TKUA Chun-Yu Huang 2014-2019 Architecture Design Portfolio-C

HUANG CYUN YU 黄羣育

2014 -2019 Architecture Design Portfolio

HUANG CYUN YU 黄羣育

2014 -2019 Architecture Design Portfolio

目錄 CATOLOG 大二設計 EA2 Deisign 基地之詩 Poem Of Site 大同社區中心 Da-tong Community Center

大三設計 EA3 Deisign 淡水藝術工坊 Tamshui Art Workshop 華山辦公大樓 Huashan Office Building

大四設計 EA4 Deisign 軟性結構 Flexi-Bone 人造地景:自然回歸 Nature Return

小設計 Mini Deisign 武

洪水狂歡

園 Wuhan Flooding Park

奇岩社區中心 Qiyan Community Center

畢業設計 Thesis Deisign 水土氣生 Born From Water, Earth And Air

大二設計 EA2 Deisign DA-TONG COMMUNITY CENTER

Da

大同社區中心 a-tong Community Center

SITE｜Taipei,Da-tong AREA｜400 m2

BUILDING TYPE｜Commuity Center

PROGRAM｜辦公室、屋頂花園、社區廚房、圖書室 視聽教室、托嬰中心

concept

屋上綠化 -簡易的農作

街道的立體堆疊 外廊道的串聯

鐵絲網皮層 -植物向著光去生長 自然而然的遮蔽最需要遮陰的地方

量體成形

圍塑

騎樓

堆疊

中庭 -光的引入 不管從個方向都可以看見自然

TAMSHUI ENVIRONMENT ART FESTIVAL WORKSHOP

大三設計 EA3 Deisign

Huashan Office Building

淡水藝術工坊 Tamshui Art Workshop

SITE｜Shin-Bei City,Tamshui AREA｜1800 m2

BUILDING TYPE｜Art Center

PROGRAM｜畫廊、工作坊、排練室、戲台 屋頂花園、會議中心

淡水 / 藝文記憶 淡水自古與宗教共生共存，而早期的大多台灣人並無休閒活動 最多的便是參與宗教帶來的藝文活動。 因此不只是淡水人，多數台灣人對藝文活動的共同記憶便是廟 前 迎新酬神的野台戲。 淡水清水岩則有著少見的固定式戲台，足以說明淡水的宗教藝文活動是非常興盛的， 但可惜的是那樣的戲台也因著實踐而破敗便拆除了，淡水人共有的那份記憶便就此消逝。

視覺

視覺穿透效果。

層次

數個平行且不完整的面疊加。

2D

平面

平面式的疊加。

1940

2000

表演空間

2016

空間分析 活動主要發生在上方的表演空間 但底下架高而產生的空間

視覺分析 在戲台的空間構成中以平行的板去切割整個空間，藉著創造層次創造出分明的前後景。

穿梭

也就是讓平面的布景藉著遠近排列互相遮蔽來提升立體感。

階梯 = 觀眾席

戲台

廟前廣場

廟

elevation E

卻剛好是小孩子的尺度

PA TH

SIGHT

PA TH

華山辦公大樓 Huashan Office Building

SITE｜Huashan , Taipei City AREA｜1400 m2

BUILDING TYPE｜Office Building

PROGRAM｜展示中心、會議廳、辦公室 、圖書室、廚房、花園

horizontal connect

vertical break

horizontal break

vertical connect

meeting office office office recreation meeting office office office entrance garden micro--enterprises micro--enterprises micro--enterprises recreation co-working co-working hall

in side

meeting & office

meeting & office

recreation

recreation

meeting & office

meeting & office

recreation entrance

recreation entrance

garden

garden

micro--enterprises

micro--enterprises

recreation

recreation

co-working

co-working

hall

hall

out side

personal

public

person

group

大四設計 EA4 Deisign

Drosera also known as, Sundew has many diffrent shapes of leaf , but in general, they all use same way to survive from extreme environmen(etc. desert , wetlands) .

Sundew evolved their leaf, the glandular tentacles, topped with sticky secretions, that cover their laminae. so they can hunt by themself.

At last, I mimiced the mechanism of sundew, using soft material to simulation. on the basis of it, i created my program.

By stretching unit to change the form, to make height difference, holes on horizon and vetical for catching ocean debris and protect those living in the river.

軟性結構 Flexi-Bone

SITE｜Tamshui,殼牌倉庫 AREA｜- m2

BUILDING TYPE｜LANDSCAPE

PROGRAM｜步道、生態浮島、垃圾收集

Carnivorous Leaf

Drosera rotundifolia

Drosera, commonly known as the sundews, is one of the largest genera of carnivorous plants, with at least 194 species. These members of the family Droseraceae lure, capture, and digest insects using stalked mucilaginous glands covering their leaf surfaces. The insects are used to supplement the poor mineral nutrition of the soil in which the plants grow. Various species, which vary greatly in size and form, are native to every continent except Antarctica.

Drosera World Distribution Map

sensor

trichomes

put together

glue

trap

metamorphosed leaf

suger

insect

twist

Photosynthesis

Wetlands

Desert

Moutain

Drosera filiformis

Drosera capensis

Drosera madagascariensis

Trigger(insect)

Activited

leaf twisting

Sundews are characterised by the glandular tentacles, topped with sticky secretions, that cover their laminae.

The trapping and digestion mechanism usually employs two types of glands: stalked glands that secrete sweet mucilage to attract and ensnare insects and enzymes to digest them, and sessile glands that absorb the resulting nutrient soup . Small prey, mainly consisting of insects, are attracted by the sweet secretions of the peduncular glands. Upon touching these, the prey become entrapped by sticky mucilage which prevents their progress or escape. Eventually, the prey either succumb to death through exhaustion or through asphyxiation as the mucilage envelops them and clogs their spiracles.

Death usually occurs within 15 minutes.

trichomes bending

Rest V = V TOP

V

TOP

BOT

V

H

BOT

H2O

TNV CA2+

CL-

K+

H2O

H2O

N

H2O H2O

Activited V > V TOP

BOT

CL-

K+

H2O

H

CL-

K+

H2O

H2O

H2O H2O

TNV

H2O

N

Study Model

From the motion of sundews, I tried to use different material and type to development my program.

Generation 1 . / soft structure

In generation one, I used silicon to mimic the form of leaf twisting and trichomes bending. By forcing air into its cavity, it could cause visible deformation.

Generation 2 . / soft & hard structure

And after it, In generation two, adamant material has been added for creat some directed motion.

Generation 3 . / soft structure & hard joint

Generation three was investigating how unit deformatin to affect entirety.

SINGLE BEAM

L

A

B

C

A

B

C

A

B

C

A

B

C

A

B

C

A

B

C

A

B

C

A

B

C

A

B

C

A

B

C

A

B

C

A

B

C

A

B

C

A

B

C

A

B

C

R

L=πR R=L/π

A

B

C

A

B

C

A

B

C

A

B

C

A

B

C

A

B

C

2D

B

A

C

inside A

B

C

outside

L

AB

SOFT & HARD

C

B A

C

B

CD

A

B

C

D

A

B

C

D

A

B

C

D

A

B

C

D

A

B

C

D

A

B

C

D

A

B A

C

A

B

C

SINGLE BEAM

activity

normal

A

B

C

A

B

C

SOFT BEAM & HARD BOARD

A B

C D

PYRAMID

A

B

C

D

A

pattarn test 01

B

C

D

A

B

C

D

A

normal

B

C

D

A

B

C

D

activity

A

B

C

D

activity

A

B

C

D

pattarn test 02 A

B A

B

A

B

A

A

C

pattarn test 03

B

B

A

B

C

D

A

B

C

D

A

B

C

D

A

B

C

D

D

A

B A

Type A

Type B

B

Type C

A

B

There are 5,250,000,000,000 pieces of plastic debris in the ocean. Of that mass, 269,000 tons float on the surface, while some four billion plastic microfibers per square kilometer litter the deep sea And every year , 8,000,000 tons of plastic trash ended up in the ocean from coastal countries.

Garbage Patch

Ghost nets Fishing nets left or lost in the ocean by fishermen – ghost nets – can entangle fish, dolphins, sea turtles, sharks, dugongs, crocodiles, seabirds, crabs and other creatures.

These nets restrict movement, causing starvation, laceration and infection, and, in animals that breathe air, suffocation.

Ocean pollution ingestion Hundreds of thousands of sea turtles, whales, and other marine mammals, and more than 1 million seabirds die each year from ocean pollution and ingestion or entanglement in marine debris. Marine debris is manmade waste that is directly or indirectly disposed of in oceans, rivers, and other waterways.

Ocean pollution ingestion As fish is the primary source of protein for nearly one-fifth of the human population, it is important to consider that the microplastics ingested by fish and crustaceans can be subsequently consumed by humans as the end of the food chain.

Nurdles Microplastics

The Ocean Cleanup Project has estimated that there is up to 5 trillion pounds of plastic in the sea, and two-thirds of it comes from the 20 most contaminated rivers - 67% of the global total.

Catchment

Country

Surface area (km2)

Yearly average discharge (m3 s-1)

Top 20 polluting rivers as predicted

Researchers at the Ocean Cleanup Project have estimated up to 5 trillion pounds of plastic is floating in the sea, and two-thirds of it comes from the 20 most contaminated rivers - 67 percent of the global total. and it hard to believe a river which near by the city i lived ,tamshui in this list.that why i choose tamshi for my site.

Tamshui river

Keelung river

Xindian river Dahan river

This picture was shoot in may 2017, after a huge storm, tamshui river was covered by debris and garbage. this is the view which we can saw after a typhoon or rainy season.

It beacause before the enviroment protect law has been made. those who lived by dahan river and xindian river used to dump their trash on riparian. . and after years, covered by weeds, although they Looks very natural, but whe it rains, those invisible trash would scour into river.

normal

Dahan river

after typhon

Mean Monthly Rainfall Monitoring Points

Mean Monthly Drifting Debris

Smoking Debris

Fishery Debris

Domestic Debris

Wazihwei Marine Debris Top 10 Marine Debris

Fishery Debris

Domestic Debris

Smoking Debris

others

rubber band toy

spoon

ring-pull

fabric

glass bottle

cigarette butts

fabric

container

straw cap

rope

container

nylon line

straw

bottle

cap

plastic bag

plastic bag

styrofoam

plastic debris

others

toy

bottle

plastic debris

buoy

ďŹ shing line

plastic fabric ďŹ shing net

cigarette case

styrofoam

cigarette butts

foam

lighter

Floating islands can create valuable rest stops for migrating song birds.

Twice a year, migrate from the northern states to the south for the cold winter months. Many are nocturnal migrants, meaning they travel at night. As a result, when they are flying near buildings, the night-time city lights, especially on very tall buildings can confuse the birds. Sometimes they crash into buildings and other times the decorative holidays lights can disorient the birds and cause them to circle around for hours before finally settling down exhausted. Several cities have a lights-out policy during these migratory periods. Our islands can provide an excellent resting place in urban ponds for the tired birds on their long trek south. The native plants on the island will attract many birds. Native plants attract native insects which are the food source for 96% of songbirds.

No. of species

1

2

3

4

5

6

7

8

9

10

11

12

Bird season

Fish thrive under BioHaven islands with a rich food source.

Monitoring Points

No. of individual No. of species

1

2

The floating island creates a natural sanctuary for spawning with underwater protection. The roots that grow down below the island provide a useful hiding spot for fish.

They also provide shade to cool the water for fish. In addition, many small fish at the bottom of the food chain eat the micro-organisms that develop on the roots. Once the biofilm has established itself, the food web surrounding the island will naturally grow in complexity until it eventually teems with a large diversity of organisms that reflect the local ecology.

3

4

5

6

7

Fish breeding season

8

9

10

11

12

Type A

Type B

Type C

INFORMATION SITE

UNDER THE NEST

UNIT - 1 SIZE - 80*80cm MATERIAL - BAMBOO FUNCTION - SPACE T

SECTION

80

250

PLAN

250

ELEVATION

TRUSS

INFORMATION SITE

ABOVE REDWOOD

UNIT - 2 SIZE - 300*300cm MATERIAL - CONCRET FUNCTION - FOOTING

FISH REEF & TETRAPODS

120

PLAN

625

310

200

250

ELEVATION

TE G

INFORMATION SITE

in the cage

UNIT - 3 SIZE - 500*500cm MATERIAL - METEL / FUNCTION - FORM

ELEVATION

40 110 Barbed wire seawater to through,And keep alive

allows pass fishes

SECTION

240

1000

PLAN

/ WIRE NETTING / MEMBRANE

INFORMATION

UNIT - 4 SIZE - 20*20cm MATERIAL - PLASTI FUNCTION - BRICK

SITE

pool

hidden water

40

240

SECTION

PLUG

1000

PLAN

110

ELEVATION

IC

畢業設計 Thesis Deisign BORN FROM WATER ,EARTH AND AIR

水土 Born Fr

土氣生 : 數位化的游牧生活 rom Water ,Earth And Air Digitalized Nomad

SITE｜Qingtiangang, Yangmingshan National Park PROGRAM｜研究室、觀察站、住宿 KEYWORD｜+ Big Data + Organic

+ Soft Material + Scenario

+ Pneumatic

+ Nomadic Architecture

前言 「建築是居住的機器」柯比意曾這麼說過，但在

現代的世界依然如此嗎 ? 機器只能被動的執行

被設定好的行為，但在數位時代下的技術革命 和數位製造技術的進步，為建築帶來了新的概 念。物質的世界與電子的世界正互相影響，現實 與虛擬正逐漸混合。

而我想在這個數位化的時代中重新描繪人、建 築、自然三者之間的關係，而我選擇用游牧建築

來回應，以建築來說，游牧文化這件事情裡面包

含著在不同的季節地點的選擇，平面的配置以 及建築的形式。這些行為是他們用了數百年來 的時間，與自然的互動下達到的平衡。不像大部

分的建築都是某個片段的凝結，游牧建築是一 個動態的具有生物性的系統。

如同科比意所言“Every product of the spirit or

of the hands carries the imprint, the mark, the stamp of a concept of beauty. ”

我認為這也定義了我所認為的遊牧建築，游牧 建築的成長發展的過程是人與自然的協調下誕

生的。不像大多數的建築在設計完成後就靜止 了下來，游牧建築是一個動態的具有生物性的 系統。

因此我以參數化的模式來描述游牧這件事情， 我將設計拆為兩個部份，第一個部分是容易拆

卸組裝可因應需求控制變形的充氣皮層;而第二

部分則是去建立建築在環境中定位的的系統， 將環境資訊參數化後，藉由各機能所需環境參 數來篩選正確的基地位置。並藉由結合兩者來 生成，不同季節對應的結果。

仿生系統 | BIOMIMIC SYSTEM 藉由結合兩種生物，黏菌與毛氈苔的特性來創造 仿生的皮層系統。

黏菌是由相同的單元組成藉由單元的移動與拆

解於組合來達到整體變形與移動。而毛氈苔則是 藉由細胞間的壓力差的來達到面的形變。 皮層單元設計 | SKIN UNIT 皮層以上下兩層單元互相卡接並分為內外層氣

袋。外層氣袋藉由上下層壓力差，改變形狀，回應

內部機能以及環境參數之需求。內層氣袋則是藉 由充氣程度來控制開口大小，藉此控制與外部環 境連結，用以調節內部環境。

Jhuzihhu

QINGTIANGANG

Menghuan Pond Lengshueikeng

Siaoyoukeng

yang ming mountain

游牧建築 | NOMADIC ARCHITECTURE 以建築來說，游牧文化這件事情裡面包含著地點 的選擇，平面的配置以及建築的形式。

游牧建築的成長發展的過程是人與自然的協調 下誕生的。不像大多數的建築在設計完成後就靜 止了下來，游牧建築是一個動態的具有生物性的 系統。

定位系統 | LOCATE SYSTEM 以參數化的方式，來分析遊牧民族遷移的機制。 藉由將環境中的資訊數值化，並設定多項機能對 環境的需求，以此找尋不同聚落於不同的季節應 有的位置。

實驗場 | EXPERIMENTAL FIELD 陽明山作為實驗場，以此方法去分析這塊基地， 將基地分為兩公尺乘兩公尺的網格，四十萬個資 料點，並輸入不同的軟體來做分析。

從斜率與方向，它會影響到使用的舒適度與是否 面向陽光；地表的逕流避免進到容易淹水的區塊

；日照分析則決定了具有不同使用時間的機能， 坐落的位置；土地使用分析是用來避免結果落在 林間的位置；然後風場的分析在不同季節具有不

同的用處，在春夏兩季來尋找舒服的風，在秋冬 兩季則是用來多躲避強風。

terrain(slope) sunshine duration planting

03

studio

01

surface runoff

wind pressure

living room

02

04

01 視覺化基地數據

02 視覺化資料篩選流程

並分隔為2.5*2.5米網格，包含了40萬分析點。分析

同PROGRAM裡設定不同的參數，並以此找到符合條

基地選擇為陽明山擎天崗，面積約為2.5平方公里， 資料包含斜率、斜向、地表逕流分析、日照分析、風場 模擬、地表使用視覺辨識。

將外在環境中的資訊數值化來構成資料庫，並在不 件的基地位置。

observatory

bathroom

complex

wind

03 冬季游牧基地選取與平面生成

04 冬季聚落剖面

及多項機能點位的重疊，來生成平面圖。

機能所對應的皮層，並以環境參數去改變，以此去生

藉由多項機能生成分析點的複合篩選，與生物資訊

program設定為一個生態觀測站，藉由設計了不同 成不同季節的建築形式。

WINTER PLAN 1:200

PROTOTYPE SECTION 1:50

DINING ROOM

YARD

BATHROOM

STUDIO

OBSERVATORY

BEDROOM

TOILET