Issuu on Google+

3 M O D U L E S

T H E A T R E

C I N E M A

P L A Y H O U S E

SHERLOCK HOLMES THEATRE DESIGN ANDREA PIOTROWSKI 539567 ARCH DESIGN STUDIO: FIRE SEMESTER 2, 2013


THE PROPOSAL

THEATRE ANALYSIS + TOURS

PROPOSAL

HAMER HALL

PRESENTATION

LA LLOTJA THEATRE + CONFERENCE CENTRE

SITE PLAN PLANS ELEVATIONS SECTIONS MODEL CIRCULATION ATMOSPHERE PRECEDENTS

MELBOURNE RECITAL CENTRE AND MTC THEATRE MALTHOUSE THEATRE


THE PROCESS

MODELS

SITE ANALYSIS

LA LLOTJA LLEIDA THEATRE AND CONFERENCE CENTRE, SPAIN

INITIAL IDEAS THEATRE ANALYSIS DESIGN GUIDES

SITE ANALYSIS

CONCEPTUAL DESIGN

FINISHES BOARD TO INTERIOR OF CINEMA

FOYER MAIN VOID CONCEPT

BLACK BOX SET DESIGN

THEATRE DESIGN

3TCP FINAL MODEL

RESTAURANT DESIGN CINEMA CONCEPT AND INTERIOR DESIGN SET DESIGN BLACK BOX THEATRE CEILING CONCEPT EXPERIMENTAL ILLUSTRATIONS MARK UPS NOTES AND TUTOR FEEDBACK


THE PROPOSAL


Inspired by Russian constructivist works of Iakov Chernikhov, 3TCP explores the notions of form by addition and subtracWLRQRIVKDSH5HรHFWLQJWKHVXUURXQGLQJHQYLURQPHQWLQ PDWHULDOLW\YLDPDVVLQJRIPHWDOSDQHOVDQGJODVVPDWHULDOV to the exterior of the theatre the structure is a beacon and celebrates the vibrant and bold nature of drama and the SHUIRUPLQJDUWV7ZRJLDQWYRLGVDUHH[SHULHQFHGFDVFDGLQJGRZQLQWRWKHKHDUWRIWKHWKHDWUHLQWKHHQWU\IR\HU whilst the pure modern form is expressed in the bold horizonWDODQGYHUWLFDOร€QVHOHPHQWV 6HWEDFNIURPWKHVWUHHWSURYLGLQJDSXEOLFFRQJUHJDWLRQ space before entry between the massive feature columns to the Bourke street faรงade and leads in the foyer. I was DOVRLQVSLUHGE\FUHDWLQJDQDWPRVSKHUHWKDWUHรHFWHG LQZDUGVHQFRXUDJLQJSHRSOHWRORRNXSWKHYRLGVSDFH and into the sky above. The stairs and vertical circulation is articulated with colour to the interior. Both theatres are ORFDWHGEHQHDWKJURXQGOHYHORQ%DVHPHQWDQG%DVHPHQWOHYHOKRXVHVWKHEDFNRIKRXVHDQGGUHVVLQJURRPV under the rake to the main theatre. The basement level also compromises of the Blackbox and lower basement foyer IHDWXULQJDZDWHUIHDWXUHZKLFKUHรHFWVDPHWDOOLFVKHHW %DVHPHQWKDVWKHWKHPDLQWKHDWUHDQGODUJHVWIR\HUDQG FDQDFFRPPRGDWHXS72SHRSOHIHDWXULQJH[WHQVLYHULEEHGHOHPHQWVZKLFKรRDWRQWKHFHLOLQJFUHDWLQJD moody ambient atmosphere. Both the cinema and restaurant/rooftop are accesses via WKHJURXQGรRRUKHQFHZKHQWKHDWUHSHUIRUPDQFHVDUH QRWEHLQJKHOGWKHEDVHPHQWOHYHOVFDQEHEORFNHGRII DQGWKHDERYHJURXQGVSDFHVZLOOEHXWLOL]HG(QWHULQJWKH FLQHPDLVDOPRVWOLNHHQWHULQJDQXQGHUZDWHUZRUOGEOXH VXHGHSDGGHGZDOOVZLWKFRUDOSDWWHUQVWRWKHVHDWLQJ When the curtain raises to unveil the screen it becomes an DEVWUDFWDUWSLHFHZKLFKIROGVXSRQWRWKHFHLOLQJRYHUWKH DXGLHQFHDQGUHรHFWVQRWLRQVRIDYHLORUVXUIDFHWKDWWKH viewers are now encased in. The restaurant, on the other KDQGLVDGUDPDWLFJHVWXUHWRWKHFRUQHURIWKHVLWHDQGLV KLJKOLJKWHGE\WKHJLDQWร€QZKLFKSXQFWXUHVWKHVSDFHDQG WKHHPHUDOGJUHHQJODVVSRGVWRWKHH[WHULRUZKLFKLQWHUQDOO\DFWDVLQIRUPDOGLQLQJORXQJLQJERRWKV7KHURRIWRSEDU extends to the perimeter of the restaurant volume below and provides a relaxed atmosphere for visitors to have a drink and talk. The bar on the rooftop is covered by feature EHDPVH[SRVHGRQWKHH[WHULRUSURYLGLQJVKHOWHUWRWKHURRI area.


PRESENTATION


A

SCALE 1:200

B

C

D

E

LOWEST LEVEL FOYER AND BAR AND WATER FEATURE. BACKSTAGE CIRCULATION IN CIRCLE, FLOW OF ACTORS

F

G

VEHICLE TRAFFIC

539567

S RKE

ET TRE

ARCHITECTURE DESIGN STUDIO: FIRE 2013

SITE

BOU

TUTOR: PETA CARLIN

-­ THEATRE -­ CINEMA -­ PLAYHOUSE

N

ET

ANDREA PIOTROWSKI PEDESTRIAN

SCALE 1:500

SITE PLAN

N

SCALE 1:200

BASEMENT 2 FLOOR PLAN

TRE

LEGEND

3TCP

SITE ANALYSIS MODEL SCALE 1:500 ANDREA PIOTROWSKI ARCHITECTURE DESIGN STUDIO: FIRE SEMESTER 2, 2013

FINAL MODEL SCALE 1:200 ANDREA PIOTROWSKI ARCHITECTURE DESIGN STUDIO: FIRE SEMESTER 2, 2013

%RWKWKHFLQHPDDQGUHVWDXUDQWURRIWRSDUHDFFHVVHVYLDWKHJURXQGÁRRUKHQFHZKHQ WKHDWUHSHUIRUPDQFHVDUHQRWEHLQJKHOGWKHEDVHPHQWOHYHOVFDQEHEORFNHGRIIDQGWKH DERYHJURXQGVSDFHVZLOOEHXWLOL]HG(QWHULQJWKHFLQHPDLVDOPRVWOLNHHQWHULQJDQXQGHUZDWHU ZRUOGEOXHVXHGHSDGGHGZDOOVZLWKFRUDOSDWWHUQVWRWKHVHDWLQJ:KHQWKHFXUWDLQUDLVHVWR XQYHLOWKHVFUHHQLWEHFRPHVDQDEVWUDFWDUWSLHFHZKLFKIROGVXSRQWRWKHFHLOLQJRYHUWKH DXGLHQFHDQGUHÁHFWVQRWLRQVRIDYHLORUVXUIDFHWKDWWKHYLHZHUVDUHQRZHQFDVHGLQ7KH UHVWDXUDQWRQWKHRWKHUKDQGLVDGUDPDWLFJHVWXUHWRWKHFRUQHURIWKHVLWHDQGLVKLJKOLJKWHG E\WKHJLDQWÀQZKLFKSXQFWXUHVWKHVSDFHDQGWKHHPHUDOGJUHHQJODVVSRGVWRWKHH[WHULRU ZKLFKLQWHUQDOO\DFWDVLQIRUPDOGLQLQJORXQJLQJERRWKV7KHURRIWRSEDUH[WHQGVWRWKHSHULP-­ eter of the restaurant volume below and provides a relaxed atmosphere for visitors to have a drink and talk. The bar on the rooftop is covered by feature beams exposed on the exterior, SURYLGLQJVKHOWHUWRWKHURRIDUHD

6HWEDFNIURPWKHVWUHHWSURYLGLQJDSXEOLFFRQJUHJDWLRQVSDFHEHIRUHHQWU\EHWZHHQWKH massive feature columns to the Bourke street façade and leads in the foyer. I was also inspired E\FUHDWLQJDQDWPRVSKHUHWKDWUHÁHFWHGLQZDUGVHQFRXUDJLQJSHRSOHWRORRNXSWKHYRLG space and into the sky above. The stairs and vertical circulation is articulated with colour to WKHLQWHULRU%RWKWKHDWUHVDUHORFDWHGEHQHDWKJURXQGOHYHORQ%DVHPHQWDQG%DVHPHQW OHYHOKRXVHVWKHEDFNRIKRXVHDQGGUHVVLQJURRPVXQGHUWKHUDNHWRWKHPDLQWKHDWUH7KH EDVHPHQWOHYHODOVRFRPSURPLVHVRIWKH%ODFNER[DQGORZHUEDVHPHQWIR\HUIHDWXULQJDZDWHU IHDWXUHZKLFKUHÁHFWVDPHWDOOLFVKHHW%DVHPHQWKDVWKHWKHPDLQWKHDWUHDQGODUJHVWIR\HU DQGFDQDFFRPPRGDWHXS72SHRSOHIHDWXULQJH[WHQVLYHULEEHGHOHPHQWVZKLFKÁRDWRQ WKHFHLOLQJFUHDWLQJDPRRG\DPELHQWDWPRVSKHUH

ER S

BLACKBOX FOYER AND BACKSTAGE

MAIN FOYER TO THEATRE, BAR SPACE AND STORAGE SPACE TO BACK OF HOUSE

MAIN THEATRE

LARGE FOYER LOOKING INTO CENTRAL VOIDS

ENTRANCE AND THEATRES

PODS FOR INFORMAL DINING STAIR TO ROOFTOP LEVEL

RESTAURANT

FREE CIRCULATION

ROOFTOP BAR

Inspired by Russian constructivist works of Iakov Chernikhov, 3TCP explores the notions of form E\DGGLWLRQDQGVXEWUDFWLRQRIVKDSH5HÁHFWLQJWKHVXUURXQGLQJHQYLURQPHQWLQPDWHULDOLW\ YLDPDVVLQJRIPHWDOSDQHOVDQGJODVVPDWHULDOVWRWKHH[WHULRURIWKHWKHDWUHWKHVWUXFWXUHLVD EHDFRQDQGFHOHEUDWHVWKHYLEUDQWDQGEROGQDWXUHRIGUDPDDQGWKHSHUIRUPLQJDUWV7ZR JLDQWYRLGVDUHH[SHULHQFHGFDVFDGLQJGRZQLQWRWKHKHDUWRIWKHWKHDWUHLQWKHHQWU\IR\HU ZKLOVWWKHSXUHPRGHUQIRUPLVH[SUHVVHGLQWKHEROGKRUL]RQWDODQGYHUWLFDOÀQVHOHPHQWV

BASEMENT 1 FLOOR PLAN

SCALE 1:200

NC

GROUND FLOOR PLAN

SCALE 1:200

FIRST FLOOR PLAN

SCALE 1:200

ROOFTOP PLAN

SPE


  

  

 

 

  

  

  

  

  

 

  

  









  







   





  





   

    

  

  


SITE


SITE

63( (7

75(

(56

1&

6,7(

N

N

SITE PLAN 6&$/(

Located in the heart in the city, across the road from a major transport hub, Southern Cross Station the site lies on the corner of Spencer Street and Bourke Streets. In response to the context and local atmosphere and HQYLURQPHQW,GHFLGHGWRVHWWKHJURXQGĂ RRUEDFNIURP WKHERXQGDU\DOORZLQJVSDFHIRUSHRSOHWRFRQJUHJDWH DQGXVHWKHIURQWRIWKHEXLOGLQJLQDUHFUHDWLRQDOZD\IRU PHHWLQJDQGJUHHWLQJSHRSOH %DQQHUVKDQJIURPWKHHQWU\FROXPQIHDWXUHVDQGDFW DVDVLJQDJHDQGV\PERORIWKHWKHDWUHDGYHUWLVLQJWKH complex. The main entry faces Bourke street. )HDWXUHEROGHDYHVFDQRSLHVKDQJRYHUWKHH[LVWLQJ VLGHZDONVKDGLQJDQGHQFRXUDJLQJSHRSOHWRZDONXQGHU them, and perhaps even lead people to the entry. 7KHĂ RZDQGFRQJHVWLRQRQWKHFRUQHULVIUHHGXSE\VHWWLQJ WKHEXLOGLQJEDFNIURPWKHERXQGDU\PZKLOVWDOORZLQJ SHRSOHWRĂ RZXQGHUWKHEXLOGLQJIRUPV


FLOOR PLANS ELEVATIONS SECTIONS


PLANS

6&$/(

ROOFTOP PLAN


PLANS

6&$/(

FIRST FLOOR PLAN


6&$/(

GROUND FLOOR PLAN

PLANS


PLANS

6&$/(

BASEMENT 1 FLOOR PLAN


PLANS

6&$/(

BASEMENT 2 FLOOR PLAN


ELEVATIONS

6&$/(

NORTH ELEVATION


ELEVATIONS

6&$/(

WEST ELEVATION


ELEVATIONS

6&$/(

SOUTH ELEVATION


ELEVATIONS

6&$/(

EAST ELEVATION


SECTIONS

6&$/(

SECTION A-A


SECTIONS

6&$/(

SECTION B-B

6&$/(

SECTION C-C


MODEL


CIRCULATION


DIAGRAMS ROOFTOP BAR )5((&,5&8/$7,21

5(67$85$17

32'6)25,1)250$/',1,1* 67$,572522)723/(9(//$1',1*6 :,7+6($7,1*$5($6

(175$1&($1'7+($75(6

/$5*()2<(5/22.,1*'2:1,17292,'6 5,*+7$&&(6672%$/&21<6($7,1* /()7$&&(6672&,1(0$$1'5(67$85$17

0$,17+($75(

)520$9,(:'2:17+(92,')5207+( 0$,167$,5&$6(,172/$5*(67)2<(5 )257+(0$,17+($75(%$563$&($1' 6725$*(63$&(72%$&.2)+286(

%/$&.%2;)2<(5$1' %$&.67$*(

7+(/2:(67/(9(/+$6/$5*()2<(5$1' %$5$1'92,')($785(%$&.67$*( &,5&8/$7,21,1&,5&/()/2:2)$&7256


ATMOSPHERE


PRECEDENTS


,$.29&+(51,.+29 5866,$1&216758&7,9,6786(2)$'',7,21 2))250675&8785$/3/$1(672&5($7( '<1$0,&3(,&(62)$5&+,7(&785( ,$0,163,5('%<7+('(6,*1352326$/6 $1'%2/'1(662)&2/285$1'6+$3( :+,&+$33($56,1($&+2)+,6'(6,*16


THEATRE ANALYSIS


ARTS CENTRE MELBOURNE HAMER HALL ARM ARCHITECTS

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


LA LLOTJA LLEIDA THEATRE AND CONFERENCE CENTRE MECANOO ARCHITECTEN

7KHODQGPDUNEXLOGLQJVWDQGVDVDJUHDWDUFKLWHFWXUDOERG\VXUURXQGHGE\DODUJHRYHUKDQJFKDQJLQJWKHSURÀOHRIWKHFLW\LQDGGLWLRQWR SURYLGLQJDQHZSDQRUDPLFYLVLRQWRHVWDEOLVKDYLVXDOGLDORJXHEHWZHHQWKHHQYLURQPHQWWKHKLOORIWKH2OG&DWKHGUDODQGWKHULYHU 7KHEXLOGLQJLVPHDQWWRUHÁHFWWKHFLW\·VDPELWLRQWRKDYHDFRQJUHVVFHQWHUZKHUHPHHWLQJVQRWRQO\SURIHVVLRQDOO\EXWDOVRUHFUHDWLRQDO 7KHFORVHUHODWLRQVKLSRIWKHFLW\RI/OHLGDZLWKWKHULYHU6HJUHLVDFFHQWXDWHGWRXQGHUVWDQGWKHSODFHDVSDUWRIWKHPRUSKRORJ\RIWKHULYHU ZLWKRXWVHHNLQJWKHFRQWLQXLW\RIWKHXUEDQVWUXFWXUH7KLVZLOOPDNHWKHFLW\QHDUHVWWKHULYHUGHVLJQLQJWKHVLWHDVDQH[WHQVLRQRIWKHH[LVWLQJ pedestrian


SITE PLAN

//(,'$85%$1/$1'6&$3( 0(',(9$/&$7+('5$/%8,/721 +,//723+,*+(6732,17,1&,7<

$*5,&8/785($1' 9(*(7$7,21%$1' 723(5,0(7(52)&,7<

75$,1/,1(,172//(,'$

'6

7+($75(/2&$7('$70,'32,17 %(7:((1+,6725,&&$7+('5$/ $1'$'-$&(17725,9(5

2$

5 25

0

$-

SITE PLAN

6,7($1$/<6,6 (;,67,1*85%$16855281',1*6

&$53$5.$&&(66

3('(675,$1 &,5&8/$7,2163$&( $5281'3(5,0(7(5 2)%8,/',1*

7+($75($'-$&(17725,9(5 7$.,1*$'9$17$*(2)5,9(5 9,(:6$1'6855281',1*6

0$-25$57(5,$/52$' )((',1*75$)),&,172 7+($75(&203/(;


BUILDING ANALYSIS

ROOF

7+(92/80($1'7+(7+(0(2)7+(0$5.(7 THIRD FLOOR

SECOND FLOOR

FIRST FLOOR

GROUND FLOOR

BASEMENT 1

BASEMENT 2



&8%(



$'',7,212)1'&8%(

3

),;,1*2)&8%(

4

FORM FINDING

$'',7,9(92/80(

&+$03+(5,1*2)('*(6

5

7

$'',7,212)522)7237(55$&(6

)250$7,212)6+$3(

6

8

),;,1*2)522)723

),1$/&21&(37


VOLUME CANTILEVERS

29(5+$1*63527(&7,21)520 :($7+(5 0$,1)($785((/(0(17 0$66,9(&+$03+(5(' &$17,/(9(52)%8,/',1* )2505(3($7('7+(0( 7+528*+287352-(&7

REPLACING THE FRUIT MARKET

5(&855,1*7+(0(,17(51$/),1,6+(6 9,%5$17(;&,7,1*&2/2856 )520)58,70$5.(7$5(&855,1* 7+(0(72,17(5,25672,192.( 67,08/$7,21%()25((17(5,1* ,03257$1763$&(6 ,(0$,1 7+($75(&21*5(66+$//6(7&

0$,17+($75(,1',&$7,1* +,*+&2175$67$1'9,68$/ 67,08/$7,21%<86(2)&2/2856 ,1,17(5,25)851,6+,1*6$1' '(&25


FOYER SPACES

%/$1.63$&(0212&+520(

(175<)2<(5$71,*+7 &2/28560$.(%8,/',1* &20($/,9(

)81&7,2163$&($1' (175<726(&21'$5< 7+($75(*/$66)5217

/,*+7:+,7( 3/$67(5%2$5'),1,6+72 (175<+$//%/$1.63$&(

&$17,/(9(5(' 29(5+$1*72(;7(5,25 92/80(3529,'(66+$'(

CIRULATION SPACE

&2/285$1'$17,&,3$7,21

%5,*+7&2/2856,1)2<(5 7267,08/$7((;&,7(0(17 35,2572(17(5,1* 7+($75(

(;7(5,25 6$1'6721( */$66 ,17(5,25 3/$67(5%2$5' &2/285('3$1(/6:,7+ 5(/,()3$77(51


MAIN THEATRE

3526&(1,8067$*(

)/<72:(5/,*+7,1*%$56 &$1%(/2:(5('72 &+$1*(/,*+7,1*

'$5.,17(5,256 35(9(17 81:$17('5()/(&7,216 )520/,*+7,1* &$17,/(9(5('92/80(2) %8,/',1*)256+$',1* $1'6+(/7(5)25*5281' 86(

6($77+($75(

:22'(1)/2252)67$*( 67$*( 0:,'(;0 '((3

/2$',1*$5($)25758&.6 217+(*5281'/(9(/ 6$0(/(9(/$667$*( '5(66,1*52206$1' .,7&+(1

OTHER SPACES

6&(1,&%2;

522)*$5'(17+($75( 6721(*$=(%2

:,67(5,$3(5*2/$

%285*$,19,//,$3(5*2/$


MODEL PHOTOS

/(9(/352*5(66,21

 02'(/$1$/<6,1*7+( )/225/(9(/62)7+( %8,/',1*(;3/2'(' 9,(:2)02'(/ '(3,&7,1*%$6(0(7 /(9(/6  72*5281' $1'522)/(9(/6  



7 3

4

5

6


MELBOURNE RECITAL CENTRE AND MTC THEATRE ARM ARCHITECTS

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ÁRDWLQJ ZKLWH SLSHV RQ H[WHULRU ,QWHULRUV WKH SDWWHUQ RI ÁRDWLQJ FXEHV LV FRQWLXHG GRQH WKURXJK WKH SDLQWLQJ RI DQJXODU OLQHV 7KHDWUH space to be a black black space, to not distract the DXGLHQFHIURPWKHGUDPDRQVWDJH $50&203/(;,7<¶72208&+,61(9(5(128*+·


MALTHOUSE THEATRE ARM ARCHITECTS


THE PROCESS


SITE ANALYSIS


INITIAL IDEAS


FORM INSPIRATION - SKETCH MODELS


FORM INSPIRATION - SKETCH MODELS


FORM INSPIRATION - SKETCH MODELS


FORM INSPIRATION - SKETCH MODELS


THEATRE ANALYSIS


DESIGN GUIDES


CONCEPTUAL DESIGN


FOYER MAIN VOID CONCEPT


THEATRE DESIGN


RESTAURANT DESIGN


CINEMA CONCEPT AND INTERIOR DESIGN


SET DESIGN BLACK BOX


THEATRE CEILING CONCEPT


AMENITIES


EXPERIMENTAL ILLUSTRATIONS


67 *

675((7/(9(/

% %

63(1&(5675((76(&7,21$/(/(9$7,21



67



*

3

%

4

% 0$6602'(/9,(:6

0$6602'(/)/2256 ANDREA PIOTROWSKI 539567


MARK UPS AND FEEDBACK


NOTES AND TUTOR COMMENTS


MODELS


LA LLOTJA LLEIDA THEATRE AND CONFERENCE CENTRE, SPAIN

SITE ANALYSIS

3TCP FINAL

MODEL


FINISHES BOARD TO INTERIOR OF CINEMA

     

!!! ! 

!!! ! !

!!!  ! !

!!! ! !

!!! ! "%

!!!  ! !

" ! ! $

 " $ 

!  ! ! $ !

! $!! & !

##! !" !! $! $

BLACK BOX SET DESIGN

"! # ! $ !  !

      !$    !!"  !" !"! $


ARCHITECTURE DESIGN STUDIO: FIRE JOURNAL