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Neverthelessitisnot–manifestly–anabsenceofstylebutratheroneparticularkindofstyleCicerofirstcoinedtheterminDeOratore,whereheoutlinesthree levelsofstyle(grand,low,andinter-Thepsalms,war,androyaliconography:KatherineParr'sPsalmsorPrayers()andHenryVIIIasDavidAnalysedecelivre dedevotionpriveecomposedanslalignedelapastoraledeCranmerpourfairelependantdeslivresliturgiquesofficielsdelareformeanglicaneShemeritsfar greaterrecognition,however,onseveralotherfrontsFluentinFrench,Italian,andLatin,Parralsobegan,outofnecessity,tolearnSpanishwhensheascendedto thethroneinTotheextentthatsheispopularlyknown,KatherineParr(–48)isthewomanwhosurvivedKingHenryVIIIashissixthandlastwifeFluentin French,Italian,andLatin,Parralsobegan,outofnecessity,tolearnSpanishwhensheascendedtothethroneinAsHenry’swifeandqueenofEngland,shewasa notedvitaltouchstoneforHenryduringthes,andParr’stimelyPsalmsorPrayersIofferabriefhistoryofParr’sprayerfromuntilitsappearanceintheBookof CommonPrayerin‘PrayfortheMonarch:TheSurprisingContributionsofQueenKatherineParrandQueenElizabethItotheBookofCommonPrayer’,Times LiteraryEspritdecelivre,reveleparlechoixdesthemespuisesabondammentdansleIIIeLivredel'ImitationdeJesus-Christatraverslatraductiondecelivre parlemoinebrigittinRichardWhitford(enTotheextentthatsheispopularlyknown,KatherineParr(–48)isthewomanwhosurvivedKingHenryVIIIashis sixthandlastwifeTheLamentationOfASinner,madebythemostvirtuousLadyQueenKatherine,bewailingtheignoranceofherblindlife,setforthandputin printattheSermoHumilisinKatherineParr’sPrayersorMedytacionsSermohumilis,thehumbleorlowstyle,rejectstheconscioususeofrhetoricParr’s translated‘APrayerfortheKing’reinforcesthesesamemonarchicalidealsasitasksChristtohelpHenryremainobedient,prudent,andfearfulandtorewardhim withKATHERINEPARRShemeritsfargreaterrecognition,however,onseveralotherfronts