ZagrebDox 2022 by zgdox

SADRŽAJ / TABLE OF CONTENTS SADRŽAJ / TABLE OF CONTENTS

ULAZNICE / TICKETS

LOKACIJE / LOCATIONS

UVODNA RIJEČ / FOREWORD

ŽIRIJI / JURIES

NAGRADE / AWARDS RASPORED PROGRAMA / PROGRAMME SCHEDULE

8 12

Službena konkurencija / Official competition MEĐUNARODNA KONKURENCIJA / INTERNATIONAL COMPETITION

REGIONALNA KONKURENCIJA / REGIONAL COMPETITION

Službeni program / Official programme BIOGRAFSKI DOX / BIOGRAPHY DOX

KONTROVERZNI DOX / CONTROVERSIAL DOX

MAJSTORI DOXA / MASTERS OF DOX

TEEN DOX

STANJE STVARI / STATE OF AFFAIRS

Retrospektive / Retrospectives AUTORSKA VEČER / AUTHOR’S NIGHT: KATARINA ZRINKA MATIJEVIĆ

ŽELIMIR ŽILNIK: FRAGMENTI “GASTARBAJTERSKOG” OPUSA / FRAGMENTS FROM MIGRANT WORKER OPUS

TOČKE GLEDIŠTA / POINTS OF VIEW

Posebni program / Dox special ROAD DOX

ZagrebDox Pro ZAGREBDOX PRO: CONFESSIONS

Posebna događanja / Special events FACTUM – PRVIH 25 GODINA / FACTUM – THE FIRST 25 YEARS

TIKTOK: DOKUMENTIRANJE SVAKODNEVNOSTI / TIKTOK: DOCUMENTING QUOTIDIANITY

ŠTO NAS ČEKA U BUDUĆNOSTI / WHAT THE FUTURE HOLDS

PUTOPISNI DOKUMENTARAC / TRAVEL DOCUMENTARY

Impresum / Impressum

ULAZNICE ZAGREBDOX 03/04 – 10/04/2022 KAPTOL BOUTIQUE CINEMA&BAR, CENTAR KAPTOL, ZAGREB

AKO STE U MOGUĆNOSTI, ULAZNICE KUPITE ONLINE

RADNO VRIJEME CINESTAR BLAGAJNE

Pretprodaja ulaznica za ZagrebDox počinje u četvrtak, 24. ožujka.

NEDJELJA, 03/04 - PETAK, 08/04 14:00 – 22:00

Ulaznice se mogu kupiti na blagajnama kina Kaptol Boutique Cinema&Bar, Centar Kaptol, Nova Ves 17 u radno vrijeme blagajni, na tiketomatima u predvorju kina i online na www.kaptolcinema.hr.

SUBOTA, 09/04 13:00 – 22:00

REZERVACIJE ULAZNICA NISU MOGUĆE. Cijena ulaznice za projekcije u 16 sati iznosi 30 kuna. Cijena ulaznice za projekcije u 17, 18, 19, 20, 21 i 22 sata iznosi 34 kune. Cijena ulaznice za projekcije iz programa Teen Dox iznosi 25 kuna. THE BEST OF FEST Cijena ulaznica za program The Best of Fest u nedjelju, 10. travnja za svih šest projekcija u jednoj od dvorana iznosi 80 kuna, a za pojedinačnu projekciju 26 kuna. Ulaznice za The Best of Fest se mogu kupiti isključivo na blagajnama kina Kaptol Boutique Cinema&Bar. Detaljan raspored projekcija u programu The Best of Fest bit će objavljen u subotu, 9. travnja u 20 sati. BESPLATNE PROJEKCIJE Projekcije u 15 sati, od ponedjeljka do petka, program Autorska večer: Katarina Zrinka Matijević te program Želimir Žilnik: Fragmenti “gastarbajterskog” opusa su besplatne. Ulaznice za besplatne projekcije podižu se samo na dan projekcije na blagajnama kina Kaptol Boutique Cinema&Bar, Centar Kaptol tijekom redovnog radnog vremena blagajni. Jedna osoba može preuzeti najviše dvije besplatne ulaznice po projekciji. Ulaznice izdajemo do popunjenja kapaciteta. Ulaz na ZagrebDox Pro i Posebna događanja je slobodan, bez prethodnog preuzimanja ulaznice. 4

NEDJELJA, 10/04 11:00 – 22:00 MOLIMO VAS DA POŠTUJETE MJERE ZAŠTITE U SPREČAVANJU ŠIRENJA VIRUSA COVID 19 ORGANIZATOR ZAGREBDOXA ZADRŽAVA PRAVO IZMJENE PROGRAMA I RASPOREDA www.zagrebdox.net info@zagrebdox.net

TICKETS ZAGREBDOX 03/04 – 10/04/2022 KAPTOL BOUTIQUE CINEMA&BAR, KAPTOL CENTRE, ZAGREB

IF POSSIBLE, PLEASE PURCHASE YOUR TICKETS ONLINE

CINESTAR TICKET OFFICE OPENING HOURS

ZagrebDox early-bird tickets sale starts on Thursday, 24 March.

SUNDAY, 03/04 – FRIDAY, 08/04 14:00 – 22:00

Tickets can be purchased at the Kaptol Boutique Cinema&Bar ticket office, Kaptol Centre, Nova Ves 17 during the ticket office opening hours, at vending machines in the cinema lobby and online at www.kaptolcinema.hr.

SATURDAY, 09/04 13:00 – 22:00

TICKET RESERVATION IS NOT POSSIBLE. Ticket price for screenings at 4pm is HRK 30. Ticket price for screenings at 5pm, 6pm, 7pm, 8pm, 9pm and 10pm is HRK 34.

SUNDAY, 10/04 11:00 – 22:00 PLEASE RESPECT THE COVID-19 RESTRICTIVE MEASURES

Ticket price for Teen Dox section screenings is HRK 25.

THE ZAGREBDOX ORGANISER RESERVES THE RIGHT TO MAKE CHANGES IN THE PROGRAMME AND SCHEDULE

THE BEST OF FEST

www.zagrebdox.net info@zagrebdox.net

Ticket price for The Best of Fest on Sunday, 10 April, for all the six screenings in one theatre is HRK 80, or HRK 26 for individual screenings. Tickets for The Best of Fest can be purchased only at Kaptol Boutique Cinema&Bar ticket offices. A detailed screening schedule for The Best of Fest will be published on Saturday, 9 April, at 8pm. FREE SCREENINGS Screenings at 3pm, from Monday to Friday, as well as Author’s Night: Katarina Zrinka Matijević and Želimir Žilnik: Fragments from Migrant Worker Opus are free of charge. Tickets for free screening should be picked up only on the screening day at the Kaptol Boutique Cinema&Bar ticket office during the opening hours. One person can take not more than two free tickets per screening. Tickets are issued until the capacity is full. Admission to ZagrebDox Pro and Special events is open to public, without tickets. 5

LOKACIJE / LOCATIONS

KAPTOL BOUTIQUE CINEMA&BAR Nova Ves 17, Zagreb NOVA VES ULAZ / ENTRANCE

DVORANA 5 WOW BAR DVORANA 4

1 3

ULAZ / ENTRANCE DVORANA 1

DVORANA 2

TKALČIĆEVA ULICA

CENTAR KAPTOL NIVO 2 / 2nd FLOOR

INFO PULT / INFO POINT

2 BLAGAJNE / BOX OFFICE 3 FESTIVALSKI CENTAR / FESTIVAL CENTRE

DVORANA 3

UVODNA RIJEČ / FOREWORD

“Svijet u kome živimo pun je izazova”, uobičajena je fraza koja bi trebala pokrivati sve, pa tako i – ništa. No svijet u kome živimo posljednje dvije godine prepun je vrlo konkretnih bolesti, boli, smrti, neizvjesnosti i straha.

“The world we live in is full of challenges,” says the usual phrase that should cover everything, including – nothing. But the world we’ve lived in for the past two years is full of concrete diseases, pain, death, uncertainties and fear.

Mnogi se ljudi, najprije iz nužde, a onda i svojevoljno, sve više osamljuju, povlače u sebe i prepuštaju navali zastrašujućih sadržaja s raznoraznih ekrana.

Many people, first out of necessity and then on their own free will, get more and more isolated, withdrawn, surrendering to the surge of frightening content from different screens.

I, ono što je vjerojatno najgore – otupljuju. Na patnju i strah, ali i na radost i mala životna veselja.

And, which is probably the worst, more and more – indifferent. To suffering and fear, but also to joy and small pleasures in life.

No život se, kao što znamo, ne može staviti na čekanje. I zato se i mi, koliko nam to skromne snage jednog filmskog festivala dozvoljavaju, borimo protiv toga. Onim najjednostavnijim – ljudskom prisutnošću, susretima, razgovorima, dijeljenjem emocija.

However, life, as we know, cannot be put on hold. This is why we, as much as a film festival modestly can, fight against this. With the simplest possible means – human presence, encounters, conversations, sharing emotions.

Ponosni smo na činjenicu što smo jedan od rijetkih festivala, čak i u širem okruženju, koji je kroz sve ove godine prikazivao filmove isključivo u kinodvoranama, dajući ljudima poticaj da izađu i druže se. Ponosni smo što smo, premda smo jedno izdanje morali otkazati svega tjedan dana prije početka, a drugo (zapravo treće) održali desetak dana prije još jednog “zatvaranja”, festival održali, pa makar i u okviru “nove normalnosti”.

We are proud of the fact that we are one of the rare festivals, even in the broader region, which has throughout these years screened films in cinemas alone, motivating people to go out and socialise. We are proud, even though we had to cancel one festival edition a week before the opening and the other (the third, in fact) took place ten days before another lockdown, that the festivals continued uninterruptedly, even in the “new normal”.

Bila su to neka “izvanredna”, reducirana izdanja, no uspjeli smo gledatelje motivirati da dođu i pridruže nam se u istraživanju svijeta u kome živimo.

These were “extraordinary”, reduced editions, but we have managed to motivate the audience to come and join us in exploring the world we live in.

Jer bez obzira na jednoznačnost i sivilo, koji su nas okruživali pa i prevladavali medijskom scenom, mi smo pokušali prikazati svijet u njegovoj punini, u raznim bojama i nijansama.

Regardless of the uniformity and greyness, which surrounded us and even dominated the media scene, we tried to portray the world in all its richness, in different colours and nuances.

Ovo smo izdanje počeli pripremati u nadi da ćemo se približiti onom “starom normalnom” koje svi toliko želimo. Zastrašujući rat koji je u međuvremenu počeo potresao nas je, ali ne i zaustavio.

We started preparing this edition hoping that we might get close to the “old normal” we want so badly. The frightening war that began in the meantime shook us, but didn’t stop us.

Idemo dalje. Vraćamo se u Centar Kaptol, donosimo sjajne filmove i, najvažnije od svega – pozivamo vas da se opet družimo. Gledamo filmove. Pijemo kave. Pričamo. Svađamo se. Smijemo.

On we go. Making a comeback to the Kaptol Centre, we bring you amazing films and, most importantly – we invite you to hang out with us again. To watch films. Drink coffee. Talk. Argue. Laugh.

Možda čak i – zagrlimo!

Perhaps even – hug!

Sretan nam 18. rođendan!

Happy 18th birthday!

Nenad Puhovski

ŽIRIJI / JURIES

NAGRADE / AWARDS

MEĐUNARODNI ŽIRI / INTERNATIONAL JURY

VELIKI PEČAT / BIG STAMP

Mikhail Gorobchuk

za najbolji film iz međunarodne konkurencije / for Best Film in International Competition

Dalibor Matanić Katarina Zrinka Matijević

REGIONALNI ŽIRI / REGIONAL JURY

VELIKI PEČAT / BIG STAMP za najbolji film iz regionalne konkurencije / for Best Film in Regional Competition

Edhem Fočo

MALI PEČAT / SMALL STAMP

Olga Lucovnicova

za najbolji film mladog/e autora/ice do 35 godina / for Best Film by a Young Filmmaker up to 35 Years of Age

Sari Volanen

MLADI ŽIRI / YOUNG JURY Rok Biček Damir Markovina

ZABA NAGRADA PUBLIKE / ZABA AUDIENCE AWARD

Milan Trenc

za najbolji film po izboru publike / for Best Film Audience Choice

MOVIES THAT MATTER ŽIRI / MOVIES THAT MATTER JURY

NAGRADA MOVIES THAT MATTER / MOVIES THAT MATTER AWARD

Janko Baljak

za film koji na najbolji način promiče ljudska prava / for the Film that Best Promotes Human Rights

Carmen Gray Srđan Kovačević Iryna Tsylik (počasna članica / honorary member)

NAGRADA TEEN DOX / TEEN DOX AWARD

FIPRESCI ŽIRI / FIPRESCI JURY

za najbolji film koji govori o problemima mladih / for Best Film about Youth Issues

Pierre-Simon Gutman Petra Meterc Marko Njegić

TEEN DOX ŽIRI / TEEN DOX JURY Učenici i učenice Škole za umjetnost, dizajn, grafiku i odjeću Zabok / Pupils of School for Art, Design, Graphics and Clothes Zabok: Antonio Jakus, Ana Kralj, Matea Ljubić, Mihaela Picak, Asja Puh, Fran Rubilo, Erik Tepić Debanić, Leonardo Vulić 8

NAGRADA FIPRESCI / FIPRESCI AWARD NAGRADA MOJOJ GENERACIJI / MY GENERATION AWARD dodjeljuje Nenad Puhovski, osnivač i direktor ZagrebDoxa / awarded by Nenad Puhovski, the founder and Director of ZagrebDox

SVEČANO OTVARANJE

Ljetne noći Ohad Milstein Izrael, Švicarska, 2021., 53’

Nedjelja, 03/04, 20:00 Gost: Ohad Milstein, redatelj 10

OPENING CEREMONY

Summer Nights Ohad Milstein Israel, Switzerland, 2021, 53’

Sunday, 03/04, 20:00 Guest: Ohad Milstein, director 11

Ponedjeljak / Monday

04/04

DVORANA 1

DVORANA 3

16:00 GODINA VJEČNE OLUJE / THE YEAR OF THE EVERLASTING STORM Jafar Panahi, Anthony Chen, Malik Vitthal, Laura Poitras, Dominga Sotomayor, David Lowery, Apichatpong Weerasethakul, 115’

NA RAZMEĐU / CUSP Parker Hill, Isabel Bethencourt, 83’

:TD

18:00 TISUĆU VATRI / A THOUSAND FIRES Saeed Taji Farouky, 90’

VOLIM TE, TATA / LOVE, DAD Diana Cam Van Nguyen, 13’ LJETNE NOĆI / SUMMER NIGHTS Ohad Milstein, 53’

Međunarodna konkurencija / International Competition :SS

:Q&A

20:00 DIVE / DIVAS Máté Kőrösi, 80’

Regionalna konkurencija / Regional Competition

RIOTSVILLE, USA Sierra Pettengill, 91’

Besplatne projekcije / Free Screenings

:Q&A Razgovor s autorom / Discussion with Author DD

Dox događanje / Dox Event

Biografski Dox / Biography Dox

Kontroverzni Dox / Controversial Dox

Majstori Doxa / Masters of Dox

Teen Dox

Stanje stvari / State of Affairs

Točke gledišta / Points of View

Road Dox

ŽŽ

Želimir Žilnik: fragmenti “gastarbajterskog” opusa / Želimir Žilnik: Fragments from Migrant Worker Opus

KZM

Autorska večer: Katarina Zrinka Matijević / Author’s Night: Katarina Zrinka Matijević

:Q&A

:Q&A :SS

22:00 AYA Simon Coulibaly Gillard, 90’

KAD SMO BILI NASILNICI / WHEN WE WERE BULLIES Jay Rosenblatt, 36’ :MD

1970. / 1970 Tomasz Wolski, 70’

:TD

15:00

DVORANA 2

DVORANA 4

VOLI ME / LOVE ME Romane Garant Chartrand, 23’ :TD YAREN I SUNCE / YAREN AND THE SUN Renate Raman, Joren Slaets, 19’ :TD

DVORANA 5

DJECA MAGLE / CHILDREN OF THE MIST Diễm Hà Lê., 92’

JULIJA I JA / JULIA&I Nina Hobert, 80’

AUTI KOJIMA SMO ODJURILI U KAPITALIZAM / THE CARS WE DROVE INTO CAPITALISM Boris Missirkov, Georgi Bogdanov, 93’

MLADI I UPLAŠENI / YOUNG AND AFRAID Petter Aaberg, Sverre Kvamme, 104’

VODA, VJETAR, PRAŠINA, KRUH / WATER, WIND, DUST, BREAD Mahdi Zamanpour Kiasari, 25’ :TD

17:00 HOLGUT Liesbeth De Ceulaer, 75’

: RD

:SS

19:00 KAO BUBREG U LOJU / THE BUBBLE Valerie Blankenbyl, 90’

OTAC / FATHER Deng Wei, 97’

NOĆ NEPOZNANICA / A NIGHT OF KNOWING NOTHING Payal Kapadia, 96’

:Q&A

:SS

MOJA BIVŠA ŠKOLA / MY OLD SCHOOL Jono McLeod, 104’

ZA MENE SI TI CEAUȘESCU / YOU ARE CEAUSESCU TO ME Sebastian Mihăilescu, 100’

21:00 NAYA Sebastian Mulder, 24’ HOBOTNICA / OCTOPUS Karim Kassem, 64’

:Q&A

DVORANA 1

Utorak / Tuesday

05/04

DVORANA 3

16:00 BRAVE, KLJUČEVI, VODA, DRVEĆE / LOCKS & KEYS, WATER, TREES Penny Andrea, 99’

RIOTSVILLE, USA Sierra Pettengill, 91’

:BD

:SS

18:00 MISIJA: PRONAĆI SREĆU U TEŠKIM VREMENIMA / MISSION: JOY — FINDING HAPPINESS IN TROUBLED TIMES Louie Psihoyos, Peggy Callahan, 90’

107 MAJKI / 107 MOTHERS Peter Kerekes, 90’

Međunarodna konkurencija / International Competition :BD

:Q&A

20:00 KUĆA OD KRHOTINA / A HOUSE MADE OF SPLINTERS Simon Lereng Wilmont, 86’

Regionalna konkurencija / Regional Competition

VEĆE OD TRAUME / BIGGER THAN TRAUMA Vedrana Pribačić, 90’

Besplatne projekcije / Free Screenings

:Q&A Razgovor s autorom / Discussion with Author DD

Dox događanje / Dox Event

Biografski Dox / Biography Dox

Kontroverzni Dox / Controversial Dox

Majstori Doxa / Masters of Dox

Teen Dox

Stanje stvari / State of Affairs

Točke gledišta / Points of View

Road Dox

ŽŽ

Želimir Žilnik: fragmenti “gastarbajterskog” opusa / Želimir Žilnik: Fragments from Migrant Worker Opus

KZM

Autorska večer: Katarina Zrinka Matijević / Author’s Night: Katarina Zrinka Matijević

:Q&A

:Q&A :DD

22:00 DRUGA STRANA RIJEKE / THE OTHER SIDE OF THE RIVER Antonia Kilian, 91’

:SS

SABAYA Hogir Hirori, 91’

15:00

DVORANA 2

DVORANA 4

NA RAZMEĐU / CUSP Parker Hill, Isabel Bethencourt, 83’

DVORANA 5

NAYA Sebastian Mulder, 24’

KAO BUBREG U LOJU / THE BUBBLE Valerie Blankenbyl, 90’

HOBOTNICA / OCTOPUS Karim Kassem, 64’

:TD

17:00 PRIČA O GLEDANJU / THE STORY OF LOOKING Mark Cousins, 90’

DIDA Nikola Ilić, Corina Schwingruber Ilić, 87’

OTAC / FATHER Deng Wei, 97’

:SS

19:00 AYA Simon Coulibaly Gillard, 90’

MLADI I UPLAŠENI / YOUNG AND AFRAID Petter Aaberg, Sverre Kvamme, 104’

POKUŠAVAM ZAPAMTITI / I AM TRYING TO REMEMBER Pegah Ahangarani, 15’

:SS

KAD CVIJEĆE NE ŠUTI / WHEN FLOWERS ARE NOT SILENT Andrei Kutsila, 72’ :TD

:SS

:Q&A :SS

21:00 POMIRENJE / RECONCILIATION Marija Zidar, 82’

BRATSTVO / BROTHERHOOD Francesco Montagner, 97’

:Q&A

IMADOVO DJETINJSTVO / IMAD’S CHILDHOOD Zahavi Sanjavi, 78’

:Q&A

DVORANA 1

Srijeda / Wednesday

06/04

DVORANA 3

16:00 POKUŠAVAM ZAPAMTITI / I AM TRYING TO REMEMBER Pegah Ahangarani, 15’

IMADOVO DJETINJSTVO / IMAD’S CHILDHOOD Zahavi Sanjavi, 78’

:SS

KAD CVIJEĆE NE ŠUTI / WHEN FLOWERS ARE NOT SILENT Andrei Kutsila, 72’ :SS

18:00 GROZNA DJECA / LES ENFANTS TERRIBLES Ahmet Necdet Çupur, 93’

BANALNOST TUGE / THE BANALITY OF GRIEF Jon Bang Carlsen, 70’

Međunarodna konkurencija / International Competition :Q&A :MD

20:00 ROVOVI / TRENCHES Loup Bureau, 85’

Regionalna konkurencija / Regional Competition

DUGI RAZLAZ / THE LONG BREAKUP Katya Soldat, 85’

Besplatne projekcije / Free Screenings

:Q&A Razgovor s autorom / Discussion with Author DD

Dox događanje / Dox Event

Biografski Dox / Biography Dox

Kontroverzni Dox / Controversial Dox

Majstori Doxa / Masters of Dox

Teen Dox

Stanje stvari / State of Affairs

Točke gledišta / Points of View

Road Dox

ŽŽ

Želimir Žilnik: fragmenti “gastarbajterskog” opusa / Želimir Žilnik: Fragments from Migrant Worker Opus

KZM

Autorska večer: Katarina Zrinka Matijević / Author’s Night: Katarina Zrinka Matijević

:SS

22:00 OPROSTI / I’M SO SORRY Zhao Liang, 100’

:MD

JULIJA I JA / JULIA&I Nina Hobert, 80’

15:00

DVORANA 2

DVORANA 4

KORIJENI / ROOTS Tea Lukač, 80’

DVORANA 5

SABAYA Hogir Hirori, 91’

ZA MENE SI TI CEAUȘESCU / YOU ARE CEAUSESCU TO ME Sebastian Mihăilescu, 100’

17:00 GODINA VJEČNE OLUJE / THE YEAR OF THE EVERLASTING STORM Jafar Panahi, Anthony Chen, Malik Vitthal, Laura Poitras, Dominga Sotomayor, David Lowery, Apichatpong Weerasethakul, 115’

17:30 FACTUM - PRVIH 25 GODINA / FACTUM - THE FIRST 25 YEARS Domaćin / host: Nenad Puhovski

KAD SMO BILI NASILNICI / WHEN WE WERE BULLIES Jay Rosenblatt, 36’

:MD

1970. / 1970 Tomasz Wolski, 70’

19:00 ISTI SAN / THE SAME DREAM Vlad Petri, 29’

DJECA MAGLE / CHILDREN OF THE MIST Diễm Hà Lê., 92’

BRAVE, KLJUČEVI, VODA, DRVEĆE / LOCKS & KEYS, WATER, TREES Penny Andrea, 99’

BABAJANJA Ante Zlatko Stolica, 15’ :Q&A :DD

MJESTA KOJA ĆEMO DISATI / PLACES WE’LL :Q&A :DD BREATHE Davor Sanvincenti, 22’

:BD

21:00 ČETIRI GODIŠNJA DOBA U DANU / FOUR SEASONS IN A DAY Annabel Verbeke, 77’

:Q&A

NEGOSTOLJUBIVI / HOSTILE Sonita Gale, 97’

BRATSTVO / BROTHERHOOD Francesco Montagner, 97’

:SS

DVORANA 1

Četvrtak / Thursday

07/04

DVORANA 3

16:00 MARX MOŽE ČEKATI / MARX CAN WAIT Marco Bellocchio, 96’

107 MAJKI / 107 MOTHERS Peter Kerekes, 90’

:MD

18:00 PUT MRAMORA / A MARBLE TRAVELOGUE Sean Wang, 97’

ŽŽŽ (ŽURNAL O ŽELIMIRU ŽILNIKU) / ŽŽŽ (JOURNAL ABOUT ŽELIMIR ŽILNIK) Janko Baljak, 90’

Međunarodna konkurencija / International Competition :RD

:Q&A :BD

20:00 NA RAZMEĐU / CUSP Parker Hill, Isabel Bethencourt, 83’

Regionalna konkurencija / Regional Competition

HRVATSKOG NARODNOG PREPORODA / THE BUILDING Goran Dević, 68’

Besplatne projekcije / Free Screenings

:Q&A Razgovor s autorom / Discussion with Author DD

Dox događanje / Dox Event

Biografski Dox / Biography Dox

Kontroverzni Dox / Controversial Dox

Majstori Doxa / Masters of Dox

Teen Dox

Stanje stvari / State of Affairs

Točke gledišta / Points of View

Road Dox

ŽŽ

Želimir Žilnik: fragmenti “gastarbajterskog” opusa / Želimir Žilnik: Fragments from Migrant Worker Opus

KZM

Autorska večer: Katarina Zrinka Matijević / Author’s Night: Katarina Zrinka Matijević

:TD

:Q&A :DD

22:00 USPON / ASCENSION Jessica Kingdon, 96’

TAKO TMURNO NEBO / SO FOUL A SKY Álvaro F. Pulpeiro, 82’

:RD

15:00

DVORANA 2

DVORANA 4

USPON / ASCENSION Jessica Kingdon, 96’

DVORANA 5

BRAVE, KLJUČEVI, VODA, DRVEĆE / LOCKS & KEYS, WATER, TREES Penny Andrea, 99’

MOJA BIVŠA ŠKOLA / MY OLD SCHOOL Jono McLeod, 104’

:BD

17:00 FILM S BALKONA / THE BALCONY MOVIE Paweł Łoziński, 100’

17:30 TIKTOK: DOKUMENTIRANJE SVAKODNEVNOSTI / TIKTOK: DOCUMENTING QUOTIDIANITY Moderator: Igor Bezinović

ČETIRI GODIŠNJA DOBA U DANU / FOUR SEASONS IN A DAY Annabel Verbeke, 77’

:Q&A

19:00 AUTORSKA VEČER: KATARINA ZRINKA MATIJEVIĆ / AUTHOR’S NIGHT: KATARINA ZRINKA MATIJEVIĆ DVOBOJ / DUEL Katarina Zrinka Matijević, 12’ O KRAVAMA I LJUDIMA / ON COWS AND MEN Katarina Zrinka Matijević, Nebojša Slijepčević, 23’ IZA LICA ZRCALA / A TWO WAY MIRROR Katarina Zrinka Matijević, 42’

21:00

ZAŠTO NISI OSTAO ZA MENE? / WHY DIDN’T YOU STAY FOR ME? Milou Gevers, 25’

:SS

SUNNY Keti Machavariani, 67’

:SS

:Q&A :KZM

VOJNIK AHMET / SOLDAT AHMET Jannis Lenz, 76’

NEGOSTOLJUBIVI / HOSTILE Sonita Gale, 97’

ISTI SAN / THE SAME DREAM Vlad Petri, 29’

:SS

RIOTSVILLE, USA Sierra Pettengill, 91’

BABAJANJA Ante Zlatko Stolica, 15’

:Q&A

MJESTA KOJA ĆEMO DISATI / PLACES WE’LL BREATHE Davor Sanvincenti, 22’

:SS

DVORANA 1

Petak / Friday

DVORANA 3

08/04 16:00 BANALNOST TUGE / THE BANALITY OF GRIEF Jon Bang Carlsen, 70’

ROVOVI / TRENCHES Loup Bureau, 85’

:MD

18:00 VOLI ME, NE VOLI ME / LOVES ME, LOVES ME NOT Andrine Moland, Caroline Mathilde Salic, Kathrine Skibsted, 73’

Međunarodna konkurencija / International Competition

MARX MOŽE ČEKATI / MARX CAN WAIT Marco Bellocchio, 96’

Regionalna konkurencija / Regional Competition :Q&A :TD

:MD

20:00 KONCERT S BALKONA / BALCONY CONCERT Diana Kadłubowska, Krzysztof Kadłubowski, 16’

Besplatne projekcije / Free Screenings

MLUNGU - BIJELI KRALJ / MLUNGU - THE WHITE KING David Lušičić, 70’

:SS

RIJEKA / RIVER Jennifer Peedom, 75’

:Q&A Razgovor s autorom / Discussion with Author DD

Dox događanje / Dox Event

Biografski Dox / Biography Dox

Kontroverzni Dox / Controversial Dox

Majstori Doxa / Masters of Dox

Teen Dox

Stanje stvari / State of Affairs

Točke gledišta / Points of View

Road Dox

ŽŽ

Želimir Žilnik: fragmenti “gastarbajterskog” opusa / Želimir Žilnik: Fragments from Migrant Worker Opus

KZM

Autorska večer: Katarina Zrinka Matijević / Author’s Night: Katarina Zrinka Matijević

:SS

:Q&A :DD

22:00 TRAGAČI / SEARCHERS Pacho Velez, 81’

:SS

POSLJEDNJE UTOČIŠTE / THE LAST SHELTER Ousmane Samassékou, 85’

:RD

13:00

DVORANA 2

DVORANA 4

DVORANA 5 ZAGREBDOX PRO: ŠTO NAS ČEKA U BUDUĆNOSTI / WHAT AWAITS US IN THE FUTURE

15:00 FILM S BALKONA / THE BALCONY MOVIE Paweł Łoziński, 100’

VOLIM TE, TATA / LOVE, DAD Diana Cam Van Nguyen, 13’

DIVE / DIVAS Máté Kőrösi, 80’

LJETNE NOĆI / SUMMER NIGHTS Ohad Milstein, 53’

17:00 ŽELIMIR ŽILNIK: FRAGMENTI “GASTARBAJTERSKOG“ OPUSA / FRAGMENTS FROM MIGRANT WORKER OPUS JAVNO POGUBLJENJE / PUBLIC EXECUTION Želimir Žilnik, 9’ POD ZAŠTITOM DRŽAVE / UNDER THE PROTECTION OF THE STATE Želimir Žilnik, 9’ INVENTAR / INVENTORY Želimir Žilnik, 11’ KUĆNI RED / HOUSE ORDERS

19:00

Želimir Žilnik, 12’ RASTANAK / FAREWELL Želimir Žilnik, 9’

NOĆ NEPOZNANICA / A NIGHT OF KNOWING NOTHING Payal Kapadia, 96’

PRIČA O GLEDANJU / THE STORY OF LOOKING Mark Cousins, 90’

PRIČA ZA LAKU NOĆ / PIONEER David Lowery, 16’

HRVATSKOG NARODNOG PREPORODA / THE BUILDING Goran Dević, 68’

:Q&A :ŽŽ

ZLATNA ŽILA / MOTHER LODE Matteo Tortone, 87’

:TG

ZAKLETVA / THE OATH Laura Poitras, 90’

:TG

:Q&A

21:00 ZINDER Aicha Macky, 82’

MI / WE Alice Diop, 115’

VEĆE OD TRAUME / BIGGER THAN TRAUMA Vedrana Pribačić, 90’

:KD

DVORANA 1

Subota / Saturday

09/04

DVORANA 3

16:00 VOLI ME / LOVE ME Romane Garant Chartrand, 23’ :TD

MI / WE Alice Diop, 115’

YAREN I SUNCE / YAREN AND THE SUN Renate Raman, Joren Slaets, 19’ :TD VODA, VJETAR, PRAŠINA, KRUH / WATER, WIND, DUST, BREAD Mahdi Zamanpour Kiasari, :TD 25’

18:00 KUĆA OD KRHOTINA / A HOUSE MADE OF SPLINTERS Simon Lereng Wilmont, 86’

19:00 ZAGREBDOX Međunarodna konkurencija / International Competition

DODJELA NAGRADA / AWARD CEREMONY

20:00 AUTI KOJIMA SMO ODJURILI U KAPITALIZAM / THE CARS WE DROVE INTO CAPITALISM Boris Missirkov, Georgi Bogdanov, 93’

Regionalna konkurencija / Regional Competition

Besplatne projekcije / Free Screenings

:Q&A Razgovor s autorom / Discussion with Author DD

Dox događanje / Dox Event

Biografski Dox / Biography Dox

Kontroverzni Dox / Controversial Dox

Majstori Doxa / Masters of Dox

Teen Dox

Stanje stvari / State of Affairs

Točke gledišta / Points of View

Road Dox

ŽŽ

Želimir Žilnik: fragmenti “gastarbajterskog” opusa / Želimir Žilnik: Fragments from Migrant Worker Opus

KZM

Autorska večer: Katarina Zrinka Matijević / Author’s Night: Katarina Zrinka Matijević

:Q&A

MISIJA: PRONAĆI SREĆU U TEŠKIM VREMENIMA / MISSION: JOY — FINDING HAPPINESS IN TROUBLED TIMES Louie Psihoyos, Peggy Callahan, 90’

:BD

22:00 PJESMA DUHOVA / GHOST SONG Nicolas Peduzzi, 80’

:Q&A :KD

CANNON ARM I ULTIMATIVNI ARKADNI IZAZOV / CANNON ARM AND THE ARCADE QUEST Mads Hedegaard, 97’

:SS

15:00

DVORANA 2

DVORANA 4

POMIRENJE / RECONCILIATION Marija Zidar, 82’

DVORANA 5

ŽŽŽ (ŽURNAL O ŽELIMIRU ŽILNIKU) / ŽŽŽ (JOURNAL ABOUT ŽELIMIR ŽILNIK) Janko Baljak, 90’

VOJNIK AHMET / SOLDAT AHMET Jannis Lenz, 76’

: BD

17:00 DIDA Nikola Ilić, Corina Schwingruber Ilić, 87’

ZLATNA ŽILA / MOTHER LODE Matteo Tortone, 87’

17:30 U FOKUSU: PUTOPISNI DOKUMENTARAC / IN FOCUS: TRAVEL DOCUMENTARY Moderatorica: Nika Petković

19:00 KAKO UBITI OBLAK / HOW TO KILL A CLOUD Tuija Halttunen, 80’

MORAKOT / EMERALD Apichatpong Weerasethakul, 12’ OVO NIJE FILM / THIS IS NOT A FILM Jafar Panahi, Mojtaba Mirtahmasb, 75’

:BD

DOPISIVANJE / CORRESPONDENCE Dominga Sotomayor, Carla Simón, 19’

:TG

GROZNA DJECA / LES ENFANTS TERRIBLES Ahmet Necdet Çupur, 93’

:TG

21:00 KORIJENI / ROOTS Tea Lukač, 80’

ANNY Helena Třeštíková, 67’

:Q&A

MLUNGU - BIJELI KRALJ / MLUNGU - THE WHITE KING David Lušičić, 70’

:KD

Nedjelja / Sunday

12:00

DVORANA 1

DVORANA 2

ZABA NAGRADA PUBLIKE / ZABA AUDIENCE AWARD

NAGRADA TEEN DOX / TEEN DOX AWARD

NAGRADA MOVIES THAT MATTER / MOVIES THAT MATTER AWARD

ZABA NAGRADA PUBLIKE / ZABA AUDIENCE AWARD

VELIKI PEČAT REGIONALNA KONKURENCIJA / BIG STAMP REGIONAL COMPETITION

MALI PEČAT / LITTLE STAMP

VELIKI PEČAT MEĐUNARODNA KONKURENCIJA / BIG STAMP INTERNATIONAL COMPETITION

VELIKI PEČAT REGIONALNA KONKURENCIJA / BIG STAMP REGIONAL COMPETITION

NAGRADA FIPRESCI / FIPRESCI AWARD

VELIKI PEČAT MEĐUNARODNA KONKURENCIJA / BIG STAMP INTERNATIONAL COMPETITION

MALI PEČAT / LITTLE STAMP

NAGRADA MOVIES THAT MATTER / MOVIES THAT MATTER AWARD

10/04 14:00

THE BEST OF FEST Projekcije nagrađenih filmova / Screenings of award-winning films

DETALJAN RASPORED PROJEKCIJA U PROGRAMU THE BEST OF FEST BIT ĆE OBJAVLJEN U SUBOTU, 09/04 U 20 SATI / A DETAILED SCREENING SCHEDULE FOR THE BEST OF FEST WILL BE PUBLISHED ON SATURDAY, 09/04 AT 8 PM ORGANIZATOR ZAGREBDOXA ZADRŽAVA PRAVO IZMJENE PROGRAMA I RASPOREDA / THE ZAGREBDOX ORGANISER RESERVES THE RIGHT TO CHANGE THE PROGRAMME AND SCREENING SCHEDULE

16:00

18:00

20:00

22:00

12:00

DVORANA 3 MALI PEČAT / LITTLE STAMP

14:00 VELIKI PEČAT REGIONALNA KONKURENCIJA / BIG STAMP REGIONAL COMPETITION

16:00 VELIKI PEČAT MEĐUNARODNA KONKURENCIJA / BIG STAMP INTERNATIONAL COMPETITION

18:00 NAGRADA TEEN DOX / TEEN DOX AWARD

20:00 ZABA NAGRADA PUBLIKE / ZABA AUDIENCE AWARD

22:00 NAGRADA MOJOJ GENERACIJI / MY GENERATION AWARD

MEĐUNARODNA KONKURENCIJA / INTERNATIONAL COMPETITION

107 MAJKI 107 MOTHERS Peter Kerekes Slovačka, Češka, Ukrajina / Slovakia, Czech Republic, Ukraine, 2021, 90’ Venice FF – Orizzonti: Best Screenplay (2021) Chicago IFF: Best Director (2021) Cottbus FF: Best Film (2021) San Sebastián IFF (2021)

Lesja je počinila zločin iz strasti koji će joj donijeti sedmogodišnju kaznu u ženskom zatvoru u Odesi. Upravo je rodila svoje prvo dijete, a sada ulazi u svijet napučen samo ženama: zatvorenicama, medicinskim sestrama i čuvaricama, ženama svake životne dobi, suprugama i udovicama, kćerima, sestrama, trudnicama, ženama s djecom. Da nema boje odore, bilo bi ponekad teško reći tko je tko. Redatelj Kerekes donosi autentično kolektivno svjedočanstvo osuđenih majki, njihove samoće i bljeskova sreće. 107 majki bio je slovački kandidat za Oscara u kategoriji najboljeg filma na stranom jeziku. Lesya has committed a crime of passion which brings her a seven-year sentence in one of Odessa’s women’s correctional facilities. She has just given birth to her first child, and now she is entering a world populated only by women: inmates, nurses and wardens, women of all ages, wives and widows, daughters, sisters, pregnant women, and women with children. If not for the colour of the uniform, it would sometimes be hard to tell who is who. Director Kerekes delivered an authentic collective testimony of the convicted mothers, their loneliness and flashes of happiness. 107 Mothers was Slovakian contender for the Oscar for Best Foreign Language Film. UTORAK/TUESDAY, 05/04, 18:00 DVORANA 3

1970. 1970 Tomasz Wolski Poljska / Poland, 2021, 70’ Visions du Réel: Special Jury Award (2021) Kraków FF: Silver Hobby Horse for Best National Documentary (2021) BIAFF: Best Documentary (2021) IDFA (2021) Ji.hlava IDFF (2021)

Kada su krajem 1970. u komunističkoj Poljskoj izbili prosvjedi, u Varšavi se okupio krizni tim. Nedugo potom milicija je upotrijebila palice. Odjekivali su pucnjevi. Kroz arhivske snimke i animacije gledatelji mogu promatrati različite mehanizme moći. Film 1970. priča je o pobuni, ali iz perspektive ugnjetavača. Osnova za takav obrnuti prikaz jesu arhivski snimci telefonskih razgovora vrha komunističke partije, koji se prikazuju tehnikom stop-animacije i fotografijama. Vojna intervencija trajala je dulje od tjedan dana. Četrdesetak je ljudi poginulo, a oko tisuću je ranjeno. When protests broke out in Communist Poland in late 1970, a crisis team gathered in Warsaw. Soon after the militia made use of their batons. Shots were fired. Through archival recordings and animations, viewers can observe various power mechanisms. The film 1970 is a story about a rebellion but told from the perspective of the oppressors. The basis for creating this inversion are archival recordings of telephone conversations of the Communist party leadership, which is shown through stop animation of photographs. The military intervention lasted more than a week with about forty dead and more than a thousand wounded. PONEDJELJAK/MONDAY, 04/04, 22:00 DVORANA 3

ČETVRTAK/THURSDAY, 07/04, 16:00 DVORANA 3

SRIJEDA/WEDNESDAY, 06/04, 17:00 DVORANA 5

DJECA MAGLE CHILDREN OF THE MIST Diễm Hà Lệ Vijetnam / Vietnam, 2021, 92’ IDFA: Best Directing; First Feature Special Mention (2021) Budapest IDF: Senior Jury Award; Brave Children Award (2021)

Dvanaestogodišnja Di živi u selu izgubljenom u izmaglici sjeverozapadnih vijetnamskih planina. Pripada etničkoj manjini Hmong, čije se žene udaju vrlo mlade u kontroverznoj tradiciji “otimanja mlade”. Kada Di uđe u pubertet, njezina se osobnost drastično mijenja. Bezbrižna djevojčica pretvara se u naglu, preosjetljivu tinejdžericu u neprestanoj svađi s majkom, koja je pak pokušava udaljiti od nesmotrenih ljubavnih odnosa za koje nije dovoljno zrela. Na lunarnu Novu godinu, roditelji se vraćaju kući nakon proslave, no kućom vlada tišina: Di je nestala. Di is a 12-year-old girl living in a village lost in the mist of Northwest Vietnamese mountains. She belongs to the Hmong ethnic minority where women get married very young, enduring the controversial tradition of “bride-kidnapping”. When Di enters puberty, her personality changes drastically. The carefree little girl has turned into an impetuous, hypersensitive teenager constantly arguing with her mother who is trying to keep her away from reckless relationships that she is not mature enough to handle. On the Lunar New Year’s Eve, when Di’s parents come back home after celebrating, the house is silent: Di has disappeared. PONEDJELJAK/MONDAY, 04/04, 15:00 DVORANA 4

FILM S BALKONA THE BALCONY MOVIE Paweł Łoziński Poljska / Poland, 2021, 100’ Locarno FF: Grand Prix Semaine de la critique; Prix SRG SSR (2021) DOK Leipzig: MDR Film Prize (2021) Ji.hlava IDFF (2021) Trieste FF: Special mention; Audience prize (2022) FIPADOC: Grand Prix (2022)

SRIJEDA/WEDNESDAY, 06/04, 19:00 DVORANA 4

Može li svatko biti filmski junak? Može li se svijet zarobiti u jednom filmskom kadru? Redatelj Paweł Łoziński sa svojeg balkona promatra ljude koji prolaze: tužne, zamišljene, zalijepljene za mobitel, mlade i stare. Susjede, slučajne posjetitelje ili jednostavno usputne prolaznike. Prilazi im, postavlja pitanja, razgovara s njima o tome kako im je u životu. Stojeći ondje s kamerom dulje od dvije godine, otvorio je prostor za dijalog, svojevrsnu laičku ispovjedaonicu, gdje svatko može stati i ispričati svoju priču. Protagonisti u sebi nose tajne i zagonetke i nije ih lako etiketirati. Svaka je priča jedinstvena, a život uvijek nadmašuje maštu. Can anyone be a movie hero? Can the world be locked in one film frame? Director Paweł Łoziński is watching people from his balcony as they are passing by: sad, thoughtful, glued to their phones, young and old. Neighbors, random visitors or simply passers-by. The filmmaker accosts them, asks questions, talks about how they deal with life. Standing there with his camera for over two years he has created a space for dialogue, a lay confessional of sorts, where everyone can stop by and tell their story. The protagonists carry secrets and mysteries and are not easy to label. Every story is unique, and life always surpasses imagination.

CPH:DOX (2022) ČETVRTAK/THURSDAY, 07/04, 17:00 DVORANA 2

PETAK/FRIDAY, 08/04, 15:00 DVORANA 2

BESPLATNA PROJEKCIJA / FREE SCREENING

MEĐUNARODNA KONKURENCIJA / INTERNATIONAL COMPETITION

GODINA VJEČNE OLUJE THE YEAR OF THE EVERLASTING STORM

Ljubavno pismo filmu koje je diljem Amerike, Irana, Čilea, Kine i Tajlanda snimalo sedam danas najistaknutijih filmskih autora. Novi život u staroj kući. Raskid, pomirenje. Nadzor i pomirba. Neprepoznatljiv svijet u godini neprekidne oluje. Eklektičan filmski omnibus nadahnut radom Jafara Panahija tijekom prisilne izolacije, davno prije nego što nam je karantena ograničila slobode posljednjih godina. Snimanje filma u pandemiji postalo je odvažna zadaća koja je iznjedrila vrlo zanimljiv pregled naših života u vrijeme lockdowna.

Jafar Panahi, Anthony Chen, Malik Vitthal, Laura Poitras, Dominga Sotomayor, David Lowery, Apichatpong Weerasethakul SAD, Iran, Čile, Tajland, UK, Singapur / United States, Iran, Chile, Thailand, UK, Singapore, 2021, 115’

A love letter to cinema, shot across the US, Iran, Chile, China and Thailand, by seven of today’s most vital filmmakers. New life in the old house. A breakaway, a reunion. Surveillance and reconciliation. An unrecognizable world, in the year of the everlasting storm. Eclectic film omnibus inspired by Jafar Panahi’s work during his forced quarantine long before the lockdown that has limited our freedom in the last few years. Shooting films in the time of pandemic for the seven directors became daring task that brought very interesting overview of our lives during the lockdown times.

Cannes FF (2021)

PONEDJELJAK/MONDAY, 04/04, 16:00 DVORANA 1

Odesa IFF (2021)

SRIJEDA/WEDNESDAY, 06/04, 17:00 DVORANA 2

New Horizons IFF (2021) Tokyo FILMeX (2021) Sydney IFF (2021) Taipei Golden Horse FF (2021)

GROZNA DJECA LES ENFANTS TERRIBLES Ahmet Necdet Çupur Francuska, Turska, Njemačka / France, Turkey, Germany, 2021, 93’ Visions du Réel: Special Jury Award (2021) Sarajevo FF: Human Rights Award (2021) Adana Golden Boll IFF: Best Film; Best Editing; Special Jury Mention (2021) Flahertiana IDF: Second Silver Nanook; Audience Award (2021) IDFA (2021) EFA Documentary Film Selection (2021)

U jednom selu na jugoistoku Turske Mahmut se želi razvesti od svoje novopečene supruge. Istodobno se njegova sestra Zeynep upisuje u srednju školu i počinje raditi u tvornici. Protivno očevim željama smjera napustiti selo i otići na fakultet. Prohtjevi brata i sestre postaju središte sukoba u njihovoj konzervativnoj obitelji i zajednici koja nije navikla na ono čemu Mahmut i Zeynep teže. Intimističkim snimateljskim rukopisom njihova starijeg brata Ahmeta Necdeta Çupura, koji je sam prije dvadeset godina napustio selo i otišao na studij, nastao je filma Grozna djeca, priča o sukobima generacija, prošlosti i sadašnjosti. In a village in the southeast of Turkey, Mahmut wants to divorce his newly wed wife. At the same time, his sister Zeynep enrolls in an open high school and takes on a job in a factory. Against her father’s wishes, she wants to leave the village and ultimately go to university. The siblings’ demands become the center of conflict in their conservative family and community, who are not used to what Mahmut and Zeynep strive for. Intimately captured by their elder brother Ahmet Necdet Çupur, who left the village twenty years ago to pursue his studies, Les Enfants terribles is a story of clashes between generations, between the past and the present. SRIJEDA/WEDNESDAY, 06/04, 18:00 DVORANA 1

SUBOTA/SATURDAY, 09/04, 19:00 DVORANA 5

HOBOTNICA OCTOPUS Karim Kassem Libanon, Katar, Saudijska Arabija, SAD / Lebanon, Qatar, Saudi Arabia, USA, 2021, 64’ IDFA: Best Film - Envision Competition (2021) True/False FF (2022)

Hobotnica je filmsko istraživanje posljedica eksplozije u bejrutskoj luci. Autora na početku rada na novom filmu zatječe kolosalna, kataklizmička eksplozija koja mu mijenja život a ujedno i poglede na ono što može učiniti za sebe i svoj grad. Ovaj film je nastajao paralelno s tom traumom, otvarajući mnoštvo egzistencijalnih pitanja koja je iznjedrila magnituda tog događaja. Pitanja nepropitanih svjetonazora, patnje i značenja, kolektivne svrhe te mnoge druge neizgovorene misli razasute su među ruševinama. Što govorimo kada ne govorimo ništa? Octopus is a metaphysical exploration of the Beirut port explosion aftermath that starts with a filmmaker who arrives to work on his new film and is faced with a colossal, cataclysmic Port of Beirut explosion that changes his life and what he can do for himself and his city. The film surfaced during that trauma. Octopus silently navigates that unfolding, giving space to the myriad of existential questions birthed by the enormity of the happening. Questions of unexamined worldviews, of suffering and meaning, of collective purpose, and of many other quiet thoughts strewn amidst the rubble. What are we saying when we say nothing at all? PONEDJELJAK/MONDAY, 04/04, 21:00 DVORANA 5

IMADOVO DJETINJSTVO IMAD’S CHILDHOOD Zahavi Sanjavi Švedska, Irak, Latvija / Sweden, Iraq, Latvia, 2021, 78’ Tempo Documentary: Best Documentary (2021) DocAviv FF (2021) Golden Apricot Yerevan IFF (2021) HotDocs (2021)

UTORAK/TUESDAY, 05/04, 15:00 DVORANA 4

Imad, petogodišnji Jezid, nakon dvije i pol godine pušten je iz ISIS-ova zarobljeništva. ISIS mu je isprao mozak, tako da se Imad i sam smatra njihovim borcem. Njegove oči još uvijek zrače nevinošću, no ne pokazuje nijedan drugi osjećaj osim mržnje prema majci i ogorčenosti prema okolini. Povrh svega – Imad govori samo arapski, što mu onemogućava izravnu komunikaciju s najbližima. Hoće li mu oni uspjeti pomoći da prebrodi traumu i opet postane dijete kakvo je bio? Redatelj Sanjavi nekoliko je godina pratio traumatiziranu obitelj. Imad, a five-year-old Yazidi child, is released from ISIS captivity after two and a half years. During this time, ISIS has brainwashed Imad and he considers himself one of the ISIS fighters. His eyes still emanate innocence, but he shows no other feelings than hatred for his mother and resentment towards those around him. On top of everything - Imad speaks only Arabic, which prevents him from communicating directly with those closest to him. Will Imad’s family be able to help him overcome his trauma and become again the child he once was? Director Sanjavi followed the traumatized family for several years in its efforts to normalize their lives. UTORAK/TUESDAY, 05/04, 21:00 DVORANA 5

SRIJEDA/WEDNESDAY, 06/04, 16:00 DVORANA 3

BESPLATNA PROJEKCIJA / FREE SCREENING

MEĐUNARODNA KONKURENCIJA / INTERNATIONAL COMPETITION

JULIJA I JA JULIA&I Nina Hobert Švedska / Sweden, 2021, 80’ CPH:DOX: NORDIC:DOX AWARD (2021) Nordisk Panorama (2021)

Redateljica Nina prikazuje prijateljicu Juliju, švedsko-dansku umjetnicu i pjesnikinju, i njihovo prelijepo prijateljstvo. Sniman tijekom nekoliko godina, ovo je iskren portret dviju mladih žena koje se bore s ovisnošću, mržnjom prema sebi i krizom identiteta. Julija i ja želi nježno podsjetiti one koji pate da je patnja također dio života. Korak po korak stvari će doći na svoje i ono što najmanje očekujemo imat će smisla i postati bitno. Nina Hobert snimila je surov, poetičan i neposredan film intiman poput osobnog dnevnika, u kojem osjećaj izgubljenosti igra i bolnu i prelijepu ulogu u životu. With the intimacy of a personal diary, filmmaker Nina films her friend Julia, a Swedish/Danish artist and poet, and their beautiful friendship. Shot over a period of a few years, this is a sincere portrait of two young women struggling with addiction, self-hatred and identity crises. Julia&I aims to be a gentle reminder to those who are in pain that suffering is part of life. One step at a time, things will come together and what is least expected will make sense and feel meaningful. Nina Hobert created a raw, poetic and transparent film with the intimacy of a personal diary, where the feeling of being lost plays both a painful and a beautiful part of life. PONEDJELJAK/MONDAY, 04/04, 15:00 DVORANA 5

KUĆA OD KRHOTINA A HOUSE MADE OF SPLINTERS Simon Lereng Wilmont Danska, Finska, Švedska, Ukrajina / Denmark, Finland, Sweden, Ukraine, 2021, 86’ Göteborg FF: Best Nordic Documentary (2022) Sundance FF: Directing Award (2022)

SRIJEDA/WEDNESDAY, 06/04, 22:00 DVORANA 3

U ratom iscrpljenu i osiromašenu zakutku istočne Ukrajine, gdje su razni oblici ovisnosti postali učestala pojava, postoji sigurno utočište za djecu privremeno odvojenu od roditelja. Kuća od krhotina prati troje djece koja iščekuju svoju sudbinu – hoće li se vratiti ili otići u novi dom? – dok skupina predanih socijalnih radnika stvara male trenutke sreće i odmora u tim gotovo izgubljenim djetinjstvima. Redatelj Simon Lereng Wilmont vraća se s nastavkom svog hvaljenog dugometražnog prvijenca Daleki lavež pasa te donosi jedinstven pogled na to kako dugotrajne posljedice rata po već opterećeno društvo utječu na one najranjivije. In this war-worn and impoverished corner of Eastern Ukraine where addiction casts a long shadow, there sits a safe haven for children temporarily removed from their parents. A House Made of Splinters follows three kids awaiting their fate – will they go back or move on to a new home? – while a group of dedicated social workers create small moments of joy and respite from childhoods all but lost. Filmmaker Simon Lereng Wilmont returns with a follow-up to his acclaimed first feature, The Distant Barking of Dogs, offering a unique look into how the long-term consequences of war on a society already under strain impacts the most vulnerable. Film prikazujemo uz potporu Veleposlanstva Kraljevine Danske u Republici Hrvatskoj. The film is screened with the support of the Embassy of the Kingdom of Denmark to the Republic of Croatia. UTORAK/TUESDAY, 05/04, 20:00 DVORANA 1

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LJETNE NOĆI SUMMER NIGHTS Ohad Milstein Izrael, Švicarska / Israel, Switzerland, 2021, 53’ DocAviv FF: Best Israeli Film (2021) Israeli Academy Award: Best Documentary (2021) SXSW EDU (2022)

Kako svijet izgleda u očima šestogodišnjeg djeteta? Putovanje u podsvijest nevinog i genijalnog djeteta koje pada u san i tone u dubine vlastita uma. Intiman, nježan film koji propituje temu očinstva sjajno spajajući naizgled nespojive elemente: dokumentarizam i eksperimentiranje pod okriljem obiteljskog filma. Vizualno dojmljiv i emotivno privlačan, Milsteinov film uzdiže suvremeni dokumentarizam na novu, hrabru estetsku i umjetničku razinu. Kratka, no iznimno slojevita filmska studija djetinje nevinosti, životnosti i prolaznosti, idealna za veliko platno. What does the world look like through the eyes of a six-year-old child? A journey into the subconscious of an innocent and ingenuous child, as he falls asleep and drifts into the depths of his own mind. An intimate, gentle film that explores fatherhood by masterfully combining seemingly uncombinable elements: documentarism and experimentalism together with an overall notion of family film. Visually captivating and emotionally engaging, Milstein’s film is pushing contemporary documentary filmmaking to a new, bracing aesthetic and artistic level. A short but extremely layered film study of children’s innocence, vitality and transience that is perfectly fitting for the big cinema screens. Film prikazujemo uz potporu Veleposlanstva Države Izrael u Republici Hrvatskoj. The film is screened with the support of the Embassy of the State of Israel to the Republic of Croatia. PONEDJELJAK/MONDAY, 04/04, 18:00 DVORANA 3

MI WE Alice Diop Francuska / France, 2021, 115’ Berlinale: Encounters Award; Documentary Award (2021) DokuFest: International Dox Award (2021) Visions du Réel (2021) Karlovy Vary IFF (2021) Indielisboa (2021) IDFA (2021)

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Suptilan i oštrouman film nastao u svijetu koji voli prečice i jednostavne odgovore. RER B je linija prigradskog vlaka koja spaja Pariz i njegovu okolicu od sjevera do juga. Alice Diop vodi nas kroz ta predgrađa i upoznaje s nekima od njihovih stanovnika i priča. Opravdano se odlučivši za fragmentiranu strukturu mozaičnog portreta kako bi opisala raslojeno društvo, Diop pokazuje dojmljivu razinu kontrole nad svojim esejem i njegovim učinkom. Današnju Francusku razaraju podjele. No ljudski poriv za davanjem, kao i za primanjem, tvrdoglavo se uvlači u svaku situaciju, promatranu ili izazvanu. Je li možda upravo to ono što još uvijek drži naciju na okupu? The RER B is an urban train that traverses Paris and its environs from north to south. Alice Diop takes us through these suburban spaces and confronts us with some of the faces and stories of which they are composed. It is subtle and shrewd in a world which favours shortcuts and easy answers. Justifiably adopting the fragmented structure of a patchwork portrait in order to describe a riven society, Diop displays impressive control of her essay and its impact. Divisions haunt France’s present. But the human urge to give, as well as to receive, stubbornly creeps into every situation, observed or triggered. Could this be the one thing that still keeps a nation together? PETAK/FRIDAY, 08/04, 21:00 DVORANA 4

SUBOTA/SATURDAY, 09/04, 16:00 DVORANA 3

BESPLATNA PROJEKCIJA / FREE SCREENING

MEĐUNARODNA KONKURENCIJA / INTERNATIONAL COMPETITION

MOJA BIVŠA ŠKOLA MY OLD SCHOOL Jono McLeod UK, 2022, 104’ Sundance FF (2022) Glasgow FF (2022) Dublin IFF (2022)

Godine 1993. šesnaestogodišnji Brandon Lee upisao je Akademiju Bearsden, srednju školu u imućnu predgrađu Glasgowa. Ono što će uslijediti u iduće dvije godine prijeći će u legendu. Brandon je imao privatne učitelje u Kanadi, kamo je pratio majku, opernu divu, na turneji prije njezine tragične smrti. Prirodno nadaren učenik, svoje je učitelje iznenadio predanošću svom cilju, upisu na medicinski fakultet, pokazujući bogato znanje nesvojstveno svojim godinama. Uzimao je zlostavljane učenike pod svoju zaštitu, upoznavao razredne kolege s važnim retro bendovima i čak pokrenuo školsku produkciju South Pacifica. In 1993, 16-year-old Brandon Lee enrolled at Bearsden Academy, a secondary school in a well-to-do suburb of Glasgow. What followed over the next two years would become the stuff of legends. Brandon had been privately tutored in Canada while he accompanied his mother, an opera diva, on tour before her tragic death. The preternaturally bright student surprised teachers by blazing toward his goal of entering medical school, displaying a wealth of knowledge beyond his years. He took bullied students under his wing, introduced classmates to seminal retro bands, and even starred in the school’s production of South Pacific. PONEDJELJAK/MONDAY, 04/04, 21:00 DVORANA 2

NAYA Sebastian Mulder Nizozemska / Netherlands, 2021, 24’ Hot Docs (2021) Ismailia IFF (2021) DokuFest (2021) Sarajevo FF (2021) Go Short Arnhem: Best Nonfiction Short (2021) dokumentART: Latücht Award (2021) Kassel Dokfest: A-38 Award (2021) Valladolid IFF (2021) Ljubljana IFF (2021)

Naya, vučica s GPS-ogrlicom, pobjegla je iz istočne Njemačke u Belgiju. Tamo dospijeva na naslovnice kao prva vučica u Belgiji u stotinu godina, no njezina prisutnost odjednom doživljava tajanstven obrat. Ovaj kratki dokumentarni film, voajeristički kolaž prizora iz divljine i s nadzornih kamera, dojmljivo istražuje odnos ljudi i legendarne divlje životinje. Vizualnu građu čine isključivo fotografije dostupne na internetu te snimke koje je redatelj Mulder dobio od biologa. Naizgled jednostavna priča o vukovima postavlja daleko složenija pitanja o budućnosti našeg svijeta. This short documentary follows the life of Naya, a wolf that walked from East Germany to Belgium tagged with a GPS collar. The first wolf in Belgium in a hundred years, she suddenly makes headlines – but then her presence takes a mysterious turn. This voyeuristic visual collage of wildlife and surveillance camera imagery captivatingly explores the relationship between humans and this iconic wild animal. Director Mulder came to the visual materials entirely using available photographs from the Internet and by using recordings provided to him by biologists. This seemingly simple wolf story raises more complex questions about the future of our world. PONEDJELJAK/MONDAY, 04/04, 21:00 DVORANA 5

BESPLATNA PROJEKCIJA / FREE SCREENING

ČETVRTAK/THURSDAY, 07/04, 15:00 DVORANA 5

UTORAK/TUESDAY, 05/04, 15:00 DVORANA 4

NOĆ NEPOZNANICA A NIGHT OF KNOWING NOTHING Payal Kapadia Francuska, Indija / France, India, 2021, 96’ Quinzaine, Cannes FF: L’Oeil d’Or (Best Documentary) (2021) Toronto IFF: Amplify Voices Award (2021) FIDMarseille IFF (2021) DOK Leipzig (2021) IDFA (2021) Busan IFF (2021)

Indijska studentica L piše pisma odsutnom ljubavniku. Iz njih saznajemo kakve se drastične promjene odvijaju u njezinoj okolini. U spoju stvarnosti i fikcije, snova, uspomena, mašte i tjeskoba razvija se amorfna pripovijest. Redateljica Kapadia snimila je poetičan spoj dokumentarca, fikcije i eksperimentalnog filma koji govori o širim društvenim i kulturnim temama u Indiji danas. Politička klima, desničarske tendencije, patrijarhalni okovi isprepleteni s privatnim odnosima i traumama – Noć nepoznanica pamtljiv je poetski i senzualan filmski naslov. L, a university student in India, writes letters to her lover, while he is away. Through these letters, we get a glimpse into the drastic changes taking place around her. Merging reality with fiction, dreams, memories, fantasies and anxieties, an amorphous narrative unfolds. Director Kapadia made a poetic blend of documentary, fiction and experimental film that tackles broader social and cultural issues in today’s India. Political climate, right-wing tendencies, patriarchal bonds tangled with personal relationships and traumas, A Night of Knowing Nothing is a memorable poetic, sensual piece of film art. PONEDJELJAK/MONDAY, 04/04, 19:00 DVORANA 5

PETAK/FRIDAY, 08/04, 17:00 DVORANA 4

Ji.hlava IDFF (2021) Mar del Plata IFF (2021)

PRIČA O GLEDANJU THE STORY OF LOOKING Mark Cousins UK, 2021, 90’ Seville European FF: New Waves Award (2021) Sheffield Doc (2021) Telluride FF (2021) Galway Film Fleadh (2021)

Dok se priprema za operaciju koja će mu vratiti vid, Mark Cousins propituje ulogu vizualnog doživljaja u životima pojedinca i kolektiva. Ovo dubinski osobno razmatranje moći pogleda na vlastiti život vodi nas kroz obilje vidljivog svijeta, kroz kaleidoskop čudesne slikovnosti kultura i era. U vrijeme kada nas više no ikada sa svih strana salijeću slike, otkriva nam kako nas gledanje čini onim što jesmo, kako se upravo ono nalazi u središtu ljudskog iskustva, empatije, otkrića i misli. S nama dijeli užitke i patnje viđenja svijeta u punini njegove složenosti i proturječnosti, širom otvorenih očiju. As he prepares for surgery to restore his vision, Mark Cousins explores the role that visual experience plays in our individual and collective lives. In a deeply personal meditation on the power of looking in his own life, he guides us through the riches of the visible world, a kaleidoscope of extraordinary imagery across cultures and eras. At a time when we are more assailed by images than ever, he reveals how looking makes us who we are, lying at the heart of the human experience, empathy, discovery and thought. He shares the pleasure and pain of seeing the world, in all its complexity and contradiction, with eyes wide open. UTORAK/TUESDAY, 05/04, 17:00 DVORANA 2

PETAK/FRIDAY, 08/04, 17:00 DVORANA 5

MEĐUNARODNA KONKURENCIJA / INTERNATIONAL COMPETITION

ROVOVI TRENCHES Loup Bureau Francuska / France, 2021, 85’ Venice FF (2021) IDFA (2021) Umeå European FF (2021) Watch Docs IFF (2021) DocPoint Helsinki (2022)

U Donbasu, u Ukrajini, dok diplomati na udaljenim lokacijama pregovaraju o nestabilnim primirjima i prekidima vatre, ukrajinski vojnici bore se protiv separatista koje podržava Rusija. U dobi koja nekima predstavlja najbolje godine u životu na prvoj se crti bore muškarci i žene osuđeni na kopanje rovova dok po njima pljušte bombe. Francuski ratni izvjestitelj i redatelj debitant Loup Bureau vodi nas na dojmljivo i čudesno filmsko putovanje koje otkriva golu istinu i okrutnost preživljavanja u onome što nazivaju posljednjim sukobom na tlu Europe. In Donbas, Ukraine, while precarious truces and ceasefires are negotiated far away by diplomats, Ukrainian soldiers fight against separatists supported by Russia. At an age when some are experiencing the best years of their lives, in the frontline men and women are fighting, condemned to dig and dig up again the trenches, while bombs keep on falling on them. French war journalist and first-time director Loup Bureau takes us on an immersive and stunning cinematic journey revealing the naked truth and roughness of survival, in what is called to be the last conflict on European soil. SRIJEDA/WEDNESDAY, 06/04, 20:00 DVORANA 1

SABAYA Hogir Hirori Švedska / Sweden, 2021, 91’

Sundance FF: Directing Award (2021) CPH DOX: F:Act Award (2021) Moscow IFF: Best Documentary (2021) DocAviv: Best International Documentary (2021) Hong Kong IFF: Jury Prize (2021) Guldbaggen: Best Documentary (2022)

Oboružani tek mobitelom i pištoljem, Mahmud, Ziyad i njihovi suradnici riskiraju živote kako bi spasili što više jezidskih žena i djevojaka koje ISIS drži zarobljene kao sabaye (seksualne robinje) u Al-Holu, u Siriji, najopasnijem kampu na Bliskom istoku. Za to vrijeme, kod kuće, Mahmudova žena Siham i majka Zahra brižno pomažu traumatiziranim djevojkama odbaciti crne halje ideologije koja ne tolerira ništa osim sebe. U ovom opservacijskom filmu, koji je režirao, snimio i montirao hvaljeni švedsko-kurdski redatelj Hogir Hirori, iz prve ruke usporedno pratimo napetu situaciju u kampu i udobnost svakodnevice doma. With just a mobile phone and a gun, Mahmud, Ziyad and their group risk their lives trying to save as many Yazidi women and girls as possible being held by ISIS as Sabaya (sex slaves) in the most dangerous camp in the Middle East, AlHol in Syria. Meanwhile at home, Mahmud’s wife, Siham, and his mother, Zahra, help the traumatized girls with loving care to shed off the black garments of an ideology that tolerates nothing but itself. In this observational film, directed, shot and edited by acclaimed Swedish/Kurdish director Hogir Hirori, we experience first-hand the strong contrast between the tense situation in the camp and the comfort of daily life at home. UTORAK/TUESDAY, 05/04, 22:00 DVORANA 3

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USPON ASCENSION Jessica Kingdon SAD / USA, 2021, 96’ Oscar Nomination (2022) Tribeca FF: Best Documentary Feature; Best New Documentary Director (2021) Hamptons IFF: Best Documentary Feature (2021) Warsaw FF (2021 Raindance FF (2021) Talinn Black Nights (2021)

Impresionistički prikaz kineskog lanca industrijske nabave koji kroz šokantna razmišljanja o radu, konzumerizmu i bogatstvu otkriva sve veći klasni razdor u zemlji. Ovaj dokumentarac prikazuje kapitalizam u Kini na svim područjima njegova djelovanja, od rudnika sirovina do najluksuznijih oblika zabave. Sukladno tome struktura filma podijeljena je u tri dijela, poput uspona u kapitalističkoj hijerarhiji: radnici u tvorničkoj proizvodnji, srednja klasa koja se školuje i prodaje potencijalnim potrošačima te elita koja uživa u novim razinama hedonizma. Uspinjući se prečkama kineske društvene ljestvice, razaznajemo neuhvatljivost suvremenog “kineskog sna”. An impressionistic portrait of China’s industrial supply chain that reveals the country’s growing class divide through staggering observations of labor, consumerism and wealth. The documentary portrays capitalism in China across the levels of its operation, from the crudest mine to the most rarefied forms of leisure. Accordingly, the film is structured in three parts, ascending through the levels of the capitalist structure: workers running factory production, the middle-class training for and selling to aspirational consumers, and the elites reveling in a new level of hedonistic enjoyment. In traveling up the rungs of China’s social ladder we see the elusiveness of contemporary “Chinese Dream”. ČETVRTAK/THURSDAY, 07/04, 15:00 DVORANA 2

VOLIM TE, TATA LOVE, DAD Diana Cam Van Nguyen Češka, Slovačka / Czech Republic, Slovakia, 2021, 13’ BFI London FF: Best Short Film (2021) Toronto IFF: Honorable mention (2021) Locarno FF (2021) DOK Leipzig (2021) IDFA (2021)

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Kratak film o vezama i ponorima između djeteta i roditelja. Kada je imala jedanaest godina, autoričin je otac zatvoren zbog porezne prevare. Autorica nakon petnaest godina otkriva očeva pisma prepuna ljubavi koja joj je slao iz zatvora. Te ljubavi danas više nema. Odlučuje mu odgovoriti na pisma ne bi li opet uspostavila vezu. Piše sve što ne može izgovoriti: krivi ga za raspad obitelji, no ujedno ga pokušava shvatiti. Snimajući film kao osobnu priču, ona promatra i procjenjuje njihov odnos i svoju odluku da ga popravi. A short film about ties and gaps between a child and a parent. The author rediscovers love letters her dad used to write her from prison. That love seems to be gone now. She decides to write back in hope to find the connection again. She puts in writing what could not be said: blaming him for family´s break-up but also trying to understand. It is the author´s story. When she was 11 her dad was in prison suspected of a tax fraud and 15 years later, she rediscovered those letters and that was the trigger for this film. Making this film was a process of evaluation and reflection of their relationship and decision to make it better again.

Sarajevo FF (2021) Ji.hlava IDFF (2021) Clermont-Ferrand ISFF: Festivals Connexion Award (2022)

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PETAK/FRIDAY, 08/04, 15:00 DVORANA 4

BESPLATNA PROJEKCIJA / FREE SCREENING

REGIONALNA KONKURENCIJA / REGIONAL COMPETITION

AUTI KOJIMA SMO ODJURILI U KAPITALIZAM THE CARS WE DROVE INTO CAPITALISM Boris Missirkov, Georgi Bogdanov Bugarska, Njemačka, Danska, Hrvatska, Češka / Bulgaria, Germany, Denmark, Croatia, Czech Republic, 2021, 93’ DOK Leipzig (2021) Tallinn Black Nights FF (2021)

Nezaboravna lepeza likova iz cijele Europe, zapelih između prošlosti i budućnosti, koji stare soc-automobile smatraju najvažnijim članovima obitelji. Oni im daju smisao i nadu. Od ljubavne priče mladog para koji se upoznao zahvaljujući ljubavi prema automobilima, do nasljeđivanja jednog jedinog auta od posljednjeg glavešine iz malog sela. Tu su i djevojke nadahnute pin-up uzorima ali i politički moment koji će svima promijeniti sudbinu: napuštanje voljenog auta da bi se prešla granica i došlo do “slobodnog” svijeta. Njihovo putovanje otvara pitanja identiteta i kolektivnog sjećanja petstotinjak milijuna Europljana danas. An unforgettable collection of characters from all around Europe, stuck between their past and future, for whom their old sotz cars are the most important members of their family, which give them meaning and hope. From the love story of a young couple who met thanks to their love for cars, through inheritance of the one and only car companion of the last sexton in a small village, through a girl inspired by pin-up modeling, to the fate-changing political moment for them – when you have to abandon your beloved car to jump through the border to the “free” world. Their journey raises the question of identity and collective memory of some 500 million Europeans today. PONEDJELJAK/MONDAY, 04/04, 17:00 DVORANA 4

BABAJANJA Ante Zlatko Stolica Hrvatska / Croatia, 2022, 15’

SUBOTA/SATURDAY, 09/04, 20:00 DVORANA 1

Babajanja je kratki esejistički dokumentarac s elementima horora. Vraćajući se u prošlost, narator pokušava pronaći misterioznu ženu koje se plašio kao dječak. Prekapajući po sjećanjima, snovima i zaboravljenim horor filmovima, nastoji otkriti tko je ona i gdje se danas nalazi. U istragu uključuje obitelj, rodbinu, stanovnike sela. Nitko od njih nije posebno raspoložen da pomogne, ali prikupljajući sve više podataka o njoj, narator je sve bliže tome da je konačno susretne. Babajanja is a short essay documentary with horror elements. Going back to the past, the narrator is trying to find the mysterious woman he was scared of as a boy. Rummaging across his memories, dreams and forgotten horror films, he is trying to find out who she is and where she is today. He includes his family, relatives, fellow villagers in his investigation – no one is particularly keen on helping, but gathering more and more information about her, the narrator is getting closer to finally meeting her. SRIJEDA/WEDNESDAY, 06/04, 19:00 DVORANA 2

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BRATSTVO BROTHERHOOD Francesco Montagner Češka, Italija / Czech Republic, Italy, 2021, 97’ Locarno FF: Pardo d’oro Concorso Cineasti del presente Award (2021) Ji.hlava IDFF: Main Award in the Czech Joy Competition & Best Cinematography (2021) São Paulo IFF (2021) DOC NYC (2021) Cairo IFF (2021) Les Arcs (2021) IDSFF Kerala (2021) Rotterdam IFF (2022)

ČETIRI GODIŠNJA DOBA U DANU FOUR SEASONS IN A DAY Annabel Verbeke Belgija, Hrvatska, Norveška, Litva / Belgium, Croatia, Norway, Lithuania, 2021, 77’ Hot Docs: International Emerging Filmmaker Award (2021) Saratov Sufferings FF: Special Jury award (2021) New York Film Week: Best Film Award (2021)

Jabir, Usama i Useir tri su mlada brata iz Bosne, iz stočarske obitelji. Odrasli su u sjeni oca Ibrahima, radikalnog islamističkog propovjednika. Kada Ibrahim bude osuđen na dvogodišnju zatvorsku kaznu zbog sudjelovanja u ratu i terorizmu, braća odjednom ostaju sami. Odsutnost očevih zahtjeva i strogih zapovijedi drastično im mijenja život, a oni istražuju svoju novostečenu slobodu na teškom putu prema odrastanju. Odrastanje nikada još nije bilo tako iscrpljujuće ili intimno kao kad ih gledamo dok se bore, svađaju, suočavaju međusobno i s vlastitim identitetima koji nam se razvijaju pred očima. Jabir, Usama and Useir are three young Bosnian brothers, born into a family of shepherds. They grew up in the shadow of their father, Ibrahim, a strict, radical Islamist preacher. When Ibrahim gets sentenced to two years in prison for war participation and terrorism, brothers are suddenly left on their own. The absence of their father’s demands and strict commandments changes their lives drastically and they explore their newly acquired freedom on the difficult journey to becoming men. Growing up has never felt more intimate or exhausting, as they struggle, fight, and face each other, their own distinct identities developing in front of our eyes. UTORAK/TUESDAY, 05/04, 21:00 DVORANA 4

SRIJEDA/WEDNESDAY, 06/04, 21:00 DVORANA 5

Svakoga dana trajekt u Carlingfordu prevozi ljude preko granice Sjeverne Irske i Irske u vrijeme sveprisutne rasprave o Brexitu. Prijelaz zahtijeva od putnika da razmisle o budućem obliku granice, skrivene negdje u moru. Upoznajemo nekoliko likova sa sjevera i juga, različitih stavova, dok mirno putuju čarobnim irskim krajolikom. Film istražuje koncept identiteta i zajednice te gradi kaleidoskopsku pripovijest o povezanosti ljudske svakodnevice i te zamišljene crte. Koliko će granice u budućnosti postati vidljive? Each day, the Carlingford ferry brings people over the border between Northern Ireland and Ireland, in an era the debate on Brexit is predominant. The crossing obliges the passengers to reflect on the future form of the frontier, hidden somewhere in the sea. We meet several characters from North and South, with different points of view, making this soothing journey through the magnificent Irish landscape. The film explores the concept of identity and community and creates a kaleidoscopic narrative based on how people’s daily lives and thoughts relate to this imaginary line. How visible would the borderline eventually become? SRIJEDA/WEDNESDAY, 06/04, 21:00 DVORANA 2

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Sidney FF (2021) FIPADOC (2022)

REGIONALNA KONKURENCIJA / REGIONAL COMPETITION

DIDA Nikola Ilić, Corina Schwingruber Ilić Švicarska, Srbija / Switzerland, Serbia, 2021, 87’ MakeDox: Young Onion Award Best First Feature Doc (2021) Beldocs: Special Mention (2021) DOKLeipzig: Golden Dove Audience Jury Award (2021) Zurich FF: Best Feature Doc (2021) Visions du Réel (2021) Molodist Kyiv (2021) DokuFest (2021) FIPADOC (2021)

DIVE DIVAS Máté Kőrösi Mađarska / Hungary, 2021, 80’ Verzio IFF: Audience Award (2021) Sarajevo FF (2021)

Prije petnaest godina Nikola je napustio Srbiju i, slijedeći svoje srce, otišao u Švicarsku. Otada dijeli život s dvije zemlje i tri žene: majkom Didom, bakom i suprugom. Njegova majka ima poteškoća s učenjem te oduvijek ovisi o baki. Kako baka stari, Beograd zove Nikolu natrag kući. Ne može iznevjeriti majku, no ne želi odustati od života u Švicarskoj. Takva ga situacija dovodi u moralnu dilemu: kako pomoći majci da živi samostalan život, a da ne izgubi svoj. Dirljiv i zabavan dokumentarac o sinu koji pokušava zamijeniti baku. Fifteen years ago Nikola left Serbia to follow his heart to Switzerland. Since then his life is shared between two countries and three women: his mother Dida, his grandmother and his wife. His mother has learning disabilities and has been dependent on the grandmother since ever. As grandmother is getting older, Belgrade is now calling Nikola back home. He can’t let his mother down, but he doesn’t want to give up his life in Switzerland. This forces him to face a moral dilemma: How can he help his mother live a life of independence without losing his own. A heartwarming and amusing documentary about a son who’s trying to step into grandmother shoes. UTORAK/TUESDAY, 05/04, 17:00 DVORANA 4

SUBOTA/SATURDAY, 09/04, 17:00 DVORANA 2

Szani, Tina i Emese, ili kako se same nazivaju, Dive, jesu dvadesetogodišnjakinje zapele između tinejdžerske i odrasle dobi koje pokušavaju okončati to razdoblje i maturirati. Mogu satima razgovarati o šminki, odjeći ili profilnim slikama. Maske koje su same stvorile pomažu im sakriti se od problematične prošlosti. Máté, mladi redatelj, stupa na scenu i prati ih kamerom do mature u želji da sazna što se krije iza njihove savršene šminke. Kako ih upoznaje, tako se i njihovi zaštitni slojevi tope, a one mu pred očima sve više napreduju prema odraslosti. Szani, Tina and Emese: or as they call themselves, the Divas are three twentyyear-old girls who are stuck between teenage years and adulthood, trying to finally finish with this period and graduate. They can talk for hours about makeup, clothes, or profile pictures: these created masks help them hide from their problematic pasts. Máté, a young director, enters the scene, following them with his camera until their graduation, to find out what is hidden behind their perfect makeup. As he gets to know them, their protective layers begin to fade, and in front of his eyes they make progressive steps towards adulthood. PONEDJELJAK/MONDAY, 04/04, 20:00 DVORANA 1

BESPLATNA PROJEKCIJA / FREE SCREENING

PETAK/FRIDAY, 08/04, 15:00 DVORANA 5

HRVATSKOG NARODNOG PREPORODA THE BUILDING Goran Dević Hrvatska / Croatia, 2022, 68’

Na desetu obljetnicu uvođenja radničkog samoupravljanja Željezara Sisak, jedan od većih industrijskih pogona u bivšoj Jugoslaviji, za svoje radnike koji su dotad živjeli u barakama oko tvornice gradi “idealno” naselje. Oko tvornice niče grad. Šezdeset godina kasnije zgrada koja je planirana kao arhitektonski suvremeno središte naselja našla se u ulici novog imena: Hrvatskog narodnog preporoda. Film prati jedan tjedan svakodnevnog života te zgrade. Na njezinu sivom pročelju stanari mogu pratiti kako nastaje šareni umjetnički mural. Istodobno, dok ljudi koji su tu odrasli zbog starosti ili ekonomskih razloga polako napuštaju zgradu i naselje, u ulaz broj 2 dolaze neki novi, neočekivani stanari. On the tenth anniversary of the introduction of workers’ management, the Sisak Iron Mill, one of the largest industrial plants in former Yugoslavia, built an “ideal” settlement for their workers who had thus far lived in huts around the factory. A town was erected around the plant. Sixty years later the building planned as an architecturally contemporary centre of the neighbourhood found itself in a renamed street: Croatian National Revival. The film follows a week in the building’s everyday life. On its grey façade the residents follow a colourful artistic mural being made. At the same time people who grew up here slowly start to leave the building and the neighbourhood, for their age or economic reasons, and some new, unexpected tenants move in at number 2. ČETVRTAK/THURSDAY, 07/04, 20:00 DVORANA 3

ISTI SAN THE SAME DREAM Vlad Petri Rumunjska / Romania, 2021, 29’ Sarajevo FF: Special Mention (2021) BIEFF (2021) Les Filmes de Cannes a Bucarest (2021)

PETAK/FRIDAY, 08/04, 19:00 DVORANA 5

Tijekom svoje prve misije u Afganistanu jedan je rumunjski vojnik susreo ranjenu afganistansku djevojčicu i otada su im životi isprepleteni. Premještajući se iz Afganistana u Rumunjsku, film pripovijeda o vojniku pogođenom okrutnošću rata i djevojčici koja se našla na krivom mjestu u krivo vrijeme. U ovom filmu o okrutnosti rata iz perspektive osvajača i civila zarobljenih u vihoru rata redatelj spaja arhivske snimke iz posljednjeg rata u Afganistanu s videima iz osobnog arhiva. During his first mission in Afghanistan, a Romanian soldier comes across a wounded Afghan girl and from that moment forward their lives become intertwined. Alternating between Afghanistan and Romania, the films tells the story of a soldier struck by the brutality of war and that of a young girl who found herself in the wrong place at the wrong time. The director combines archival footage from the most recent war in Afghanistan with videos from his personal archive, in a film about the cruelty of war from the perspective of both the invaders and that of the civilians trapped within. SRIJEDA/WEDNESDAY, 06/04, 19:00 DVORANA 2

ČETVRTAK/THURSDAY, 07/04, 21:00 DVORANA 4

REGIONALNA KONKURENCIJA / REGIONAL COMPETITION

KAO BUBREG U LOJU THE BUBBLE Valerie Blankenbyl Švicarska, Austrija / Switzerland, Austria, 2021, 90’ Visions du Réel (2021) Diagonale (2021) Thessaloniki DF (2021) Astra IFF (2021) DOC NYC (2021) Kassel Dokfest (2021) Festival dei Popoli (2021)

Film Kao bubreg u loju istražuje život umirovljenika u The Villages, najvećoj američkoj umirovljeničkoj zajednici, gdje je stanovnicima pružena svaka pogodnost kako bi što više uživali u trećoj dobi. Život umirovljenika pod neprestanim floridskim suncem ipak nije idiličan, a ni tako poželjan kako bi brojni ostarjeli stanovnici Villagea mogli zamisliti. Preplećući zadovoljne umirovljeničke živote i tjeskobe nekolicine stanovnika iz okolnih okruga, ovaj dokumentarac zorno prikazuje niz najžešćih američkih dijaloga o klasnoj neravnoteži, rasnoj nejednakosti, privatizaciji zdravstva, političkim simpatijama, državnoj odgovornosti i građanskim obvezama. The Bubble explores senior citizen life within The Villages, America’s largest retirement community, where residents are provided with every convenience to enjoy the twilight hours of their lives. Retired life beneath the year-round Floridian sunshine however, is not as idyllic, or as welcomed, as many ageing Villagers may imagine. Interweaving satisfied retiree existences with the anxieties of several residents from surrounding counties, the documentary illustrates many of the nation’s most combative dialogues regarding class imbalance, racial inequality, healthcare privatisation, political affiliation, state responsibility, and civic obligation. Film prikazujemo uz potporu Austrijskog kulturnog foruma u Zagrebu. The film is screened with the support of the Austrian Cultural Forum in Zagreb. PONEDJELJAK/MONDAY, 04/04, 19:00 DVORANA 2

KORIJENI ROOTS Tea Lukač Srbija / Serbia, 2021, 80’ Beldocs: Best Cinematography Serbian Competition (2021) Karlovy Vary IFF (2021) Camden IFF (2021)

Na stražnjem sjedalu automobila u vožnji različiti putnici voze se cestom na rubu prostrane šume. Donose priče o stršljenovim gnijezdima, peticijama protiv nuklearnog otpada, samoći, karnevalskim poslasticama, folklornim običajima, posjetima groblju i putevima kući. Putnici i njihove priče raspoređeni su simbolično kao da prate životni ciklus – od djetinjstva, preko starosti, do konačne odsutnosti. Dok naši putnici “stare”, priče postaju sve ozbiljnije, a živahno čavrljanje zamijenjeno je brigom o društvenim temama, očuvanjem tradicije i razmišljanjima o životu prije nego što se krug završi povratkom na djetinje uspomene. Sitting in the back of a moving car, different passengers go on the road on the edge of a vast forest. They carry tales about hornet’s nests, petitions against nuclear waste, loneliness, carnival treats, folklore traditions, cemetery visits and roads leading home. Passengers and their stories are arranged symbolically to follow a life span – from childhood to old age and final absence. As our passengers “grow older”, the stories become more serious and lively chit-chats are replaced with worrying about social issues, preserving tradition and reflections on life before finally coming full circle with return to childhood memories. SRIJEDA/WEDNESDAY, 06/04, 15:00 DVORANA 2

BESPLATNA PROJEKCIJA / FREE SCREENING

UTORAK/TUESDAY, 05/04, 15:00 DVORANA 5

SUBOTA/SATURDAY, 09/04, 21:00 DVORANA 2

MJESTA KOJA ĆEMO DISATI PLACES WE’LL BREATHE Davor Sanvincenti Hrvatska / Croatia, 2022, 22’

Rotterdam IFF (2022)

“Za pticu postoje samo dvije vrste: njezina i one opasne. Nema drugih. Ostalo su neškodljivi predmeti, poput kamenja ili drveća, ili ljudi kada su mrtvi.” Mjesta koja ćemo disati jest audiovizualni esej koji zagovara imaginaciju kroz putopis konstruiranih i anonimnih pejzaža. Svojevrsna bilješka o budućnosti koja skicira život čovjeka koji se pokušava odvojiti od ljudske korupcije. Ako ne može živjeti u skladu sa svojom naravi, biljka umire; a tako je i s čovjekom. Priče koje se isprepliću između vizualnog, slušnog i iskazanog govore o gubitku, traženju, prisustvu, budnosti, odgovornosti, iščekivanju i slobodi. To su priče o nama samima. “A bird knows only two species: its own and the dangerous ones. There are no other. The rest are harmless objects, like stones or trees, or people when they’re dead.” Places We’ll Breathe is an audiovisual essay calling for imagination through a travelogue of constructed and anonymous landscapes. A sort of note on the future sketching the life of a man who is trying to break free from human corruption. If it cannot live in line with its nature, a plant dies; the same goes for men. Stories interweave on the crossroads of visual, auditive and expressed, speaking about loss, quest, presence, wokeness, responsibility, expectation and freedom. These are the stories of us. SRIJEDA/WEDNESDAY, 06/04, 19:00 DVORANA 2

MLUNGU BIJELI KRALJ MLUNGU - THE WHITE KING David Lušičić Hrvatska / Croatia, 2022, 70’

ČETVRTAK/THURSDAY, 07/04, 21:00 DVORANA 4

U najvećoj zapljeni droge u povijesti Južnoafričke Republike hrvatski pomorac uhićen je zbog krijumčarenja 230 kilograma kokaina u svojoj brodskoj kabini na putu iz Argentine u Europu. Nakon pet godina zatvora izlazi na slobodu. Redatelj ga prati na putu na kojem se suočava s posljedicama svojih odluka iz prošlosti, izazovima da ne ponovi iste pogreške u budućnosti i pokušajima da živi normalnim životom. U zatvoru su ga zvali “Mlungu - Bijeli kralj”, uvjereni da je šef balkanske mafije, a ne samo obični kurir. Sada, kad se vratio kući, dvoumi se hoće li se primiriti ili će ponovno odigrati ulogu “kralja”. A Croatian sailor was arrested in connection with the biggest ever drug bust by South African authorities, who seized 230 kilos of uncut cocaine in his room on the ship en route from Argentina to Europe. After five years in prison, he is back home. A filmmaker is following him on a personal journey where he deals with consequences of his decisions, tries to find a way to live a normal life and neglects the temptation of repeating the same mistakes. In prison they called him “Mlungu – The White King”, convinced that he is the boss of the mafia and not just a mule. Now he is struggling between settling down and playing the role of “the king” once again. PETAK/FRIDAY, 08/04, 20:00 DVORANA 3

SUBOTA/SATURDAY, 09/04, 21:00 DVORANA 5

REGIONALNA KONKURENCIJA / REGIONAL COMPETITION

POMIRENJE RECONCILIATION Marija Zidar Slovenija, Srbija, Crna Gora, Kosovo / Slovenia, Serbia, Montenegro, Kosovo, 2021, 82’

DokuFest: Balkan Dox Competition Award (2021) Festival of Slovenian Film: Best Documentary; Best Editing (2021) MakeDox: Young Onion Special Mention (2021) Tuzla FF: Best Documentary (2021) Sofia DocuMental: Best Female Director (2021) CPH:DOX (2021) Sarajevo FF (2021)

VEĆE OD TRAUME BIGGER THAN TRAUMA Vedrana Pribačić Hrvatska / Croatia, 2022, 90’

U žestokoj obiteljskoj svađi u albanskim brdima pogiba osamnaestogodišnja djevojka. Njezina ožalošćenog oca razdire pritisak mjesnog biskupa i predsjednika nevladine udruge iz glavnog grada - ne samo da kao kršćanin oprosti osuđenom ubojici i njegovoj obitelji već i da se pomiri s njima, kako je vjekovni plemenski zakon, Kanun, nekoć zahtijevao. Četvrt stoljeća prošlo je od ponovnog uvođenja tog zakona, a protagonisti se još ne mogu složiti koji će sustav vrijednosti primijeniti u rješavanju sukoba. Jetka i informativna priča o izrazito patrijarhalnom balkanskom društvu na razmeđu još uvijek prisutne prošlosti i nesigurne sadašnjosti. An 18-year-old girl is killed in a bitter family feud in the Albanian highlands. Her bereaved father is torn by the pressures from a local bishop and an NGO chairman from the capital, not only to forgive the imprisoned killer and his family, as a Christian, but to reconcile with them – as the age-old tribal code, Kanun, once required. A quarter of a century has passed after the revival of said code of law, and the protagonists still cannot agree on which value system to rely on to resolve the conflict. A poignant and insightful account of a highly patriarchal Balkan society caught between a lingering past and a precarious present. UTORAK/TUESDAY, 05/04, 21:00 DVORANA 2

SUBOTA/SATURDAY, 09/04, 15:00 DVORANA 2

Tijekom tri godine film prati stanja i doživljaje triju žena silovanih u Domovinskom ratu, kao i proces njihovog osnaživanja kroz iznošenje potresnih životnih priča. Marija osjeća da ne zaslužuje biti slobodna, Katica se panično boji i najmanje promjene. Ana se osjeća kao malo, osamljeno pače izolirano od svih. Ona je jedina Srpkinja u grupi, a pitanje nacionalnosti i dalje je breme koje tišti naše protagonistice. Činjenica da su sve silovane od strane srpskih vojnika ne umanjuje nepovjerenje grupe prema Ani… Sada one otkrivaju tko bi mogle biti bez traume s kojom se identificiraju, što im mijenja živote i odnose. For three years the film follows three women raped in the War of Croatian Independence, connecting with their deepest truths during the strengthening programme. Marija feels she doesn’t deserve to be free, for Katica any change is very scary. Ana describes herself as a little lonely duckling that doesn’t belong anywhere. She is the only Serbian in the group and the issue of nationality is still a burden that our protagonists feel. The fact that they were all raped by Serbian soldiers doesn’t diminish the group’s distrust towards Ana…Today, the discovery of who they could be without the trauma they’re identified with, is changing their life and relations. UTORAK/TUESDAY, 05/04, 20:00 DVORANA 3

PETAK/FRIDAY, 08/04, 21:00 DVORANA 5

VOJNIK AHMET SOLDAT AHMET Jannis Lenz Austrija / Austria, 2021, 76’ Visions du Réel (2021) Diagonale: Best Sound Design (2021) Biografilm Festival (2021) Sarajevo FF (2021) Filmfestival Kitzbühel: Best Director (2021) This Human World: Best Austrian Film (2021)

Ahmet je boksački prvak turskih korijena i profesionalni vojnik u austrijskoj vojsci. No što se više trudi ispuniti očekivanja od tih uloga, to više raste njegova želja da se otrgne od nametnutih mu stereotipa. Nošen potrebom da opet bude svoj, počinje pohađati satove glume, a na pozornici se suočava s jednom od svojih unutarnjih borbi. U jednom prizoru mora pokazati slabost i briznuti u plač. Lakše reći nego učiniti – Ahmet nije plakao od djetinjstva. Film počinje parabolom o turskom migrantu koji živi u Austriji te se razvija u kompleksan portret mladića, njegova traganja za pripadnošću i snage njegova emocionalnog svijeta. Ahmet is a champion boxer with Turkish roots and a professional soldier in the Austrian Army. But the more he strives to fulfil the expectations of each of those roles, the stronger his desire grows to break out of the stereotypes cast upon him. Driven by the need to feel himself again, he starts taking acting lessons, and on the stage he comes face to face with his own internal battles. In one scene, he had to show weakness and burst into tears. Easier said than done - Ahmet hasn’t cried since he was a child. The film begins as a parable about a Turkish migrant living in Austria, and it develops as a complex portrait of a young man, his quest for belonging, and the power of his emotional world. Film prikazujemo uz potporu Austrijskog kulturnog foruma u Zagrebu. The film is screened with the support of the Austrian Cultural Forum in Zagreb. ČETVRTAK/THURSDAY, 07/04, 21:00 DVORANA 2

ZA MENE SI TI CEAUȘESCU YOU ARE CEAUSESCU TO ME Sebastian Mihăilescu Rumunjska / Romania, 2021, 100’ Doclisboa: New Talent Award (2021) Ji.hlava IDFF: Best Central and East European Documentary; Best Cinematography (2021)

SUBOTA/SATURDAY, 09/04, 15:00 DVORANA 5

Mladi različita podrijetla u dobi između 15 i 22 godine javljaju se na audiciju za ulogu mladog Nicolaea Ceaușescua iz sredine 1930-ih. Tinejdžeri zauzimaju poze s arhivskih fotografija, fikcionaliziraju niz povijesnih dokumenata i djeluju jedan na drugoga. Povezuju se s fiktivnim likom Nicolaea bez ikakvih predumišljaja prisvajajući njegove osobine kroz prizmu vlastitih interesa i klišeja komercijalnog filma. Rezultat je portret te mlade generacije i pogled na ostavštinu rumunjskog komunističkog vođe danas, kada se društvene mreže motiviraju istom “željom za veličinom” kao u tridesetima. Young people aged between 15 and 22 from different backgrounds are auditioning for the role of young Nicolae Ceausescu in the mid-1930s, while trying to find the drive behind his actions. The teenagers assume poses from archive photos, fictionalize a series of historical documents and act upon one another. They relate to the fictional character Nicolae without any preconceived ideas, appropriating his traits in terms of their own interests and the clichés of commercial cinema. The result is a portrait of this young generation, and a glimpse of Romania’s Communist leader’s legacy, now, when social media is motivated by the same “desire to be great” as it was in the 1930s. PONEDJELJAK/MONDAY, 04/04, 21:00 DVORANA 4

SRIJEDA/WEDNESDAY, 06/04, 15:00 DVORANA 5

BESPLATNA PROJEKCIJA / FREE SCREENING

REGIONALNA KONKURENCIJA / REGIONAL COMPETITION

ZLATNA ŽILA MOTHER LODE Matteo Tortone Francuska, Italija, Švicarska / France, Italy, Switzerland, 2021, 87’ Venice FF (2021) Doclisboa IFF (2021) Thessaloniki DF (2021) Docpoint Helsinki (2021)

Jorge ostavlja obitelj i posao taksista u predgrađu Lime kako bi potražio sreću kao rudar u najvišem i najopasnijem andskom rudniku zlata u Peruu. Uslijed svjetske ekonomske krize La Rinaconda, “grad najbliži nebesima”, privlači tisuće sezonskih radnika poput Jorgea u potrazi za srećom i boljim životom. On kreće na putovanje puno nagovještaja, gdje se stvarnost susreće s magijom, a mit o bogatstvu gradi se žrtvom. Svako toliko rudari tajanstveno nestaju: budući da zlato “pripada vragu”. El Tio de la Mina traži žrtvu. Redatelj Matteo Tortone okreće zrcalo prema nama, kao da nam želi reći kako je naš svijet pridonio ovom paklu. Jorge leaves his family and his moto-taxi business in the suburbs of Lima to seek fortune as a miner, reaching the highest and most dangerous Andean goldmine in Peru. Due to the global economic crisis, La Rinconada, “the closest city to the sky”, attracts thousands of seasonal workers like Jorge, seeking a lucky strike and a better life. Here starts a journey full of presages, where reality blends with magic, and where the myth of richness is built over a sacrifice. Every now and then, miners mysteriously disappear: since gold belongs to the Devil, El Tio de la Mina requires sacrifices. The director Matteo Tortone turns the mirror back on us, suggesting that our world contributes to this hell. PETAK/FRIDAY, 08/04, 19:00 DVORANA 2

SUBOTA/SATURDAY, 09/04, 17:00 DVORANA 5

BIOGRAFSKI DOX / BIOGRAPHY DOX

BRAVE, KLJUČEVI, VODA, DRVEĆE LOCKS & KEYS, WATER, TREES Penny Andrea UK, 2021, 99’ IDFA (2021) Kassel Dokfest: Golden Key Award - Honorary Mention (2021)

U potpunosti ispričan crtežima koje je britanska umjetnica i filmska autorica Penny Andrea crtala tijekom trideset godina, film prikazuje nastanak rijetkog tumora na mozgu koji vuče korijenje iz njezina ranog djetinjstva, a dijagnosticiran joj je u dvadesetima. Snimajući dugotrajan proces oporavka od traumatične ozljede mozga, autorica se nadala shvatiti što joj se dogodilo, možda čak i zašto se dogodilo, u pokušaju da vizualizira svoj napredak. Prikazujući crtanje i kao bijeg i kao zagrljaj, “prijevoz između unutarnjeg i vanjskog svijeta”, te video kao njegov dvojnički medij u vremenu, film govori o komunikativnoj moći umjetnosti da spaja, istražuje i liječi traumu. Told entirely in drawings made over nearly thirty years by British artist/ filmmaker Penny Andrea, locks & keys, water, trees portrays the genesis of a rare brain tumour with its origins in her early childhood. Diagnosed and treated in the artist’s late twenties, the film reflects an ongoing process of recovery from traumatic brain injury. By making this film, she hoped to understand what had happened to her, maybe even why it had happened, trying to visualise a way forward for herself. Portraying drawing as both escape and embrace, a “shuttle between inner and outer worlds”, and video as its counterpart medium in time, the film speaks to the communicative power of art to connect, explore and heal trauma. UTORAK/TUESDAY, 05/04, 16:00 DVORANA 1

KAKO UBITI OBLAK HOW TO KILL A CLOUD Tuija Halttunen Finska, Danska / Finland, Denmark, 2021, 80’ Locarno FF: Premio Zonta Club Award (2021) Ji.hlava IDFF: Best Testimony on Nature (2021) CPH:DOX (2021) Sydney FF (2021) Guangzhou IDFF (2021) IDFA (2021)

SRIJEDA/WEDNESDAY, 06/04, 19:00 DVORANA 5

ČETVRTAK/THURSDAY, 07/04, 15:00 DVORANA 4

Život Hannele Korhonen, mlade i ambiciozne finske znanstvenice specijalizirane za geo-inženjerstvo, drastično se mijenja kada dobije 1,5 milijuna dolara od Ujedinjenih Arapskih Emirata za sudjelovanje u ambicioznom projektu poticanja kiše u iznimno sušnom području. Prilika za pravim financiranjem i dobrim djelima zvuči izvrsno. No Hannele s vremenom saznaje da financijeri imaju svoj plan. Njezino se početno oduševljenje pretvara u etičku dilemu i unutarnje sukobe. Ako uspije stvoriti kišu, daje li im sredstvo za upravljanje oblacima? Koja je konačna cijena ambicije? Koliko se etika može savinuti prije nego što se nepopravljivo slomi? Life of a young and ambitious Finnish scientist, specialized in geo-engineering, Hannele Korhonen, changes dramatically when she is awarded a 1.5 million USD research grant by the United Arab Emirates to participate in their ambitious project to stimulate rainfall over the notoriously arid region. The opportunity to get proper funding and do good sounds amazing. But, gradually Hannele learns that the financiers have their own agenda. Her enthusiasm morphs into an ethical dilemma and inner conflicts. If she succeeds to make it rain, is she giving means to rule the clouds? What is the ultimate price of ambition? How far can ethics bend before they are broken irreparably? SUBOTA/SATURDAY, 09/04, 19:00 DVORANA 2

BESPLATNA PROJEKCIJA / FREE SCREENING

BIOGRAFSKI DOX / BIOGRAPHY DOX

MISIJA: PRONAĆI SREĆU U TEŠKIM VREMENIMA MISSION: JOY - FINDING HAPPINESS IN TROUBLED TIMES Louie Psihoyos, Peggy Callahan SAD / USA, 2021, 90’ Tribeca FF (2021) Mill Valley FF (2021) Boulder IFF (2021) Palm Springs IFF: Special Mention (2022)

ŽŽŽ (ŽURNAL O ŽELIMIRU ŽILNIKU) ŽŽŽ (JOURNAL ABOUT ŽELIMIR ŽILNIK) Janko Baljak Srbija / Serbia, 2021, 90’ Sarajevo FF (2021) FAF Beograd (2021) Trieste FF (2022)

Misija: Pronaći sreću u teškim vremenima donosi dosad neviđen uvid u prijateljstvo dvojice međunarodnih ikona i dobitnika Nobelove nagrade za mir koji nadilaze granice religije. I Njegova Svetost Dalaj Lama i nadbiskup Tutu preživjeli su razdoblje nevjerojatnih poteškoća i nedaća. U intimnim razgovorima, kroz međusobno poštovanje i zdravu dozu zadirkivanja, otkrivaju lekcije iz proživljenih iskustava, drevnih običaja i najnovije znanosti o sretnom životu unatoč svim životnim izazovima. Duboko dirljiv i duhovit, sniman tijekom pet dana u Dalaj Laminoj rezidenciji, uz sudjelovanje četiri oskarovca, ovaj je film istinski protuotrov današnjem dobu. Mission: Joy gives us an unprecedented access to the unlikely friendship of two international icons and Nobel Peace Prize winners who transcend religion: His Holiness the Dalai Lama and Archbishop Tutu. Both having lived through periods of incredible difficulty and strife, through intimate conversations, mutual respect and a healthy dose of teasing, they impart lessons gleaned from lived experience, ancient traditions, and the latest cutting-edge science regarding how to live with joy in the face of all of life’s challenges. Deeply moving and laugh-out-loud funny, shot over five days at the Dalai Lama’s residence and brought by four Academy Award winners, Mission: Joy serves as a true antidote to present times. UTORAK/TUESDAY, 05/04, 18:00 DVORANA 1

Želimir Žilnik specifičnim je stilom dokudrame, snimajući niskobudžetne filmove često o obespravljenim grupama, desetljećima uspio ostati angažiran i hrabar, pristupom i temama ne samo suvremen već i ispred svoga vremena. ŽŽŽ je svojevrsni film ceste, putovanje kroz prostor i vrijeme, u kojem redatelj Janko Baljak prati Žilnika po lokacijama snimanja njegovih prijašnjih filmova. Naglasak je stavljen na Žilnikova djela koja su na dramatičan način oblikovala njegovu karijeru, poput Zlatnim medvjedom nagrađenog filma Rani radovi, no prevladavajuća tema jest nastojanje njegove ekipe da završe Slobodu ili strip, koji je prije 50 godina cenzura zaplijenila, a koji je nedavno slučajno pronađen. With a specific docu-drama style, making low-budget films, often about disenfranchised groups, Želimir Žilnik managed to remain engaged and brave for decades, in terms of approach and topics not only contemporary, but also ahead of his time. ŽŽŽ is a sort of road movie, a journey through space and time, in which director Janko Baljak follows Žilnik around the locations from his previous films. The focus is on Žilnik’s works that have dramatically shaped his career, like the Golden Bear winner Early Works, but the prevailing subject is the effort of his team to complete Sloboda ili strip, confiscated by censorship 50 years ago and only recently found by accident. ČETVRTAK/THURSDAY, 07/04, 18:00 DVORANA 3

SUBOTA/SATURDAY, 09/04, 20:00 DVORANA 3

SUBOTA/SATURDAY, 09/04, 15:00 DVORANA 4

KONTROVERZNI DOX / CONTROVERSIAL DOX

ANNY Helena Třeštíková Češka / Czech Republic, 2020, 67’ IDFA (2020) Dok.fest Munich: Main Award (2021) Message to Man: Main Award (2021) Sofia IFF: Special Mention (2021) MakeDox (2021) Docpoint Helsinki (2021) Docpoint Tallin (2021)

Majstorica snimanja običnih ljudi kroz dulje vremensko razdoblje, što naziva “time-lapse dokumentarcima”, redateljica Helena Třeštíková promatra ključne trenutke u životu žene s dna društvene ljestvice. Anny upoznajemo 1996. kada se u želji da priskrbi više novca za unučad u dobi od 46 godina počinje povremeno baviti prostitucijom. Istodobno upoznaje Pleasure without Risk, nevladinu udrugu koja pruža podršku i edukaciju seksualnim radnicama i čak ih angažira u autorskim kazališnim predstavama, gdje Anny otkriva još jedan od svojih brojnih talenata. Pratimo je idućih 16 godina dok govori o obitelji, svakodnevnim poslovima, radu na ulici, podrijetlu i životu u kazalištu. Master of filming ordinary people over long periods of time in what she calls “time-lapse documentaries“, director Helena Třeštíková observes the pivotal moments in life of a woman living in the basement of society. We are introduced to Anny in 1996, who, in need of some extra money for her grandchildren, becomes an occasional prostitute at the age of 46. At the same time she is introduced to Pleasure without Risk, an NGO which supports and educates sex workers and even casts them in original theater plays where Anny discovers another of her many talents. We continue following Anny for the next 16 years, as she talks about her family, daytime jobs, work in the streets, background and life in theatre. SUBOTA/SATURDAY, 09/04, 21:00 DVORANA 4

PJESMA DUHOVA GHOST SONG Nicolas Peduzzi Francuska / France, 2021, 80’ Geneva IFF (2021) Seville European FF (2021) Bogota IFF (2021) Cannes – ACID (2021)

Portret grada Houstona u Teksasu kroz priču potpuno oprečnih likova. Uoči uragana Harvey, OMB Bloodbath, učenica i prijateljica Georgea Floyda i reperica rođena u Third Wardu, gdje pretežno živi afroamerička zajednica, pokapa prijatelja Kennyja Loua. Will potječe iz bogate četvrti, no luta ulicama i bori se s ovisnosti i obiteljskim demonima. Likovi dijele isti grad, no putevi im se gotovo nikad ne susreću. Žive u dva svijeta dramatično odvojena jedan od drugoga. No ipak dijele isto nebo i istu glazbu – žive za glazbu i zahvaljujući njoj pokazuju se u najboljem svjetlu. Ghost Song is a portrait of a city of Houston, Texas, through the story of totally opposed characters. While the Hurricane Harvey looms, OMB Bloodbath, mentee and friend of George Floyd and rapper native of the Third Ward, a home to predominantly African-American community, buries her friend Kenny Lou. Will comes from a wealthy neighbourhood, but he wanders the streets as he struggles with his addictions and family demons. These characters share the same city but almost never cross, and they live in two worlds dramatically disconnected from each other. Yet, the things they share are the same sky and music - they live for music and reveal themselves in the best way thanks to her. SUBOTA/SATURDAY, 09/04, 22:00 DVORANA 1

KONTROVERZNI DOX / CONTROVERSIAL DOX

ZINDER Aicha Macky Niger, Francuska, Njemačka / Niger, France, Germany, 2021, 82’ Visions du réel (2021) CPH:DOX (2021) DOK.fest Munich (2021) Durban IFF (2021) MakeDox (2021) IDFA (2021) Reykjavík IFF: A Different Tomorrow Award (2021) FIFAM: Prix documentaire sur grand écran (2021) Nancy IFF: Special Mention (2021) DocsMX (2021) Kassel Dokfest (2021)

Kara-Kara, četvrt izopćenih u Zinderu, gradu u pokrajini Sahel u Nigeru, nekadašnji je dom gubavaca dovedenih iz cijele zemlje sedamdesetih godina. Danas, u nedostatku prilika za obrazovanje i posao, mjesna mladež počela se priključivati bandama koje nazivaju Palais. Opsjednuti kulturom bodybuildinga i nasiljem, članovi bande siju strah među stanovništvom. Međutim neki od njih uspijevaju se izvući iz kolotečine u koju su upali. Takav je slučaj sa Siniyom, Bawom i Ramsessom, kojima se redateljica, rodom iz Zindera, uspjela približiti kako bi otkrila njihove strategije preživljavanja. Hoće li se uspjeti otrgnuti od kruga nasilja na kojem su izgradili identitet? Kara-Kara, the pariahs’ district of Zinder, a town in the Sahel region of Niger, is a former home to lepers brought here from all over the country in the 1970s. Nowadays, lacking opportunities for education and work, local youth started joining gangs referred to as the “Palais”. Obsessed by a culture of bodybuilding and violence, the gang members induce fear in the population. However, some of them strive to pull themselves out of the rut they find themselves in. This is the case for Siniya, Bawo and Ramsess, whom the director, originally from Zinder, has succeeded in filming up close to reveal to us their survival strategies. Will they be able to break free from the cycle of violence which has built their identities? PETAK/FRIDAY, 08/04, 21:00 DVORANA 2

MAJSTORI DOXA / MASTERS OF DOX

BANALNOST TUGE THE BANALITY OF GRIEF Jon Bang Carlsen Danska / Denmark, 2021, 70’ CPH:DOX (2021) CAFx (2021)

“Ništa nije. Sve postaje. Čak i već proživljeni život. Nakon smrti supruge pokušavao sam opet početi živjeti tako da sam se posvetio snimanju novog filma, no kada sam pogledao kroz oko kamere, shvatio sam da su motivi na koje sam se fokusirao zapravo prikrivali ono što sam stvarno želio vidjeti. Sve u malom američkom gradiću podsjećalo me na tvoju odsutnost. Stoga je nastalo ovo malo ljubavno pismo.” Duboko intiman dokumentarac filmskog pjesnika Jona Banga Carlsena koji je istovremeno i ljubavno pismo i posveta voljenoj ženi u kojoj se prošlost i sadašnjost stapaju u egzistencijalističko i umjetničko impresionističko propitivanje života i smrti. “Nothing is. Everything is becoming. Even life already lived. After my wife died I tried to kick start my days again by throwing myself into shooting a new film, but when I looked through the viewfinder I felt the motives I was focusing on with my camera were hiding what I really wanted to see. Everything in the little American town reminded me of your absence. Thus, this little stammering love letter came into being.” A deeply personal documentary by film poet Jon Bang Carlsen that is at a same time a love letter and a dedication to a beloved wife in which the past and the present are mixed into an existentialist and artistically impressionistic questioning of life and death. Film prikazujemo uz potporu Veleposlanstva Kraljevine Danske u Republici Hrvatskoj. The film is screened with the support of the Embassy of the Kingdom of Denmark to the Republic of Croatia. SRIJEDA/WEDNESDAY, 06/04, 18:00 DVORANA 3

KAD SMO BILI NASILNICI WHEN WE WERE BULLIES Jay Rosenblatt SAD, Njemačka / USA, Germany, 2021, 36’ Oscar Nomination (2022) Florida FF: Grand Jury Award (2021) Valladolid FF: Best Short Documentary (2021) Virginia FF: Audience Award (2021) Fargo FF: Best Documentary Short (2021) Sundance FF (2021)

PETAK/FRIDAY, 08/04, 16:00 DVORANA 3

Kad smo bili nasilnici počinje sa “slučajnošću” starom 25 godina koja naposljetku natjera autora da pronađe svoje kolege (i nastavnika) iz petog razreda kako bi provjerio sjećaju li se zlostavljanja od prije 50 godina. Zaigrano, no ujedno gorko, on počinje shvaćati svoje suučesništvo i nasilništvo u svakome od nas. Rosenblattov iskren, inteligentan i dobro promišljen dokumentarac koristi se promotivnim filmovima, animiranim segmentima i snimljenom verbalnom komunikacijom s protagonistima u pokušaju rekonstruiranja mozaika sastavljena od krivice, srama, frustracije, bijesa i agresije. Iskupljenje obično stiže baš tim putem. When We Were Bullies begins with a mind-boggling “coincidence” from 25 years ago which ultimately leads the filmmaker to track down his 5th grade classmates (and 5th grade teacher) to see what they remember of a bullying incident from 50 years ago. In a playful yet poignant way, he begins to understand his complicity and the bully in all of us. Rosenblatt’s honest, smart and well thought documentary uses promotional films, animated segments and filmed verbal confrontations with the protagonists in an attempt to reconstruct the puzzle made from pieces of guilt, shame, frustration, anger and aggression. Redemption usually comes through those steps. PONEDJELJAK/MONDAY, 04/04, 22:00 DVORANA 3

SRIJEDA/WEDNESDAY, 06/04, 17:00 DVORANA 5

MAJSTORI DOXA / MASTERS OF DOX

MARX MOŽE ČEKATI MARX CAN WAIT Marco Bellocchio Italija / Italy, 2021, 96’ Cannes FF (2021) New York FF (2021) Busan IFF (2021) BFI London FF (2021) Vienna IFF (2021) IDFA (2021) São Paulo IFF (2021) Bilbao IFF (2021) FEST Beograd (2022)

Camillo umire 1968. Nakon gotovo pedeset godina Camillov brat blizanac Marco okuplja čitavu obitelj na ručku. Braća. Unučad. Sestra tadašnje djevojke. Psihijatar. Svećenik. U razgovoru sa svakim od njih, prisjećajući se tog doba i tih zbivanja, Marco rekonstruira komadiće prošlosti, konačno dajući obrise duhu s kojim se bori čitav svoj život. Zahvaljujući obitelji, Marco Bellocchio nanovo oživljava priču o bratu, bez uljepšavanja i skromnosti, gotovo poput istrage, rekonstruirajući jedno povijesno razdoblje i tkajući u njega crvenu nit mnogih svojih filmova. Camillo died in 1968. Almost fifty years later, Marco brings his whole family together for lunch. With his family, he reflects on Camillo, his twin brother who died at the age of 29. The brothers. The grandchildren. The sister of the girlfriend at that time. A psychiatrist. A priest. Talking to each of them, evoking those years and those events, Marco reconstructs the pieces of the past, finally giving form to a ghost he has been dealing with all his life. Through his family, Marco Bellocchio brings his brother’s story back to life, without filters or modesty, almost like an investigation, reconstructing a historical era and weaving the red line of so many of his films. Film prikazujemo uz potporu Talijanskog instituta za kulturu u Zagrebu. The film is screened with the support of the Italian Institute of Culture in Zagreb. ČETVRTAK/THURSDAY, 07/04, 16:00 DVORANA 1

OPROSTI I’M SO SORRY Zhao Liang Hong Kong, Francuska, Nizozemska / Hong Kong, France, Netherlands, 2021, 100’ Busan IFF: Cinephile Award (2021) IDF Hangzhou: Best Chinese Documentary (2021) Cannes FF (2021) IDFA (2021) Tokyo Filmex (2021) Valladolid IFF (2021) Watch Docs IFF (2021)

Fokusiran na čovjeka čiji poduhvat humanizira globalne promjene, ovaj film prati povijesna zbivanja i trenutačnu situaciju nuklearne katastrofe diljem ljudskog društva. Svaka nuklearna lokacija koju posjećuje predstavlja određenu vremensku dimenziju – Fukushima sadašnjost, Semipalatinsk skrivenu prošlost, Černobil zauvijek otuđenu sadašnjost i Onkalo budućnost budućnosti. Priča istkana dekonstrukcijom i rekonstrukcijom povijesti otvara novi prostor za razmišljanje o nuklearnim pitanjima. Ovdje oživljava panorama globalnih apokaliptičnih krajolika nakon nuklearne katastrofe, kao i svakodnevni život ljudi na tim područjima. Anchored by a man whose quest humanizes global changes, this film traces the historical events and present situation of nuclear disaster across human society. Every nuclear site he revisits represents a specific temporality Fukushima as the ongoing present; Semipalatinsk as the concealed past; Chernobyl as the forever alienated present, and Onkalo as the future of the future. The narrative created through deconstruction and reconstruction of histories provides a new space to reflect on nuclear issues. In this space, a panorama of global apocalyptic landscapes after nuclear disaster as well as the daily lives of humans on these lands is brought to life. SRIJEDA/WEDNESDAY, 06/04, 22:00 DVORANA 1

PETAK/FRIDAY, 08/04, 18:00 DVORANA 3

TEEN DOX

AYA Simon Coulibaly Gillard Belgija / Belgium, 2021, 90’ Cannes – ACID (2021) Festival dei Popoli: Best Antropological Film (2021) Watch Docs IFF: Green Dog Award (2021) FIFIG: Audience Award (2021) Guanajuato IFF (2021)

Ova priča o odrastanju netipična je i formom i sadržajem. Aya je hibrid igranog i dokumentarnog filma, rekonstruirana stvarnost koja nas vodi na Lahou, poluotok u Obali Bjelokosti koji polako nagriza ocean tjerajući njegove stanovnike sve bliže glavnom gradu. Taj obalni pojas nekoć je bio širok dva kilometra, a danas ima tek 200 metara. Aya, zaigrana, tvrdoglava i prkosna djevojka živi tu cijeli život. Uživa u branju kokosa i spavanju na pijesku. I dok ocean odnosi zemlju, ekonomiju i povijest oko nje, Aya izjavljuje da nikad neće otići. This coming-of-age tale is both atypical in form and uncommon in substance. Aya is a hybrid of fiction and documentary film, a re-staged reality, which takes us to Lahou, a peninsula in Ivory Coast which is gradually being eaten away by the ocean due to coastal erosion, pushing its inhabitants to move towards the capital. This strip of land which used to be 2 kilometers wide is now only 200 meters wide. Aya, a playful, stubborn and defiant young woman has lived there her whole life. She enjoys picking coconuts and sleeping on the sand. While the ocean is wiping away the land, economy and history around her, Aya declares that she will never leave. PONEDJELJAK/MONDAY, 04/04, 22:00 DVORANA 1

NA RAZMEĐU CUSP Parker Hill, Isabel Bethencourt SAD / USA, 2021, 83’ Sundance FF: Emerging Filmmaker Special Jury Award (2021) Champs d’elysee FF (2021) Camden IFF (2021) Austin FF (2021) San Francisco IFF (2021) DOC NYC (2021) IDFA (2021)

UTORAK/TUESDAY, 05/04, 19:00 DVORANA 2

Film donosi pregled jedne formativne godine u životu tri prijateljice tinejdžerke u teksaškom gradiću gdje nema mnogo druge zabave osim tulumarenja – i gdje su alkohol, droga i oružje standardni modni dodaci. Djevojke dopuštaju redateljicama da ih prate kroz učmala druženja, izlaske na brzu hranu i tulume na otvorenom te promatraju njihove intimne trenutke kod kuće i u društvu vršnjaka. Sirov vérité pristup gradi osjetljiv, višeslojan portret djevojaka u pubertetu koje otvoreno pričaju o prošlosti i propituju svoje poimanje slobode. Na razmeđu prikazuje njihove taktike preživljavanja, bilo da je riječ o suprotstavljanju ili priklanjanju društvenim očekivanjima i toksičnoj muškosti. Cusp chronicles one formative year of teenage life for three friends in a Texas town where there’s little to do but party - and where liquor, drugs, and guns are standard recreational accessories. Followed through lazy hangouts, fastfood outings, and bonfire parties, girls allow directors to observe intimate moments within their homes and social circles. The film’s raw vérité approach creates a sensitive, multifaceted portrait of adolescent girlhood. As they open up about their pasts and explore their definitions of freedom and consent, Cusp illustrates how they rebel against or assimilate to societal expectations and toxic masculinity as a survival tactic. PONEDJELJAK/MONDAY, 04/04, 16:00 DVORANA 3

UTORAK/TUESDAY, 05/04, 15:00 DVORANA 2

ČETVRTAK/THURSDAY, 07/04, 20:00 DVORANA 1

BESPLATNA PROJEKCIJA / FREE SCREENING

TEEN DOX

VODA, VJETAR, PRAŠINA, KRUH WATER, WIND, DUST, BREAD Mahdi Zamanpour Kiasari Iran, 2021, 25’ IDFA: Special Mention (2021) Ji.hlava IDFF (2021)

Poetična priča o životu Abolfazla, jedanaestogodišnjaka koji nema nijednu ruku. Unatoč invaliditetu Abolfazl živi ispunjen život s obitelji i osmogodišnjom prijateljicom Setayesh u gaju palmi u blizini afganistansko-iranske granice, kamo se strani posjetitelji često zapućuju na svojim “eko turističkim” rutama. Dječak i prijateljica pripadaju skupini djece bez državljanstva koja žive u zabačenim pograničnim područjima u Iranu, a to što nemaju rodni list velika je prepreka njihovoj budućnosti. This documentary brings a poetic story about the life of Abolfazl, an 11-yearold boy who is missing both hands. Despite his disability, Abolfazl lives a full life with his family and friend Setayesh in a palm orchard near the Afghan-Iranian border, where foreign visitors often head for eco-tourism. He and eightyear-old Setayesh belong to a group of stateless children living in the remote border area of Iran, and having no birth certificate poses major disadvantage for their future. The children move along in hardship and strive for their living. PONEDJELJAK/MONDAY, 04/04, 15:00 DVORANA 2

VOLI ME LOVE ME Romane Garant Chartrand Kanada / Canada, 2021, 23’ Montreal IDF (2021) Abitibi-Témiscamingue IFF (2021)

Autorica ovog intimnog i potresnog filma stvara iznimno nijansiran portret svoje mlade rođakinje Laetitie. Uoči svog sedamnaestog rođendana Laetitia, karizmatična srednjoškolka čija se svakodnevica sastoji od zavođenja i stroge kontrole vlastitog imidža, trudi se pomiriti strah od trajnih veza i očitu potrebu za ljubavlju. U svijetu gdje vlada potpuna kontrola imidža film Voli me govori o potrazi za ljubavlju kroz različite oblike samopredstavljanja. In this intimate and poignant film, the filmmaker creates an exceptionally nuanced portrait of her young cousin Laetitia. On the eve of her seventeenth birthday, Laetitia, a charismatic high-school student, whose everyday life is shaped by seduction, appearances, and her own carefully controlled image, navigates between her attachment disorder and her flagrant need for love. In a world where image control is absolute, Love me tells the story of the quest for the love with a capital L, through the various forms of self-representation. PONEDJELJAK/MONDAY, 04/04, 15:00 DVORANA 2

SUBOTA/SATURDAY, 09/04, 16:00 DVORANA 1

VOLI ME, NE VOLI ME LOVES ME, LOVES ME NOT Andrine Moland, Caroline Mathilde Salic, Kathrine Skibsted Danska / Denmark, 2021, 73’ CPH:DOX (2021) Cormorán FF (2021) Docs Against Gravity (2021)

Voli me, ne voli me pruža jedinstven i intiman uvid u ljubavni život dvadesetak mladih Danaca. Kroz otvorene razgovore o osobnim iskustvima i razmišljanjima, oni pripovijedaju suvremenu, poetičnu i realističnu priču o tome kako ljubav izgleda 2021. Dvije žene u kadi sarkastično razgovaraju o pronalaženju prave ljubavi. U kuhinji jedan mladić doživljava najveći ljubavni udarac u životu. U spavaćoj sobi jedna žena otkriva kako nikad nije bila iskrena s partnerom oko preljuba. Film uranja u sve radosti i teškoće veze, samovanja, seksa, izlazaka, slomljenog srca i gubitka sebe. Loves Me, Loves Me Not gives a unique and intimate peak into the love lives of twenty young Danish people. Through vulnerable conversations about their personal experiences and reflections, they tell a modern, poetic and realistic shared story of what love in 2021 really feels like. In a bathtub two women talk sarcastically about finding your one true love. In a kitchen a young man relives his biggest heartbreak. In a bedroom a woman shares that she has never been honest with a partner about being unfaithful. The film dives into all the joys and difficulties in being partners, being alone, sex, dating, heartbreak and loosing oneself. PETAK/FRIDAY, 08/04, 18:00 DVORANA 1

YAREN I SUNCE YAREN AND THE SUN Renate Raman, Joren Slaets Belgija / Belgium, 2021, 19’ DOK Leipzig (2021) IDFA (2021) Docs Against Gravity (2021) New Horizons IFF (2021) JEF Festival: Audience Award (2021) ISFF Leuven (2021) Olympia IFF (2021)

Prije četiri godine desetogodišnja Yaren ostala je bez majke. Ovog ljeta nervozno odlazi u posebnu vrstu kampa, kamp za žalovanje u Belgiji. Ondje se djeca koja su izgubila nekog bliskog tijekom pet intenzivnih dana povezuju temeljem onoga što im je svima zajedničko: tuge. Bit će to ujedno i početak posebnog prijateljstva između Yaren i Kato, koja je prije pet godina izgubila oca. U njihovim se razgovorima ocrtava borba s općenitim pitanjima poput: je li umrla osoba još uvijek negdje? No atmosfera u kampu daleko je od žalosne, a sva djeca uče kako zabava i tuga mogu ići zajedno. Film o gubitku, izlječenju i prijateljstvu. Four years ago ten-year-old Yaren lost her mother. This summer she nervously leaves for a special kind of camp, a grieving camp in Belgium. Here, all the kids have lost someone close to them and over five intense days, they all bond over that one thing they all have in common: the grief. This is also the beginning of a special friendship between Yaren and Kato, who lost her father five years ago. Their conversations show their struggle with universal questions like: Is a dead person still somewhere? Yet, the atmosphere in the camp is far from mournful, and the children learn that fun can coexist with sadness. A film about loss, healing and friendship. PONEDJELJAK/MONDAY, 04/04, 15:00 DVORANA 2

SUBOTA/SATURDAY, 09/04, 16:00 DVORANA 1

BESPLATNA PROJEKCIJA / FREE SCREENING

STANJE STVARI / STATE OF AFFAIRS

CANNON ARM I ULTIMATIVNI ARKADNI IZAZOV CANNON ARM AND THE ARCADE QUEST Mads Hedegaard Danska / Denmark, 2021, 97’ Hot Docs: Audience Award (2021) CUFF.Docs: Best Documentary (2021) Nordisk Panorama (2021) CPH:DOX (2021)

Kim Cannon Arm (55) nije običan djedica. Taj laboratorijski tehničar i relativni introvert prava je legenda arkadnih igrica koje od mladosti imaju posebno mjesto u njegovu srcu. Ubojitom koordinacijom oka i ruke te opakom fudbalerkom legendarni je inventar u kopenhagenskom Bip Bip Baru, poznat po tome što je uspio igrati Gyruss, arkadnu igru iz osamdesetih, punih 49 sati sa samo jednim novčićem. Uz pomoć prijatelja iz bara, zajednice junačkih autsajdera koji se međusobno podržavaju bez obzira na sve, Kim pokuša izbrisati svoj prethodni rekord i igrati 100 sati u komadu. Duhovit i s pronicljivim mislima, film se bavi fascinacijom svjetskim rekordima i moći prijateljstva. Kim Cannon Arm, aged 55, is not your average grandpa. This laboratory technician and relative introvert is a true legend of arcade games which have had a special place in his heart since his youth. With killer hand-eye coordination and a mean mullet, he’s a legendary fixture at Copenhagen’s Bip Bip Bar, and renowned for playing the 80s arcade game Gyruss for 49 hours straight on a single coin. With help from his buddies at the bar, a community of heroic outsiders who support one another no matter what, Kim attempts to obliterate his previous record and play for 100 consecutive hours. Full of wit and deep thoughts, the film focuses both on fascination with world records and the power of friendship. Film prikazujemo uz potporu Veleposlanstva Kraljevine Danske u Republici Hrvatskoj. The film is screened with the support of the Embassy of the Kingdom of Denmark to the Republic of Croatia. SUBOTA/SATURDAY, 09/04, 22:00 DVORANA 3

DRUGA STRANA RIJEKE THE OTHER SIDE OF THE RIVER Antonia Kilian Njemačka, Finska / Germany, Finland, 2021, 91’ DOK.fest Munich: Documentary Film Award (2021) DocsMX: Global Docs Award (2021) Kassel Dokfest: Special Mention (2021) KineNova IFF: Grand Prix (2021) CPH:DOX (2021) Molodist Kyiv (2021) Chicago IFF (2021)

Devetnaestogodišnja Hala bježi od ugovorenog braka prelaskom preko rijeke Eufrat i nalazi nov dom u Jedinici zaštite kurdskih žena, koja nedugo potom oslobađa njezin rodni grad Minbij od ISIS-a.. Njezinim suborkinjama neprijatelj nije samo Islamska država, već i patrijarhat općenito. Okrutnost koju su te žene doživjele od vlastitih muževa i članova obitelji dovela ih je na drugu stranu rijeke gdje se obučavaju za borbu te upoznaju s feminističkim idealima Kurdskog pokreta žena. Halu pratimo tijekom obuke i obrazovanja na akademiji, pratimo njezine sukobe s obitelji te borbu za emancipaciju sestara i oslobođenje potlačenih žena u gradu. 19 year-old Hala escapes an arranged marriage by crossing the Euphrates River to find a new home at a Kurdish Women’s Protection Unit, which soon after liberates her hometown of Minbij from the Islamic State. For her female fellow soldiers, the enemy is not just IS, but patriarchy in general. The brutalities these women had experienced at the hands of their husbands and family members led them to the other side of the river where they are trained in combat and educated in the feminist ideals of the Kurdish Women’s Movement. We follow Hala on her training and education at the academy, her struggles with her family, the fight for her sisters’ emancipation and the liberation of oppressed women in her city. UTORAK/TUESDAY, 05/04, 22:00 DVORANA 1

DUGI RAZLAZ THE LONG BREAKUP Katya Soldak SAD, Ukrajina / USA, Ukraine, 2020, 85’ Montreal Independent FF (2020) Eastern Oregon FF (2020)

Dugi razlaz prikazuje ukrajinsku borbu da se oslobodi ruskih okova, ostavi za sobom svoju sovjetsku prošlost i postane uistinu neovisna nacija. Ukrajinskoamerička novinarka Katya Soldak, koja danas živi u New Yorku, priča o svojoj domovini koja izlazi iz SSSR-a, preživljava dvije revolucije i rat – kroz očište njezine obitelji u Harkivu, gradu tek tridesetak kilometara od ruske granice. Film vodi gledatelje na intimno putovanje koje pokazuje kako velike geopolitičke promjene utječu na ljude na osobnoj razini. Daje uvid u osjećaje emigranata koji promatraju krizu u domovini izdaleka, a ujedno je i osobna priča o životu u mladoj bivšoj sovjetskoj zemlji. The Long Breakup depicts Ukraine’s struggle to escape Russia’s embrace, leave its Soviet past behind and become a truly independent nation. UkrainianAmerican journalist Katya Soldak, now living in New York, tells the story of her home country as it exits the USSR, works through two revolutions, and endures a war - all through the eyes of her family and friends in Kharkiv, city just 18 miles from the Russian border. The film takes viewers on an intimate journey that illustrates how big geopolitical changes affect people on a personal level. It offers insight into what it’s like for an immigrant to watch her country go through crises from afar, and it’s also a personal tale about life in the young, former Soviet country. SRIJEDA/WEDNESDAY, 06/04, 20:00 DVORANA 3

KAD CVIJEĆE NE ŠUTI WHEN FLOWERS ARE NOT SILENT Andrei Kutsila Poljska / Poland, 2021, 72’ Warsaw FF: Best Documentary Feature (2021) Ji.hlava IDFF: Special mention (2021) Watch Docs IFF: Special mention (2021) Artdocfest IDFF: Special Mention (2021)

Još jedno namještanje predsjedničkih izbora u Bjelorusiji 2020. dovelo je do velikog građanskog otpora kakav zemlja još nije doživjela. Okrutno zatiranje mirnih prosvjeda rezultiralo je još masovnijima. No mirni prosvjedi, nakon nekoliko mjeseci, nisu postigli da Aleksandar Lukašenko da ostavku s predsjedničke dužnosti koju drži već 27 godina. Umjesto toga, politička represija u Bjelorusiji dramatično je porasla i postala najveća u povijesti Europe još od sedamdesetih. Kad cvijeće ne šuti pogled je na život bjeloruskih obitelji koje pokušavaju nastaviti sa životom unatoč traumama. Another rigging of the presidential election in Belarus in 2020 led to massive civil resistance which the country had never experienced before. Brutal suppression of the peaceful protests resulted in more massive marches. Yet, the peaceful protests, having lasted for several months, did not achieve Alexander Lukashenko’s resignation from the president’s post he’s been holding for 27 years. Instead, political repressions in Belarus increased dramatically and became the largest in the history of Europe since the 1970s. When Flowers Are Not Silent focuses on the lives of Belarusian families who try to continue living and carry on despite being traumatised. UTORAK/TUESDAY, 05/04, 19:00 DVORANA 5

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STANJE STVARI / STATE OF AFFAIRS

KONCERT S BALKONA BALCONY CONCERT Diana Kadłubowska, Krzysztof Kadłubowski Poljska / Poland, 2021, 16’ Kraków FF (2021) Valladolid IFF (2021) FIPADOC (2022)

Tragikomična slika poljskog društva u vrijeme prve karantene. Stanari jedne stambene zgrade – svatko zatvoren u svom stanu – pokušavaju se prilagoditi novoj situaciji. Većina ostaje kod kuće i jedini im je kontakt s vanjskim svijetom preko balkona i zajedničkog dvorišta. Izolacija i fizička udaljenost naglo im ograničavaju broj društvenih interakcija, no ujedno postaju i prilika za promatranje života susjeda. Proizvod te dvorišne kulture jest Koncert s balkona – priča o paru cipela i jednoj od najneobičnijih izvedbi What a Wonderful World. A tragicomic picture of Polish society at the time of the first lockdown. Residents of a townhouse – each locked in their own apartment – are trying to adjust to the new situation. The majority remain at home and their only point of contact with the outside world is via a balcony and a common backyard. Isolation and physical distance abruptly limited the number of social interactions but also became an opportunity to observe the lives of our neighbours. The product of this backyard culture is Balcony Concert – a story of a pair of shoes and one of the most peculiar performances of What a Wonderful World. PETAK/FRIDAY, 08/04, 20:00 DVORANA 1

MLADI I UPLAŠENI YOUNG AND AFRAID Petter Aaberg, Sverre Kvamme Norveška / Norway, 2021, 104’ Haugesund IFF: Audience Award (2021) Nordisk Panorama: Honorable Mention (2021) Nordic/Docs: Jury Special Award (2021) Verzio IFF (2021)

Nakon što Petter pokuša počiniti samoubojstvo u jesen 2017., s najboljim prijateljem Sverreom odlazi u noćnu potragu za zajednicom mladih istomišljenika. Tumarajući ulicama Osla s kamerom u ruci, u potrazi za mladim ljudima koji proživljavaju slične nedaće, dolaze u konfliktne, nepredvidive i humoristične situacije. Otkrivaju supkulturu mraka, samoozljeđivanja, autodestruktivnosti i suočavaju se s napadajima panike, predoziranjem i pričama o pokušajima samoubojstva. Petterovo krhko stanje duha dovedeno je u pitanje, a na kocki je i njegov odnos sa Sverreom. No koliko god život bio mračan, uvijek postoji svjetlo na kraju tunela. After Petter tries to commit suicide in the fall of 2017, he and his best mate Sverre go out into the night in search of a community of like-minded young people. Roaming the streets of Oslo with a camera in hand, looking for young people going through similar struggles, they enter into conflictual, unpredictable, and humorous situations. They discover a sub-community of darkness, self-harm, self-destructiveness, and are confronted with panic attacks, overdoses, and stories of suicide attempts. Petter’s fragile mental state is challenged, and his relationship with Sverre is put to the test. But no matter how dark life is, there’s always a light at the end of the tunnel. PONEDJELJAK/MONDAY, 04/04, 17:00 DVORANA 5

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NEGOSTOLJUBIVI HOSTILE Sonita Gale UK, 2021, 97’ Raindance FF (2021) Cambridge FF (2021) Manchester FF (2022) South London FF: Best Documentary Feature (2021)

Negostoljubivi promatra kompliciran odnos Ujedinjenog Kraljevstva i migrantskih zajednica. Kroz priče četiriju sugovornika crnačkog i afganistanskog podrijetla ovaj se film bavi utjecajem sve jačih politika “negostoljubive okoline” – termina koji je vlada upotrijebila 2012. za opis ozračja koje je u zemlji željela stvoriti migrantima ne bi li ih potaknula na dobrovoljan odlazak. Film istražuje kako životi međunarodnih studenata i “visokoobrazovanih” migranata danas izgledaju te donosi njihove osobne priče isprepletene sa stavovima aktivista, akademika i političara. Kako je to kada vam netko kaže da ovdje ne pripadate? Hostile focuses on the UK’s complicated relationship with its migrant communities. Told through the stories of four participants from Black and Asian backgrounds, the film focuses on the impact of the evolving “hostile environment” policies - a term used by the government in 2012 to describe the atmosphere the government wanted to create for migrants in the country with the intention of provoking them to voluntarily leave. The film explores how the lives of international students and “Highly-Skilled Migrants” have been affected and their personal stories are interspersed with views of activists, academics and politicians. What does it feel like to be told you don’t belong? SRIJEDA/WEDNESDAY, 06/04, 21:00 DVORANA 4

OTAC FATHER Deng Wei Kina / China, 2021, 97’ Golden Horse FF (2020) DOK Leipzig: Best Documentary (2021) DOXA FF: Best Feature Documentary (2021) Asian American IFF: Emerging Director (2021) Entrevues Belfort IFF: Grand Prix (2021)

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Zougui, djed redatelja Denga Weija, slijep je od treće godine, a većinu života proveo je proričući budućnost. Sada kada se primiče kraju života, gorko zamjera sinu (Weijevu ocu) Dongguu postupke koji su ih razdvojili. Donggu radi kao građevinski poduzetnik, no nesreća na poslu dovodi ga u financijske poteškoće, zbog čega počne propitivati svoje prioritete i vrijednosti – nakon čega će otac i sin možda konačno stvoriti odnos poštovanja, pa čak i ljubavi. Wei prikazuje napet odnos oca i djeda dok progovaraju o prošlim nesporazumima i neizvjesnoj budućnosti. Filmmaker Deng Wei’s grandfather Zuogui has been blind since the age of three, living most of his life as a fortune teller. Now approaching the final chapter of his life, Zuogui lives a life of bitter discontent toward his son (and Wei’s father) Donggu, whose actions from the past caused a rift between them. Donggu works as a property developer, but when a job-site accident forces him into financial hardship, it prompts a re-examination of his priorities and values - one that may lead the father and son to finally form a bond of respect, perhaps even love. Wei captures the fraught relationship between his father and grandfather as they negotiate past resentments and an uncertain future. PONEDJELJAK/MONDAY, 04/04, 19:00 DVORANA 4

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STANJE STVARI / STATE OF AFFAIRS

POKUŠAVAM ZAPAMTITI I AM TRYING TO REMEMBER Pegah Ahangarani Iran, Češka / Iran, Czech Republic, 2021, 15’ IDFA (2021) WOW Festival (2022)

Ispričan uglavnom putem fotografija iz obiteljskog albuma, duboko intiman i majstorski montiran, Pokušavam zapamtiti film je koji se bavi posljedicama iranske Islamske revolucije. Dok je bila mala, redateljica Pegah Ahangarani veoma je voljela obiteljskog prijatelja Gholama i ugledala se u njega. Bio je “ljubazniji čak i od njene bake” i bio je taj koji je njezinim roditeljima predložio da je nazovu Pegah, što znači zora. Kada je imala sedam godina, Gholam joj je pričao o Revoluciji u kojoj je sudjelovao i koju je snimio. Deset godina poslije Revolucije prestao ih je posjećivati, a njezina obitelj više ga ne spominje. Na jedinoj njegovoj fotografiji izgrebeno mu je lice. Narrated mostly over photos from the family album, deeply personal and masterfully edited, I Am Trying to Remember focuses on the aftermath of the Iranian Islamic Revolution. When she was a child, director Pegah Ahangarani was very fond of family friend Gholam and she looked up to him. He was “even kinder than her grandmother“ and he was the one who suggested her parents to name her Pegah, which means the break of dawn. When she was seven, Gholam told her about the Revolution which he took part in and filmed. Ten years after the Revolution, he stopped coming by and her family didn’t talk about him anymore. In his only remaining photo, his face was scratched. UTORAK/TUESDAY, 05/04, 19:00 DVORANA 5

RIJEKA RIVER Jennifer Peedom Australija / Australia, 2021, 75’ Telluride FF (2021) Bergen IFF (2021) Kendal Mountain FF (2021) Melbourne IFF (2021) Sedona IFF (2022)

Rijeka se ne uklapa u uobičajene okvire filma ili dokumentaristike u smislu forme ili žanra. Ovo je orkestarski koncertni film, izuzetan filmski doživljaj, oda svijetu prirode te prepričavanje povijesti i rijeka i ljudske civilizacije. Rijeke su arterije našeg planeta. Gdje god prolaze, pojavljuju se oblici života, preživljavaju, možda i cvjetaju. Baš kao što rijeke oblikuju okoliš, ujedno oblikuju i ljudski život. Rijeka nas vodi na putovanje prostorom i vremenom, preko šest kontinenata, oslanjajući se na nevjerojatnu fotografiju, uključujući satelitsko snimanje te prikazujući rijeke iz 39 zemalja iz dosad nikad viđenih perspektiva. River doesn’t fit into any of the usual film or documentary boxes in style or form or genre. It is an orchestral concert film, an extraordinary cinematic experience, an ode to the natural word and a retelling of the history of both rivers and human civilisation. Rivers are the arteries of the planet. Wherever they travel life forms can emerge, survive, perhaps flourish. Just as rivers shaped the landscape, they have also shaped human existence. River takes us on a journey through space and time; spanning six continents, and drawing on extraordinary contemporary cinematography, including satellite filming, the film shows rivers from 39 countries on scales and from perspectives never seen before. PETAK/FRIDAY, 08/04, 20:00 DVORANA 1

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RIOTSVILLE, USA Sierra Pettengill SAD / USA, 2022, 91’ Sundance FF (2022) CPH:DOX (2022)

Riotsville, USA vodi nas do prekretnice u američkoj povijesti kada su prosvjedi s kraja šezdesetih ušli u sukob sa sve militariziranijom policijom. Fokusirajući se na otkrivene snimke vojnih vježbi koje prikazuju gradove-poligone po imenu Riotsville, gdje se vojska i policija obučavaju za reagiranje na građanske nemire, ovaj film rekonstruira stvaranje nacionalne svijesti opsjednute održavanjem zakona i reda po svaku cijenu. Sastavljen isključivo od arhivskih snimaka koje je snimila američka vojska ili prikazala televizija, Riotsville donosi uvid u vrijeme slično našem, u jeku promjenjivih stavova o moći, nasilju koje sankcionira država te sistemskom rasizmu. Riotsville, USA takes us to a turning point in American history where the protest movements of the late 1960s came into conflict with increasingly militarized police departments. Focusing on unearthed military training footage of Armybuilt model towns called “Riotsvilles” where military and police were trained to respond to civil disorder, the film reconstructs the formation of a national consciousness obsessed with maintaining law and order by any means necessary. Consisting entirely of archival footage shot by the US military or broadcast on television, Riotsville delivers insight from a time similar to our own amid today’s shifting reckonings on power and state sanctioned violence and systemic racism. PONEDJELJAK/MONDAY, 04/04, 20:00 DVORANA 3

SUNNY Keti Machavariani Gruzija / Georgia, 2021, 67’

Telluride FF (2021) Bergen IFF (2021) Kendal Mountain FF (2021) Melbourne IFF (2021) Sedona IFF (2022)

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Sunny je doslovan prijevod protagonističina imena na gruzijskom. Ona je bivša učiteljica koja sada zarađuje za život kao ispitivačica za sociološke studije. Taj posao njezin je jedini izlaz iz potpune samoće i jedini oblik društvenog života. Sunny nas vodi ulicama Tbilisija i pomaže nam čuti misli i nadanja građana oko političkih i građanskih tema. Na neki način ovo je film o gruzijskoj kulturi u svakodnevnom životu ljudi. U svom radu Sunny često nailazi na poteškoće jer se društvena istraživanja u Gruziji ponekad stigmatiziraju. Na kraju filma ona sama preuzima ulogu ispitanice i s nama dijeli svoje snove. Sunny is the literal translation of the main character’s name in Georgian. She is a former teacher who now earns for a living as an interviewer for sociological studies. This job is her only way of overcoming total solitude and having a social life. Sunny leads us into the streets of Tbilisi and lets us listen to citizens’ thoughts and hopes on acute political and civic issues. In a way, this is a film about the Georgian culture in everyday life through people’s lives. In her work, Sunny often faces difficulties since social research is at times stigmatized in Georgia. At the end of the film, she takes on the role of the respondent herself and shares her dreams with us. ČETVRTAK/THURSDAY, 07/04, 19:00 DVORANA 4

STANJE STVARI / STATE OF AFFAIRS

TISUĆU VATRI A THOUSAND FIRES Saeed Taji Farouky Francuska, Švicarska, Nizozemska, Palestina / France, Switzerland, Netherlands, Palestine, 2021, 90’ Locarno FF: Marco Zucchi Award (2021) IDFA (2021) FIPADOC (2022)

U pokrajini Magway u Mjanmaru, domu jedne od najstarijih svjetskih industrija nafte, žive muž i žena Thein Shwee i Htwe Tin. Upravljaju nereguliranim naftnim poljem i svakih nekoliko dana isporučuju nekoliko barela. Iznad svega žele da im najmlađi sin uspije u životu, da razbiju začarani krug siromaštva. Redatelj Saeed Taji Farouky istražuje ljudski aspekt industrije nafte baveći se trenutkom kada se nafta intimno poveže s ljudskim tijelom, kada jedna osoba posegne u tlo i dodirne ostatke milijuna godina organskog raspadanja. Tisuću vatri priča je o međugeneracijskom sukobu i kompromisu koja ističe minijaturne detalje u epskoj pripovijesti. In the Magway region of Myanmar, a country home to one of the oldest petroleum industries in the world, live husband and wife Thein Shwe and Htwe Tin. Running an unregulated oil field, they produce a barrel every few days. They wish above all else to see their youngest son succeed, to break the cycle of poverty. Director Saeed Taji Farouky explores the human aspects of the oil industry, examining the point where oil is intimately connected with the human body; where one person reaches into the ground and touches the remnants of millions of years of organic decomposition. A Thousand Fires is a story of intergenerational conflict and compromise, emphasising miniscule detail over epic narrative. PONEDJELJAK/MONDAY, 04/04, 18:00 DVORANA 1

TRAGAČI SEARCHERS Pacho Velez SAD / USA, 2021, 81’ Sundance FF (2021) CPH:DOX (2021) IDFA (2021) Visions du Réel (2021) AFI Docs (2021) DOCAVIV (2021) Sun Valley IFF: Best Documentary (2021) One World FF (2022)

U želji da bolje shvati online spojeve redatelj Pacho Velez tijekom covidljeta potražio je Njujorčane koji su se istinski trudili pronaći partnera preko interneta. Tragači prolaze kroz 75 susreta s ljudima različitih rasa, rodova, dobi i seksualnih preferencija dok listaju aplikacije za upoznavanje u potrazi za nekim posebnim. Film se odvija online. Likovi, uključujući i samog redatelja, prelistavaju aplikacije i dešifriraju profile dok prepričavaju svoj proces donošenja odluka. Naizmjence duhoviti i dirljivi, ovi portreti prikazuju raznolikost seksualnih i romantičnih iskustava dostupnih na internetu, kao i raznorodnu zajednicu ljudi koji ih traže. Wanting to better understand online dating, director Pacho Velez sought out New Yorkers during COVID-summer who were making genuine efforts to find a partner on the internet. Searchers draws on over 75 encounters with people of different races, genders, ages, and sexual preferences, as they navigate dating apps, searching for their special someone. The film unfolds online; the characters, including the director himself, wade through apps and decode dating profiles while narrating their decision-making process. Alternately humorous and touching, these portraits capture the variety of sexual and romantic experiences available online, as well as the diverse community of people seeking them out. PETAK/FRIDAY, 08/04, 22:00 DVORANA 1

ZAŠTO NISI OSTAO ZA MENE? WHY DIDN’T YOU STAY FOR ME? Milou Gevers Nizozemska / Netherlands, 2020, 25’ Student Academy Awards Winner (2021) Zlìn FF: Zlin Dog Award (2021) Cinekid: Best Dutch Short Documentary (2021) Sapporo SFF: Best Student Film (2021) DocuDonna: Best International Short Documentary (2021)

Rebekka, Stef, Hessel i Annabel, u dobi između 10 i 13 godina, izgubili su očeve uslijed samoubojstva. Ne pričaju baš o tome, a drugi ih ljudi nerado ispituju. Djeca razgovaraju s redateljicom Milou, čija se majka također ubila prije deset godina, a ona im postavlja pitanja koja im se nitko prije nije usudio postaviti. I Milou i djeca često su mislili da su jedini kojima se roditelj ubio. Prepreke s kojima se suočavaju i potreba da ih prevladaju prikazuju se kroz animirani krajolik, nastao u tehnici stop-animacije. Ovo je priča o pronalasku priznanja i izražavanju misli i osjećaja o temi koja se smatra tabuom. Rebekka, Stef, Hessel and Annabel, aged between 10 and 13, all lost their fathers to suicide. They don’t tend to talk about it and other people are usually afraid to bring it up. The children have a conversation with director Milou whose mother also committed suicide 10 years ago, and she is asking questions no one dared to ask them before. Both Milou and these children often thought they were the only one who lost a parent to suicide. The obstacles they face and need to overcome are shown through an animated landscape, created with stop-motion animation. This is a story about finding recognition and expressing your thoughts and feelings about a subject considered taboo. ČETVRTAK/THURSDAY, 07/04, 19:00 DVORANA 4

RETROSPEKTIVE / RETROSPECTIVES

AUTORSKA VEČER: KATARINA ZRINKA MATIJEVIĆ

AUTORSKA VEČER: KATARINA ZRINKA MATIJEVIĆ / AUTHOR’S NIGHT: KATARINA ZRINKA MATIJEVIĆ ČETVRTAK/THURSDAY, 07/04, 19:00 DVORANA 2

Projekcija uz razgovor s redateljicom / Screening with Q&A Moderira / Host: Diana Nenadić

Malo manje od četvrt stoljeća dijeli nas od trijumfalnog debija Katarine Zrinke Matijević na 8. Danima hrvatskoga filma sa studentskim dokumentarcem Dvoboj (1998) i prvog Grand prixa DHF-a dodijeljenog nekoj autorici. Od tada do danas, u samo četiri, ali četiri “čvrsta” redateljskoscenaristička koraka dokumentaristica Matijević prošla je put od opservacije obične svakodnevice i veriteovske provokacije njezinih neobičnih ili “rubnih” protagonista do esejistički uobličene autoopservacije. Svaki od njih bio je u znaku nekog dvoboja, egzistencijalnog duela ili opozicije ‒ između stroge majke i zaigrana djeteta (Dvoboj), između čovjeka i prirode, odnosno muža i žene (O kravama i ljudima, 2002), između “republike” marginalaca i “službenog poretka” (Peščenopolis, 2003) ‒ sve do ogoljavanja vlastite intime sofisticiranom vizualnom posvetom svojim ličkim korijenima u višestruko nagrađivanom dokumentarcu Iza lica zrcala (2016). Taj put proći ćemo zajedno s redateljicom na njezinoj autorskoj večeri.

BESPLATNA PROJEKCIJA / FREE SCREENING

A little less than a quarter of a century divides us from Katarina Zrinka Matijević’s triumphant debut at the 8th Croatian Film Days with her student documentary The Duel (1998) and the first Croatian Film Days Grand Prix ever given to a woman director. Since then, in only four, but four “rock-solid” directing-screenwriting endeavours, documentary filmmaker Matijević has journeyed from observing ordinary daily life and verité provocation of its strange or “marginal” protagonists, to essay-shaped self-observation. Each of them was characterised by a duel – existential or opposition – between a strict mother and a playful child (The Duel), between man and nature, between husband and wife (On Cows and Men, 2002), between a “republic” of marginal characters and the “official order” (Peščenopolis, 2003) – all the way to laying bare her own intimacy in a sophisticated visual homage to her Lika roots in the multi-award-winning documentary A Two Way Mirror (2016). We will take this journey once again with the director at her author’s night.

AUTHOR’S NIGHT: KATARINA ZRINKA MATIJEVIĆ

DVOBOJ DUEL Katarina Zrinka Matijević Hrvatska / Croatia, 1998, 12’

Petogodišnji dječak potpuno je nezainteresiran za hranu, što ga dovodi do sukoba s majkom. Napor koji majka ulaže ne bi li ga nahranila podjednak je dječakovu naporu da hranu ne pojede. Što je vrijeme trajanja ručka duže, to njih dvoje sve nespretnije balansiraju na granici sukoba. Dvoboj dječakove dovitljivosti i kuhače, suza i majčinske ljubavi završava pobjedom upornijega. Posljednji zalogaji ili ostaju na tanjuru ili u dječakovim ustima odlaze s njim na spavanje.

Tel Aviv ISFF: Best Documentary (2000) / Filmfest München: Jury Award (1999) / Croatian Film Days: Grand Prix; Oktavijan Award, Jelena Rajković Award (1999) / UNICA Lappeenranta: Diploma (1999) / Potsdam SFF (1999) / Prix Europa (1999)

A five-year-old boy is completely uninterested in food, which results in conflicts with his mother. The effort she invests in feeding him is equal to the boy’s effort not to eat the offered food. The longer the lunch, the clumsier is their balance on the verge of fight. The duel between the boy’s resourcefulness and the spoon, the tears and mother’s love, ends with the victory of the more persistent. The last bites are either left on the plate, or leave with the boy to bed in his mouth.

IZA LICA ZRCALA

U ovom poetičnom dokumentarcu prekrasni, ali hladni lički planinski krajolici podsjećaju na stanje duha, unutarnje borbe i spoznaje. Dok Zrinka snima veličanstvene i okrutne prizore ličkog kraja, Lika stvara obrise Zrinke, koja ponovno proživljava vlastita iskustva i iskustva svojih predaka ne bi li pronašla ključ kako prihvatiti svoju bolest, epilepsiju, te preboljeti prijašnje gubitke.

A TWO WAY MIRROR Katarina Zrinka Matijević Hrvatska / Croatia, 2016, 42’ Oktavijan Award: Best Documentary Film (2016) / Nikola Tanhofer Award for Cinematography (2016) / Liburnia FF: Best Cinematography, Best Sound (2016) / Ji.hlava IDFF (2016) / Sarajevo FF (2016) / Split FF (2016)

O KRAVAMA I LJUDIMA ON COWS AND MEN Katarina Zrinka Matijević, Nebojša Slijepčević Hrvatska / Croatia, 2000, 23’ Days of Croatian Film (2000) / Motovun FF (2000) / IDFA (2000) / Cinematexas (2001) / Bogota IDFR (2001) / Festival du films insulaires (2001) / L’Alternativa Barcelona (2001) / Dok.fest Munich (2001)

The breath-taking yet cold mountain landscapes of Lika shown in this poetic documentary intimate one’s state of mind, inner struggles and revelations. While Zrinka films the spectacular and cruel sights of the region, that very same Lika paints the contours of the director herself, as she revisits experiences of her ancestors and her own experiences in a search for the key for accepting her epilepsy and overcoming previous losses.

Milan i Silvana žive u Medulinu, malom primorskom mjestu u Hrvatskoj. Milan na obližnjem otoku Finera uzgaja krave i brine se za njih svaki dan, kao i mnogi drugi prije njega. No Silvana želi mnogo više od toga. Stalno gunđa da bi se Milan trebao više posvetiti kući i njezinu mogućem iznajmljivanju turistima. Ipak, dramatičan događaj u Milanovu životu jasno će pokazati da su se vremena promijenila, a da ni oni ne postaju mlađi. Milan and Silvana live in Medulin, a small coastal town in Croatia. Milan breeds cows on the nearby island of Finera, grooming them on a daily basis, as many did before him. But Silvana wants much more and keeps complaining that Milan should pay more attention to their house and possibly rent it to tourists. However, a dramatic event in Milan’s life will clearly show that the times have changed and that they are not getting any younger.

RETROSPEKTIVE / RETROSPECTIVES

ŽELIMIR ŽILNIK: FRAGMENTI “GASTARBAJTERSKOG“ OPUSA

ŽELIMIR ŽILNIK: FRAGMENTI “GASTARBAJTERSKOG“ OPUSA / ŽELIMIR ŽILNIK: FRAGMENTS FROM MIGRANT WORKER OPUS PETAK/FRIDAY, 08/04, 17:00 DVORANA 2

Projekcija uz razgovor s redateljem / Screening with Q&A Moderira / Host: Vladan Petković Sa svojim gotovo šest desetljeća dugim djelovanjem Želimir Žilnik nesumnjivo je jedna od ključnih figura politički i društveno angažiranog filma. Žilnikov opus, sačinjen od sedamdesetak ostvarenja, sinonim je za dosljednu i beskompromisnu autorsku poetiku, posvećenu dokumentiranju i ispitivanju političkosocijalne klime u poslijeratnoj Europi i (post) jugoslavenskom kontekstu. Tijekom nekoliko godina provedenih u Münchenu, kamo odlazi nakon što su mu filmovi u Jugoslaviji ocijenjeni ideološki nepodobnima, Žilnik nastavlja kameru okretati prema marginaliziranim i obespravljenim subjektima. Gastarbajteri čiji je život u stranoj državi podvrgnut nizu ograničenja, nesigurni uvjeti života lišenog privilegija te represivne metode organa vlasti teme su kratkih filmova nastalih u nezavisnoj produkciji, važnih primjera Žilnikove “kinematografije o internim prognanicima Evrope” (Pavle Levi).

BESPLATNA PROJEKCIJA / FREE SCREENING

Active almost six decades, Želimir Žilnik is undoubtedly one of the key figures of politically and socially engaged film. Žilnik’s filmography, comprising around 70 titles, is a synonym for a consistent and uncompromising creative poetics, dedicated to documenting and challenging the political and social climate in post-war Europe and (post-)Yugoslav context. Over the course of several years spent in Munich, where he went after his films were assessed as ideologically unwanted in Yugoslavia, Žilnik continued to turn his camera to marginalised and disenfranchised subjects. Migrant workers whose life in a foreign country is subjected to a series of limitations, uncertain living conditions devoid of privileges and repressive methods of the regime are the topics of his independently produced films, important examples of Žilnik’s “cinema of Europe’s internal refugees” (Pavle Levi).

ŽELIMIR ŽILNIK: FRAGMENTS FROM MIGRANT WORKER OPUS

INVENTAR INVENTORY Želimir Žilnik Njemačka / Germany, 1975, 9’

U filmu su predstavljeni stanari jedne stare stambene zgrade u centru Münchena, na adresi Metzstrasse 11. Većina njih stranci su koji u Njemačkoj borave kao “gostujući radnici”, gastarbajteri (Jugoslaveni, Talijani, Turci, Grci itd.) sa svojim obiteljima. Svatko od njih, uključujući i najmlađe, ponaosob se predstavlja na njemačkom ili na vlastitom materinjem jeziku ukratko otkrivajući svoje brige i bojazni, ali i nade i planove za budućnost. The film portrays the tenants of an old residential building in central Munich, in 11 Metzstrasse: most of them are foreigners, living in Germany as “migrant workers” (Yugoslav, Italian, Turkish, Greek etc.) with their families. Each of them, including the youngest, presents themselves in German or their native language, briefly revealing their worries and fears, as well as hopes and plans for the future.

JAVNO POGUBLJENJE PUBLIC EXECUTION Želimir Žilnik Njemačka / Germany, 1974, 9’

U formi dokumentarnog filmskog eseja analiziraju se kontroverzni policijski postupci u Njemačkoj u jesen 1974. godine. Tijekom više intervencija dolazi do ubojstava osumnjičenih kriminalaca, prije nego što su uhićeni i podvrgnuti suđenju. Ponekad stradavaju i policajci i nedužni. Film je temeljen na dokumentarnom arhivskom materijalu sa zapisima stvarnih policijskih akcija (otkupljenom od televizije) te snimljenim svjedočenjima očevidaca, uz komentare pozvanih pravnika i politologa. Javno pogubljenje na primjerima prekoračenja ovlasti i zakona propituje humanost suvremenog društva. In the form of a documentary film essay, controversial police procedures in Germany in the autumn of 1974 are analysed, when suspects were killed in interventions even before they were arrested and tried, with both police officers and innocent people also being hurt. The film is based on documentary archive materials with records of real police actions (acquired from television) and on recorded eye-witness testimonies, with the comments of invited lawyers and political scientists. Public Execution uses examples of excessive force to question the humanity of contemporary society.

KUĆNI RED HOUSE ORDERS Želimir Žilnik Njemačka / Germany, 1975, 12’

U zgradama kolektivnog stanovanja za strane radnike u Njemačkoj postojala su strogo propisana pravila ponašanja, definirana kućnim redom, čije su poštovanje nadgledali kućepazitelji. Tim pravilima mnoga su prava – primjerice, pravo na slobodno kretanje, na nesputanu komunikaciju i slobodno ponašanje – bila ugrožena. U intervjuima sa stanovnicima i “redarima” zabilježene su apsurdne situacije i sukobi prouzročeni restrikcijama. In collective housing buildings for foreign workers in Germany there were strict codes of behaviour, defined by house rules and monitored by the super. Many rights – for example, the right to free movement, unhindered communication and free behaviour – were breached by these rules. Interviews with the tenants and the “attendants” recorded absurd situations and conflicts arising from restrictions.

RETROSPEKTIVE / RETROSPECTIVES

ŽELIMIR ŽILNIK: FRAGMENTI “GASTARBAJTERSKOG“ OPUSA

POD ZAŠTITOM DRŽAVE UNDER THE PROTECTION OF THE STATE Želimir Žilnik Njemačka / Germany, 1975, 11’

RASTANAK FAREWELL Želimir Žilnik Njemačka / Germany, 1975, 9’

Film je snimljen u staroj, ruiniranoj zgradi u kojoj živi nekoliko desetaka gastarbajterskih obitelji. Kako bi izbjegao obvezu održavanja zgrade prema zakonom propisanim standardima, vlasnik – lokalni utjecajni političar – isposlovao je da se objekt kao spomenik kulture stavi pod zaštitu države. Najamnine je, međutim, naplaćivao kao da je riječ o normalnom objektu standardnog komfora. U filmu jedini stanar Nijemac, vodeći filmsku ekipu kroz zgradu, objašnjava svoju borbu protiv manipulacija stanodavca. The film was made in an old dilapidated building inhabited by several dozen migrant worker families. To avoid the building maintenance obligation according to the legally prescribed standards, the owner – an influential local politician – managed to have the building under state protection as a cultural monument. However, he charged the rent as if it were a standard comfortable building. The only German tenant, taking the film crew through the building, explains his fight against the landlord’s manipulations.

Na glavnom minhenskom željezničkom kolodvoru nakon više godina provedenih na radu u tvornicama u nekoliko njemačkih gradova radnik iz Srbije penje se u vlak i sprema na put prema jugu, u Beograd. Protagonist sabire svoje dojmove o gradovima i državi u kojoj je radio, priča o novim znanjima i navikama koje je stekao i u toj rekapitulaciji oprašta se s Njemačkom: Auf Wiedersehen, Deutschland! At Munich’s central station, after years spent working in factories in several German cities, a worker from Serbia boards a train and heads south, to Belgrade. The protagonist recollects his impressions of the cities and the state he worked in, speaks of new insights and habits he acquired and thus says goodbye to Germany: Auf Wiedersehen, Deutschland!

TOČKE GLEDIŠTA / POINTS OF VIEW

RETROSPEKTIVA: TOČKE GLEDIŠTA / RETROSPECTIVE: POINTS OF VIEW “Ako možemo ispričati film, zašto ga onda snimati?” zapitao se iranski redatelj Jafar Panahi u svom “zatvoreničkom” ostvarenju Ovo nije film. Upravo ovaj dokumentarac, snimljen dok je Panahi bio u kućnom pritvoru, inspirirao je stvaranje omnibusa Godina vječne oluje, koji je dio ovogodišnje međunarodne konkurencije ZagrebDoxa. Uzevši kao ishodište situaciju pandemije koja je stubokom izmijenila svakodnevicu, film je okupio niz autorica i autora koji su kratkometražnim filmskim zapisima na različite načine i uz različite tematske fokuse zabilježili fragmente tog neobičnog razdoblja. Program Točke gledišta donosi ranije naslove tih redateljica i redatelja koji se razlikuju u temama, formama i poetikama, ali im je zajedničko uvjerenje u moć filmskog medija da postane snažno oruđe za otkrivanje enigmatičnih i naizgled efemernih aspekata svakodnevice, za kreativan otpor represiji i za otvaranje novih perspektiva na svijet kojem pripadamo.

DOPISIVANJE CORRESPONDENCE Dominga Sotomayor, Carla Simón Čile, Španjolska / Chile, Spain, 2020, 19’ Visions du Réel (2020) San Sebastián (2020) NYFF (2020) Mar del Plata IFF: Best Short Film (2020) Valladolid IFF (2020) Vilnius ISFF: Best Documentary (2020) Reykjavík IFF (2020)

“If we can tell a film, why make it?” Iranian director Jafar Panahi asked himself in his “prisoner” piece This Is Not a Film. It is this documentary, made while Panahi was in house arrest, that inspired the making of The Year of the Everlasting Storm omnibus, which has been selected for this year’s ZagrebDox International Competition. Taking the pandemic, which dramatically changed everyone’s daily life, as the starting point, the film gathered a number of filmmakers whose short films in different ways and with different theme focuses registered fragments of this unusual time. The Points of View section features earlier titles by these filmmakers, different in terms of theme, form and poetics, but sharing the common belief in the power of the film medium to become a strong tool for revealing enigmatic and seemingly ephemeral aspects of everyday life, for creative resistance to repression and for opening new perspectives on the world we belong to.

U formi epistolarnog filmskog razgovora dvije mlade redateljice raspravljaju o filmu, sadašnjosti i prošlosti, obitelji, nasljeđu i majčinstvu otkrivajući što ih je navelo na filmsko stvaranje i inspiriralo priče koje su zabilježile u svojim filmovima. Međutim u intimnim i pronicljivim zapažanjima dviju žena – praćenima rafiniranim snimkama svakodnevice i fragmentima njihovih osobnih arhiva – odjekuje šira politička situacija u rodnim državama redateljica, Čileu i Španjolskoj. In the form of an epistolary film conversation, two young directors discuss film, the present and the past, family, heritage and motherhood, revealing what drew them to filmmaking and inspired the stories they registered in their films. However, the intimate and shrewd observations of the two women – detailed in the sophisticated footage of daily life and fragments of their personal narratives – echo with the broader political situation in their native countries, Chile and Spain. SUBOTA/SATURDAY, 09/04, 19:00 DVORANA 4

FICBUEU: Best Spanish Short Film (2021)

RETROSPEKTIVE / RETROSPECTIVES

TOČKE GLEDIŠTA / POINTS OF VIEW

MORAKOT EMERALD Apichatpong Weerasethakul Tajland, Japan / Thailand, Japan, 2007, 12’ CPH:DOX: New Vision Special Mention (2008)

U budističkom romanu Hodočasnik Kamanita danskog pisca Karla Gjellerupa iz 1906. protagonisti se ponovno rađaju kao zvijezde da bi stoljećima jedno drugome recitirali svoje priče, sve do kraja njihova postojanja. Nekadašnji hotel Morakot, sada zapušten i devastiran, otvoren je 1980-ih u srcu Bangkoka, u doba ubrzane ekonomske industrijalizacije Tajlanda. No financijska kriza koja je pogodila istočnu Aziju označila je kraj tog razdoblja. Kao i Kamanita, Morakot je zvijezda prožeta uspomenama. Uz svoja tri stalna glumačka suradnika, koji se prisjećaju vlastitih snova i života u rodnom gradu, Apichatpong Weerasethakul napaja hotel novim uspomenama. In the Buddhist novel Der Pilger Kamanita by Danish writer Karl Gjellerup from 1906, the protagonists are reborn stars, narrating their stories to each other for centuries, all until the end of their existence. The former Morakot hotel, now derelict and devastated, was opened in the 1980s in the heart of Bangkok, at the time of Thailand’s accelerated economic industrialisation. However, the financial crisis that hit Eastern Asia marked the end of that period. Just like Kamanita, Morakot is a star imbued with memories. Next to his three favourite actors who reminisce on their dreams and life in their native city, Apichatpong Weerasethakul fills the hotel with new memories. SUBOTA/SATURDAY, 09/04, 19:00 DVORANA 4

OVO NIJE FILM THIS IS NOT A FILM Jafar Panahi, Mojtaba Mirtahmasb Iran, 2011, 75’ CPH:DOX (2011) Dubai IFF: Muhr AsiaAfrica Award (2011) Sofia IFF: UNESCO Award for Best Documentary (2012) Thessaloniki DF: Amnesty International Award (2012) Indiewire Critics’ Poll: Best Documentary (2012) Village Voice Film Poll: Best Documentary Feature (2012)

Nakon što mu je iranska vlada zabranila snimanje filmova na 20 godina, jedan od vodećih iranskih filmaša današnjice Jafar Panahi u kućnom pritvoru iščekuje konačnu odluku suda o služenju zatvorske kazne zbog antirežimskih aktivnosti. Uz pomoć svog prijatelja Mojtabe Mirtahmasba, još jednog velikog iranskog redatelja, u vlastitom domu i uz zatečene rekvizite rekonstruira scenarij za film koji ne smije snimiti. Dokumentirajući redateljevu svakodnevicu, ovo ostvarenje originalne forme posredno ocrtava represivnu strukturu suvremene iranske države. Ovo nije film autentičan je testament nesalomljivosti ljudskog duha i glas obrane prava na umjetničko stvaranje i slobodu. When the Iranian government banned him from making films in the next 20 years, one of the leading Iranian filmmakers of our time, Jafar Panahi, in house arrest awaits for the court decision about imprisonment over anti-regime activities. With the help of his friend Mojtaba Mirtahmasb, another great Iranian director, in his own home and with the tools he has, he re-enacts a script for a film he is not allowed to make. Documenting the director’s daily life, this piece of original form indirectly outlines the repressive structure of contemporary Iranian state. This Is Not a Film is an authentic testament of the unbreakable human spirit and a voice of defending the right to artistic creation and freedom. SUBOTA/SATURDAY, 09/04, 19:00 DVORANA 4

PRIČA ZA LAKU NOĆ PIONEER David Lowery SAD / USA, 2011, 16’ Sundance FF (2011) SXSW FF: Competition Award; Grand Jury Award (2011) 24fps ISFF: Best Short Film (2011) Ashland IFF: Best Short Film (2011) Philadelphia FF: Special Jury Award (2011)

Tata uspavljuje sinčića pričom epskih razmjera. Priču o tome kako je upoznao dječakovu majku i postao njegov otac pritom pretvara u pravu pustolovinu, uz pregršt napetih epizoda. Ne napuštajući prostor dječje spavaće sobe, samo uz pomoć pripovijedanja, Priča za laku noć odvodi nas u avanturu koja slavi moć imaginacije. Praćeno atmosferičnom glazbom, ovo kratkometražno ostvarenje posveta je snazi pripovijedanja i njezinoj moći da potakne emocije. U naslovnoj je ulozi američki glazbenik i glumac Will Oldham, poznatiji pod imenom Bonnie “Prince” Billy. A dad is putting his little son to bed with an epic tale. A story about how he met the boy’s mother and became his father turns into a real adventure, rife with suspense. Without leaving the nursery, only with the help of storytelling, Pioneer takes us on an adventure celebrating the power of imagination. Against the backdrop of atmospheric music, this short film is a tribute to the power of storytelling and its capability of stirring emotions. The title role is played by the American musician and actor Will Oldham, known as Bonnie “Prince” Billy.

Hamptons IFF (2011)

PETAK/FRIDAY, 08/04, 19:00 DVORANA 4

ZAKLETVA

Drugi dokumentarac u redateljičinoj trilogiji o SAD-u nakon terorističkog napada 9. rujna 2001. prati sudbinu dvojice protagonista – Abua Jandala, bivšeg tjelohranitelja Osame bin Ladena, te Salima Hamdana, jednog od prvih osumnjičenika za terorizam kojem će suditi zloglasni američki vojni sud. Snimljen u Jemenu i na Kubi, film Zakletva obiteljska je drama o sudbonosnu susretu dvojice muškaraca i njihovim isprepletenim putanjama koje će ih dovesti do Al-Kaide, zloglasnog zatvora u Guantánamskom zaljevu i kaotičnih ulica Sane. Zadirući u skrivene svjetove, opresivne oblike moći i strukture nasilja, Laura Poitras nastavlja otkrivati veze između globalnih politika i pojedinačnih sudbina.

THE OATH Laura Poitras SAD / USA, 2010, 90’ Sundance FF: Best Documentary Cinematography (2010) True/False FF: True Vision Award (2010) Berlin (2010) CPH:DOX (2010) Cinema Eye Honors Awards: Outstanding Achievement in Direction (2011)

The second documentary in the director’s trilogy about the USA after the 9/11 terrorist attack follows the fate of two protagonists – Abu Jandal, Osama bin Laden’s former bodyguard, and Salim Hamdan, one of the first terrorism suspects to be judged by the notorious American court martial. Made in Yemen and Cuba, the film The Oath is a family drama about the fatal encounter of two men and their intertwined destinies that would take them to Al-Qaeda, the notorious Guantanamo Bay prison and the chaotic streets of Sana. Penetrating into the hidden worlds, oppressive power structures and violence pyramids, Laura Poitras continues to unmask the ties between global politics and individual destinies. PETAK/FRIDAY, 08/04, 19:00 DVORANA 4

ROAD DOX

POSEBNI PROGRAM: ROAD DOX / DOX SPECIAL: ROAD DOX Film ceste kao igrani film obično prikazuje osobnu transformaciju likova dok putuju. No u dokumen tarnom filmu ceste likovi su ponekad tek duhovi izgubljeni u političkim previranjima, poput venezuelanskih protagonista Tako tmurnog neba Álvara F. Pulpeira. Ponekad i ne dospiju do ceste, već se bave aktivnom potragom za vlastitim identitetom i mjestom pod suncem dok žive u limbu, poput afričkih izbjeglica u Posljednjem utočištu Ousmanea Samassékoua. U Putu mramora Seana Wanga odla zimo u svijet imućnih kojima je fizičko putovanje manje važno od cilja. Oni od Europe do Kine prate novac prvo u obliku sirovine, a potom i proizvoda. A zatim su tu i oni koji postoje onkraj naše ideje o tome što cesta jest: Jakutijcima u sibirskoj tundri u Holgutu Liesbeth de Ceulaer putovanje je stil života, a gledateljima vremenski stroj koji povezuje pretpovijesnu prošlost i sadašnjost koja nam je podjednako daleka kao i naslovni mamut.

HOLGUT Liesbeth De Ceulaer Belgija / Belgium, 2021, 75’ CPH:DOX: Special Mention (2021) Docville: Best Film (2021) Beldocs: Special Mention (2021) The World of Knowledge FF: Best Cinematography (2021) Visions du Réel (2021) DOK.Fest Munich (2021) Indielisboa (2021) DokuFest (2021) Shanghai IFF (2021) Melbourne IDFF (2021)

In fiction cinema, road movie usually shows the personal transformation of characters as they make their journey. But in documentary film, they are sometimes just ghosts lost in a political turmoil, like in Álvaro F. Pulpeiro’s Venezuela-set So Foul a Sky. Sometimes they are not even able to get on the road, but rather actively search for their identity and a place under the sun while they are stuck in a limbo, like African refugees in Ousmane Samassékou’s The Last Shelter. For those with more means, the physical journey is less important than the goal: they follow the money in the form of raw material and its subsequent products between Europe and China, as in Sean Wang’s The Marble Travelogue. And there are those who exist outside our idea of what the road is: for Yakutians in the Siberian tundra in Liesbeth De Ceulaer’s Holgut, journey is a way of life and for viewers it is a time machine, connecting the prehistoric past and a present that is as distant to us as the titular mammoth.

Pred nama je šesto masovno uništenje. Sibirski se led topi. Drevne kosti izdižu se iz tla, a divlje životinje kao da su nestale. Tri Jakutijca odlaze u divljinu po različitim zadaćama. Seljanin Roman i gradski dečko Kijm love rijetkog jelena, dok znanstvenik Semjon traži iskoristivu stanicu mamuta koja mu treba kako bi klonirao izumrlu životinju. I dok se tri muškarca bliže cilju, i smrznuta zemlja po kojoj hodaju i sama stvarnost pretapaju se u drugo stanje. Holgut spaja elemente fikcije i dokumentaristike te se kreće od zadivljujuće stvarnosti do vizualne poezije. Susreću se izumiranje i ponovno rađanje, znanstvena fantastika postaje stvarnost, a stvarnost postaje mit. 6th mass extinction is upon us. The Siberian permafrost is melting. Ancient bones rise up from the ground and wild animals seem to have disappeared. Three Yakutians venture into the wilderness on different quests. Villager Roman and city boy Kyym hunt for a rare reindeer while scientist Semyon searches for a viable cell of the mammoth, which he needs to clone the extinct animal. While the three men close in on their goals, both the frozen earth that they walk on and reality itself melt into another state. Holgut combines elements of fiction and documentary and manoeuvres from captivating reality to visual poetry. As extinction and de-extinction meet, science fiction seems to become reality and reality seems to become myth. PONEDJELJAK/MONDAY, 04/04, 17:00 DVORANA 2

POSLJEDNJE UTOČIŠTE THE LAST SHELTER Ousmane Samassékou Francuska, Mali, Južnoafrička Republika / France, Mali, South Africa, 2021, 85’ CPH:DOX: DOX:AWARD (2021) HotDocs (2021) DOK.fest Munich (2021) IDFA (2021) South African IDFF: African/ South African feature winner (2021)” DokuFest (2021)

Desetljećima je malijski grad Gao bio točka prijelaza prema Europi za tisuće migranata s cijelog afričkog kontinenta. Kuća migranata u Gaou utočište je za one koji nastavljaju prema Alžiru na sjeveru ili koji se vraćaju s propalog pokušaja da stignu do Europe. Kada Esther i Kady, tinejdžerke iz Burkine Faso, stignu, sprijateljuju se s Natachom, migranticom u četrdesetima čije uspomene i nade da će ikada ponovno imati dom s godinama blijede. Trojka uspostavlja nešto nalik obiteljskom životu te dijeli trenutke nade i nježnosti. No djevojke se ne mogu riješiti sna o budućnosti u inozemstvu, čak i nakon susreta s onima koji su se vratili, opterećeni neuspjehom i traumom. For decades, the Malian city of Gao has been a transit point towards Europe for thousands of migrants from all over the African continent. The House of Migrants in Gao is a refuge which welcomes those continuing towards Algeria in the north, or on their way back after a failed attempt to make it to Europe. When Esther and Kady, two teenage girls from Burkina Faso, arrive, they form a friendship with Natacha, a migrant woman in her forties whose memory and hopes of regaining her home faded over the years. The trio finds a semblance of family life, sharing moments of hope and tenderness. But the girls can’t shake the dream of a future abroad, even after meeting those who came back, burdened by failure and trauma.

Beldocs (2021) Chicago IFF (2021)

PUT MRAMORA A MARBLE TRAVELOGUE Sean Wang Nizozemska, Hong Kong, Francuska, Grčka / Netherlands, Hong Kong, France, Greece, 2021, 97’ IDFA (2021) Thessaloniki DF (2022)

PETAK/FRIDAY, 08/04, 22:00 DVORANA 3

Put mramora ustrojen je kao film ceste, no umjesto da prati ljude, ovaj film prati cjelokupno nadrealno putovanje mramora. Blokovi bijelog mramora miniraju se u grčkom kamenolomu i šalju iz pirejske luke u kineskom vlasništvu u Kinu. U kineskoj klesarskoj prijestolnici Quyangu od njega se rade kipovi i stupovi u grčkom stilu. Od neiskorištenih dijelova prave se magneti za hladnjake, koji se potom izvoze natrag u Grčku gdje ih kupuju kineski turisti. Svaku postaju opisuje jedan ili više likova, a film se također bavi kineskom ekonomijom, koja je od “svjetske tvornice” postala “svjetski kupac”, istodobno ulazeći u novu eru neizvjesnosti. A Marble Travelogue is structured like a road movie, but instead of following people, the film traces the whole surreal journey of marble. Blocks of white marble are mined from a Greek quarry and shipped from the Chinese-owned port of Piraeus to China. In the Chinese capital of carving, Quyang, they are sculpted into Hellenistic-style statues and columns. Unused fragments are turned into fridge magnets which are then exported back to Greece, where they are bought by Chinese tourists. Each stop is depicted by one or a group of characters, while the film also focuses on China’s economy as it shifts its role from the “world’s factory” to “world’s buyer“, at the same time entering a new era of uncertainty. ČETVRTAK/THURSDAY, 07/04, 18:00 DVORANA 1

ROAD DOX

TAKO TMURNO NEBO SO FOUL A SKY Álvaro F. Pulpeiro Kolumbija, Španjolska, UK / Colombia, Spain, UK, 2021, 82’ CPH:DOX (2021) Indielisboa (2021) Seville European FF (2021) DocsMX (2021) Bogota IFF (2021) Athens IFF (2021) DMZ Docs (2021) Olhar de Cinema (2021)

U sjeni kolosalnih rafinerija nafte ovaj film predstavlja putovanje kroz nekoliko pograničnih pokrajina u Venezueli. Tu svjetsku naftnu velesilu danas potresa najgora politička i humanitarna kriza u Južnoj Americi u 21. stoljeću. Tako tmurno nebo filmsko je razmišljanje o krhkom i konfliktnom prijateljstvu između građanina i države koje više ne osigurava smisao, budućnost i identitet. Istražuje pojam siročadi bez identiteta i nacionalnih prava kroz niz povremenih susreta s ljudima koji žive, svjesno ili nesvjesno, odbacujući sve što ih prisiljava da zauzmu stranu u aktivnom političkom sukobu koji razara Venezuelu. Under shadows cast by colossal oil refineries, the film presents a journey through several frontier lands of Venezuela – the world’s first petro-state – now shaken by the worst political and humanitarian crisis South America has experienced in the 21st century. So Foul a Sky is a cinematographic meditation on the fragile and conflictive relationship between the citizen and a state that has ceased to provide meaning, future, and identity. It explores the concept of the orphan deprived from its identity and national rights through a series of sporadic encounters with people who live, conscious or unconscious, rejecting all that binds them to take on sides from the active political conflict devastating Venezuela. ČETVRTAK/THURSDAY, 07/04, 22:00 DVORANA 3

ZAGREBDOX PRO 05/04 – 08/04

ZagrebDox Pro: Confessions MENTORI / MENTORS: SARI VOLANEN, ŽELIMIR ŽILNIK PRODUCENTICA / PRODUCER: VANDA VOLIĆ MODERATOR I VODITELJ / MODERATOR AND HOST: IGOR BEZINOVIĆ ASISTENT PRODUKCIJE / PRODUCTION ASSISTANT: LUKA LEO ČUBRIĆ

ZagrebDox Pro: Confessions posebno je izdanje tradicionalnog Pro programa, namijenjenog filmskim profesionalcima u misiji ostvarivanja svojih dokumentarnih zamisli. U 2022. ZagrebDox navršava osamnaest godina i sa stupanjem u punoljetnost posve je prirodna odluka da se na jednu godinu program za profesionalce okrene onima koji to tek moraju postati – studentima završnih godina filmskih škola i svima onima koji tek rade na svom profesionalnom dokumentarnom prvijencu. Riječ “confessions” na hrvatskom ima dvostruko značenje: priznanja i ispovijedi. Mali broj polaznika i njihovih projekata u intimnoj, kolegijalnoj atmosferi prolazit će kroz ispovijedi regionalnih polaznika i priznanja internacionalnih mentora s jasnim ciljem: razmjena iskustava, savjeta, perspektiva i ideja vezanih uz točno određene, konkretne projekte polaznika. ZagrebDox Pro: Confessions is a special edition of the traditional Pro section, intended for film professionals on the mission of implementing their documentary ideas. In 2022 ZagrebDox turns 18 and with the coming of age it is quite natural to dedicate the professionals programme to those who have yet to become – final year film school students and all those working on their documentary debut. The word “confessions” in Croatian has a double meaning: revelation and testimony. A small number of participants and their projects in an intimate, friendly atmosphere will go through the confessions of regional participants and international mentors with a clear goal: an exchange of experiences, advice, perspectives and ideas related to specific, concrete tasks.

Događanja u okviru Zagrebdox Pro / Zagreb Dox Pro Events: FACTUM – prvih 25 godina / FACTUM – The First 25 Years SRIJEDA/WEDNESDAY, 06/04, 17:30 DVORANA 4

TIKTOK: DOKUMENTIRANJE SVAKODNEVNOSTI / TIKTOK: DOCUMENTING QUOTIDIANITY ČETVRTAK/THURSDAY, 07/04, 17:30 DVORANA 4

ŽELIMIR ŽILNIK: FRAGMENTI “GASTARBAJTERSKOG“ OPUSA / ŽELIMIR ŽILNIK: FRAGMENTS FROM MIGRANT WORKER OPUS PETAK/FRIDAY, 08/04, 17:00 DVORANA 2

ŠTO NAS ČEKA U BUDUĆNOSTI / WHAT THE FUTURE HOLDS PETAK/FRIDAY, 08/04, 13:00 DVORANA 5

SLOBODAN ULAZ / FREE ENTRANCE

POSEBNA DOGAĐANJA / SPECIAL EVENTS PREZENTACIJA / PRESENTATION SRIJEDA/WEDNESDAY, 06/04, 17:30 DVORANA 4

FACTUM – prvih 25 godina

FACTUM – The First 25 Years

Je li, kao što je to 2008. pisao internetski portal Hrvati Amac, “Nenad Puhovski, lider Factum-a, ujedno i agent srbijanskog KOS-a?” Je li doista nekadašnji predsjednik Stipe Mesić rekao HTV-u da će, ako ne prikažu Oluju nad Krajinom, on zakupiti termin i sponzorirati prikazivanje tog filma? Je li istina da je Factum “izmislio” Salon odbijenih na DHF-u? Je li točno da, ni nakon 25 godina postojanja i više od 80 proizvedenih filmova, Factum u Filmskoj enciklopediji nije spomenut niti jednom? Je li točno, s druge strane, da je Factum jedini producent koji, uz hrpu drugih nagrada, ima i dva godišnja “Nazora” za dokumentarni film? Zašto HTV nikada nije ušao u koprodukciju s Factumom? Je li…

Is “Nenad Puhovski, Factum’s leader, also a Serbian KOS agent”, as the Hrvati Amac website wrote in 2008? Did former president Stipe Mesić indeed say to Croatian Television that if they don’t broadcast The Storm over Krajina, he would buy the slot and sponsor the film’s broadcasting? Is it true that Factum “made up” the Rejected Salon at Croatian Film Days? Is it true that, not even after 25 years of existence and over 80 produced films, Factum wasn’t mentioned in the Film Encyclopaedia even once? Is it true, on the other hand, that Factum is the only producer which, with a bunch of other awards, had two annual Nazor Awards for documentary film? Why did Croatian Television never co-produce anything with Factum? Is it…

O svemu tome, proizvedenim ali i neproizvedenim filmovima, autorima i autoricama, kontroverzama ali i priznanjima, govori Nenad Puhovski, osnivač i ravnatelj Factuma.

All this, the films produced and unproduced, the filmmakers, the controversies, the honours, will be discussed with Nenad Puhovski, the founder and managing director of Factum.

POSEBNO DOGAĐANJE / SPECIAL EVENT ČETVRTAK/THURSDAY, 07/04, 17:30 DVORANA 4

TikTok: dokumentiranje svakodnevnosti

TikTok: Documenting Quotidianity

SUDJELUJU: KLARA PETROVIĆ I FLORIJAN LACKO MODERATOR: IGOR BEZINOVIĆ

WITH: KLARA PETROVIĆ AND FLORIJAN LACKO MODERATOR: IGOR BEZINOVIĆ

TikTok je društvena mreža koja je vrlo jednostavnim sučeljem i korištenjem globalno popularizirala masovno stvaranje i dijeljenje, ali i konzumiranje videosadržaja. Razgovorom želimo potaknuti razmišljanje o pojmovima poput autentičnosti, koji se vežu uz stvaranje sadržaja i izgradnju publike još od YouTubea. Autentičnost je u kontekstu platforma poput Instagrama i TikToka postala marketinškom ključnom riječi u svrhu što učinkovitije prodaje proizvoda. Želimo promisliti dokumentiranje svakodnevnog života u odnosu na zahtjeve nezasitne publike i stvaranje drugačijih oblika društvenih odnosa te postaviti pitanja o utjecajima svakodnevnog konzumiranja velike količine sadržaja, o stvaranju trendova, zajednica, širenju informacija i zadiranju u intimne prostore nepoznatih osoba.

TikTok is a social network whose very simple interface and use globally popularised mass video content creating, sharing and consuming. The aim of this discussion is to reconsider the notions such as authenticity, related to content creating, and audience building since YouTube. Authenticity in the context of platforms like Instagram and TikTok has become a marketing catchphrase stimulating product sale efficiency. We want to examine documenting everyday life in terms of the demands of insatiable audience and creating different forms of social relationships, and raise questions about the influence of daily consumption of a large amount of content, trendsetting, communities, information spreading and entering unknown people’s intimate spaces.

SLOBODAN ULAZ / FREE ENTRANCE

POSEBNA DOGAĐANJA / SPECIAL EVENTS PANEL PETAK/FRIDAY, 08/04, 13:00 DVORANA 5

Što nas čeka u budućnosti

What The Future Holds

Posljednjih godina neupitno su promijenjeni načini i uvjeti prezentiranja projekata kao i funkcioniranja sustava financiranja i distribucije filmova. Potreba za bržim mehanizmima komunikacije, dominacija streaming servisa koja mijenja odnose velikih produkcija prema festivalima, sve veća dostupnost i jednostavnost tehnologije kao i razvoj hibridnih formi mijenjaju dosadašnju praksu. Na panelu će o tim promjenama i mogućnostima koje one otvaraju te o tome kako im se prilagoditi i najbolje ih iskoristiti razgovarati oni koji im aktivno svjedoče: predstavnici fondova, strukovnih udruga, producenti i distributeri.

Over the recent years the methods and conditions of presenting projects, as well as financing system and film distribution have unquestionably changed. A need for faster communication mechanisms, the domination of streaming services changing the views of big productions on festivals, growing accessibility and simplicity of technology, as well as development of hybrid forms have changed the current practice. The panel will address these changes and the possibilities they open, as well as how to adapt to them and take the best possible advantage of them. The speakers include: fund and professional association representatives, producers and distributers.

POSEBNO DOGAĐANJE / SPECIAL EVENT SUBOTA/SATURDAY, 09/04, 17:30 DVORANA 4

U fokusu: Putopisni dokumentarac

In Focus: Travel Documentary

SUDJELUJU: DANIJEL RIĐIČKI, ANĐELA ROSTUHAR, DAVOR ROSTUHAR, BORIS VELIČAN MODERATORICA: NIKA PETKOVIĆ

WITH: DANIJEL RIĐIČKI, ANĐELA ROSTUHAR, DAVOR ROSTUHAR, BORIS VELIČAN MODERATOR: NIKA PETKOVIĆ

Geslo legendarnog dokumentarista i strastvenog hodača na duge staze, njemačkog redatelja Wernera Herzoga glasi: “Svijet se otkriva onima koji putuju pješice.” Kakvim se god sredstvom otiskivali na putovanje, nesumnjivo je da ono od putopisnih dokumentarista uz znatiželjan duh iziskuje i umijeće pretakanja svojih avanturističkih odiseja u filmski medij. U susretu s nepoznatim, nerijetko i neočekivanim, ne otkriva se samo kaleidoskop različitih kultura, prostora, svjetova, razmišljanja i načina življenja, već i osvajaju neka posve nova polja imaginacije. U razgovoru s gostima, afirmiranim putopiscima i autorima putopisnih serijala i dokumentaraca, otkrit ćemo više o tome s kakvim kreativnim, autorskim i osobnim vizijama pristupaju ovome žanru.

The motto of the legendary documentary filmmaker and passionate long-distance walker, German director Werner Herzog says: “The world reveals itself to those who travel on foot.” Regardless of the means of travelling, it undoubtedly requires from travel documentarians, next to a curious spirit, a skill of transposing their adventures and odysseys into the film medium. A clash with the unknown and often unexpected not only reveals a kaleidoscope of different cultures, spaces, worlds, views and lifestyles, but also conquers completely new imagination fields. In a discussion with our guests, renowned travel writers and authors of travel serials and documentaries, we will learn more about their creative, authorial and personal visions they approach this genre with.

IMPRESUM / IMPRESSUM

Nakladnik / Publisher Factum Za nakladnika / For Publisher Nenad Puhovski Urednici programske knjižice / Programme Booklet Editors Sana Perić Luka Rinčić Lektura / Proofreading Dalibor Jurišić Prijevod s engleskog / Translation Ivana Ostojčić Grafičko oblikovanje / Graphic Design Kristina Slunjski Rajak

Selektorica programa Autorska večer: Katarina Zrinka Matijević / Author’s Night: Katarina Zrinka Matijević Programme Selector Diana Nenadić Selektorica programa Točke gledišta / Points of View Programme Selector Jelena Pašić Selektor programa Road Dox / Road Dox Programme Selector Vladan Petković Voditeljica odjela za kopije i programska koordinatorica / Print and Programme Coordinator Sanja Đurić

Naklada / Print run 6000

Asistent voditeljice odjela za kopije / Print Coordinator Assistant Luka Rinčić

Tisak / Print Kerschoffset

Koordinatorica Q&A / Q&A Coordinator Sana Perić

www.zagrebdox.net info@zagrebdox.net Info: +385 1 483 8215

Moderatori Q&A / Q&A Hosts Silvestar Mileta Nika Petković Vladan Petković Hrvoje Pukšec

DIREKCIJA FESTIVALA / FESTIVAL MANAGEMENT

PRODUKCIJA / PRODUCTION

Osnivač i direktor / Founder and Director Nenad Puhovski

Izvršne producentice / Executive Producers Petra Blašković Sana Perić

Producent / Producer Hrvoje Pukšec PROGRAM / PROGRAMME

Producentica ZagrebDox Pro / ZagrebDox Pro Producer Vanda Volić

Glavni selektor / Head Programmer Nenad Puhovski

Asistent produkcije ZagrebDox Pro / ZagrebDox Pro Production Assistant Luka Leo Čubrić

Selektori / Selectors Petra Blašković Jelena Pašić Nika Petković Vladan Petković Miroslav Sikavica

Voditeljica volontera / Volunteer Coordinator Lada Bonacci

Voditeljica festivalskog centra / Festival Centre Coordinator Dora Bencerić

Voditelj logistike i hitnih intervencija / Logistics and Emergency Interventions Coordinator Tomislav Crnković Voditelji kino dvorana / Cinema Coordinators Vanessa Biljan Danijel Handjal Katarina Lukec Željko Marčan Nika Petković Produkcijska podrška / Production Support Edita Sentić Ivan Tofing KOMUNIKACIJE I MARKETING / COMMUNICATIONS AND MARKETING Voditeljica marketinga / Head of Marketing Petra Blašković Voditeljica odnosa s javnošću / Head of Public Relations Ivana Sansević Voditeljica službe za novinare / Head of Press Office Jelena Pašić Urednica festivalske internetske stranice i voditeljica društvenih mreža / Festival Website Editor and Social Media Manager Jelena Androić Fotografi / Photographers Samir Cerić Kovačević Julien Duval

TEHNIKA I LOGISTIKA / TECHNICAL AND LOGISTICS DEPARTMENT Voditelji tehnike / Technical Managers Matija Mamuča Mario Vučemilović-Jurić, Rezolucija d.o.o. Voditelj odjela za prijevod i podnaslove / Head of Film Translation and Subtitling Department Marko Godeč, Ministarstvo titlova, Marko G. d.o.o. Montažer videomaterijala i tehnička podrška / Video Editor and Technical Support Andrija Gvozdić Michl Web Effectiva.hr URED ZA GOSTE / HOSPITALITY OFFICE Voditeljica ureda za goste / Hospitality Manager Margareta Šarkanji Asistentica voditeljice ureda za goste / Hospitality Manager Assistant Maja Patafta Voditeljica posebnih događanja i ureda za akreditacije / Special Events and Accreditations Manager Emina Horvat Ured za ulaznice / Ticket Office Dora Bednjanec Emina Horvat Marina Mršić

Autor festivalske špice / Festival Trailer Author Vedran Štefan

Voditeljica žirija Teen Dox / Teen Dox Jury Coordinator Lada Bonacci

Dizajn / Design Studio Šesnić&Turković

Voditeljica žirija / Jury Coordinator Margareta Šarkanji

Dizajnerica / Designer Kristina Slunjski Rajak

Voditeljice info pulta / Info Point Managers Emina Horvat Tena Šarić

Dizajnerica nagrada / Awards Designer Ines Krasić Video kronike / Video Chronicles Danijela Stanojević

Vozači / Drivers Tomislav Crnković Luka Stojanac

HVALA / THANKS

SPONZORI / SPONSORS

MEDIJSKI POKROVITELJI / MEDIA SPONSORS

PARTNERI / PARTNERS

UZ POTPORU / SUPPORTED BY

ZagrebDox 2022

Articles inside

KONTROVERZNI DOX / CONTROVERSIAL DOX

MAJSTORI DOXA / MASTERS OF DOX

ROAD DOX

REGIONALNA KONKURENCIJA / REGIONAL COMPETITION

UVODNA RIJEČ / FOREWORD

ŽELIMIR ŽILNIK: FRAGMENTI “GASTARBAJTERSKOG” OPUSA FRAGMENTS FROM MIGRANT WORKER OPUS