Jewellery & Watches

JEWELLERY

WEDNESDAY 10TH SEPTEMBER 2025

Lot 368

Front Cover: Lot 464 & 467

Back Cover: Lot 440

TO BE SOLD BY AUCTION:

25 Blythe Road, London W14 0PD

AUCTION:

Wednesday 10th September 2025, 11am, precisely

PUBLIC EXHIBITION:

Sunday 7th September, 12pm to 4pm Monday 8th September, 10am to 8pm Tuesday 9th September, 10am to 5pm

SALE NUMBER OA0164

ENQUIRIES:

Justin Roberts, Head of Sale

Matthew Barton

Henrietta Grant

CONSULTANTS:

Anabel Yorke (Jewellery)

+44 (0)20 7806 5545 jewellery@olympiaauctions.com

ONLINE CATALOGUE AND LIVE INTERNET BIDDING AVAILABLE THROUGH:

www.olympiaauctions.com

www.the-saleroom.com

www.invaluable.com

www.drouotonline.com

IMPORTANT INFORMATION FOR BUYERS

1. INTRODUCTION

The following notes are intended to assist Bidders and Buyers, particularly those who are inexperienced or new to our saleroom. The sale of goods at our auctions are governed by our Terms of Sale (for Live Auctions or Online Auctions as applicable), our Privacy Policy, the Important Information for Buyers, and any notices that are displayed in our saleroom or announced by the Auctioneer (in the case of a Live Auction) or displayed on any Listing for a Lot in our Online Auction catalogue (in the case of an Online Auction) (collectively, the “Terms and Conditions of Business”). The Terms and Conditions of Business are available for inspection on our Website and at our saleroom on request. Our staff will be happy to help you if there is anything in our Terms and Conditions of Business that you do not fully understand. Please make sure that you read the applicable Terms of Sale carefully before bidding. If your bid is successful, you will be obliged to comply with our Terms of Sale.

2. AGENCY

As Auctioneers we usually act on behalf of the Seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your Contract for your purchase of the goods is with the Seller, not with us as Auctioneer.

3. ESTIMATES

Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular Lot. Estimates may change and should not be thought of as the Lot’s value or predicted sale price. The lower Estimate may represent the Reserve price (the minimum price for which a Lot may be sold) and will not be below the Reserve price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the Auctioneer before the auction of the Lot (for Live Auctions), or on the Listing for a Lot in our Online Auction catalogue before the auction of the Lot (for Online Auctions). They represent a matter of opinion and are not definitive.

4. BUYER’S PREMIUM

The Terms of Sale oblige you to pay a Buyer’s Premium at 25% on the Hammer Price of each Lot purchased. The Buyer’s Premium is subject to VAT at the standard rate (currently 20%).

5. VAT

The following paragraphs are intended to give general advice on VAT for items purchased at auction. We have covered the common situations, and this may not be comprehensive.

We are unable to offer Tax advice and we suggest you seek independent advice if you require clarifications or further information.

5.1 Items in our catalogue may be marked in the following ways:

(a) (†) indicates that VAT is payable by the Buyer on both the Hammer Price and the Buyer’s Premium. VAT will be chargeable at the standard rate (presently 20%) for most Lots. Qualifying books will be charged at 0%. This imposition of VAT is likely to be because the Seller is registered for VAT within the UK and is not operating the Dealers’ Margin Scheme on their consignment to us.

(b) (‡) indicates that the Lot has been imported from outside the UK using customs Temporary Admissions procedures. Import VAT of 5% (reduced rate due to nature of the Lot) is due on the Hammer Price and an amount in lieu of VAT at 20% will be included in the Buyer’s Premium. This VAT on the Buyer’s Premium cannot be itemised separately on our invoices. The successful Bidder and therefore Buyer of the Lot will become its importer.

(c) (Ω) indicates that the Lot has been imported from outside the UK using customs Temporary Admissions procedures. Import VAT of 20% (higher rate) is due on the Hammer Price and an amount in lieu of VAT at 20% will be included in the Buyer’s Premium. This VAT on the Buyer’s Premium cannot be itemised separately on our invoices. The successful Bidder and therefore Buyer of the Lot will become its importer.

(d) Lots which do not display one of the above symbols (referred to herein as unmarked Lots) have no VAT payable on the Hammer Price. This is because such Lots are sold using the Auctioneers’ Margin Scheme. Therefore, an amount in lieu of VAT at the standard rate is included within the Premium and will not be shown separately on our invoice or be recoverable as input Tax.

5.2 For the items marked (‡) or (Ω), Buyers registered for VAT in the UK should notify us as soon as possible after the sale so that we can correctly instruct our shipping agents to complete the import into the UK under the Buyer’s VAT registration and HMRC can issue a form C79. The charge on our invoice for the import VAT is not sufficient evidence to make a claim for the import VAT.

6. REFUNDS OF VAT

6.1 For Buyers from outside the UK, the VAT charged on the Hammer Price and Buyer’s Premium or included in lieu of VAT in the Buyer’s Premium can be refunded so long as the Buyer has:

(a) registered to bid with an address outside the UK; and (b) discussed with us the proof of export we require and the timeframes to complete the export.

6.2 Once we are satisfied that the requirements referred to in Clause 1.6.1 have been met, and with the proof of export provided, the following VAT will be refunded:

(a) For Lots marked (†): The VAT on the Hammer Price and on the Buyer’s Premium.

(b) For Lots marked (‡) and (Ω): the import VAT and, the VAT in lieu in the Buyer’s Premium.

6.3 To enable us to refund the VAT charged correctly we normally require the use of our international shippers to assist with the required paperwork. For private Buyers, we will only be able to refund the VAT if our shippers are used for the export of the Lot outside the UK.

7. REINVOICING SALES

For unmarked Lots, you can request a Lot to be reinvoiced outside the Auctioneers’ Margin Scheme. VAT at 20% will be charged on the Hammer Price and the VAT on the Buyer’s Premium will be itemised separately on our invoice. This will enable a VAT registered business to reclaim all the VAT. Please note that the item will no longer be eligible to be sold in the Margin Scheme. We recommend you seek advice before proceeding. Requests must be made within 6 months of the sale and certain conditions apply.

8. INSPECTION OF GOODS BY THE BUYER

As we act on behalf of the Seller, we are dependent on information provided by the Seller about their goods. We may inspect Lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do. You will have the opportunity to inspect the goods (upon request). Where a Lot is made available for inspection, we strongly recommend that you inspect any Lots that you are interested in prior to bidding at the auction. Please carefully note the exclusion of liability for the condition of Lots set out in the Terms of Sale for Online Auctions at Clause 22.5 and the Terms of Sale for Live Auctions at Clause 18.5.

9. GOODS WITH ELECTRICAL COMPONENTS

These are sold as “antiques” for their historical and decorative attributes, and for collection and display only. They are not intended for use.

If you buy goods with electrical components and intend to use them, you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

10. ENDANGERED SPECIES

If you intend to buy goods which contain endangered species, you need to find out if there is a prohibition on the purchase of goods of that character. For goods containing elephant ivory, you also need to satisfy yourself that they have been correctly registered or certified and meet the exemption conditions under applicable legislation.

11. EXPORT OF GOODS

If you intend to export goods you must find out: 11.1whether an export licence is needed; and 11.2 if there is a prohibition on exporting goods of that character outside of the UK or on importing goods of that character in your intended country of import such as because the goods contain prohibited materials such as elephant ivory or other protected flora and fauna.

12. BIDDING

Bidders will be required to register with us before the auction starts. We Reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value Lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. Please enquire in advance about our arrangements for telephone or online bidding. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

13. BIDDING PLATFORMS

We offer free online bidding directly through our Website (www.olympiaauctions.com). You may also bid using an independent Bidding Platform. Bidders using an independent Bidding Platform or service should note that the platform may impose an additional fee or charge, which will be added to the total amount payable in the event your bid is successful. Please refer to the terms and conditions on the relevant independent platform for rates.

14. FINANCIAL CHECKS

As Auctioneers we may have to conduct various checks into our customers under the Money Laundering Legislation, under sanctions legislation and other related legislation. Unless we confirm we already have this information, on registration to bid you will be required to provide the following:

(a) For individuals, official photo identification (driving licence, passport or equivalent) and proof of address (if this is not included in your ID document).

(b) For corporate entities, the certificate of incorporation (or equivalent) with the entity’s official name, registered number (if any) and registered address, as well as details and ID documentation for directors and beneficial owners of the entity.

(c) For trusts and estates, details and ID documentation for executors/trustees and details of beneficiaries: please contact us for further information.

14.1 You may be asked for further information if we deem this necessary.

14.2 If you are bidding for another person (your Principal) you will be required to provide the above information for yourself and your Principal, along with a signed letter from your Principal authorising you to bid on his/her behalf.

14.3 If you require further information about ID requirements, please contact enquiries@olympiaauctions. com If we deem that you have not provided sufficient information for us to complete our anti-money laundering, terrorist financing and sanctions checks to our satisfaction, we may refuse to register you to bid and we may postpone completion of or cancel any Contract made by you and the Seller in the event you have made a successful bid.

15. COMMISSION BIDDING

You may leave commission bids with us indicating the maximum amount to be bid against a Lot (excluding the Buyer’s Premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the Reserve (if any) and competing bids. If two Buyers submit identical commission bids, we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax/email or via our Website or online Bidding Platform.

16. METHODS OF PAYMENT

16.1 Online: Payment can be made at www. OlympiaAuctions.com/payments

16.2 Cheque: Usually any cheques will need to be cleared before you can take the goods away. We require seven days to clear sterling cheques unless special arrangements have been made in advance of the sale.

16.3 Bank Transfer: Payments must be received from a bank account held in the name of the person or entity named on the invoice for the Lot.

16.4 Cash: £6,000 and “card holder not present” payments above £2,000 cannot be accepted.

16.5 Credit Card payments in person: Payments above £6,000 cannot be accepted.

16.6 Debit Card payments in person: Payments are without limit.

17. COLLECTION AND STORAGE

Please note what the applicable Terms of Sale say about collection and storage (see Clause 13 of the Terms of Sale for Live Auctions and Clause 15 of the Terms of Sale for Online Auctions). It is important that you pay for and collect goods promptly. Any delay may involve you having to pay storage charges. You (or your agent) must bring photographic ID for collection. Please note that collection may be made during working hours only, usually Monday to Friday 09:30 to 17:00.

18. POTENTIAL CANCELLATION RIGHTS

If you purchase a Lot in an Online Auction as a Consumer in the UK or EU from a Seller who is a Trader, you may have a right to cancel your purchase of that Lot from the day of the auction up to the day which is 14 days after the date on which you take possession of the Lot. You may also have the right to cancel Services provided by us. Further information is set out in the Terms of Sale for Online Auctions.

JEWELLERY & WATCHES

Wednesday 10th September 2025

Starting at 11am

301

JAEGER LE COULTRE: LADY'S GOLD BRACELET WATCH, 1960s

manual wind Swiss movement signed and numbered 1065361, the square dial similarly signed and applied with Arabic numeral quarters and dart indicators between, snap-on case back numbered 132471, the dial concealed beneath a hinged cover of mesh linking, to a matching bracelet, all with French assay and makers' marks, 16.5cm long

£2,000 - 3,000

302

FOUR LADIES’ GOLD COCKTAIL WATCHES, EARLY 20TH CENTURY

comprising: Omega, 1938, square gold dial with Arabic numerals, to a snake link bracelet, dial and case signed Omega, case numbered 9548781, British import hallmarks for 9-carat gold, Glasgow 1938, engraved E.M.W from Peter, bracelet signed Chalmcraft 9ct; circular white dial with Arabic numerals, gold case, numbered 954652, leather strap, British import hallmarks for 9-carat gold, London 1922;Vertex,1957, circular dial applied with gold Arabic numerals, dial and case signed Vertex, case, numbered 49815 779929, British hallmarks for 9-carat gold, Birmingham 1957, replaced quartz movement, gold plated expandable bracelet; circular white dial with black Arabic numerals, gold case, numbered 920, British import hallmarks for 9-carat gold, London 1919, gold plated expandable bracelet

£300 - 500

303

BUCHERER: LADY’S GOLD AND DIAMOND COCKTAIL WATCH, 1960s

circular silver dial applied with silver dot and arrow indicators, single-cut diamond bezel to a navette and cross link bracelet, dial signed Bucherer, case numbered 17694 Swiss assay marks for 18-carat gold, bracelet stamped 585, 16cm long

£500 - 800

304

ROTARY: LADY’S GOLD COCKTAIL WATCH, 1968

oval textured silver dial applied with silver baton indicators to a textured tapering brick link bracelet, 17.5cm long, British hallmarks for 9-carat gold, London 1968

£300 - 500

305

ZENITH: LADY’S GOLD COCKTAIL WATCH. 1950s

circular gold dial with Roman numerals and subsidiary dial, to a tapering fluted bracelet strap, dial and case signed Zenith, numbered 403674, Swiss assay marks for 18-carat gold, 16cm long, glass deficient

£1,000 - 2,000

306

TWO LADIES’ GOLD COCKTAIL WATCHES, LONGINES, 1930s AND 1950s

comprising: Longines, 1930s, rectangular dial with Arabic numerals, to a double cord bracelet strap, case signed Longines, numbered 4125484, Swiss assay marks for 18-carat gold, 16cm long; circular dial with Arabic numerals to an annular link bracelet, 16cm long

£700 - 900

307

GOLD SOVEREIGN dated 1974

£400 - 500

308

GOLD SPANISH 25 PESETOS COIN dated 1880

£400 - 500

309 (illustrated online)

A GROUP OF FOUR POCKET WATCHES, LATE 19TH / EARLY 20TH CENTURY

comprising: a white metal open face Swiss chronograph watch, keyless wound, cracked white enamel Roman dial indistinctly signed '... Bombay' with subsidiary running seconds and thirty minute count; a gilt-metal open face watch, keyless wound three-quarter plate seven jewel English lever movement, white enamel Roman dial with subsidiary seconds, signed for the retailer to dial and movement for Thomas Russell & Son, Liverpool; a silver half-hunter cased lady's Swiss watch, Baume & Co., Geneva, key wound, white enamel Roman dial lacking glass, signed to case and movement; and a half-hunter cased Swiss watch, key wound, white enamel Roman dial with subsidiary seconds; largest 5.2cm diameter

310

PAIR OF GOLD CUFFLINKS, 1940s

each designed as a pair of rectangular geometric links with planished decoration, to planished baton back links with curb link connecting chains

£200 - 300

311

PAIR OF GOLD AND SYNTHETIC RUBY CUFFLINKS, 1940s

each link of hexagonal floral design centring on a synthetic cabochon ruby, with curb link connecting chains

£200 - 300

312

PAIR OF GOLD CUFFLINKS, 1966

each designed as a pair of barrel shaped links with polished and engine turned decoration, with curb link connecting chains, British hallmarks for 9-carat gold, Birmingham 1966

£250 - 350

313

CARTIER: PAIR OF 'SANTOS' STEEL CUFFLINKS

with rectangular and spherical links to a baton connection, signed Cartier, numbered M02477

£150 - 250

314

A PAIR OF GOLD CUFFLINKS, 1935 AND A PAIR OF DUNHILL STEEL CUFFLINKS

the gold cufflinks of rectangular design with engine turned decoration and curb link connecting chains, British hallmarks for 9-carat gold, Birmingham 1935, and a pair of gilt steel baton cufflinks by Dunhill.

£100 - 200

315

PAIR OF SOUTH AFRICAN 1/2 POUND GOLD COIN CUFFLINKS, 1896

each set with a South African 1/2 pound gold coin dated 1896, with curb link connecting chains and baton back links, together with a single foliate scroll engraved oval cufflink, British hallmarks for 9 carat gold, Chester 1904.

£500 - 700

316

GOLD AND PLATINUM ALBERT CHAIN, 1920s

designed as a series of gold and platinum fluted baton links to rope work connecting links, stamped 18ct, 35cm long

£600 - 800

(part)

317

SYNTHETIC SAPPHIRE AND GOLD RING

claw set with a rectangular cut-cornered synthetic sapphire, ring size N 1/2, British hallmarks for 9-carat gold

£70 - 90

318

GARNET AND GOLD RING

cluster design set with circular-cut garnets, ring size N, British hallmarks for 9-carat gold

£70 - 90

319

THREE PAIRS OF EARRINGS

comprising a pair of spiral design accented with circular-cut rubies, a pair set with cultured pearls and a pair of tapering design with bright-cut decoration

£100 - 150

320

TWO GEMSTONE RINGS

claw set with an oval mixed-cut citrine and amethyst respectively, ring sizes L and L 1/2, British hallmarks for 9-carat gold

£80 - 120

321

TWO GOLD TRINITY RINGS, 1983

both with British hallmarks for 9-carat gold, London, 1983, ring size S and M

£250 - 350

322

COLLECTION OF JEWELLERY

comprising: a lapis lazuli panel ring, ring size N, stamped 750, an amber ring, ring size L, a pair of oval cabochon tigers eye earrings, stamped 585, and an oval cabochon amber brooch, mounted in silver

£300 - 500

323 (illustrated online)

SILVER CHARM BRACELET, 1960s

curb linking with heart shaped padlock clasp supporting twenty various charms including: the Coronation chair, a crown, ballerina and a pair of scissors, 16cm long.

£30 - 50

(part)

324

GOLD CHAIN AND AMBER PENDANT, 1976

the rope work chain supporting a pear-shaped amber cabochon within a wirework frame, 71cm long, chain with British import hallmarks for 9-carat gold, London 1976, pendant stamped 585 for 14-carat gold

£700 - 900

325

GOLD AND SMOKEY QUARTZ PENDANT AND PAIR OF PENDENT EARRINGS, 1975

the scroll link chain supporting a pear-shaped smokey quartz pendant, and a pair of matching pear-shaped smokey quartz pendent earrings, one with hook fitting deficient, chain with British import hallmarks for 9-carat gold, London 1975, 64cm long

£400 - 600

326

A RUBY AND DIAMOND RING

collet set with an oval cabochon ruby, the shoulders with diamond accents, stamped 750, ring size K.

£500 - 700

327

SMOKEY QUARTZ PAIR OF PENDENT EARRINGS AND RING, 1960s

each supporting a rectangular cut-cornered smokey quartz to a pierced scroll surmount, the ring of matching design, ring size M, and two garnet cluster rings

£100 - 150

328 (illustrated online)

GROUP OF GOLD AND PERIDOT JEWELLERY

comprising a circular openwork pendant of floral design set with circular peridots, to a fine curb link chain, 1900s, and two pairs of gold and peridot pendent earrings, one pair accented with seed pearls (5)

£80 - 120

329 (illustrated online)

TWO GOLD BAND RINGS, 1926 & 1985

one with British hallmarks for 22-carat gold, London 1926, the other with British hallmarks for 18-carat gold, London 1985

£500 - 700

(part)

330

SIX GOLD BANGLES

each with scroll engraved decoration

£1,500 - 2,000

331

GOLD CHARM BRACELET, 1900s AND LATER

designed as a fetter link rose gold chain supporting 22 various charms including a gold Sovereign date 1963, a mandolin, church and aeroplane, some with British hallmarks for 9-carat gold, together with three additional charms

£800 - 1,200

332

A COLLECTION OF TEN GOLD AND ROLLED GOLD BANGLES, 1920s AND LATER

comprising; one plain polished bangle with British hallmarks for 9-carat gold, Birmingham 1928, one with engraved Bay leaf decoration,1920s, stamped 9ct, two with bright-cut decoration, one stamped 22k, a scroll engraved rolled gold bangle, three bright-cut gold cased bangles, and a rope work and plain hoop bangle

£1,200 - 1,800

333 (illustrated online)

FOUR CARVED SHELL CAMEO BROOCHES, 1870s

comprising: an oval shell cameo brooch depicting the profiles of Dionysus and Ariadne, to a gilt metal scroll frame; an oval shell cameo brooch depicting the profile of Zeus, to a silvered metal scroll frame; an oval shell cameo depicting Aurora to a gilt metal scroll frame and an oval shell cameo depicting the profile of a maiden to a gilt metal frame

£150 - 250

334 (illustrated online)

GROUP OF TORTOISESHELL PIQUE WORK AND MOTHER-OF-PEARL JEWELLERY

comprising two tortoiseshell gold and silver floral piqué work brooches and a single pendent earring, 1860s and a carved mother-of-pearl cameo brooch and pair of matching pendent earrings, depicting the profile of a maiden (6)

£60 - 100

(part)

335

VICTORIAN GOLD AND MICRO MOSAIC PENDENT CROSS, 1870s

decorated with floral motifs within a rope work frame to a fluted bail

£600 - 800

336 ⦿

GOLD AND CORAL PENDANT AND PAIR OF EAR STUDS

the pendant designed as a carved coral rose with textured gold leaves to a fine box link chain, stamped 9ct, 47cm long, and a pair of ear studs of matching design each designed as a carved coral rose

£100 - 150

337

COLLECTION OF GEM-SET JEWELLERY. 1840s AND LATER

comprising: a gold, amethyst and half-pearl bar brooch, stamped 9ct, a pair of gold and circularcut amethyst ear studs, a gold cased and red paste seal, 1840s, a gold and bloodstone signet ring, British hallmarks for 9-carat gold, ring size I, and a gold engraved band ring, British hallmarks for 9-carat gold, ring size M 1/2

£200 - 300

338

THREE VICTORIAN GOLD AND GEM-SET BAR BROOCHES, 1900s

comprising a gold bar brooch set with five half-pearls interspersed with rose-cut diamond points, a gold bar brooch applied with a single pearl, stamped 9ct and a gold bar brooch applied with an oval turquoise cabochon, stamped 9ct

£200 - 300

339

DIAMOND CLUSTER RING, 1890s

the floral bezel set with circular-cut diamonds, ring size L, fitted blue velvet case

£300 - 500

340 ⦿ (illustrated online)

CORAL, SILVER, AND GLASS PENDENT NECKLACE, MOROCCO, EARLY 20TH CENTURY

designed as a series of coral beads, accented with fluted navette-shaped silver spacers, supporting a pedant of cruciform design inset with coloured glass panels, 75cm long

£150 - 200

(part)

341

ENAMEL PENDENT EGG

decorated with white champleve enamel and grey guilloche enamel stripes, to a fine curb link chain, 43cm long.

£200 - 300

342

FABERGE HERITAGE COLLECTION: ENAMEL AND DIAMOND PENDENT EGG, MODERN

the egg decorated with a scroll design accented with brilliant-cut diamonds to an opalescent guilloché enamel ground, to a fine curb link chain, signed Faberge, numbered 882-21, London convention hallmarks for 18 carat gold, with its grey box and outer card cases, chain 45cm long

£1,500 - 2,000

343

EMERALD FROG PENDANT/BROOCH

the body decorated with circular-cut emeralds, mounted in gilt silver to a curb link chain

£100 - 200

344

TWO DIAMOND RINGS

one centring on a brilliant-cut diamond to stepped shoulders, ring size L 1/2, the other claw set with three brilliant-cut diamonds, ring size N

£300 - 500

345

DIAMOND RING

claw set with a circular-cut diamond, ring size T

£500 - 700

346

DIAMOND RING

claw set with a circular-cut diamond with pierced scroll gallery, ring size L

£150 - 200

347 (illustrated online)

THREE GOLD AND GEM-SET RINGS

comprising: one set with an oval mixed-cut blue topaz with trefoil clusters of brilliant-cut diamonds to the shoulders, British hallmarks for 18-carat gold, London 1987, ring size L 1/2; one of textured bark design accented with circular-cut garnets, British hallmarks for 9-carat gold, ring size L; and one with blue and colourless stone detail, British hallmarks for 9-carat gold, Birmingham 1977, ring size Q

£250 - 350

348 (illustrated online)

CULTURED PEARL NECKLACE

composed of two graduated rows of cultured pearls measuring from approximately 7.4mm to 3.6mm, to a gold bow shaped clasp, British hallmarks for 9-carat gold, Birmingham 1970, 44cm long, and a freshwater cultured pearl necklace and bracelet

£50 - 70

349

AMETHYST NECKLACE, 1890s AND LATER

designed as three oval mixed-cut amethyst mounted in gold pinched collets, to a curb link chain, 42cm long.

£200 - 300

350

PAIR OF DIAMOND CLUSTER EARRINGS, 1890s

set throughout with rose diamonds

£100 - 200

351

SAPPHIRE AND DIAMOND CLUSTER RING, 1890s

centring on an oval cabochon sapphire framed by a bezel of old mine-cut diamonds, ring size K 1/2.

£1,000 - 1,500

352

OTTOMAN DIAMOND RING, 1890s

the navette shaped bezel set with foiled rose-cut diamonds, ring size O

£200 - 300

353

EDWARDIAN GOLD GATE LINK BRACELET, 1908

designed as a series of engraved gate links to a heart-shaped padlock clasp, British hallmarks for 9-carat gold, Chester 1908, 19cm long

£400 - 600

354 (illustrated online)

TWO GOLD BRACELETS

comprising one of curb linking, Italian assay and British import hallmarks for 9-carat gold London 1990, 19cm long, the other of textured design with butterfly motifs, stamped 14kt, 18cm long

£250 - 350

355 (illustrated online)

TWO PAIRS OF ONYX EARRINGS

comprising a pair of fluted design accented with gold lines, stamped MAZ 14k, clip and post fittings, and a pair of onyx bead design, post fittings.

£180 - 220

356

VICTORIAN GOLD AND AQUAMARINE BROOCH, 1850s

lozenge shape set with oval mixed-cut aquamarines to the centre and cardinal points framed by foliate scrolls, supporting a similarly set pendent drop with a garland of snake link chains, 5 x 8cm, fitted case.

£200 - 300

357

GOLD AND GARNET BRACELET, 1830s

set with five graduated foil backed garnet cabochons within gold beaded mounts, to a repousse scroll link bracelet, 15cm long

£500 - 700

358

VICTORIAN GOLD AND HARDSTONE HINGED BANGLE, 1890s

the tapering concave hinged bangle centring on a blue hardstone sugar loaf cabochon within a bead work frame, inner circumference 18cm

£1,500 - 2,000

359 (illustrated online)

SAPPHIRE AND DIAMOND BRACELET

set with oval mixed-cut sapphires interspersed with pairs of brilliant-cut diamonds, 15cm long, stamped 916

£350 - 450

360 (illustrated online)

THREE GEM-SET RINGS

comprising: a single stone diamond ring, claw set with a brilliant-cut diamond, stamped 585, ring size L 1/2, one set with a facetted square citrine, stamped 14k, ring size O 1/2, and a band ring accented with circular-cut garnets and seed pearls, stamped 9ct, ring size L 1/2

£200 - 300

361

INDIAN JARGOON PARURE, MID 20TH CENTURY

comprising; a necklace, pair of bracelets, pair of pendent earrings and a ring, the necklace set with flat- mixed-cut foiled jargoons to a cord back chain, front 21cm long, the bracelets designed as a series of chevron links set with flat- mixed-cut foiled jargoons to cord fastenings, 16cm long, the pendent earrings similarly set accented with cultured pearl detail, and a ring of cluster design, ring size L 1/2

£1,000 - 1,500

362

PAIR OF AQUAMARINE PENDENT EARRINGS

each set with an aquamarine crystal with aquamarine briolette drop, stamped 18k

£100 - 200

363

TWO GOLD AND DIAMOND RINGS

one of crossover design claw set with two brilliant-cut diamonds, British hallmarks for 18-carat gold, Sheffield 1992, the other collet set with five brilliant-cut diamonds, British hallmarks form18-carat gold, Sheffield 2000

£400 - 600

364

PENDANT AND PAIR OF EARRINGS

the pendant of pierced foliate design accented with red and colourless stone detail, to a curb link back chain, 38cm long, the earrings similarly set of hinged hoop design

£1,300 - 1,800

365

PAIR OF CULTURED PEARL AND DIAMOND PENDENT EARRINGS

each supporting a single 6mm cultured pearl drop to an articulated line accented with two brilliant-cut diamonds, 3cm long

£200 - 300

366

TWO PAIRS OF EARRINGS

one of oval design each set with a turquoise cabochon, clip and post fittings, Egyptian assay marks, the other of hoop design each accented with seed pearls

£200 - 300

367

PAIR OF HINGED BANGLES

each applied with a series of filigree spheres

£3,000 - 4,000

(part)

368

SWISS LAPIS AND GOLD COLLIER DE CHIEN, 1890s

designed as five uniform rows of Swiss lapis beads, centring on a rectangular gold panel engraved with Passion flowers and foliate scrolls, with two further scroll engraved bar spacers and a similarly engraved bar clasp, 35cm long, fitted gilt tooled leather case stamped Russell, Goldsmith, Malvern

£600 - 800

369

FANCY LINK NECKLACE

designed as a series of fancy textured links, interspersed with bright-cut bead and baton spacers, supporting a pear-shaped glazed locked containing a carved cameo of a seated Buddha, 53cm long

£3,000 - 5,000

370

PAIR OF CITRINE AND DIAMOND PENDENT EARRINGS

each designed as a Bee with pear-shaped mixed-cut citrine body and rose-cut diamond set wings, mounted in gilt silver

£200 - 300

371

CARVED RUBY AND DIAMOND PENDANT

designed as two foliate carved ruby plaques, each within black enamel frames, accented with brilliantcut diamond connecting links, 7cm long.

£300 - 500

372 (illustrated online)

FANCY LINK NECKLACE

with textured and bright-cut decoration, stamped 750, 40cm long

£250 - 350

designed as a series of textured annular links, accented to the front with brilliant-cut diamond set connecting links, 43cm long, Italian assay marks for 18-carat gold

£1,500 - 2,500

GOLD AND DIAMOND NECKLACE, 1960s

SAPPHIRE AND DIAMOND COLLAR, 1980s

designed as a tapering collar of polished hinged panels, centring on a collet set cushion-shaped orange sapphire, stated to weigh 8.45 carats, framed by a bezel of baguette diamonds and accented with lines of calibre-cut sapphires, the collar further accented at intervals with oval mixed-cut blue and orange sapphires highlighted with baguette diamonds and calibre-cut sapphires, 41cm long, stamped 750, fitted case

£7,000 - 9,000

375

DIAMOND BRACELET

set with lines of brilliant-cut and baguette diamonds, stamped 750, 16cm long.

Accompanied by a Chrysolithos Gemmological Laboratory report, dated 01/08/93, number 3247, stating that the total diamond weight is 18.46 carats, Colour range G-I, clarity Vvs-Vs.

£4,000 - 5,000

376

DIAMOND BRACELET

rope work linking set to the front with nine claw set brilliant-cut diamonds, 17cm long

£600 - 800

377

DIAMOND BRACELET

set to the front with a baton of brilliant-cut diamonds, to a two-tone link bracelet, 17.5cm long

£600 - 800

378

DIAMOND RING

claw set with a brilliant-cut diamond, ring size M, British hallmarks for 18 carat gold

£1,000 - 1,500

379 PAIR OF DIAMOND PENDENT EARRINGS

each designed as an open heart motif set with brilliant-cut diamonds

£500 - 700

380

CULTURED PEARL NECKLACE, 1979

composed of two uniform rows of 6.2 to 6.4mm cultured pearls to a half-pearl and circularcut sapphire cluster clasp, 40cm long, British hallmarks for 9-carat gold, London 1979

£100 - 150

381

CULTURED PEARL NECKLACE, 1960s

composed of a single uniform row of fifty 7.3mm cultured pearls to a navette shaped textured clasp accented with circular-cut aquamarines 45cm long

£70 - 90

382

PAIR CULTURED PEARL AND DIAMOND EAR CLIPS

each of flower design set with a single 7.9mm cultured pearl within a surround accented with brilliant-cut diamonds, stamped 750

£200 - 300

383

PAIR OF AQUAMARINE EARRINGS

each claw set with three oval mixed-cut aquamarines, stamped 375

£150 - 200

384

FRESHWATER CULTURED PEARL, SAPPHIRE AND DIAMOND NECKLACE

designed as a torsade of four rows of freshwater cultured pearls, to a sapphire and diamond clasp of target design, set with a single cabochon sapphire framed by brilliant-cut diamonds 41cm long

£100 - 200

385 (illustrated online)

CULTURED PEARL AND DIAMOND NECKLACE, 1920s

composed of two graduated rows of cultured pearls measuring from approximately 7.6mm to 3.8mm, to an oval clasp inset with a single rose-cut diamond, stamped 9ct, 44cm long, clasp detached, cased.

£100 - 200

386

MIRIAM HASKELL: IMITATION PEARL AND EMERALD PASTE NECKLACE AND PAIR OF EAR CLIPS, 1950s

the necklace designed as two graduated rows of imitation baroque pearls to a foliate cluster clasp set with fluted emerald paste, accented with colourless paste leaves, signed Miriam Haskell, 37cm long, the ear clips of matching design, signed Miriam Haskell

£200 - 300

387

MIRIAM HASKELL: PASTE BROOCH, 1950s

designed as a flower with colourless paste centre and similarly set radiating petals, signed Miriam Haskell

£80 - 120

388

MIRIAM HASKELL: IMITATION PEARL AND PASTE BROOCH, 1950s

circular design, centring on an imitation baroque pearl, within a foliate surround of colourless paste, imitation pearls and gilt-metal leaves, signed Miriam Haskell

£80 - 120

389

MIRIAM HASKELL: IMITATION PEARL AND PASTE EAR CLIPS, 1950s

each designed as a single flower decorated with imitation pearls and colourless paste, signed Miriam Haskell

£40 - 60

390

MIRIAM HASKELL: IMITATION PEARL AND PASTE NECKLACE AND PAIR OF EAR CLIPS, 1950s

the necklace design as two graduated rows of imitation baroque pearls, to a central foliate cluster set with imitation pearls, colourless paste and gilt-metal leaves, signed Miriam Haskell, 45cm long, the ear clips of matching design, signed Miriam Haskell

£200 - 300

391

MIRIAM HASKELL: IMITATION PEARL NECKLACE, 1950s

designed as a torsade of five graduated rows of imitation baroque pearls, signed Miriam Haskell, 49cm long

£80 - 120

392

MIRIAM HASKELL: IMITATION PEARL AND PASTE NECKLACE AND PAIR OF PENDENT EAR CLIPS, 1950s

the necklace designed as a series of imitation baroque pearls, interspersed with gilt metal floral motif accented with colourless paste and imitation pearls, clasp signed Miriam Haskell, 45cm long, the pendant ear clips of matching design

£200 - 300

393

MIRIAM HASKELL: IMITATION PEARL AND PASTE BRACELET, 1950s

designed as five uniform rows of imitation baroque pearls, to a flower clasp set imitation pearls, colourless paste and gilt-metal petals, signed Miriam Haskell, 19cm long

£80 - 120

394

MIRIAM HASKELL: IMITATION PEARL AND TOPAZ PASTE NECKLACE AND PAIR OF EAR CLIPS, 1950s

the necklace designed as two graduated rows of imitation baroque pearls to a central floral cluster set with circular topaz paste, signed Miriam Haskell, 48cm long, the ear clips of matching design, signed Miriam Haskell

£200 - 300

395

MIRIAM HASKELL: PASTE BROOCH, 1950s

designed as a curved cluster of oak leaves embellished with imitation coral and green pastes, and hung with two textured chains, the lower similarly embellished, signed Miriam Haskell

£80 - 120

396

JONNE, BY SCHRAGER: PASTE PARURE, 1950s

comprising a necklace, bangle and a pair of pendent ear clips, the necklace designed as two graduated rows of facetted bronze paste beads to a central crescent motif, 43cm long, the bangle of matching design and a pair of pendent ear clips, each of crescent design, signed Jonne

£200 - 300

397 (illustrated online)

MIRIAM HASKELL: TWO IMITATION PEARL NECKLACES, 1950s

comprising a necklace design as two graduated rows of imitation baroque pearls to a flower clasp, signed Miriam Haskell, 42cm long, and a single row of imitation baroque pearls to a cluster clasp, signed Miriam Haskell, 60cm long

£80 - 120

398 (illustrated online)

COLLECTION OF SILVER JEWELLERY

comprising: a wide foliate scroll engraved hinged silver bangle, British hallmarks for Birmingham 1949, a narrow foliate scroll engraved hinged silver bangle, British hallmarks for Birmingham 1968, a silver and enamel serpent bracelet, a silver and cabochon garnet bracelet, a silver charm bracelet, two silver Threepence coin bracelets, a silver curb link chain with Victorian shilling pendant dated 1893, a silver chain supporting three silver pendants, D.S.S Cup, Runners Up 1926-27, 2nd Open Western, and one set with a silver One Dime, dated 1941, three silver brooches, and a silver pill box

£200 - 300

399

CHARLES HORNER: ARTS & CRAFTS SILVER AND ENAMEL PENDANT, 1912

AMD A SILVER CROSS, 1968

the shield shaped pendant centring on an oval blue and green enamel panel within a hammered silver mount with entrelac surmount supporting an enamel drop, to a trace link chain, maker's mark and British hallmarks for Chester 1912, the cross of Celtic revival design, to a curb link chain, British hallmarks for Birmingham 1968

£100 - 150

400

DORRIE NOSSITER: PAIR OF GARNET, TURQUOISE AND PEARL DRESS CLIPS, 1930s

each fan shaped clip set with lines of pear-shaped garnets, oval cabochon turquoise, halfpearls and an oval mixed-cut garnet, accented with gold bead detail, mounted in silver

£600 - 800

401

DORRIE NOSSITER: TWO KILT PINS; AND AN AMETHYST BROOCH ATTRIBUTED TO BERNARD INSTONE, 1930s

the kilt pins each with a circular and rectangular fruiting vine terminal respectively, the circular terminal accented with cabochon turquoise and Swiss lapis detail, each 7.5cm long, the brooch centring on an oval mixed-cut amethyst within a frame of textured leaves with blister pearl accents, 5cm long

£200 - 300

402 (illustrated online)

COLLECTION OF SILVER AND AMBER JEWELLERY

comprising: two silver mounted amber pendants, a silver and amber bracelet with central oval amber cabochon to a bracelet of leaf design, 20cm long, and a pair of silver and amber pendent earrings

£200 - 300

403 (illustrated online)

TWO SILVER BRACELETS

both of flat curb linking, one suspending 22 enamel European city flag charms and a single enamel daisy charm, one flag detached

£50 - 70

404

AQUAMARINE SAUTOIR

composed of a single row of eighty one carved oval aquamarine beads, 132cm long, 134.9 grams

£500 - 700

405

AQUAMARINE RING, 1960s

claw set with an oval mixed-cut aquamarine, within a textured scroll mount, stamped

585, ring size T

£500 - 700

406

OPAL AND DIAMOND BRACELET

designed as a strap of five uniform rows of oval cabochon opals applied to the centre with a buckle motif decorated with rose-cut diamonds, mounted in silver-gilt with gold clasp, 17.5cm long

£1,000 - 1,500

407

DIAMOND PENDANT

claw set with a brilliant-cut diamond stated to weigh 2.57 carats, within a detachable halo of brilliant-cut diamonds, to a fine link chain, British hallmarks and European convention marks for 18-carat gold, 41cm long

European Gemmological Laboratory report number 081125C/RVH, dated 25th November 2008, stating that the diamond weighing 2.57 carats is D colour Si1 clarity

£8,000 - 12,000

408

DIAMOND RING

claw set with a brilliant-cut diamond weighing 4.11 carats, ring size N

Accompanied by a European Gemmological Laboratory report dated 9 February 2010, number EGL3022044217, stating that the diamond weighing 4.11 carats is D colour, Si3 clarity, and an American International Gemmologists Insurance appraisal dated 22 February 2010, number 070, stating that the diamond weighing 4.11 carats is D colour, Si3 clarity.

£15,000 - 20,000

409

DIAMOND BROOCH, 1950s

designed as a floral spray set with brilliant-cut diamonds, accented with single-cut and baguette diamonds, 6cm long.

£400 - 600

410

DIAMOND BROOCH/PENDANT, 1950s

open scroll design set with circular- and single-cut diamonds, centring on a marquise-cut diamond cluster with similarly set pendant drop, one diamond deficient, 5 x 4cm

£1,500 - 2,000

411

SAPPHIRE AND DIAMOND BRACELET, 1970s

designed as a geometric line of square sapphires and brilliant-cut diamonds, 18cm long

£700 - 900

412

RUBY AND DIAMOND LINE BRACELET, 1970s

designed as a uniform line of circular-cut rubies, interspersed with single-cut diamonds, 18cm long, numbered 4611, stamped 18k

£700 - 900

413

TOURMALINE AND DIAMOND RING, 1970s

claw set with a rectangular cut-cornered green tourmaline, within a cluster surround of single-cut and baguette diamonds, ring size Q.

£400 - 500

414

PAIR OF SAPPHIRE AND DIAMOND PENDENT EARRINGS

each supporting a circular-cut sapphire and single-cut diamond cluster, to a circular-cut sapphire line and sapphire and diamond cluster surmount, 2.5cm long

£200 - 300

415

DIAMOND COCKTAIL RING, 1950s

centring on a circular-cut diamond accented with trefoil clusters of old mine-cut diamonds, framed within a navette shaped frame of similarly set diamonds to the shoulders, with a tapering reeded mount, ring size J

£1,500 - 2,000

416

GRIMA: BEAD NECKLACE, COMPOSITE

altered from a full bead Grima necklace, now comprising a curb link chain with two textured beads and a clasp, together with 18 additional textured yellow and silver coloured beads unstrung, clasp stamped '750', signed Grima, French import marks, 41cm long

£2,000 - 3,000

417 SOUTH SEA CULTURED PEARL NECKLACE

designed as 39 graduated South Sea cultured pearls of grey hues, measuring from approximately 14mm to 11.2mm, to a bead shaped clasp, 53cm long

£3,000 - 4,000

418 JOHN DONALD: GOLD SIGNET RING, 1969

the rectangular bezel inset with a textured panel, ring size I, makers mark for John Donald, British hallmarks for 18-carat gold, London 1969, case by John Donald, 120 Cheapside, London.

£1,200 - 1,800

419

AMETHYST AND DIAMOND BROOCH, 1960s

collet set with an oval mixed-cut amethyst within a stylised surround accented with singlecut diamonds, stamped 585 for 14-carat gold

£500 - 700

420

GOLD, SAPPHIRE AND DIAMOND PENDANT, 1963

designed as a single flower accented with circular-cut sapphires and brilliant- and singlecut diamonds, Italian assay and British import hallmarks for 18-carat gold, London 1963

£300 - 500

421

GOLD, CHRYSOPRASE AND RUBY BROOCH, 1959

designed as an owl with oval cabochon chrysoprase body and cabochon ruby eyes, British hallmarks for 9-carat gold, London 1959

£200 - 300

422

GOLD AND GEM-SET BROOCH, 1964

designed as two birds, and a nest containing seed pearl eggs, encircled with a floral spray, accented with a single garnet decorated with blue and green enamel, British hallmarks for 9-carat gold, London 1964

£250 - 350

423 ⦿

CORAL AND DIAMOND BROOCH, 1970s

designed as a butterfly with cabochon coral wings and body, accented with brilliant-cut diamonds, stamped 750, Italian assay marks.

£200 - 300

424

PAIR DIAMOND EAR CLIPS

each of flower design centring on a single brilliant-cut diamond

£300 - 400

425 (illustrated online)

SILVER AND PASTE PENDANT, 1900s

designed as an openwork heart with swing centre and scroll surmount set with colourless paste, mounted in silver, 8cm long.

£40 - 60

426

TWO ART DECO RINGS, 1920s

one of panel design millegrain set with circular-cut diamonds, ring size M, the other set with a rectangular onyx panel accented with paste detail, ring size N, cased

£150 - 200

427 DIAMOND RING

set with three brilliant-cut diamonds, ring size V.

£200 - 300

428

CROPP & FARR: GOLD AND BLUE ZIRCON DEMI-PARURE, 1950s

comprising a necklace and a bracelet each designed as a series of claw set circular-cut blue zircons, joined by rectangular open scroll links, maker's mark, British hallmarks for 9-carat gold, necklace Birmingham 1951, 38cm long, and bracelet Chester 1953, 18.5cm long, fitted cases for Bee Moynihan & Co Ltd, 2 O'Connell Street, Limerick

£700 - 900

429 † (illustrated online)

SMALL COLLECTION OF UNMOUNTED GEMSTONES including mixed-cut citrines and amethysts

£40 - 60

(part)

430

GOLD AND DIAMOND FLORAL SPRAY BROOCH, 1940s

designed as a bouquet of gold flowers each accented with a central circular-cut diamond, to a ribbon tied bow accented with single-cut diamonds, hinged locket to the reverse engraved 17 MARZO 1945. 6 x 4cm

£700 - 900

431

GOLD AND SYNTHETIC RUBY BRACELET, 1940s

designed as a series of geometric bow motifs each accented with a central channel set bar of calibre-cut synthetic rubies, joined by annular links, 19cm long

£1,500 - 2,000

432

PAIR OF SAPPHIRE AND DIAMOND EAR CLIPS

each designed as a single five petaled flower set with brilliant-cut diamonds, edged in circular-cut sapphires, French assay marks

£1,500 - 2,000

433

HERMES: PAIR OF GOLD EAR CLIPS, 1997

each design as a Heracles knot, signed Hermes, made in France, numbered 24470, French assay and maker's marks, British import marks for 18-carat gold London 1997

£2,500 - 3,500

434

DIAMOND NECKLACE

designed as a line of foliate motifs, each claw set with a brilliant-cut diamond, 45cm long

£1,000 - 1,500

435

DIAMOND NECKLACE

designed as a line of foliate motifs, each claw set with a brilliant-cut diamond, 45cm long

£1,200 - 1,800

436

DIAMOND BRACELET

designed as a line of foliate motifs, each claw set with a brilliant-cut diamond, 17cm long

£400 - 500

437

DIAMOND BRACELET

designed as a line of foliate motifs, each claw set with a brilliant-cut diamond, 17.5cm long

£600 - 800

438

PAIR OF CITRINE AND DIAMOND PENDENT EARRINGS

each supporting a tapered facetted citrine drop to a graduated collet set line of three brilliant-cut diamonds, 4.5cm long

£500 - 700

439

PAIR OF SAPPHIRE AND DIAMOND EAR CLIPS

each of spiral design decorated with calibre-cut sapphires and brilliant-cut diamonds, clip and post fittings.

£700 - 900

440

GOLD, GEM-SET AND DIAMOND NAUTICAL FLAG BRACELET, 1920s

designed as a series of articulated nautical flags set with mixed-cut synthetic rubies and sapphires and rose-cut diamonds, each applied to a rectangular link bracelet, 18cm long

£800 - 1,200

441

CROPP & FARR: GOLD AND ONYX SIGNET RING

the oval onyx bezel intaglio engraved with a cross and crosslets, depicting the Jerusalem cross, inset to a gold ring mount, makers marks for Cropp & Farr, British hallmarks for 9-carat gold

£200 - 300

442

DIAMOND DEMI-PARURE

comprising a necklace and a pair of pendent earrings, the necklace designed as a uniform line of brilliant-cut diamond set links, accented to the front with graduated floral clusters set with brilliant-cut diamonds, 43cm long, the earrings of matching design each designed as four floral clusters, 4cm long, clip and post fittings

£5,000 - 7,000

443

DIAMOND BRACELET, 1950s

designed as a series of horseshoe motifs, set with brilliant-cut diamonds, each framing a foliate motif set with brilliant- and single-cut diamonds, 18cm long

£5,000 - 7,000

444

DIAMOND ETERNITY RING

claw set around the finger with marquise-cut diamonds, ring size O 1/2

£800 - 1,200

445

PAIR OF DIAMOND PENDENT EARRINGS

each designed as three graduated articulated navetteshaped drops set with colourless and pink brilliant-cut diamonds, to a similarly set surmount, stamped 750, Italian assay marks, clip and post fittings, 8.5cm long.

Pink diamonds not tested for natural colour origin.

£1,200 - 1,800

446

TIFFANY & CO: DIAMOND RING

claw set with a brilliant-cut diamond stated to weigh 0.57 carats, signed Tiffany & Co, numbered 17010484, stamped pt950, ring size L 1/2, Tiffany & Co case

£700 - 900

447

DIAMOND PENDENT NECKLACE

supporting a pear-shaped pendant illusion set with marquise-, princess-cut and pear-shaped diamonds, to a dimond line necklace claw- and millegrain-set with brilliant-cut diamonds to a bead work back chain, 49.5cm long

£2,000 - 3,000

448

MAPPIN & WEBB: MASQUERADE PENDANT AND PAIR OF EAR STUDS

the pendant designed as a target cluster of brilliant-cut diamonds to a curb link chain 45cm long, the ear studs of matching design, British hallmarks and European convention marks for 18-carat gold, cases for pendant and ear studs

£800 - 1,200

449

PAIR OF DIAMOND EAR STUDS

each claw set with a brilliant-cut diamond

£1,500 - 2,000

450

DIAMOND BRACELET

curb linking accented with nine claw set brilliant-cut diamonds, to a fluted barrel clasp, 17.5cm long

£400 - 500

451

EDWARDIAN DIAMOND BROOCH, 1900s

the fan shaped brooch of pierced and millegrain design set with circular- and rose-cut diamonds, supporting a pendent drop, 5 x 4cm

£800 - 1,200

452

DIAMOND BRACELET, 1920s

gate link design collet set with circular-cut diamonds, 17cm long

£800 - 1,200

453

RUBY AND DIAMOND CLUSTER RING, 1988

target design, collet set to the centre with an oval mixed-cut ruby, within a bezel of two rows of brilliant-cut diamonds, ring size J, British import hallmarks for 18-carat gold, London, 1988

£500 - 700 454

SINGLE STONE DIAMOND RING

claw set with a brilliant-cut diamond to shoulders accented with single-cut diamonds, ring size O

£700 - 900 455

EDWARDIAN SAPPHIRE AND DIAMOND BAR BROOCH, 1910s

collet set with three oval mixed-cut sapphires, applied to an open work bar accented with rose-cut diamonds, 6.5cm long

£700 - 900

456

DIAMOND PENDANT, 1890s

designed as a floral spray, set with old mine- and rose-cut diamonds, mounted in silver and gold

£200 - 300 457

VICTORIAN DIAMOND FLEUR-DE-LIS BROOCH/PENDANT, 1890s

ser with old mine- and circular-cut diamonds, mounted in silver and gold with hinged pendant bail to reverse

£600 - 800 458

DIAMOND PANEL RING

the rectangular open work interlaced panel set with a cushion-shaped diamond, framed by brilliant-, and single-cut diamonds, ring size O.

£700 - 900

459

RUBY AND DIAMOND BUTTERFLY BROOCH, 1900s

set with circular- and single-cut diamonds, the wings accented with circular-cut rubies with cabochon ruby eyes. 3.7 x 2cm

£800 - 1,200

460

SAPPHIRE AND DIAMOND RING

claw set with an oval mixed-cut sapphire, weighing approximately 6.65 carats, to a tapering mount the shoulders pave-set with brilliant-cut diamonds, ring size J

Accompanied by a report from The Gem & Pearl Laboratory number 25974, dated 17th May 2025, stating that the sapphire measuring 10.8 x 10.0 x 7.7 is a natural sapphire, origin Sri Lanka with no evidence of heat treatment

£7,000 - 10,000

461

EDWARDIAN EMERALD AND DIAMOND BROOCH, 1910s

hexagonal design set with calibre-cut emeralds and circular-cut diamonds, diameter 2.5cm.

£500 - 700

462

DIAMOND COCKTAIL WATCH, 1930s

the rectangular dial applied with Arabic numerals, the bezel set with circular-cut and baguette diamonds, to a similarly set tapering geometric bracelet, 17cm long

£2,000 - 3,000

463

ART DECO SAPPHIRE AND DIAMOND BROOCH, CIRCA 1925

designed as a lozenge with central oval cabochon sapphire, with triangular-cut diamond shoulders framed by circular-cut diamonds, to scroll terminals accented with cabochon sapphires, French assay and makers' mark, 4 x 2.5cm

£2,000 - 3,000

464

GOLD, EMERALD AND DIAMOND RING

claw set to the centre with a cut-cornered square emerald, set between two brilliant-cut diamonds, ring size N 1/2

£6,000 - 8,000

465

DIAMOND CLUSTER RING, 1890s

centring on an old mine-cut diamond of yellow tint within a surround of colourless old mine-cut diamonds, ring size R 1/2

£2,000 - 3,000

466

DIAMOND RING, 1950s

claw set with a circular-cut diamond, ring size N

£8,000 - 12,000

467

PAIR OF DIAMOND PENDENT EARRINGS, 1870s

each designed as an articulated tassel set with old mine- and circular-cut diamonds, hook fittings, mounted in silver and gold cutdown collet settings, 6.5cm long, associated fitted case.

£5,000 - 6,000

End of Sale

Next Jewellery & Watches sale 20th November 2025

Closing for entries by end of September

CATALOGUING PRACTICE

1. Please note that all measurements are approximate and that illustrations are not to scale. The condition of a Lot is not usually included in catalogue descriptions, and no assumptions should be made in the absence of this information. Condition reports are available on request.

2. CERAMICS

Obvious faults may be recorded in italics at the end of a description for ceramics.

3. CLOCKS AND WATCHES

All Lots are sold “as is” and the absence of any reference to the condition of a clock or watch does not imply that the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. Furthermore, we make no representation or warranty that any clock or watch is in working order.

As clocks and watches often contain fine and complex mechanisms, the Bidder should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. The Bidder should be aware that the importation of watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches may not be shipped to the USA and can only be imported personally.

4. DISPLAY ACCESSORIES

Please note that armour stands and many of the display mounts used in the catalogue(s) and the sale exhibition(s) do not form part of the Lot unless stated in the catalogue, though they may be made available to the successful Buyer of the relevant Lot(s). Please contact us for prices and further details.

5. FIREARMS

Please note that all bore sizes are approximate.

6. JEWELLERY

It is common practice for many gemstones to be treated by a variety of methods to enhance their appearance and the international jewellery trade has generally accepted these methods. Although heat enhancement of colour is usually permanent, in some cases this could affect the durability of a gemstone. Oiled gemstones may need re-oiling after a certain period. If no gemmological report is published in the catalogue, prospective Buyers should be aware that the gemstones or pearls could have been enhanced by some method.

7. PHOTOGRAPHS

In addition to the explanations set out below regarding categorising terms for works, please note the following. The date given is that of the image (negative). Where no further date is given, this indicates that the photographic print is vintage (the term “vintage” may also be included in the Lot description). A vintage photograph is one which was made within approximately 5–10 years of the negative. Where a second, later date appears, this refers to the date of printing. Where the exact printing date is not known, but understood to be printed later, “printed later” will appear in the Lot description.

Unless otherwise specified, dimensions given are those of the piece of paper on which the image is printed, including any margins. Some photographs may appear in the catalogue without the margins illustrated.

All photographs are sold unframed unless stated otherwise in the Lot description.

8. PICTURES

A work catalogued with the name(s) or recognised designation of an artist, without any qualification, is, in our opinion, a work by the artist. In other cases, the following expressions with the following meanings are used:

(a) “Attributed to”: means in our opinion it is probably a work by the artist in whole or in part.

(b) “Studio of” or “workshop of”: means in our opinion a work executed in the studio or workshop of the artist, possibly under his supervision.

(d) “Follower of”: means in our opinion a work executed in the artist's style but not necessarily by a pupil.

(e) “Manner of”: means in our opinion a work executed in the artist's style but of a later date.

(f) “After”: means in our opinion a copy (of any date) of a work of the artist.

(g) “Signed”, “dated”, “inscribed”: means in our opinion the work has been signed, dated or inscribed by the artist. The addition of a question mark (?) adds an element of doubt.

(h) “Bears signature”, “bears date”, “bears inscription”: means in our opinion the signature, date, inscription or stamp is by a hand other than that of the artist.

9. SILVER, GOLD AND PRECIOUS METALS

Weights may only be accurate to within 5 grams. Weights shown as “(* oz)” are in troy ounces and usually rounded down to the full ounce.

10. THE FOLLOWING SYMBOLS MAY BE USED IN OUR AUCTION CATALOGUES

(a) (□) indicates a Lot with no Reserve.

(b) (✧) indicates a “Premium Lot”. For Premium Lots, you must complete the required Premium Lot preregistration application and deliver to us such necessary financial references, guarantees, deposits and/or such other security as we may in our absolute discretion require, as security for your bid. Our decision as to whether to accept any pre-registration application shall be final.

(c) (⦿) indicates items that have been identified at the time of cataloguing as containing organic material which may be subject to restrictions regarding import or export. The absence of the symbol is not a warranty that there are no restrictions regarding import or export of the item. We accept no liability for any Lots which may be subject to restrictions but have not been identified as such. Please refer to section A, paragraph 10 above.

(d) (⊕) indicates a Lot that may be subject to Artist’s Resale Right.

ABSENTEE BID FORM

SALE TITLE: JEWELLERY & WATCHES

DATE: 10/09/2025

Please mail, fax or scan and email to:

Olympia Auctions, 25 Blythe Road, London W14 0PD

Fax +44 (0)20 7806 5546

Email: jewellery@olympiaauctions.com

Important

Please bid on my behalf at the above sale for the following Lot(s) up to the hammer price(s) mentioned below. These bids are to be executed as cheaply as is permitted by other bids or reserves and in an amount up to but not exceeding the specified amount. The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller up to the amount of the reserve by placing responsive or consecutive bids for a lot.

I agree to be bound by Olympia Auctions Conditions of Business. If any bid is successful, I agree to pay a buyer’s premium on the hammer price at the rate stated in the front of the catalogue and any VAT, or amounts in lieu of VAT, which may be due on the buyer’s premium and the hammer price.

Methods of Payment

Olympia Auctions welcomes the following methods of payment, most of which will facilitate immediate release of your purchases.

Online: www.OlympiaAuctions.com/payments

Bank Transfer: Payments must be received from a bank account held in the name of the person or entitiy named on the invoice for the lot(s).

HSBC Bank, 38 High Street, Dartford, Kent DA1 1DG

IBAN No: GB39HBUK40190422033119

BIC: HBUKGB4B

Sort Code: 401904

Account No: 22033119

Account Name: Olympia Auctions

Sterling Bankers Draft: Drawn on a recognised UK bank

Cheque: Usually any cheques will need to be cleared before you can take the goods away. We require seven days to clear sterling cheques unless special arrangements have been made in advance of the sale.

Cash: £6,000 and "cardholder not present" payments above £2,000 cannot be accepted.

Credit Card payments in person: Payments above £6,000 cannot be accepted.

Debit Card payments in person: Payments are without limit.

Please print or type

Name

Address

Postcode

Telephone

Alternative telephone

Email Signed Date

Please note that if you have not dealt with us before, you will need to supply us with a copy of photographic ID and proof of address.

Lot no. Lot description £ Cover bid

AUTUMN & WINTER 2025

Jewellery & Watches

Live sale: 10th September

Olympia Timed: Silver including a Private Collection of Vesta cases & other smallwork

Timed sale: Starts 5th September. Ends 14th September

The Professor David S. Weaver Collection of Fine Antique Firearms

Live sale: 24th September

Olympia Timed: Autumn 2025

Timed sale: Starts 19th September. Ends 28th September

Olympia Timed: Indian, Islamic, Himalayan and South-East Asian Art

Timed sale: Starts 19th September. Ends 28th September

From the Studio: Works from Artists’ Estates

Live sale: 8th October

Olympia Timed: Paintings, Works on Paper and Sculpture

Timed sale: Starts 3rd October. Ends 12th October

Modern & Contemporary African & Middle Eastern Art

Live sale: 29th October

Chinese and Japanese Works of Art

Live sale: 5th November

Indian, Islamic, Himalayan and South-East Asian Art

Live sale: 12th November

European Works of Art, Objects & Silver

Live sale: 19th November

Jewellery & Watches

Live sale: 20th November

Fine Antique Arms, Armour & Militaria

Live sale: 3rd December

Fine Paintings, Works on Paper and Sculpture

Live sale: 10th December