URBAN TERRAINS:
DYSTOPIAN DREAMS
ZIYANG YUAN VINCENT 1025198 STUDIO LEADER: HELLA WIGGE SEMESTER 1, 2019
Guled turned the grief from the war into a positive; speaking in front of the public to propagate the desire for peace. Graffiti wall, the place that condenses all interpretation of peace and freedom and hate of darkness and war. Soaking up every last ray of warmth from the sunset, hope start spreading in your heart.
PROTAGONIST GULED Graffiti for peace and hope
CONCEPT DIAGRAM
Step landforming and people moving across differnent spaces
PROCESS DIAGRAM
Graffiti walls and seats (sunlights and views)
SITE PLAN - scale 1:500 ZIYANG YUAN VINCENT 1025198 STUDIO LEADER: HELLA WIGGE SEMESTER 1, 2019
Southwest corner of the square
Small graffiti wall prespective
PLAN - scale 1:50
North Point
Graffiti wall details
Multifuncational seats on site
SECTIONS- scale 1:50 ZIYANG YUAN VINCENT 1025198 STUDIO LEADER: HELLA WIGGE SEMESTER 1, 2019
Prespective view towards west
Large public space with thresholds
North Point
PLAN - scale 1:100
Public speech in front of the steps
Prespective view of the public space
SECTIONS - scale 1:100 ZIYANG YUAN VINCENT 1025198 STUDIO LEADER: HELLA WIGGE SEMESTER 1, 2019
Timber board size used for seats: 120mm*35mm (width*depth)
Timber nailed onto the surface of the concrete as a cover for the seats
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OBJECT STUDY
Guled sitting on the top of the seats (timber covered on concrete) Scale 1:10
MATERIAL STUDY
Three materials meet: Timber, concrete and earth Scale 1:10
PERSPECTIVE
Across the whole site and the relation between surrounding roads
ZIYANG YUAN VINCENT 1025198 STUDIO LEADER: HELLA WIGGE SEMESTER 1, 2019