AARUSHI CHADHA Interior Design Portfolio
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PROJECTS
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AM I QUEER-IOUS
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Site: Ludlow Street, New York Studio II
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SUGANDH RETAIL STORE
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Site: Ludlow Street, New York Studio I
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THE NEW SCHOOL CAFE Site: 6th East, 16th Street Drawing Interiors: 2D
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SUMMER HOUSE
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Site: Rajasthan, India Studio I
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JAPANESE DINING
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Site: New York, USA Furniture Design
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AD AGENCY MODEL DESIGN
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Site: Mumbai, India Physical Modelmaking
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MISCELLANEOUS Between 2020 - 2022
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Warmth
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01 PROJECT:
Am I Queer-ious?
LOCATION:
415 Broadway, New York
SUBJECT:
Studio 2
YEAR:
2022
The aim of this Studio was to closely study a non profit organisation and create a space that would reflect its mission and values. The space has been designed keeping in mind users from the queer community, anyone who has a queer individual in their circle, or even someone who want to become an ally. The entire project revolves around various forms of utilities of sustainable materials, including the master element, “terracotta,” which apart from reflecting the feeling of warmth and calm also takes meaning from the traditional brown stone color of New York, which depict a sense of belonging within diversity.
FLOOR 1 BUBBLE DIAGRAM Cafe
The first floor of the NGO weaves through a combination of public and private spaces for its users, providing two seperate
Guest Entrance
entries for guests and staff members.
Experiential Space
Functions like the experiential centre and cafe are an attempt Bathroom
Reception
to not only introduce a calm and safe environment for its users Staff Entrance
with greenery and materiality but, enlighten them with the journey of past and existing students through an installation. The use of hanging text, information, personal letters and art
Director Office
Staff Office Space
Amphitheater
Individual Sessions
foster a sense of relatability and acceptance, encouraging more individuals to join the community.
FLOOR 2 BUBBLE DIAGRAM The second floor aims to offer a theraputic experience for its members in a distict manner by providing a set of seating arrangements which encourages openess and inclusivity. It
Settling Space
gives users the freedom to choose their desired corner and settle into the environment with time. Bathroom
Psychologist Room
Natural light with warm and welcoming shades of terracotta help individuals receive a sense of comfort and solace, whereas, the use of portrait windows impart the users with a
Classroom
feeling of escape from the outside environment.
MEZZANINE BUBBLE DIAGRAM With an intention to utilize space efficiently, the addition of Mezzanine floor is also an attempt to play with the massive
Activity Space
height of the second floor’s ceiling. It is designed as a space that works parallel to the idea of therapy, but with an involvement of physical activities advised by the psychologists.
FLOOR 1: PUBLIC SPACING
FLOOR 2: AMPHITHEATER
The biopholic elements in the space are symbolic of refuge, prospect, mystery and fluidity. They evoke feelings of serenity in the midst of the space and the variety in seating in all the floors offer a unique sense of comfort and multifunctionality. The overall incorporation of curves and circles into the spacial design is constructed to convey an idea of exploration and uniqueness of each person’s journey with queerness. Furthermore, the usage of curves is also an association with fluidity and freedom of expressing oneself in their own terms, becoming a highly instrumental tool in designing furniture and the floor plans of the space. The spacial organisation weaves all activities of the community into one fabric, such as the experiential center, including hanging personal letters, artwork and souvenirs of current students and previous alumni to encourage the potential members, therapy and wellness rooms, lounges and common areas for gathering and fostering a sense of community and acceptance.
FLOOR 1: INDIVIDUAL SEATING
MATERIAL BOARD: AARUSHI CHADHA
Activity Room
MEZZANINE FLOOR PLAN SCALE: 1/2” = 1’-0”
Amphitheater
Classroom
Settling Space
Psychologist room Individual Sessions
Individual Workstations
FLOOR 2 PLAN SCALE: 1/2” = 1’-0”
Staff Reception
Director Office
Standing Stations
Experiencial Centre
Guest Reception
Administrative Stations Cafe Seating
Cafe
Staff Lounge
FLOOR 1 PLAN SCALE: 1/2” = 1’-0”
ACTIVITY ROOM
INDIVIDUAL SESSIONS PSYCHOLOGIST ROOM
SETTLING SPACE BATHROOM AMPHITHEATER
CLASSROOM
ADMINISTRATIVE SPACE STAFF LOUNGE BATHROOM CAFE
EXPERIENTIAL CENTER
CORRIDOR STAFF RECEPTION DIRECTOR OFFICE
GUEST RECEPTION
FLOOR 2: SETTLING SPACE
FLOOR 1: EXPERIENTIAL CENTER
MEZZANINE: ACTIVITY ROOM
Heritage
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02 PROJECT:
Sugandh Retail Store
LOCATION:
Ludlow Street, New York
SUBJECT:
Studio 1
YEAR:
2021
“Sugandh”, an Urdu word depicting fragrance is an ideation layout that brings forth the combination of experience and fragrance retail. The aim of this project was to study the transformation that is a result of an idea to blend tradition into a modern architectural space. The project incorporates of the following stages: 1. Reading the site 2. Fusing traditional elements into modern architecture. 3. Design Proposal
PRODUCED BY
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED B
MATERIAL AND COLOR MOODBOARD: AARUSHI CHADHA
Lotus Flower Table Displ
FLOOR 1 PLAN SCALE: 1/2” = 1’-0”
Herb Drawers Visual Map
Experiencial Centre
FLOOR 2 PLAN SCALE: 1/2” = 1’-0”
The inspiration of this model is my grand
flavour, she fills her vegetables with spice
Similarly, the same concept has been imp
have been hung in cloth pockets from the
T VERSION
Y AN AUTODESK STUDENT VERSION
BY AN AUTODESK STUDENT VERSION
Retail Display Shelves
Staircase Installation
lay
e
dmother and her unique style of cooking. In order to extract maximum
es and wraps them with a thread.
plemented in the staircase centre piece where a lot of herbs and spices
e ceiling to provide the visitors a fresh fragrance.
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
FLOOR 2: EXPERIENTIAL CENTER
PRODUCED BY AN AUTODESK STUDE
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02
01
1. Retail Display Shelves The display shelf design is an inspiration from lotus petals which has some inbuilt chairs to enhance the design of the structure and for the guests to sit.
2. Herb Drawers Visual Map The design has a light to dark gradient effect portraying the strength of smell. It is an attempt to bring the concept of fragrance in the space design itself.
3. Lotus Flower Table The inspiration of this table flower showing growth throu as a fully grown marble desig
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e has been taken from lotus ugh size variation and ending gn below the stairs.
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4. Experiential Center This space gives an opportunity to its customers to make their own fragrance by mixing various ingredients together.
5. Staircase One of the main elements of the store lies between the stairs to depict a traditional way of capturing scent in big cloth pockets to give its customers a unique experience.
Play
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03 PROJECT:
The New School Cafe
LOCATION:
6th E, 16 Street
SUBJECT:
Drawing Interiors: 2D
YEAR:
2020
The aim of the Studio was to create an inclusive space for students to wind down and spend time in a functional and visually appealing area with a subtle color scheme. Furthermore, it is an attempt to explore and coalesce various software tools to come up with a innovative yet practical space. The project incorporates of the following stages: 1. Reading the site 2. Balancing vibrant furniture with a subtle color palette 3. Design Proposal
FLOOR PLAN SCALE: 1/2” = 1’-0”
The design components include a refreshing space with subtle floor colors complimented by bright and vibrant furniture design. The objective was to create an environment for students to relax in an enlivening space. The variety within furniture design allows for constant rearrangement of the space, further adding value to the utility of the area. The elevated ground level adds more aesthetic value to the space, providing views of city.
FLOOR PLAN SCALE: 1/2” = 1’-0”
REFLECTED CEILING PLAN SCALE: 1/2” = 1’-0”
ELEVATION EAST SCALE: 1/2” = 1’-0”
ELEVATION WEST SCALE: 1/2” = 1’-0”
WINDOW DETAIL SCALE: 1/2” = 1’-0”
GEOMETRY
EAST SECTION SCALE: 1/2” = 1’-0”
CIRCULATION
NORTH ELEVATION SCALE: 1/2” = 1’-0”
PROGRAM
WEST ELEVATION SCALE: 1/2” = 1’-0”
Vintage
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04 PROJECT:
Summer House
LOCATION:
Rajasthan India
SEMESTER:
Studio 1
YEAR:
2021
The residence, Summer House is a blend between past and present, highlighting a strong connect with nature, adding a layer of personalisation through play of color theory and addition of a unique and aesthetic window system called Jali, a concept inspired by the Mughal architecture and is introduced in the design. Apart from acting as a medium of art, Jali also brings strength and stability to the overall structure. The hypothetical client, in this case, is interested in a strong sense of color, connection with nature and an addition of a unique and aesthetic window system to acknowledge the climate.
The furniture layout was designed to play with the element of light. The Jali remains the focal point while the spatial distribution is done keeping in mind the preferences of the client. It contributed towards creating a synchronous experience.
Raas, Jodhpur Lotus Architecture Image
DPS, Bangalore Photograph by Shamanth Patil J.
FLOOR 1 PLAN SCALE: 1/2” = 1’-0”
Red Fort, Delhi Photograph by Nigel Atherton
Festival, 1984, Japan Photograph by Tadao Ando
FLOOR 2 PLAN SCALE: 1/2” = 1’-0”
MATERIAL MOODBOARD: AARUSHI CHADHA
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
SECTION THROUGH LIVING ROOM AND BEDROOM SCALE: 1/2” = 1’-0”
PRODUCED BY AN AUTODESK STUDENT VERSION
TRANSVERSE SECTION SCALE: 1/2” = 1’-0”
MATERIAL BOARD
Apart from providing structural strength, the concept of Jali acts as a medium to allow light and air while minimizing extreme heat in the spacial design. It brings a unique element in the space and also helps in saving electricity in the day time.
Culture
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05 PROJECT:
Japanese Dining
LOCATION:
New York, USA
SUBJECT:
Furniture Design
YEAR:
2021
The project expected us to design a dining space inspired by a specific cuisine with a unique set of furniture. The cuisine of choice was Japanese and the core element taken as design inspiration is chopsticks. The purpose of the design was to create a different seating and dining experience providing a sense of flexibilty to the guests. It is an attempt to make product design seem minimal and comfortable to compliment the overall ambiance of the dining space. The furniture adds an experiential quotient in elevating the space.
The goal of the design is to highlight a commonplace yet very signature piece of cutlery in Japanese culinary culture while simultaneo
as seen in the back-rest of the chair. The sense of simplicity that this provides is crucial to evoke a feeling of calmness in the overall am the chair seat and the sharp linear structure of the concrete table are in contrast yet, complimentary to each other.
ously incorporating the element of verticality,
mbiance of the space. The soft cushioning of
The design components include a combination of hard and soft materials to provide a comfortable yet, attractive look for the chair. A slight slant in the back rest gives more room for the user to sit and relax in both straight and leaning positions.
FLOOR PLAN SCALE: 1/2” = 1’-0”
WEST ELEVATION SCALE: 1/2” = 1’-0”
EAST ELEVATION SCALE: 1/2” = 1’-0”
The chair designed in such a way that it provides ease of access of the user while also being visually appealing. The armrest of the chair is flexible and can be raised above to ensure ergonomical comfort in movment. The thought process behind this was to dissect the furniture into individual elements that increases the versatility of the furniture.
Contemporary
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06 PROJECT:
Ad Agency Model Design
LOCATION:
Mumbai, India
SUBJECT:
3D Modelling
YEAR:
2020
The aim of this project was to design and build a space that resonates with the creative minds. The class was expected to experiment with material and assemble a welcoming and cohesive space.
The vibrant and youthful decor style creates a dynamic vibe to the interior. Whereas, neutral base with rustic and earthy feel is complemented with pop elements. The model incorporates a blend of modern furniture, bold graphics, play of material, textures and finishes for experimental minds.
3D MODEL VI
MODERN CLASSIC CONTEMPORARY PAINTINGS RUSTIC FINISHES AND TEXTURES Contrast in neutral finishes create the foundation for this
MIX ‘N’
TYPOGRAPH
BRIGHT COLOU
Neutral tones set the b
space. Modern designer furniture in bright upholstery
Interwoven metal stripes w
is complimented with geometrical paintings of masters
complimenting partition. Su
and large light fixtures. Ombre fabric partition brings
lighting, grid structure in c
softness to the overall space.
classic and modern
ISUAL BOARD
MATCH
PLAYFUL AND MODERN
HY GRAPHICS
COMPLEMENTARY COLORS
UR HIGHLIGHTS
VERTICAL ROPE PARTITION
base for the office area.
with bright colours create a
An area for recreation and refreshment. Vibrant and bold look with pop art inspired artworks, comfortable
ubtle look of the decor and
modern furniture complimented by gloss finish tables.
ceiling is complimented by
Bright and clashing colour schemes create base to the
n fushion furniture.
overlook look.
Explore
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07 PROJECT:
Miscellaneous
LOCATION:
India and USA
SEMESTER:
I and II
YEAR:
2020 - 2022
The next section is an umbrella that is an insight into the designer’s process, references and the techniques therefrom. It includes a range of projects done at a different point of time and charts the path of development as a creator.
It incorporates a series of collages with a combination of hand sketches, snapshots and portraits. The work is assembled in a creative manner, letting the viewer experience the space both in photographs and manual sketche
E X P E R I M E N T A T I O N
Thank You