Seven Days, June 1, 2016

Page 32

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SD: His stuff is a little more … maybe debauched? But I don’t think he exists if not for you. RN: Maybe. He’s perhaps a little more cynical, in a way.

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SD: You have a new solo album that is due out this summer, correct? RN: No. It probably won’t be out until next year, because I’m doing a couple of movies and won’t be able to go on the road with it or do anything for it. So I’ll finish it this year, certainly. Then I’ll do Cars 3 and Toy Story 4, so for a couple of years I’ll be busy.

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SD: So part of the issue is that listeners are more conditioned to expect confessional, heart-on-sleeve songwriting? RN: And for good reason. The people who have always liked me best are the people who do songwriting for a living. Singer-songwriters and people in the music business have always been big fans of mine, or more so, unfortunately, than the public has been. I wanted that, you know? And sometimes you get what you want. SD: The term ā€œsongwriter’s songwriterā€ is affixed to you more than to anyone else I can think of. RN: I’m proud to have it. You want people you admire to like what you do.

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SD: You rarely write autobiographically or confessionally. You’re almost always a step or two removed from the characters in your songs. I wonder if that has led to some of the misunderstanding or misinterpretation of your music? RN: Absolutely, because it’s an unusual use of the form. People don’t do it. I’ve said a number of times that songwriters ought to have the same latitude as short-story writers, where it doesn’t have to be some kind of personal or confessional thing. I was always more interested in the lessthan-heroic mode. In so many songs, in one way or another, the singer is the hero of the piece … [For instance,] his heart is broken all over the place, and it’s noisy. No matter what it is, it interests me less than writing about people who are a little off in some way. And that’s not the norm.

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SD: In the meantime, can you tell me a little about the record? I understand you have a song about Vladimir Putin. RN: Yeah, I do. [Sings] ā€œPuttin’ his pants on one leg at a time / He’s just like a

regular fella? / He ain’t nuthin’ like a regular fella.ā€ And it goes on. I hope he likes it. SD: Is there a line about him riding on horseback shirtless? RN: Yeah. ā€œWhen he takes his shirt off, he drives the ladies crazy / When he takes his shirt off, he makes me wanna be a lady.ā€ SD: [Laughs] Nicely done. RN: ā€œCrazyā€ and ā€œlady.ā€ Now that’s something they wouldn’t do before 1954. And they’re probably right. SD: It’s not a natural rhyme. RN: It’s a natural rhyme, but not a good one. SD: Fair distinction. You also wrote about the conflict between science and religious fundamentalism. What can you tell me about that song? RN: Well, it’s about eight minutes long. And it’s about a guy who is in an arena, and he says, ā€œWe’re gonna decide here, tonight, about important matters, like dark matter and global warming.ā€ And on the one side he’s got the true believers, the Presbyterians, Episcopalians, the Quakers, Shakers, bakers, you know? And on the other side are the scientists. So, he has a debate, sort of, that goes on. It’s good. It’s funny. And it’s long, but it doesn’t seem to me like it’s too long. And I’m not my biggest fan. SD: Are you critical of your own work? RN: Yeah, very. I never used to listen to it once I did it. But now it’s so easy. You dial up Spotify, and there it is. So I find that I’m listening to myself more than I ever did in my life. Which is still not a lot. When I made a record, I would never listen to it again. SD: Now that you are listening to some of them again, what do you think? RN: What I think mostly is that I’ve been the same. I’ve been consistent. My last two albums, if they’re not the best, they’re very close to it. I don’t think I’ve slipped, particularly. Though that’s hard to say. And I’m proud of that, because it’s not always the case in pop music. People give their best work before they’re 30. But I don’t think I have. SD: Do you think that’s because you’ve had so many other projects besides just your own music? Maybe that keeps you fresh in your own writing? RN: I think so. I think you’re right. Doing pictures, you have to push yourself to use more than five chords.


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