESTAURANT / SERIE ARCHITECTS, Mumbai
Modifies
Conceals
Exposes
Alters
Kitchen
Spatial Segregation
Seating
Segregated linera arrangement of the Kitchen and dining keeping in mind the
Existing structure blends seamlessly with the interiors
Sensory Articulation
Bronze chainmail offers a translucent makeshift
The timber flasetto roof provides acoustic isolation and absorbtion
The dominance of the height of the space id minimised by the timber ceiling.
Play of Palette
Exposed Open kitchen creates an engaging and interactive experience
Seating altered with the four arrays
Hanging lights create a line of sight
The Bronze chainmail is not consistent, creating and alternating experience
The timber ceiling and the black terazzo floor compliment each other.
The colour of the furniture resonates with the ceiling, forms a harmonic ca co p h o ny with the floor
STANDARDISED- MASS CUSTOMISED PROJECT QUALIA RESTAURANT / SERIE ARCHITECTS, Mumbai
Tools
Material
Method
- Floor Spatial - Cabinetry Segregation - Bronze chainmail
- Interiors Designed to segregate four arrays of food at the restaurant -Spererate counters - camouflages the existing columns
- Interiors Designed to segregate four arrays of food at the restaurant -Spererate counters - camouflages the existing columns
- Ceiling Sensory - walls Articulation
- timber louvers absorb and direct sound
- timber louvers absorb direct sound to a thick layer of sound insulation foam above
- . Black terrazzo is the primary floor and wall finish, complementing the palette of timber surfaces and bronze chainmail.
-heighten the sensual qualities of the dining experience
-4 planes -A coherent array of spaces, following the restaurant’s linear form -The long, linear volume is interrupted by three large columns in the centre of the space. Hundred-foot long glass façade gives view to the street and gardens beyond. -The design seeks to place guest seating as close to the windows as possible and to take advantage of the sequence of four bays as defined by the structural columns.
Medium
Play of Palette
STANDARDISED- MASS CUSTOMISED PROJECT CASA BRIO, Mumbai, ARCHITECTURE BRIO
Modifies
Conceals
The dining is moved to the deck creating adaptability
The services are conceals uncluttering the space
Alters
Exposes
Spatial Optimization
Fragmentation to create connection
Two bathrooms have been combined to 1 re-organising.
Deck
Every room has at least two entries, it gives the illusion that there are more rooms than there actually are.
Living
Kitchen
Visual connection from inside to the outside
The kicthen is designed to be slender and narrow, with a breakfast counter
Visual Articulation Yellow is used to enhance the space, and white is used on the ceiling aloowing the light to reflect
Storage is simple and uncluttered
Tools
Medium
Slender silhouette of the furniture makes the space feel ary and open without over powering
Aashna Chheda | Pid20002
STANDARDISED- MASS CUSTOMISED PROJECT CASA BRIO, Mumbai, ARCHITECTURE BRIO
Method
Spatial Opti- - Floor -walls mization
-The space is broken down and adaptability is instigated
- Solid walls are replaces with sliding glass doors
Fragmentation to create con- -Walls - Furniture nection
-Dispensable walls between rooms were removed and replaced with objects in order to optimize space
- Every surface has been put to multiple uses.
-subtle collection of textures and materials.
Encourages one to explore the house in different ways
Visual Articulation The apartment has an adaptable and open arrangement. Dispensable walls between rooms were removed and replaced with objects in order to optimize space. Because walls can be opened and closed, folded or sliding away, the home can be restructured, expanded, fragmented, connected or isolated. In order to optimise space, every wall, nook and surface has been put to multiple uses.
Material
-Funiture -Colour
INDIVIDUAL IDENTITY-DRIVEN PROJECTS. CRAFT Deli / SAMEEP PADORA & ASSOCIATES, Mumbai
Modifies
Conceals
Exposes
Play of Planes
booth offeres sense of privacy
Alters
The fin w a l l alters the structure a n d creates intimacy
The archade breaks the monotony and modifies the way one perceives the interiors
The
a
Creates an intimate yet open sensation
The floor plan is designed to create two different moods
The outdoor space acts as an oxymoron , shrouds the interiors
No walls bring the placebo of the outside inside
The Place holders and the wiring seamlessly blends in the black ceiling
The glossy floor reflects the natural light and the black matte ceiling creates a buffer
Tools
Medium
Material
-wall is modifed from a basic glass wall to an archade
-To create visual interest
-Wood is experimented with and a fin wall is created
The cafe has outdoor d=seating, in contrast to the intimate indoor seating
-Seperation by the glass curtain wall
-This edge is designed as a wooden arcade, assembled by stacking and rotating horizontal wooden members around a pivot point
-defining the width of a booth while rising as high as double height of the faรงade.
Variation in ambience
Structure
Material Modification
Ceiling Wall
The Fins Double down and creates a pseudo wall and ceiling
Edge gets altered by the use of the materials
STANDARDISED- MASS CUSTOMISED PROJECT CRAFT Deli / SAMEEP PADORA & ASSOCIATES, Mumbai
Play of Planes
-wall Variation in -ceiling ambience
Material Modification -Coffee shop, Phoenix Market City, Mumbai, -arcade as a means to structure a reference to the type of a colonnaded walkway defining spaces of intimacy, pause and refuge. -This edge is designed as a wooden arcade, assembled by stacking and rotating horizontal wooden members around a pivot point.
-wall is the focal point created
Method
INDIVIDUAL IDENTITY-DRIVEN PROJECTS. Modifies
1Q1 KITCHEN AND BAR / KHOSLA ASSOCIATES, Bangaluru.
Building system
The Existing Building system gets modifed with the addition of arches Conceals
Exposes
Alters
Scale
The plan has a correlation created with the building structure
Deco character of the is brought out by integrating a prominent arched colonnade creating curiosity.
The flooring pattern creates a sense of reducing the height
Colour of the four planes create an sense of intimacy
Visual Articulation The furniture is a mix of fixed booth style seating, low and high restaurant tables and low sofas for lounging.
The cement arches, conceal the air vents
Tools
Medium
The arches in the facade enhance the height of the space, and catches the viewers attention
The
windows let in diffused light instigating uniformity
INDIVIDUAL IDENTITY-DRIVEN PROJECTS. 1Q1 KITCHEN AND BAR / KHOSLA ASSOCIATES, Bangaluru.
Building system
Scale
-Restaurant, Bar -The building was originally designed in a 1930’s Art Deco Style. -integrating a prominent arched colonnade into the existing fenestrations on the street level -The 20ft high ceilings of the space were treated with a series of repetitive vaulted arches and rendered in a red-oxide finish. -The flooring design was created with a bold and alternating striking linear pattern of local grey sadharhalli granite and black cuduppah stone.
Material
Method
- Columns - Arches
- series of repetitive vaulted arches
Red-oxide finish
-
-20ft high ceiling is rendered down by the addition of arches
-fixed to structure
-The flooring design was created with a bold and alternating striking linear pattern
-Floor: local grey sadharhalli granite and black cuduppah stone -Columns: Mild steel and then lacquered.
Columns Arches FLoor wall
- Columns Visual - Arches Articulation - FLoor - Ribbed wall
the
existing
Ideating Roles of an Interior Designer
Week 06-07 | FD PG Module 02
Role 1 | Intervening the Existing Brief: The Main concept kept in mind is retaining the essence of the site and carefully assessing how the intervention affects what exists. The ruggedness and the rawness of the existing site added more value to the elements in terms of reflecting the argument. The role of the interior designer here is reflected in how the idea of where to stop, and how far to go is seen. Light, being an indispensable attribute in the site, is enhanced along the entirety of the intervention, wherein the major idea of drawing attention to the displayed machines is the key factor. Structural retainment is sought after, but the modulation of volume get refected with the intervention.
ATTEMPT 1: ”Exploration
of
Materiality
and Modulation of
Volume creates an Expression in Space” Interior Techniques intended to explore 1. Fragmentation 2. Response to Light 3. Creation of Contrast 4. Division of Volume
ATTEMPT 3: The space has been designed creating a narrow, mystery driven entrance, with a skylight guiding the viewers to the entrance, opening it to a space with a semi-permeable view, making the viewer wonder on what comes next. The exhibition is Leonardo da vinci’s retrospective, open to every curious mind.
ATTEMPT 2: Altering materiality (or material property) and modulating volume can enhance the expression of space
The Ideation began with analysing the images in terms of which ones offered the most potential in terms of reflecting the argument. I began with sketching a rough idea, of how metal can be explored and then started working on the images on Photoshop. As the process went on I then looked for particular references in terms of what I wanted to show and in a few cases of them not being available
3
SKETCHUP
I used Sketch-up and Illustrator to make those elements. Then the postprocessing was completed on photoshop itself.
IMAGE
SKETCH
PHOTOSHOP
1,4,5 PHOTOSHOP
2
ILLUSTRATOR
Week 08-10 | FD PG Module 02
Role 2 | Standardised Interiors Brief: The Ideation began by exploring the definition and defy grid allowing the circulation path to evolve. The concept of fluidity is inspired by the idea of exploring and altering materiality, which in turn reverted to fulfilling the argument. Wood and its property of sturdiness, and the verticality along which is commonly used, is altered by allowing and exploring the wood bending technique, and also by using the materials like flexy ply and paper veneer to achieve the same. The exhibition and the exhibits are displayed along the path and the flow of element is used to navigate and create a visual connec- tion throughout the space. Modulation of the volume is explored in the existing site along with the element in itself, and one experiences a contrast in expression to what already exists. The material technique explored, is making a waffle structure of wood, and covering it with Flexi ply and paper veneer. The idea of multifunctionality is explored by making the element as a seater, stand, table, and to hold the exhibit.
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
Floor 8
Floor 9
Floor 8
Floor 8
Floor 9
Floor 9
Floor 8
The Defy and define grid lead to the understanding of using a defy grid creating a strict circulation with visual continuity
Floor 9
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Floor 9
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Floor 8
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Modulation of volume is explored in terms of PRODUCED BY AN AUTODESK STUDENT VERSION
linear space. The Circulation makes one enter on the 8th floor and exit on the 9th floor.
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introducing partitions breaking the monotony of the
B
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angled walls, desiging a path to move along with pause points from one machine to another, aslo creating visual focal points.
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PRODUCED BY AN AUTODESK STUDENT VERSION
Further exploring the defy grid using arches and
B
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SECTION A
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Floor 9 PRODUCED BY AN AUTODESK STUDENT VERSION
Floor 8
SECTION B
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Floor 8
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Floor 9
SECTION B
Further exploring the defy grid using arches and angled walls, desiging a path to move along with pause points from one machine to another, aslo creating visual focal points. PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
Week 11-14 | FD PG Module 02
Role 3 | Identity Driven Interiors Brief: Concept: The translation of the idea of Fluidity is carried along from the project 2, where it gets transformed into the floor as the major element which was not utilised in the previous attempt as it was one of the elements the existing site offfered. The idea is using the floor, and modulating volume by allowing the floor to form a ramp that leads to the exhibition, giving an idea of what to expect, and also creating an above the eye level connection to the machines in display. The Form of the Non structural elements is designed so as to create partitions, visual barriers, and also way finiding elements, creating more purpose. Techniques such as Fragmentation, creation of Contrast, Interplay of light, Fluidity, Seamlessness, and visual connection, are used in ideation and development of the concept. Modulation of volume is explore in all the three roles with exploreing two different materials Interior Techniques: -Modulation of volume -Altering material property -Visual Connection -Fuildity -Seamlessness
Existing Intervention From Role 2
Iterations were explored with keeping the floor as the main focus allowing it to create a volumetric play.
The idea of the envelope was taken forward by allowing it to develope from the design itself as a structural element.
Further the iterations evolved by allowing the machines to become the major focus letting the element take its shape by forming elements as visual guidance.
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
Connecting the points to derive the curve and applying the rule of the koch curve.
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
To arrive at the varrying thickness of the element.
Factral Rule: of the Koch Curve
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
+2250mm
+1650mm
0.0mm +450mm
+900mm
PRODUCED BY AN AUTODESK STUDENT VERSION
Current iteration of the element PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
Using points to plot the curve
Creating Modulation bringing in a change in circulation
The Elements with the objects.
Further the iterations evolved by allowing the machines to become the major focus letting the element take its shape by forming elements as visual guidance.
DETAIL 1
Steel Box 50*50*4mm External Wood Facing 25*700mm
DETAIL 2
Strip welded to support Steel Box 50*30*4mm
Steel Box 150*150*4mm Ramp Floor detail
Non- Structural Elements, -Creating visual connection, -Path Defining
Handrail curved 75*50mm External Wood Facing 25*700mm Steel Box 50*50*4mm Countersunk screw Head Countersunk screw Head DETAIL 1
Parapet Walls -Modulation in height, creates an alteration in experience, -Creating Mystery
Steel Box 50*30*4mm External Wood Facing 25*700mm Countersunk screw Head DETAIL 2
Ramp, -Leading the viewer to the exhibition -creating a higher line of vision
Details developed with the idea of using wood as the ramp base, which inturn was structurally supported by steel and metal chanels, providing stability and strength to the structure.
Display elements -Rounded by light -Creating a focal point
Exploded Isometric Drawing
Material Palette
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
Final Iteration
PRODUCED BY AN AUTODESK STUDENT VERSION
Appolian Gasket fractal generated starting from a triple of circles, each tangent to the other two, and successively filling in more circles
3
2
5
6
1
3
4
2
6
1
4
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
5
Intervention Envelope developing as a structure
Sectional Perspective
Envelope
Envelope
Ramp Primary circulation
Machine Display
Exploded Isometric View
Machine Display stand
5 3
2
6
1
4
Glass ramp with steel members for support
Ramp detail
PRODUCED BY AN AUTODESK STUDENT VERSION
Glass ramp with steel members for support
Details Development
Development of sectional perspective
Intervention
Envelope
Technical Perspective
Experiential Perspective
Fin.