ARC30003 - Posters - L Carter 103605709

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PROMETHEUS

PROMETHEUS STEALING FIRE

From Greek mythology

Story:

According to Greek mythology, Prometheus (a Titan) was a son of the Titan Iapetus and the Oceanid Clymene. He was a trickster and a rebel who challenged the authority of Zeus, the king of the gods. Prometheus was a friend of humanity and often sided with mortals against the gods.

The most famous story about Prometheus tells of how Zeus (the king of the gods) had forbidden humans from having fire (representing knowledge, power, and enlightenment), as he feared that it would give them too much power. But Prometheus, who was a friend of humans, saw that they were suffering in the cold and darkness without fire, and he decided to help them.

So, Prometheus climbed to the top of Mount Olympus, where the gods lived, and stole fire from the hearth of the god Hephaestus (the god of fire and craftsmanship). He then brought the fire down to earth and gave it to humans, teaching them how to use it for warmth, light, and cooking.

Zeus was furious when he found out about Prometheus’s theft and punished him severely. He had Prometheus chained to a rock on a mountaintop, where an eagle would come every day and eat his liver. Prometheus was immortal, so his liver grew back each day, and the eagle would come back to eat it again and again.

Prometheus’s story has become a symbol of rebellion against authority, and of the power of human creativity and ingenuity. His theft of fire represents the human desire for knowledge and advancement, even if it means challenging the gods.

Allegory:

The story of Prometheus is often interpreted as a metaphor for the struggle of humanity to overcome ignorance and darkness, and to gain knowledge and enlightenment. It also illustrates the idea that progress often comes at a cost, and that those who seek to change the world may face opposition and persecution from those who wish to maintain the status quo.

fig 4. displays “Prometheus surounded by flames” as he enters hephaestus’ domain inorder to steal fire from the grods.

fig 5. Presents “Prometheus giving stolen fire to a greek person”.

PROMETHEUS

Carter, L. (2023) Midjourney Generated Images

Suffering, Steal, Salvation, Sacrifice

fig 1. depicts “Zeus the greek god” looking strong and mighty towering over the observer wearing a Laurel wreath.

fig 2. shows “Ancient greek people farming“. using knowledge (fire) to work the land and cultivate enough food to live fruitful lives.

fig 3. “Prometheus from greek mythology in pain“ after being tortured by an eagle eating his liver every day.

fig 6. is of “Mount olympus“ towering above the clouds. fig 7. depicts “mount olympus where the greek gods live“ in clasicaly styled greek temples. fig 8. is “greek people mourning“ with sad expressions stooped over. fig 1. fig 2. fig 4. fig 5. fig 3. fig 6. fig 7. fig 8.
PROMETHEUS
1. Humans suffering in the “darkness“ struggling to survive. Zeus has denied them “fire“ or enlightenment. 2. Mount Olympus the home of the gods. Where “fire“ is kept by Hephestus. 4. With the stolen “fire“, Prometheus gives it to the humans so that they can finaly prosper and live without fear. 5. Zeus the king of the gods becomes aware that Prometheus has defied his wishes. This sends Zeus into a furious rage. 3. Prometheus the trickster titan sees the humans in need and decides to steal “fire“ against Zeus’ will from Mount Olympus. 6. As a result Zeus decides to exact revenge by chaining him to a mountain and sending an eagle to eat his imortal liver every day.

The Prototype reprosents the humans who have been in the shadow of the gods. They are gifted fire and can now have the ability to determine their own fate.

PROMETHEUS

ESCAPING THE SHADOW OF THE GODS

Method: Muscle And Bone

The prototype uses cogs, cams and astructure made from laser cut acrylic. It then incorperates timber shafts, levers and figure ball to accentuate the movement generated when it’s cranked. fig 1. The figure (ball) begins static amongst towering forms / gods. fig 2. The figure atempts to move out of the “dark“ shadow casted by the gods. fig 3. Finaly the figure gets to safety out of the darkness and into the light.
corner
front top fig 1. fig 2. fig 3.

PROMETHEUS

Narrative Of The Machine

fig 1. fig 2. fig 3. fig 4. fig 5. fig 6. (Top) wave propagation through fig 5. The machine works by repeating the rotating levers (fig 3.), connecting each to the Base plate (fig 4.), then joining each lever to the paper medium (fig 6.) (Side) wave propagation through fig 5. (a) initial movement (b) wave propagation (c) resulting movement

3D motion is acheived by creating a pivot point using string.

Different Design Variations

Rubber bands are used to connect the levers together through tension. 1 above and 1 below the pivot points.

The cellular paper medium allows movment to propagate through to the neighbouring levers

The design is flipped so that it can be installed above the users. It also no longer requires weights.

Many levers and a larger paper medium are used to create a combined swirling motion.

PROMETHEUS No. 1 No. 6 No. 7
8
9 No. 10 No. 2 No. 3 No. 4 No. 5 2D motion Guides get stuck a lot Guide requires precision Multiplied to create wave Cam guide doesn’t need precision 3D motion
No.
No.
A. Papper medium B. Levers C. String pivot point D. Base plate

INTERACTION WITH SITE AND PEOPLE

The Gods And The Humans

There are 2 sections, the gods on the top and the humans on the bottom. The gods are free to “play“ with the humans lives by moving the levers creating swirling and intimidating movements wich can make contact with them.

Because of the 1 way mirrors the humans don’t know how or why the levers seem to seek them out however the gods can pick out their targets with ease.

Nevertheless, the humans can disobey the gods by fighting back and holding the levers.

Render. Depicts the “humans” walk through the dark space whilst trying to avoid the moving levers wich follow their every move.

The experiance should evoke different emotions, from fear to puzzlement to anger.

The Gods

fig a. shows the point at which the levers intersect through the acrylic and 1 way mirrored floor.

fig b. Large metal screws are used to hold the seperate acrylic floor sections together.

fig c. Acrylic floor slots into the existing walls. The 1 way mirror only allows the Gods to see through.

PROMETHEUS
Humanity
fig a.
acrylic Gods Drill gap lever wall 1 way mirror Humanity Seperate floor section Seperate floor section
fig b.
Large metal screws hold floor together
fig c.

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