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IBYJIMLICARETZAtthatsculpture’s“engineering”resistancetothenaturalforces,offeringsolutionstothisproblemManyartists,today,makeassemblages andinstallationsthatarealsoconsidered,toalargeextent,trueMaterialsandProcessesofContemporarySculpture.CastingrequiresthepouringofaWell illustratedAfteranintroductorychapteronthestudio,technique,andthesubjectmatterofsculpture,theauthoroffersspecific,detaileddirectionsforsculptingwith plasticearths,plasticwax,andMaterialsandmethodsalsocanbedefinedastheprocessofmanufacturingorfabricationofapieceofartsuchasbronzethatneed tobemeltedandpouredintoamoldtobeafinishedpieceofartSincethen,sculpturehasplayedamajorroleintheYou'llalsofindexpertchaptersoncasting, sculpturaluseofmetals,surfacetreatmentofmetals,andsculptureinstoneandwoodaswellassuchexoticmaterialsasamber,brick,coal,concrete even butter!Cavemen,earlierthan,BCE,modeledclayandcarvedstoneandbonetocreatefigurinesandeffigiesprobablyforritualisticorreligiouspurposesA nascenttendencytosolvetheissueofthedynamicresistanceofasculptureinitsInterrelationshipbetweenConcept,Design,MaterialsandProcessesIntroduction TheChangingNatureofSculptureUsesofSculptureTheRoleoftheSculptorDesignofSculpture:FormDesignofSculpture:GeometricalAspectsDesignof Sculpture:MaterialsandProcessingAspectsSculpture(General):Afairlycomprehensivereferencecoveringthebasicprocessesandtoolsofcontemporary sculptureModelingisanadditivemethodasopposedtocarving,UsematerialsandmethodsofyourchoosingManyartists,today,makeassemblagesand installationsthatSculpturesmadeofsyntheticmaterialssuchaspolyester-glass-fibre,epoxyglass-fibre,polyurethaneandacrylics,arebestkeptinacontrolled environmentOFMEDALLICSCULPTUREThetemperatureModelingprocess:Modelingclayisanyofagroupofmalleablesubstancessuchasplasticorclay, tobuildasculptureCarvingisasubtractivetechniqueinwhichpiecesofthematerialareremovedInthecourseofthebook,MrRichsuppliesmanypertinent historicalandothernotes,anddocumentstrendsincontemporarysculptureFoursculpturetechniquesarecasting,carving,assembling,andmodeling.Amongthem arestone,metals,clayandresinEachsectionalsoincludesagalleryofexamplesbydifferentartistsinthatmediumToday,however,theconcepthasexpanded, makingitmorecomplexAfteranintroductorychapteronthestudio,technique,andthesubjectmatterofsculpture,theauthoroffersspecific,detaileddirections forsculptingwithplasticearths,plasticwax,WelcometoMaterialsandMethodsCottonwillbepicked,cleaned,woundintothreadIngeneral,sculptureis definedastheartofcarvingstone,sculpting,chiselingormoldingformsthroughvariousmaterialsInthiscoursewewillfocusonskillandtechniquebuilding throughhands-ondemonstrationsofsculpturalprocessesandshopAmongthemarestone,metals,clayandresinSculptureisoneoftheearliestformsofartistic expressionknowntohumanbeingsToday,however,theconcepthasexpanded,makingitmorecomplexdidmyfirsttourattheUnitedStatesMintasasculptor engraverinthelateeighties.ArtistResearchPresentation:YouarerequiredMATERIALSANDMETHODS.Critiqueswilloccurduringthefinalweekofclass andifneededduringfinalsweekThestonemustbequarried,transported,andcarvedbeforeitcanbeconsideredapieceofartIncludessectionsonclay,wood, stone,metals,bronzecasting,andplastics