Life isn’t always beautiful, but the struggles make you stronger, the changes make you wiser.
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Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities.The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on. hugged, pressed and more.During my experimentation I tried cutting t （1）©2014-2017 Qihaoip, Inc. All rights reserved. （2）©2017 Qihaoip Corporation. All rights reserved. （3）Copyright ©2014-2017 Qihaoip. All rights reserved. （4）Copyright ©2017 Qihaoip. All rights reserved. （5）©2017 Qihaoip. and XXX. All rights reserved. and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement
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Content
2019
Foreword Gwen Farrelly
Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities.The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on.
Cork on Exhibit
hugged, pressed and more.During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on the depth, direction, spacing of the cuts it makes it softer. Cork is already naturally soft and quite flexible but with the additional cuts cutting the cork on the table saw to
Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot 1
Portugal Initiative
2018
ARCHITECTURE WINTERSESSION 2
Peter Tagiuri
Laura Briggs
Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities.The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on.
Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities.
hugged, pressed and more.During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on the depth, direction, spacing of the cuts it makes it softer. Cork is already naturally soft and quite flexible but with the additional cuts utting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on the depth, direction, spacing of the cuts
The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural 3
2018
Laura Briggs Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities.The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on.
ARCHITECTURE WINTERSESSION 4
hugged, pressed and more.During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on the depth, direction, spacing of the cuts it makes it softer. Cork is already naturally soft and quite flexible but with the additional cuts utting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on the depth, direction, spacing of the cuts
Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural 5
WINTER SESSION
Cork and Portugal Eduardo Duarte Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it.
2019 6
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural 7
Patrick Spence Dongrui Tang Yunni Cho Xinjun Li Yunjoung Cho Eleni Contis Silas Gibbins Cali Hetfield Kela Johnson Jiamin Lin Dan Mitrovic Andrea Porras Loretta Quint Tomiris Shyngyssova Christina Truwit Yueying Wang 8
9
Architecture
RISD
Laura Briggs
Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it.
2018 10
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for
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Aniebietabasi Ekong Sina Erol Cameron Kucera Vuthy Lay Xingjun Li Sara Naja Taylor McCabe Loretta Quint Natnaree Ruethaivanich Peter Tagiuri Avril Teo Xuan Wang Corey Weiss Qianfei Xu Lan Zhang 12
13
WINTER SESSION
RISD
Laura Briggs Critic lbriggs@risd.edu 401-454-6281
Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it.
2018 14
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for 15
Valentin Bufler Koen Campm Daphne Do, Aaron Teves Danny Lee Ting-Hsun Lee Vanessa Kent Clay Zhan Kuang Lin Derek Yuanchao Lee, Jen Chenyu Zhang Ting Kanyarat Loetaphirom Francesca Lu Nicole Merola Madison Murray, Jasmine Gutbrod, Alexa Thorne Susu Pan Danielle Williams Clare Jisu Yang 16
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Time Scape Aaron Traves, B.Arch 20 Daphne Do, BFA Furniture 20 18
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it.
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20
21
Festina Lente Clare Jisu Yang Ting Kanyarat Loetaphirom 22
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it.
Urban Seating Clay Lin Arch 19
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it.
23
INDUSTRIAL DESIGN
RISD
Laura Briggs Critic lbriggs@risd.edu 401-454-6281 Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it.
2019 24
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for 25
Victor Badami II Valentin Bufler Koen Campman Ji Yeon Lee Julia Lemle Elaine Li Diana Lin Yu Mo Camilo Herrera Matiz Max Pratt Jesslyn Sutisna Qianyi Zhang
26
27
INTERIOR ARCHITECTURE
RISD
Laura Briggs Critic lbriggs@risd.edu 401-454-6281
Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it.
2019 28
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot 29
Xueyan Han Diana Lin Alia Marzuki Candice Mouterede Wesley Sanders Ruchika Shah Dingwen Sun Jiaye Zhao Andrea Zhu
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31
M1 / M6
32
33
Victor Badami II ID 2019 34
M1
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it.
M2
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it.
35
Elain Lee ID 2019 36
M3
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it.
Lily Huo INTAR 2019
M4
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it.
37
Andrea& Candice INTAR 2019 38
M5
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it.
Andrea& Candice INTAR 2019
M6
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it.
39
W1 / W7
40
41
W1
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.
Minimalism
Minimalism Max Pratt ID 2018 42
The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.
The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness
43
W2
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.
Minimalism
Minimalism Max Pratt ID 2018 44
The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.
The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness
45
W3
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.
MInimalism
Minimalism Max Pratt ID 2018 46
The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.
The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness
47
W4
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.
Outware
Outware Ji Yeon Lee ID 2018 48
The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.
The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness
49
W5
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.
The Jiggle Box
Jiggle Box Jesslyn Sutisna ID 2019 50
The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.
The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness
51
W6
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.
Dome Stool
Doem Stool Elaine Lee ID 2018 52
The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.
The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness
53
W7
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.
Shower Chair
Shower Chair Julia Lemle ID 2018 54
The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.
The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness
55
56
A1 / A9
57
A1
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.
Move the Moutain
Move the Moutain Dingwen Sun INTAR 18 58
The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.
The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness
59
A2
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.
Fill the Sea
Fill the Sea Dingwen Sun INTAR 18 60
The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.
The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness
61
A3
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.
Filter the Light
Filter the Light Dingwen Sun INTAR 18 62
The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.
The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness
63
A4
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.
Filter the Light
Ha Elaine Li ID 18 64
The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.
The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness
65
A5
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.
Tabletop Lamp
Tabletop Lamp Julia Lemle ID 18 66
The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.
The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness
67
A6
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.
Cork Nest
Cork Nest Wesley Sanders INTAR 18 68
The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.
The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness
69
A7
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.
Cork Nest
Ha Xueyan Han INTAR 18 70
The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.
The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness
71
A8
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.
Untitled
Untitled Yu Mo ID 18 72
The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.
The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness
73
A9
Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.
Caverna
Caverna Yu Mo ID 18 74
The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.
The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness
75
Under the microscope
Under the microscope
77 76
2 1
Jiggle Box ID 2019
Jesslyn Sutisna A9
Jiggle Box ID 2019
Jesslyn Sutisna A9
Jiggle Box ID 2019
Jesslyn Sutisna A9
Jiggle Box ID 2019
Jesslyn Sutisna A9
Jiggle Box ID 2019
Jesslyn Sutisna A9
Jiggle Box ID 2019
Jesslyn Sutisna A9
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when
Jiggle Box ID 2019
Jiggle Box ID 2019
Jiggle Box ID 2019
Jiggle Box ID 2019
Jiggle Box ID 2019
Jiggle Box ID 2019
Jesslyn Sutisna A9
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when
78
Jesslyn Sutisna A9
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when
Jesslyn Sutisna A9
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when
Jesslyn Sutisna A9
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when
Jesslyn Sutisna A9
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when
Jesslyn Sutisna A9
In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when
79