The memorial Place in Post Pandemic Era (SENSORY) 圖像

SEN SORY

後疫情時代的紀念場域 T h e Me mori al Place i n Po s t Pa n demi c E ra 紀念 一個世代人們的共同創傷

後疫情時代的紀念場域

The Memorial Place in Post Pandemic Era

事件 / 空間 / 紀念性

In m e mo r y o f t h e s ca rs o f a gen erat i on

Senso r y / Memro i al / Pand e m ic

C ON TA N T |

Chapter 1 後疫時代 - 運輸

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Chapter 2 後疫時代 - 醫療

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Chapter 3 後疫時代 - 心理疾病

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Chapter 4 後疫時代 - 旅遊

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Chapter 5 後疫時代 - 媒體

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" T R A N S P O R TAT

Chapter

TION "

1

" T R A N S P O R TAT I O N " The most important part of transportation behavior in post-pedemic era is “transmission”. In this story line, we gradually expand from a small -scale delivery worker from a smalls c a l e d e l i v e r y p e r s o n t o a l a r g e r o n e, trying to explore the interesting impact of the epidemic on the transport. The story line gradually expands from a s m a l l - s c a l e d el ive r y wo rke r t o e xp l o re t h e i nt e re s t i n g i mp a c t o f t h e ep i d e m i c on the transport.

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" T R A N S P O R TAT I O N " After retranslating the vignette, we give the space .

This area focuses on the interaction w i t h t h e s p a c e . We h a v e d e s i g n e d s o m e e x p e r i e n t i a l m e c h a n i s m s We designed some experience mechanisms t o m a ke p e opl e fe el t h e i mp o r t a n c e o f transportation under the epidemic by t a k i n g ob j e c t s an d m o v i n g t h rough t h e space

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" MEDICAL CREW

Chapter Page 12

W "

2

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" MEDICAL CREW "

Translate the daily routine of medical staff into spatial symbols and transform these experiences into a big playground.

A f t e r t h e re d ef i n i t i o n , we u s e " s t re e t fu r n i t u re a n d play e q u ip m e n t " a s t h e symbol of this story line.

A children's playgrounds shaped by n o n -wo ve n f a b r i c , wh i t e i ro n , pla s t i c scaffolding, some chairs for short breaks but uncomfor table, in a more interesting way, reminding people that in that generation, these are the most important things.

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" MEDICAL CREW "

Children's play equipment and “Street furniture”

By extracting parts of the materials that medical personnel usually touch and see, these play equipment can interact directly with people, but keep a distance between the play process.

Even some indispensable street furniture such as benches.

Finally, these objects are placed into the park, and with our spatial elements, it is like a big playground.

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" M E N TA L I L L N E

Chapter Page 18

ESS "

3

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" M E N TA L I L L N E S S "

Using extude and twisting the walls to change the walkways to present the pain suffered by the body.

A sapce documenting the transformation of a pneumonia patient from mental and physical illness.

D u e t o i m a g i n i n g a n d i n t e r p re t i n g wh a t they see and feel when they are infected with virus. Then we imaginethat what we can feel in mental illness problem?pain, sickness, suffering.

We u s e c l o s e d s t r u c t u r e o f s o l i d w a l l s , obscure symbols, and light to present the shadows of the infected person's mind after the pain and trauma of the disease

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" T R AV E L "

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4

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" T R AV E L "

Because of the experience and rule of travel has changed, we build many bubble whith some irregular hole.

Through the distance that can only be seen but not touched, and the m e ch a n i s m o f sp a c e e xp e r i e n c e i t s el f, only one person can be accommodated in a space to simulate the inconvenience of traveling after the outbreak of the virus.

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" T R AV E L "

When travel is affected by the epidemic, t h e wh o l e t h i n g i s c o m p l i c a t e d b y t h e fact that from one quarantine s t a t i o n t o a n ot h e r, t h e re a re w i n d o ws where you can see each other but can't talk to each other, small spaces that c an only accommodate one person's experience.

I n a d d i t i o n , wh e n t r ave l i n g u n d e r t h e epidemic, each person or group of people may exist in a f ixed area, keeping a s a fe d i s t a n c e f r o m t h e o u t s i d e wo r l d while having space for communication.

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" MEDIA "

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5

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" MEDIA "

By splitting the media into two p a r t s, o n e i s t h e s p a c e t h a t g e n e r a t e s explanations through light, screen, and sound.

The media is the story line that provides a clear answer to our post-epidemic s c e n a r i o, wh i ch e xpla i n s t h e eve n t s o f the other stor y lines and isarranged in relation to the other lines, such astheir spatial alignment and the position of the window openings.

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" MEDIA "

The other media is our spatial interpretation of the media event, through a corridor of constantly shifting scales and information, to explain our behavior towards the constant involvement of media information in our lives in the post-epidemic era.

In m e mo r y o f t h e s ca rs o f a gen erat i on

Senso r y / Memro i al / Pand e m ic

紀念 一個世代人們的共同創傷