


點,沒有方向、形狀、大小,是平面上可見的座落。
眼決定重心,賴焦距產生不同的視覺與心理,如散文中的文眼,讓紛亂雜沓的文 字,重新裁剪、切割明暗,讓舞台上的聚光燈據有照射的主角,當我的視線落下 ,事物就有了關聯,點、點、點,定義了完整的我。
兩點匯聚,我的目光成為軸線,有了方向和距離,捎帶印象派線條的流逝,增添 光陰荏苒。我經過的,點連成了線,只見到交錯,然後埋下錯綜的網,補捉世界 的能量,也交織構成曾經的動線。
點,不是足夠大的點就能成為面;大宗的線疏密排列才能構成嶄新的面。我擁有 了點、線、面,明白如何取捨,誠如黑白畫裡的面,將線面化,透過黑與灰的渲 染,在呈現焦點的同時亦隱現自己的存在。一齣舞臺劇的戲碼不只是男女主角的 相戀過程,是布幕道具的場景重現,是樂音漫漫的精心鋪陳,是幕後人員的焦點 所及,我們都望向同一個地方,也將回到四面八方。
最後一場的謝幕鞠躬,會在觀眾的掌聲中落下,那台下一雙雙的目光映著身影, 是我,柯延勳。
Point, devoid of direction, shape, or size, is a visible coordinate on the plane.
Eyes determine the center of gravity, relying on focal length to generate different visual and psychological effects, like the "eye" in prose, which reorganizes and cuts through the chaotic text, adjusting light and darkness. Thus, on the stage, the spotlight defines the main character. When my gaze falls, things become interconnected. Point by point, they define the entirety of me.
Two points converge, and my gaze becomes an axis, acquiring direction and distance, reminiscent of impressionist lines, adding the passage of time. Where I pass, points connect into lines, seen only in intersections, then forming a complex network to capture the world's energy, weaving the former trajectory.
A point, no matter how large, cannot become a surface; it takes densely arranged lines to create a brand new plane. I possess points, lines, and surfaces, understanding how to select and discard, like the surface in black and white paintings, turning lines into planes. Through shading in black and grey, it reveals both focal points and its own existence. The drama of a stage play isn’t just about the love story of the protagonists but also the scenes of backdrop props, the carefully laid-out music, and the focus of the backstage crew. We all look toward the same place and will return from all directions.
The final curtain call bows amidst applause from the audience, their gazes reflecting our figures below.
It is me, Ke Yen-Hsun.
KE YEN HSUN
Phone:(+886)927715842
E-mail:korean910630 gmail.com
https://issuu.com/__63jxune
經 歷
Experience
個 人 能 力
Personal Bility
2021 逢甲大學 建築專業學士學位學程
2022 台中蕭勝夫建築師事務所 暑期工讀生
2022 桃園文化局漫畫節 地景模型製作
2022 逢甲大學 建築學院院學會 公關部部員
30|June|2002
2022 海峽兩岸建築院校都市設計聯合工作坊 優異設計獎
2023 中國 東南大學 建築學院 建築學 交換學生
2023 第九屆中國人居環境設計學年獎 建築設計組 優秀獎
2023 台中佳樹建築工房有限公司 暑期實習生
2024 eVolo 摩天大樓設計競賽 參賽
2024 B-Lab|Betterment Lab 婆羅洲美學實驗室工作營
2024 逢甲大學 建築學院畢籌會 宣傳部部員
溝通能力
團隊合作
創作能力
自主管理
模型製作
電腦設計
軟 體 技 能 Softwares Skills
Communication Teamwork Creativity Management Model Making Layout Design
生態共生城市:循環塔
記憶交界:基於五感體驗的共時性遊園
: Schemes,Drawing,3D Modeling,Rendering,Model-Making
生態共生城市:循環塔
Forward-Looking Strategies for Vertical Cities
挪威 /斯瓦爾巴群島冰川邊緣地
Keywords: 自給自足、垂直城市、製冰
全球暖化議題源自於人為活動造成的氣候變遷,使自然界引發許多異常現象,全世界大量使用石化燃料造成溫室氣體大幅增加, 引起大氣與海洋暖化、積雪與冰山減少、海平面上升…等,並且慢慢反撲至人類社會也同時照應了在極地中的生物此時正面臨著 惡劣的生存環境。
The global warming issue stems from human activities causing climate change, triggering various abnormal phenomena in nature. Widespread use of fossil fuels worldwide significantly increases greenhouse gas emissions, leading to atmospheric and oceanic warming, reduced snow and ice cover, rising sea levels, and more. This impact is gradually reverberating into human society, concurrently affecting the harsh living conditions of organisms in polar regions.
The most important direct driver of biodiversity loss in terrestrial systems in the past few decades is changes in land use. The occupation of land resources directly leads to the reduction of species habitats, leaving many animals and plants "homeless"; since the industrial revolution, Human activities continue to accelerate the degradation of forests, grasslands, wetlands and other important ecosystems. So far, more than 85% of the earth's wetlands have disappeared; the original ecological environment has been converted into agricultural systems; and most of the oceans have been overfished.
The biodiversity report released by the United Nations in 2019 also shows that one-third of the world's land and three-quarters of fresh water are currently used for crop cultivation and livestock raising. Human activities "threaten other species more than ever before". The deterioration of land, ocean, climate...these elements of biological survival are inseparable from "human activities".
Swallowed Habitat
Architectural Portfolio | 2020-2024
Contribution : Schemes,Drawing,3D Modeling,Rendering,Model-Making
Ecological Chain
As glaciers melt, more bedrock will likely be exposed to the sea. Once the ice crosses the grounding line and just crosses the water, it will cause sea levels to rise Through the characteristics of ocean currents, we use it as an ecology between glaciers and oceans. The intermediary station prevents heat from invading glaciers, and at the same time uses this feature to provide energy and return habitats to polar creatures.
Establishing a bidirectional platform, clearly delineating urban and ecological zones, utilizing water resources and natural energy for power supply. Simultaneously, collecting CO2 generated within the city as a potential source of electricity, achieving the cyclical utilization of natural resources. This initiative aims to foster the vertical development of urban areas while facilitating coexistence with the ecological environment.
Ocean currents provide hydraulic power, propelling nutrient circulation in the marine environment to facilitate sustainable energy utilization. The objective is to harness ocean currents as the primary subaqueous energy source, complemented by surface ice formation to mitigate ecological impacts of ice melting. Considering the post-ice production CO2 residues' insufficient mitigation of overall warming exacerbation, the chimney effect is strategically applied for the collection and conveyance of CO2 to the zenith for treatment. This processed CO2 serves as a secondary power generation resource for vertical urban energy applications.
City
The phenomenon of urban high-rise buildings and super-high-rise buildings is not only the result of capital accumulation, but also a symbol of urban strength. Its core driving force is to save land and intensively share resources in the city through the vertical integration of functional spaces. purpose. Objectively understand the dialectical relationship between the natural growth laws of cities and social development needs, and maintain reflective rationality, so that the vertically growing city will truly become an ideal paradise providing comfortable life, environmental charm and spiritual value in the future.
Architectural Portfolio | 2020-2024
Contribution : Schemes,Drawing,3D Modeling,Rendering,Model-Making
Urban Development
1.waste heat collection pipes
2.Co2 collection pipes
3.vertical moving elevators
4.commercial district cities
Symbiotic Relationship
5.residential cities
6.new type of city
7.animal ramps
Urban trees and green spaces provide oxygen, absorb groundwater, and offer residents rest. However, urbanization threatens habitats. Protective urban planning aims to preserve ecosystems, ensuring biodiversity and a livable environment.
1.Ice making machines
2.artificial icebergs
3.waste heat collection pipes
4.Co2 collection pipes
Energy Regeneration
5.vertical moving elevators
6.residential cities
7.industrial zone cities
8.animal ramps
1.the penstock
2.turbine blades
3.water flow recovery pipe
4.fishing ground
5.traffic roads
6.external transportation system
Polar Symbiosis
Biological and Human urban symbiosis
Ice Making-Polar Bears and Seals symbiosis
Energy - Ocean currents and Plankton symbiosis
The possibility of realizing skyscrapers
The Co2 in the chimney pipe is collected and stored in an elastic air bag. The generator will first compress and condense the carbon dioxide into a liquid and store it, and at the same time store the waste heat generated by the compressed gas. When this large battery needs to rescue the power grid, it will use the previously stored waste heat. , the liquid carbon dioxide is vaporized to drive a second set of turbines, and finally the electricity is fed back to
The electric energy is transmitted to the ice making device, and the evaporator is used to directly cool the surface. The humidity in the space is continuously condensed upward on the surface, and the waste heat emitted by the heater is discharged into the chimney for recovery/the air is introduced into the water conduit to exert the effect of ocean currents. The electricity generated is used to make ice.
The sea current path is introduced into the sluice and the turbine is rotated. The turbine rotates a shaft, which rotates a magnet series copper coil and a generator to produce electricity; the introduced water flow is drawn upward to the water storage space, and then the water is filtered and discharged to both spirals. On the one hand, it is used by the people of the tower, and on the other hand, the organisms introduced by the water flow become a new technology fishery.
Architectural Portfolio | 2020-2024
Contribution : Schemes,Drawing,3D Modeling,Model-Making
記憶交界:
基於五感體驗的共時性遊園
Future Development Design for Archaeological Park Value
中國 /江蘇省南京市
南京西城丘陵山崗-鐘山西延余脉尾端
Keywords: 危險感、禪意、土地價値提升
記憶交界-集體無意識交錯時空
從魏晉到明淸、從戰爭到禪意──透過氣氛、感官的梳理與再現,讓人在時間維度,感受記憶的交疊,塑造集體無意識交錯時空 的神秘感。
Memory Intersection - Interweaving Collective Unconscious through Time and Space
From the Wei and Jin dynasties to the Ming and Qing dynasties, from war to Zen: Through the arrangement and representation of atmosphere and senses, one can feel the overlap of memories in the dimension of time, shaping the mysterious sense of intertwined collective unconscious.
Movement Flow Analysis Strategy
What Has Been Forgotten?
The layered walls of Shitou City through various dynasties — Under the erosion of modern cities, the solemn and dangerous aura of the Ming Dynasty walls and the Six Dynasties Shitou City walls, once a military fortress defending against foreign invaders, has been forgotten.— Sense of Danger
In Qingliang Mountain, literati and scholars of various dynasties once gathered to express their deep feelings — In these busy and noisy times, it's hard to express emotions, and the vital aspects of Wei-Jin elegance, Ming-Qing leisure, and the relaxed conversations of ancient people have been forgotten.
— Sense of Zen
The Qingliang Mountain and Shitou City area holds cultural value that spans Nanjing's history, yet few tourists visit. The park itself has been forgotten. — Value Enhancement
Park Cultural and Creative Products
Qingliang Mountain, the National Defense Park, and the Shitou City Ruins Park have similar atmospheres. The visitor experience is overly similar and handled rather blandly, not focusing on the emotional responses of people as the main subjects in different scenes.
Solution:
By combining the inherent atmosphere of the sites and utilizing multi-sensory expressions through spatial design, different emotional experiences for people in different areas can be created and distinguished. By recreating the sense of danger and Zen, the contrast within the site can be enhanced, creating a memory intersection for visitors between "ancient and modern changes" and "war and peace."
Two exits are set up, one above ground and one underground. The underground exit directly connects to a sunken plaza, providing a more pronounced flow guidance. The above-ground exit leads to a civic square with a stronger public character.
After passing through the site entrance array, ground soundscape, and the original bunker, the sense of danger from ancient wartime reaches its climax. This "Forgotten Bunker" exhibition at the ancient city wall ruins further recreates the site's memory through tactile and gustatory experiences.
As a transition point between spaces of dangerous tension and calming Zen, visual means are used here to reflect on war and look forward to peace. This allows people to complete an emotional and rhythmic shift while engaging in contemplation.
・ Acoustic Installation: Creation of a meditation space.
・ Rain Amplifier: Built on a slope, it collects rainwater on rainy days and stores it in a platform, allowing raindrops to fall from a wooden dome.
There are many schools around Qingliang Mountain, so this area can be integrated with Chongzheng Academy to create a serene space specifically for students.
1. Chongzheng Lecture Hall: Regularly hosts public cultural lectures.
2. Qingliang Tea Break: Garden tea house for relaxation and refreshments.
3. Qingliang Book Pavilion: Reading space, library, and exhibition area showcasing cultural and historical artifacts.
4. Qingliang Creative: Sells cultural and creative products.
Within the site's scope, there are Line 7 and Line 13 passing through. Therefore, this area will be designated as a subway station exit, complementing the plaza layout as the starting and ending points of the entire flow. This helps to establish this movement path as a node in the circular route planning.
Contribution : Schemes,Drawing,3D Modeling,Rendering
魚米共生,秦淮再構
Reconstruction of Nature and Qinhuai
中國 /江蘇省南京市 外秦淮河南岸
Keywords: 城鄉之間、親子互動、單元種植
- 人與場所: 人與河的互動限於遊船、沿河觀塔觀城,或可產生新的互動方式? - 人與自然: 此處的自然成為人工形成的景觀,是否可以創造不同的對話? - 「城」與「鄉」: 作為古城南京的邊界,能否有一種重新連結鄉村農家的可能?
- People and Place: Is the interaction between people and the river limited to boat tours, riverside towers for city viewing, or can new interactive methods be created?
- People and Nature: Can the artificially created natural landscape here generate different dialogues?
- "City" and "Rural": As the boundary of ancient Nanjing, is there a possibility to reconnect with rural farmhouses?
The site is located outside the Zhonghua Gate of Nanjing's ancient city wall, east of the Changgan Bridge, on the south bank of the Outer Qinhuai River, and adjacent to the Dabaoen Temple. The Outer Qinhuai River was born with the city of Nanjing and served as a moat, delineating the boundary between "city" and "countryside," as well as the boundary between "people" and "history." Today, as an urban green space and tourist belt, it also defines the boundary between "people" and "nature."
A steel space frame structure is erected as a planting unit, serving as an aerial corridor connecting both sides of the riverbank. Openings in the structure facilitate a water storage system that supports the irrigation needs of the planting areas above, while the space below is designated for secondary parent-child interaction zones and the establishment of a barge dock. This design effectively fulfills the function of a bridge, while also creating a transitional urban-rural zone that fosters parent-child engagement.
鋼結構片狀空間網架
Architectural Portfolio | 2020-2024
Contribution : Schemes,Drawing,3D Modeling,Rendering
The planting unit integrated with the building structure primarily relies on a framework connected to soilless cultivation trays and a water collection system, forming independent planting modules. These modules are connected to the steel space frame through a snap-on mechanism, creating a space for parent-child planting activities. This design not only avoids the environmental issues caused by traditional soil-based cultivation but also maximizes the environmental benefits through the integration of structure and planting activities.
Architectural Portfolio | 2020-2024
Contribution : Schemes,Drawing,3D Modeling,Rendering
可持續新型態竹構小學
西非 /塞內加爾 塞久區 R21
Keywords: 跳房子、可拆式竹構、流動性單元小學
小學的建築單元由當地易於取得的材料建造而成,包括粘土、竹子、沙子、輪胎、木樑和金屬板等。這些材料不僅是當地最常見且 具有可持續性的資源,更與當地文化深度契合。我們在設計中將這些在地材料與傳統孩童遊戲—跳房子的象徵意涵相結合,作為 整體規劃的核心概念,通過這一象徵性連結來劃分空間的屬性。在滿足小學建築基本功能和空間需求的同時,規劃設計還著重於提 供一個促進學生全方位成長的學習環境。這個環境不僅支持學術學習,還有助於促進學生的身心健康,創造出一個多樣化的場域, 激發學生的潛能,並滿足其發展所需的多元需求。
The elementary school building units are constructed from locally available materials such as clay, bamboo, sand, tires, wooden beams, and metal sheets. These materials, being common and sustainable resources in the region, are deeply integrated with local cultural practices. The design concept combines these local materials with the symbolic elements of traditional childhood games, such as hopscotch, forming the core of the overall planning approach. This integration is used to delineate spatial properties while ensuring that the fundamental spatial requirements of the school are met. Additionally, the design provides an environment conducive to the physical and mental development of students, fostering a setting that supports their academic and health needs. This diverse environment aims to stimulate each student's potential and address their developmental requirements comprehensively.
These planting spaces form a green arched corridor, serving as a public area with the potential to function as an open-air restaurant and a multifunctional practice space. The layout and interlocking structure of the units are inspired by the concept of the children's game hopscotch. By transforming the facade of hopscotch, the design emphasizes the free movement of children between classrooms, symbolically imbuing the entire site with dynamism and vitality.
Clay bricks are utilized as load-bearing structural walls, while bamboo is employed to create partitions that facilitate natural ventilation. Processed bamboo and overlapping bamboo forms are designed as vertical green planting spaces.
Contribution : Schemes,Drawing,3D Modeling,Rendering,Model-Making
Recycling waste paper into high-carbon building materials as alternatives
馬來西亞 /婆羅洲 古晉市 Think & Tink
Keywords: 紙類廢棄物、可持續性、造型磚
全球4-8%的二氧化碳排放與混凝土相關,這些影響主要由水泥引起;水泥工業是全球二氧化碳排放的兩大來源之一,佔人為排放 總量的5%。其中,50%的排放來自於生產過程中的化學反應,40%則來自於使用化石燃料的燃燒;在混凝土的體現能量中,運輸 僅佔7%,而水泥生產則佔70%。
水泥生產會導致大量的二氧化碳排放。為了減少對環境的負面影響,尋找來自廢棄材料的替代粘結劑已成為一個極為重要的目標 。從廢棄材料中生產的補充粘結材料可替代多達80%的水泥,從而顯著減少碳排放。
4-8% of total global carbon dioxide emissions are related to concrete, and these impacts are mainly caused by cement; the cement industry is one of the two largest sources of carbon dioxide production in the world, accounting for 5% of totalman-made emissions, of which 50% From the chemical process of manufacturing, 40% is generated by the use of fossil fuels; of the embodied energy of concrete, transportation accounts for only 7%, while the production of cement accounts for 70%.
The production of cement will cause a large amount of carbon dioxide emissions. In order to reduce this negative impact on the environment, it has become an extremely important goal to find alternative binders from waste materials. Supplementary binding materials produced from waste materials can replace up to 80% of cement.
Among the various materials, the primary reason for choosing paper bricks is their weight, which is over three times lighter than traditional brick materials. This results in reduced transportation and handling costs, improved construction efficiency, reduced structural load, and maintained safety.
The design module of the paper brick units is based on an interlocking mechanism. The horizontal connection between units uses the same interlocking method, while the vertical connections are structured using 3D-printed assemblies, allowing for mutual support in both dimensions.The sub-unit height is 40 cm, designed based on ergonomic principles.
These units can be stacked in even numbers to create usable furniture, such as tables or coffee tables. When scaled up, they can form modular walls. The lightweight nature of the material allows for easy disassembly and reusability.
Based on the selection of materials, the proportioning and testing were conducted, focusing on the three components: binder, aggregate, and natural fibers. In our study, we chose lime and paper pulp as the primary materials. These two components were combined in a 1:1 ratio to create the paper bricks. This mixture was carefully formulated to optimize the properties of the resulting material, ensuring that it meets the desired structural and functional requirements.
Architectural Portfolio | 2020-2024
Contribution : Schemes,Drawing,3D Modeling,Rendering,Model-Making
TIMELINE 2022-2024
Exhibition Curation
The following is a curated exhibition for paper bricks, with the exhibition space crafted by our team, and the publication of a book titled “Material Transformation 2024”.
In the experiment of shaping paper bricks using traditional casting techniques, an existing framework is combined with permeable fabric and fixed with wire to form the mold.
The mold is suspended in mid-air for the infusion of paper brick materials. By utilizing natural forces for shaping, experimental samples of paper brick forms are generated. This method aims to explore the diversity of forms created under natural conditions and to verify their potential applications in architecture and design.
The Good Enough Transformation (GET) initiative embodies this vision of a collaborative global practice. It brings together a diverse consortium of grassroots cultural organizations, arts and design universities, and architecture studios from around the world, including Burkina Faso, Canada, Cyprus, Denmark, France, Morocco, Malaysia, Mexico, and Sweden. The consortium focuses on integrating traditional wisdom, community engagement, placemaking, sustainable architecture, circular design, responsible farming, and productive landscaping. These efforts aim to create immediate, flexible, and transformative interventions to advance the green transition within the grassroots cultural sector.
In response to the implementation of the international green transition plan and the collaborative approach with the education sector, this project explores the potential applications of materials in architecture from multiple perspectives. It not only promotes the concept through book publications and exhibition curation but also shares practical experiences within academic circles through campus-based projects, actively advancing forward-looking architectural solutions.
Architectural Portfolio | 2020-2024
Contribution : Schemes,Drawing,3D Modeling,Rendering,Model-Making
Workshop/Internship and Model Making
透過校園與業界的實習經驗,我深入掌握了軟體操作、專案執行、建模和渲染等技能,進一步理解建築學的本質。同時,實習讓我熟悉 業界的專案流程,從時間管理、資源分配到團隊協作,為未來在建築領域的發展打下了扎實的基礎。
Through internships both on campus and in the industry, I have gained a deep understanding of software operations, project execution, modeling, and rendering, further enhancing my comprehension of the essence of architecture. Additionally, these internships have familiarized me with industry project workflows, including time management, resource allocation, and team collaboration, laying a solid foundation for my future development in the field of architecture.
By studying historical monuments, we gain a window into the events of the past and can examine how these events have shaped the present. Understanding the influence of past occurrences allows us, situated in the present, to critically absorb historical experiences as intellectual nourishment. Through this process, we can derive meaningful insights from history, facilitating the acquisition of knowledge that informs contemporary thought and practice.
The Twist Museum / BIG
Through computer-aided design and laser cutting for model making, we can accurately represent building structures and details. This process not only deepens our understanding of spatial composition, material application, and structural logic, but also helps us grasp the practicality and feasibility of designs, enhancing our overall comprehension of architectural systems.
In collaboration with industry partners, we curated an exhibition that highlights the unique landscape features connecting mountains, seas, and urban areas. The exhibition begins with physical landscape models and imagery, showcasing the intricate relationship between the environment and its surrounding context.
During my internship at the firm, I participated in the production of project models, an experience that deepened my understanding of the complexity of architecture. A building that can actually be constructed is not merely a collection of structures; it encompasses numerous details and design considerations. Throughout the model-making process, although we had to make sacrifices regarding certain details for practical reasons, this prompted me to rethink the significance of these details.
Phone:(+886)927715842
E-mail:korean910630 gmail.com
https://issuu.com/__63jxune
目光所及之處,皆是我的焦點 Wherever my gaze falls , it becomes my focal point