P o r t f o l i o, 2020 Yoonah Noh nohnya.noh@gmail.com +1 972. 330. 9647
Abstract Painting - The Waves / UIUC, Spring 2019
Yoonah Noh I believe that architecture design is to propose the way people live better with all the changes in times. Unlike other form of designs, it includes lights, movements, and memories. That is a reason why I am passionate in architecture.
01
floating box
02
Recall memories
03
transformed
04
BALANCING STONES
05
The patterned, net-lights
Chicago, IL |2019|Michael Kim
Beijing, China |2019|Botond Bognar
Champaign, IL |2018|Bhujon Kang
Veckalsnava, Latvia |2017|Tod Hamilton
Degital Design Seminar |2019|Bhujon Kang
f l oati n g b ox Location : Chicago, IL Year of project : Fall, 2019 Program : Hospital Professor. Michael Kim Group Project with Chad Rash, Hannah Galkin, Yasna Jain Individually focused on - Mass design, Mechanical system, Enclosure System, Structure, Medical office, Inpatient / Hotel, Sections, Visualization, Materials, Presentation Documents
Floating box introduces a new concept of a re-habilitation hospital building in Chicago. This site is challenging because it has a short distance from the next building on the East side, yet has green space toward the North. Using the potential of the site, Floating box applied a grand gesture to open up the views toward the Northwest corner by “floating” a transparent glass box to be used as ability labs. The central concept of “floating” for the site is also transcendent and intended to challenge patients to rehabilitate from within the building by looking forward to the city to which they will return for normal life. To take advantage of the west pedestrian having the busiest urban fluids, the main façade on the first two floors used a curve to bring more population to the north and enlarge the pathways for pleasant entry space. The natural lights filter through the gaps around the floating box, and the gaps connect the interior public space with the outside community garden. Overall, Floating box was designed to suggest a better urban space for humanity.
HOTEL HOTEL
INPATIENT INPATIENT
OUTPATIENT OUTPATIENT
HOTEL
HOTEL
INPATIENT
INPATIENT
OUTPATIENT
OUTPATIENT
F THEDIVISION OF THE S PROGRAMS
TheDIVISION mass DIVISION isOF divided THE OFby THEthe Floor areaPROGRAMS ratio PROGRAMS of the main programs; hotel, inpatient, and outpatient.
ItCARVED was CARVED considered OUT OFOUT to LAB IN THE OF offset the ABILITYABILITY LAB IN THE mass according THE BOX THE BOX to the side build- BOX BOX ing’s height.
The floating box is located in the
The mechanical floors are add-
SET-BACKS IN SET-BACKS IN THREE VOLUMES THREE VOLUMES
and the curved glass curfor the LAB Ability CARVED OUT OF CARVED OUTNorthwest OF ABILITYcorner LAB IN THE ABILITY IN THE WALKABLEed, PEDESTRIAN WALKABLE PEDESTRIAN used for the pleasant Labs BOX to open up the views. THE BOX THE BOX BOX IN CURVEStainwall IN is CURVES SET-BACKS IN SET-BACKS IN THREE VOLUMESTHREE VOLUMES
entry space.
WALKABLE PEDESTRIAN WALKABLE PEDESTRIAN IN CURVES IN CURVES
URBAN CORNER By utilizing urban corner, the building allows for the generation of more connections into the plaza and between urban intersections by walking.
ABILITY LAB The ability lab is intentionally opened toward the city in glass curtain walls for patients to be rehabilitated by urban energy and ambience in Chicago.
VEGETATION The front plaza is currently closed for a local university, but it is considered to be more open to the public in the future.
SET-BACKS By using the set backs, the building secures the drive way for patients and visitors within limited space with one way driving roads at all corners.
Site Model: Scale 1:100 30”x20”x24” North View Materials: Acrylic Matt Boards Chip Boards HDF
Study and Final models: Scale 1:100 8”x4”x12” Materials: Acrylic Matt Boards Chip Boards HDF
Level 1 ground level
level 2 education level
level 3-6 medical office
SPAce organization
Ability Labs
Elevator riser
Healing Garden
mechanical systems Re-habilitation Center
Reception & Information
level 10 upper lobby
level 11-22 inpatient / ability lab
level 29-33 hotel
Main Entry Perspective
Lounge & Cafe
The ability lab requires a lot of programs and building footprints, so the core needs to be placed slightly off-center. Therefore, it not only allows more lateral supports connecting to the core walls, but it also requires transfer structures to accomplish the project with a floating ability lab.
structural layout
ability lab box structural system
enclosure system - ability lab
Full Glass Panel
Angled Backing Structure Drywall Return
Structure Column
Mezzanine MEZZANINE
Cable-supported
Ability Lab - Glass curtain wall,
enclosure system - impatient
Integrated Furniture Clear Glass
MEZZANIN
Wall Cavity Spandral Panel
Concrete Floor Metal Deck Dropped Drywall Ceiling
GLASS
SPANDREL
Impatient - Glass-spandrel
RE C A L L ME MOR I E S Location : Beijing, China Year of project : Spring, 2019 Program : Markets Professor. Botond Bognar, Dong Gong This site is a central historical area in Beijing formed by narrow allies and Chinese traditional residences with multiple courtyards. Since the twentieth century, much of this area s was demolished to create a modern society due to rapid urbanization.. This site has, however, remained one of the most famous areas with an effort to preserve Chinese cultural history. The local residents have lived in this area for decades by trying to maintain their long established history and lifestyles from one generation to the next. Due to the unique characteristics of the place, the number of visitors has recently increased, but lack of public spaces has discouraged visitors from engaging with the local cultures. The project focuses on creating a public space to reduce the gap between local residents and visitors to meet, communicate, and socialize.
Hutong is a narrow street or alley composed of small scaled traditional houses in China. The narrow alley has been a place of communication between neighborhoods that are positioned closer than any other place. They shared a small courtyard between several other families to dry fruits, vegetables, and their clothes, and used an alley to communicate about daily tasks and routines to their neighborhoods. Accordingly, the project began with maintaining small scales and extended a function of narrow allies to connect public and private spaces for improvements of public communications. It was an integral part of the daily routine for Chinese people to go to farmer’s markets. However, due to the fast growing market industry, visits to farmer’s markets no longer exist as it did before.. As a place of cultural preservations, this project wanted to keep the remaining atmosphere of old-fashioned farmer’s markets while also adding new programs to share this public area with visitors. The property area is divided according to the small scaled site, and it adds a small alley and courtyard to connect between spaces and other allies. The main alley between market stores and food courts connects with a tea house as a mutual meeting place to balance the different ambience of the north and south areas. Then, it eventually links to a local library and gallery.
173’ (53m)
28.5’ (8.7m)
Section b-b’
0
10
20
40
60’
Respecting small scales of the site, the area is divided into three parts: public, semi-public, and private. The divisions are created by the respective purposes, movements, and sound levels. The tea house plays an important role as a mediator to balance between public and private areas in the middle. It also connects the East and West side areas.
The farmer’s market has a main alley between spaces in the middle on the ground floor, and it connects to three small courtyards on the second floor. It helps the market to be vertically connected, and keeps the noisy ambience at the market. The central courtyard is an extension of the East street which was barely used before. It brings natural lights and opens up a wider perspective into the East corner of the site and maintains poetic silence with natural lights for the library and gallery.
Section a-a’
0
5
10
20
30’
b
a a’
Ground Floor Plan
b’
East Street View toward the Central Courtyard
A Terrace on the Second Floor
Second Floor Plan
Central Courtyard View toward the South
Space between Food courts on the Second Floor
Tra ns f or me d Location : Champaign, IL Year of project : Fall, 2018 Program : Art-complex Instructor: Bhujon Kang Among a long history of controversies in architecture is the notion that ‘form follows function.’ The beauty of architecture is still appealing to the public over the beauty of functionality. This project initially focused on designing a form and followed function later. It was a challenging design process not thinking about architectural functions at the beginning for purpose, but creating a new form by deeply investigating various strategies throughout a lot of mass studies. With more freedom and flexibilities, the project brought a simplicity in the process to find out possibilities for a final solution. By using diagonal voids, the cut-out mass integrates nature and humanity to create a community center. It opens up the views toward a local park and connects its landscape to the entrance stairs. It is also used as a lecture room with a slope, and a wide open terrace on the fourth floor connects to the historical theater of the downtown areas.
Studio Exhibition models: 4”x4”x8” or varied Interim exhibition of design stuio on November 5 - 9 Temple Hoyne Buell Hall Architecture gallery Materials: Varied
CUT
OFF-SET
SWIRL
POTENTIAL MASS
Throughout explorationss of multiple strategies on study models, the final equation could be identified according to a way of using as a gesture of connection and communication.
Mass Strategy 01
Mass Strategy 02
Mass Strategy 03
single residential
CHAMPAIGN DOWNTOWN
WEST SIDE PARK : 527,000 sq. ft. SITE : 20,850 sq. ft.
CITY ADMINISTRATIONs
urban underdeveloped areas
campus town
Accessibility to the park
Urban Structure
Composite of the site’s functions
North Elevation - for connecting space between Westside park and Virginia theater
Main Entry Perspective, NW
Through connections with a local park, the void- stairs invite more residents into the building, galleries, and the art studios. It intends to be a place for communications between local residents and young artists in the city.
Perspective, NE
Second Floor Gallery
6
2
5
1
3
3
4
2
1
4
2
Ground Floor
1. lobby 2. Information office 3. Restaurant 4. Gift Shop 5. Storage 6. Kitchen
6 7
1
5
3
5 2
4
Second Floor
Third Floor
1. Hall 2. Studio 3. StudioGallery 4. Photo Gallery
Digital Lecture
1. Lecture Room 2. Studio 3. Sculpture Gallery 4. Gallery I 5. Preparation 6. Dress room 7. Equipment
Open Gallery & Lounge
Cafe Terrace
Downtown
Lecture
Public Plaza
Restaurant
Park
7
1
3
3
2
4
2 4 1
1
5 6 3
2
2
Fourth Floor
1. Lecture Room 2. Record & VR 3. Gallery II 4. Gallery III 5. Hall 6. Sculpture Gallery 7. Terrace
Fifth Floor
1. Gallery IV 2. Interactive Art 3. Cafe 4. Terrace
Classroom
Gallery III
Sixth Floor
1. Open Gallery & Lounge 2. Class Room 3. Digital Lecture & Library
Open Gallery & Lounge
Terrace Studio
Studio Gallery
Storage
Restaurant
B a la nc i n g s ton e s Location : Veckalsnava, Latvia Year of project : Spring, 2017 Program : Meditation Camp / Resort Professor. Todd Hamilton Group Project with Alex Bowman and Daniel Williams International Architecture Competition for Stone Barn Meditation, 2017 Individually focused on - Mass design of Cabin, Concepts of the Barn, Plans, Visualization, Diagrams, Materials, Presentation Documents
More than half of the land in Latvia is comprised of natural forest. Located in a rural area in the eastern region of Latvia, the site is rich in forests, lakes and grasslands. With a respect of its cultural heritage and natural beauty, the competition of the project aims to delineate sustainability and maintenance of the existing stone barn. The barn was built in 1875 and used as a sawmill until the late 1990s. Designated as a meditation camp on the site, the framed pavilions lead along the landscape to introduce the historical pathways which became land, but was used as a stream that delivered sawmills to the existing barn. While slowly walking into the mediation barn, the design of the frame used a minimal footprint on the site aimed to experience a slow motion of shadows under the temperate seasonal climate.
The frames - the path of meditation In order to maintain the major tenets of Ecotourism, the brackets are designed to allow construction of the frames without the use of major construction equipment. By assembling the first frame at the back of the site, it can be used as a fulcrum to pull of the next frame up.
Site-Vernacular Material Use
Gardens:
In the spirit a series of h it creates an through the
Event Field
A flexible programmatic space for unforeseen needs of the camp, Operates initially as an open place to meditate and connect with naturea.
Sauna
An indoor-outdoor facility that establishes a meditative mindset through providing a variety of relaxing water treatments.
Cabins 5 residential units that each hold up to 4 guests. Allowing 20 guests in total to occupy the camp at any time.
To achieve the principle of modularization, the project speculates the form of the frame work. 3-modular brackets allowed the frames to operate at right (90), acute (45), and obtuse (135) angles. This lead for a variety of different frames to be created with modular methods while maintaining the flexibility of being able to change the shape and height by swapping out different lengths of structural members.
Details of the Frames
farming herbs
t of Latvian culture by providing herb gardens next to the sauna nother dynamic of meditation e sense of smell.
The Barn With the introduction of the frames, a new path designates the barn as a primary component of the camp. With sustainable design in mind an intervention to the barn, that maintained the existing footprint while celebrating its construction methods with a new appearance, became the primary design intention.
Tower A structure that denotes the presence of the camp behind the density of trees at the front of the site, it also introduces a sculptural element to the camp that can be used as a landmark.
Parking
The BARN - then, and now The Barn is the only existing building that reminds us of its history. With sustain-able design in mind an intervention to the barn, that maintained the existing footprint while celebrating its construction methods with a new appearance, became the primary design intention. A new entry to the barn was necessary due to its new responsibility to house a majority of the camp activity. By implementing the new entry to the barn it now has a sense of place and creates the opportunity for it to become a landmark of the camp. The project tried to maintain the unique materiality in stones yet also create a new structure. The perforated strips of glass aimed to bring ambience for the meditating space, but also to reflect existing conditions. The silence chamber now becomes a place that has a remnant of the barn, creating an effect of palimpsest. The third floor is where the primary meditation space is located. Looking at the typology of the “zendo� a meditation practice hall used by Zen monks, the design of the meditation space required an openness where guests could meditate properly. The previously uninhabited 3rd floor becomes a special open space, where guests can ascend to reach a personal enlightenment through meditation. The Barn Morphology
Exterior Texture of the Existing Barn
Reintroduction of the Mortar
1. Entry 2. Concierge 3. Meditative Stair 4. Dining 5. Locker Room 6. Toilet 7. Kitchen 8. Private Stair 9. Office 10. Bed Room
11. Bath Room 12. Library 13. Silence Chamber 14. Meditation Hall
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8
12 4
5
11 7
7
10 14 10
9 4
3
1
2
Ground Floor Plan
13
Second Floor Plan
Third Floor Plan 0
5’
10’
20’
the cabins - along the river The Cabins are the place where meditation ends after coming from the barn and later enjoying social activities. Thus, the form was transformed from typology of the cabin by varied strategies; splitting, raising, and folding. In order to maintain a minimal foot print, the building was raised on pilotis. This also allows for a private covered patio for each guest. With the cabin being raised, a faux column was used underneath the bathroom as a pipe to maintain the look of pilotis yet work functionally. The cabins are located along the river’s edge, allowing for an elevated view of the Latvian landscape through the convex window of the meditation overlook.
Barn Typology
Split
Raise
Fold
Shave
Minimal Footprint for the Natural Environment in Latvia
A Small Room for Meditation Overlook
3
3
4 2
1
4
1. Covered Patio 2. Entry 3. Meditation Overlook 4. Bed Room 5. Bath Room
5
0
Ground Floor Plan
Second Floor Plan
3’
6’
12’
Academic
H a ppy end ing micro -brewery Location : Dallas, TX Year of project : Spring, 2016 Program : Microbrewery with a beer garden Professor. Heath MacDonald With Micro Brewing being a popular artisanal trade in urban environments, the project aimed for the renovation of the existing site into a microbrewery and beer garden. The site is located between downtown Dallas and Deep Ellum, a fast-growing district near downtown in East Dallas for entertainments. The site lies between two different historical urban grids, separately developed due to construction of the highways. In respect of the site conditions, the project focused on performing as a mediator between two districts different in their sizes, growth rates, and functions. From the west part of the site, the faรงade of Micro Brewery was designed to reflect the rhythm of the urban grids from Dallas downtown, and connect to the east side in Deep Ellum. By connecting the west faรงade through a beer garden, the path lead to the east walkways through the existing park for dogs. Therefore, the west faรงade is not only delineated as the end of downtown, but is also the beginning of a new district. The purpose of this is to eventually bring more population from downtown and equalize growth rates between the two areas. Overall, the design of microbrewery was not just for popular local entertainment, but also for conjunction of the different atmospheres between the two areas inherent in a natural manner.
Proposal for the site plan and Micro-brewery
Proposal for beer garden
Initial site-plan for beer garden
Transit in 1880
Dallas in 1880
Transit in 1920
Dallas in 1920
Commerce St. in 1920
Transit in 1960
Dallas in 1960
Commerce St. in 1960
Transit in 2016
Dallas in 2016
Commerce St. in 2016
Commerce St. in 1880
Commerce St. and S Cesar Chavez Blvd
Proposal for the entrance of Micro Brewery
Micro brewery from Commerce Street_west
Studies of faรงades
Mezzanine and beer-producing spaces
t h e patte rne d, n e t- li g ht s The Design Exhibition, ‘Algorithmic Design to DIgital Fabrication’ Exhibition Date: November 7 - November 21, 2019 Exhibition Location: Champaign, IL Date of project : Spring, 2019 Instructor: Bhujon Kang Advanced computation technology has influenced the changing architectural design process and methodologies. This advanced technology is, however, sometimes controversial between typical and atypical, reality and virtual reality, and so on. Regardless of its limitations, parametric design has been developed sufficiently in programs and technology to apply to architectural designs. The project tried to find a potential of parametric design on architecture as well as products. The inspiration of this project came from looking at the shape of traditional Asian pottery. This was technically solved by using sine-waves in Grasshopper to determine the final form. In combination with the shape, the application of a net skin structure allowed for a re-invention of how lights can be distributed from a light source. Ultimately, the result is akin to shadows and lights of a sculpture. Using a table lamp from markets, the net structure skin is actually replaced with the fabric cylinder shade. First, the pole and plug-in of the bulb were taken apart from the shade. To connect the plug-in of the bulb to the net structure skin, a new supporting system was made of wires in 4 sides. The thin wires were wrapped around the circle of the plug-in and its ends were bent with a plier. Then, it was welded with a glue gun and connected on all 4-sides to the skin structure. To make the wires rigidly around the circle, a rubber band was wrapped around.
“ I make a project and I panic. Which is good, it can be a method. First, panic. Second, conquer panic by working. Third, find ways to solve your doubt.� Eduardo Soute de Moura
나는 프로젝트를 시작한다. 그리고 고통당한다. 하지만 그것은 해결책을 찾을 수 있다는 것을 의미하므로, 좋은 것이다. 첫째, 고통한다. 둘째, 작업을 진행하면서 고통을 정복한다. 셋째, 내 의심을 해결해 줄 방법을 찾아낸다. 에두아르 수뜨 드 모라
sketches I like to sketch ideas while researching for a project before moving forward the phase of productivity. It always inspires me to be creative and leads me to collect multiple perspectives in solving a problem in design processes. To me, this is the most interesting part of arhitectural design.
logo design I am interested in designing and observing product logos, sometimes for free. It is satisfied to see that someone is holding a coffee cup with a stamp of logo that I designed. As a designer, it is important to experience how design impacts on brands and marketings.
TODAY E
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B
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The forest HOME TH E
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PURIFY
S
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The forest
AIR
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AT
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PURIFY
AG
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AIR
AG
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coffee & doughnuts
N AT
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HOME THER
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Photography I think photography is the unique way to capture a moment of memories in life. Otherwise, we will remember in a way of personal interests.
M andarin Orienta l I nt e r nat i onal H o t el Location : Jeddah, Soudi Arabia Periods : June, 2017 - May, 2018 Project type : Hotel Competition Design Phases: Pre-design, Concept design Design Director: Ryan Martin Individual Participations - Presentation Documents, Client Meeting Preparation & Participation, Visualization, BIM Modelling, Plans, Sections, Program Area Calculations
ARRIVAL PERSPECTIVE VIEW
221-1017-001
05/08/18
MANDARIN ORIENTAL HOTEL - JEDDAH
SKY LOBBY PERSPECTIVE VIEW
221-1017-001
05/08/18
4.2 m
TO PARAPET 166 m ROOF LEVEL 162 m MECH. PENTHOUSE
B.R. 59.2 m
B.R.
MECHANICAL
7.0 m
4.3 m B.R. TYP.
4.3 m B.R. TYP.
MECHANICAL
SPA FITNESS
SPA FITNESS
REFUGE LEVEL MECHANICAL
REFUGE LEVEL MECHANICAL
HOTEL GUESTROOM
7.0 m
BALL ROOM SKY LOBBY
MEETING BALLROOM
3.3 m G.R. TYP.
MECHANICAL SPECIALTY RESTAURANT & LOUNGY
7.8 m
SPECIALTY RESTAURANT
5.0 m
3.3 m G.R. TYP.
49.5 m
HOTEL GUESTROOM
BALL ROOM MEZZANINE
ON - SOUTH
ROOF LEVEL 162 m
RIENTAL HOTEL - JEDDAH
IN ORIENTAL HOTEL - JEDDAH
N - VERTICAL
TO PARAPET 166 m MECH. PENTHOUSE
EXEC. LOUNGE
KIT STOR
BALL ROOM
BALLROOM PREFUNCTION RETAIL
LOBBY
ALL DAY DINING
MECHANICAL SPECIALTY RESTAURANT & LOUNGE MEZZANINE
STAFF DINING
MEETINGS
SKY LOBBY
MO LOUNGE
PARKING
20
26.0 m 5.0 m
221-1017-001
45 m²
B
B.7 A C
B D R1.A B.7
ST 1
BR.STOR
R2.1
05/08/18
BR.STOR
05/08/18
A
R2.1
45 m²
C E
D R1.A F
ST 1
UP
ST 4
DN FROM GROUND
20
2
LOBBY DN FROM 164m² UP GROUND S F PIT R 7920 mm R H H
20
S R
28 m²
3
PIT
2
F
R
269 m²
LOBBY
PIT
16
2.7
BR STOR
PROPERTY BR LINE STOR 269 m²
28 m²
PIT
2
PODIUM SETBACK
PIT
TOWER SETBACK
PIT
3.7
PIT
BR STOR 275 m²
4
BR STOR 275 m²ST 2
5 5 6 10
6
2
3
ST 6 10
TOTAL PARKING
17 105 PARKING SPACES 18 FAN
R3.1 17 18
B.R. STOR
1002 mm
1002 mm
B.R. STOR
BASEMENT B1
R3.1 FAN 27 m²
2
29 m²
383
13
3
27 m²
R3.A
PROGRAMMED AREA
13
13
ST 6 105 PARKING SPACES
PROPOSED AREA
PARKING SCHEDULE NO OF SPACES 105 LEVEL NO OF SPACES 40 LEVEL B1 105 59 LEVEL 02 - P1 40 59 LEVEL 03 - P2 59 59 LEVEL 04 - P3 59 61 LEVEL 05 - P4 59 383 LEVEL 06 - P5 61
13
2
2
29 m²
0 m² 2. m² 2. B.R.0STOR m² 2. BR 0STOR m² 2. BR 0STOR 12 m² BR.STOR 0 m² ELEC 16 m² 1. FAN 26 m² 1. LOBBY 54 m² LOBBY
LEVEL LEVEL B1 LEVEL 02 - P1 LEVEL 03 - P2 LEVEL 04 - P3 LEVEL 05 - P4 LEVEL 06 - P5 TOTAL PARKING
ST 3
5
AREA ROOM NAME
PARKING SCHEDULE
3.7
ST 2
7920 mm
4.1
ST 3
5
7920 mm
4 4.1
AREA
29 m² 275 m² 269 m² 45 m² 10 m² 27 m² 16 m² 28 m² 698 m²
29 m² 0 m² 2. 275 m² 0 m² 2. 1.6 269 m² 0 m² 2. 45 m² 0 m² 2. 10 m² 12 m² 27 m² 0 m² 16 m² 16 m² 1. 28 m² 26 m² 1. 698 m² 54 m² 2.71. BUILDING CIRCULATION SHOWN AS 25% OF FUNCTIONAL AREA IN PROPERTY PROGRAM. LINE 1. BUILDING CIRCULATION SHOWN AS 25% OF FUNCTIONAL AREA IN 2. SPACE NOT INCLUDED IN PROGRAM BUT PROVIDED UPON PROGRAM. PODIUM SETBACK OWNER REQUEST. 2. SPACE NOT INCLUDED IN PROGRAM BUT PROVIDED UPON OWNER REQUEST. TOWER SETBACK
10 m²
7920 mm
H
ST 4
ELEC
PIT
PIT
H
1.6
B.R. STOR BR STOR BR STOR BR.STOR ELEC FAN LOBBY LOBBY
LPG TANK
16
16
LOBBY ELEC 10 m² 16 PIT m²
LOBBY
3
LEVEL B1 - PARKING AREA LEVEL B1 - PARKING AREA PROPOSED PROGRAMMED
F
LPG TANK
16
1 4
E
ROOM NAME
1
2
GROUND
221-1017-001
MAIN PLANT BEYOND
R3.D
R3.C
R3.B R3.A
BASEMENT B1 MANDARIN ORIENTAL HOTEL - JEDDAH MANDARIN ORIENTAL HOTEL - JEDDAH
PROPE
JUMP LOBBY 3.5 m
PARKING
26.0 m
3.1 m 5.0 m 2.5 m
GROUND
MENS LOCK
BALLROOM LOBBY
PARKING
4.5 m 3.5 m
LOBBY MEZZANINE JUMP LOBBY
HOTEL LOBBY
10
5.0 m 6.0 m
0 2.5 5
B.R. LOBBY
R3.B
R3.D
R3.C
221-1017-001
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0
2.5
5
10
N
20 0
2.5
5
10
20
M N
M
05/08/18
ROOF LEVEL 162 m MECH. PENTHOUSE
B.R.
TO PARAPET 169 m ROOF LEVEL 162 m PENTHOUSE
B.R.
MECHANICAL
MECHANICAL
SPA
SPA FITNESS
HOTEL GUESTROOM
FITNESS
REFUGE LEVEL MECHANICAL
REFUGE LEVEL MECHANICAL
HOTEL GUESTROOM
MECHANICAL
MECHANICAL
SPECIALTY RESTAURANT & LOUNGE
SPECIALTY RESTAURANT & LOUNGE
MEZZANINE
MEZZANINE
BALL ROOM
BALL ROOM SKY LOBBY
SKY LOBBY TOWER SETBACK
TOWER SETBACK PARKING
PODIUM SETBACK
PODIUM SETBACK
TOWER SETBACK
PARKING
PROPERTY LINE
PODIUM SETBACK PROPERTY LINE
26 m
PROPERTY LINE
27 m
221-1017-001 LINE OF DECK
B
B.7
C
R2.1
1
ST 1
BR.STOR
R2.1 B.R. DOCK GBG 15 m²
45 m²
VEG WASH
21 m²
1 PURC VEST.. SOILED 27 m² LINEN 14 m²
48 m²
30 m²
F
R
H
R
H
R
WEST ELEV 3
GENERAL STOR. 200 m²
3 3
HOR.
UP
B
4
DN
15 m²
D R1.A
E
25 m²
LEVEL 00 - GROUND
F
TRANSFORMER 150 m² LOBBY 16 m²
S
F
R
R
H H WOMENS LOBBY 28LOCK m²
T. MNGR
PIT
ST 5
112 m²
12 m²
12 m²
2
23 m²
BR STOR 275 m²
CORR
VEST.
60 m²
7920 mm
2.7
EAST ELEV 1 BR STOR 269 m²
PIT
3.7
MENS LOCK
PIT
120 m²
GENERAL STOR. PODIUM SETBACK GENERATOR TOWER SETBACK HOTEL DOCK HR MNGR I.T. LOBBY MENS LOCK METER PURC RECIEV REFUGE SEC. SECURITY SOILED LINEN T. MNGR TRAINING TRANSFORMER VEG WASH VEST. VEST.. R3.1 WOMENS LOCK
SECT. 1
21 m²
ST 2
4.1
3.7
RAMP ABOVE
ST 3
SEC.
12 m²
BUS DROP
10 m²
PIT
183 m²
ST 4
16
ELEC
HOR.
CLINIC
95 m²
GENERATOR
PIT
HR MNGR
F.&B. STOR
B.R. DOCK BALLROOM LOBBY CLINIC 1.6 CORR CORR CORR. DEBOX ELEC. F.&B. STOR 2.7 FIRE PROPERTY LINE GBG
LPG TANK
16
1.6
ST 4
16 m²
BALLROOM LOBBY
3 mm
F
METER
RECIEV
CORRDN FROM 4 UP GROUND S S 20 H ELEC. 10 m² I.T. TRAINING H 9 m² 24 m²
H
4
4.1
SECURITY
49 m²
FIRE
B
ST 2
C
ROOM NAME
25 m²
SECT. 1
CITY BUS STOP
E B.7
ST 1
HOTEL DOCK
DEBOX
LOBBY
RAMP
D R1.A B
20 m²
27 m²
2 S
EMPLOYEE ENTRANCE
A
REFUGE 21 m²
CORR.
2
05/08/18
NORTH ELEV 2
VER SECT. 2
A
ST 3
5 7920 mm
ERTY LINE
ATION - EAST
ARIN ORIENTAL HOTEL - JEDDAH
TO PARAPET 166 m
5
TOWER SETBACK
5 6
13
2 ST 6 6
UP
ST 6
10
DN
13
3
PODIUM SETBACK PROPERTY LINE
R3.1 105 PARKING SPACES
17 18
R3.A VER
LEVEL 00 - GROUND
SECT. 2
R3.B
29 m²
R3.C
R3.A
BASEMENT B1 MANDARIN ORIENTAL HOTEL - JEDDAH MANDARIN ORIENTAL HOTEL - JEDDAH
NORTH ELEV 4
R3.D
R3.B
1002 mm
B.R. STOR
FAN
15 m² 95 m² 23 m² 63 m² 41 m² 23 m² 21 m² 10 m² 112 m² 25 m² 21 m² 200 m² 183 m² 49 m² 12 m² 9 m² 30 m² 120 m² 25 m² 27 m² 16 m² 20 m² 21 m² 15 m² 27 m² 12 m² 24 m² 150 m² 48 m² 12 m² 14 m² 60 m² 1,523 m²
LEVEL B1 - PARKING AREA PROGRAMMED AREA PROPOSED PROGRAMMED ROOM NAME AREA AREA 10 m²
B.R.34STOR 29 m² 0 m² 2. m² BR STOR 275 m² 0 m² 2. 20 m² BR STOR 1. 269 m² 0 m² 2. 63 m² 1. BR.STOR 45 m² 0 m² 2. 45 m² 1. ELEC 10 m² 12 m² 23 m² 1. FAN 27 m² 0 m² 2. 0 m² LOBBY 16 m² 16 m² 1. 12 m² LOBBY 28 m² 26 m² 1. 100 m² 698 m² 54 m² 25 m² 20 m² CIRCULATION SHOWN AS 25% OF FUNCTIONAL AREA IN 1. BUILDING 200 m² PROGRAM. 2. SPACE 185NOT m² INCLUDED IN PROGRAM BUT PROVIDED UPON OWNER50REQUEST. m² 10 m² 6 m² SCHEDULE 30 m²PARKING 1. 120 m² LEVEL NO OF SPACES 25 m² B1 LEVEL 105 20 m²02 - P1 LEVEL 40 15 m²03 - P2 LEVEL 59 20 m²04 - P3 LEVEL 59 20 m²05 - P4 LEVEL 59 15 m²06 - P5 LEVEL 61 0 m² TOTAL PARKING 2. 383 10 m² 20 m² 150 m² 50 m² 14 m² 1. 14 m² 1. 60 m² 1,386 m²
1. BUILDING CIRCULATION SHOWN AS 25% OF FUNCTIONAL AREA IN PROGRAM. 2. SPACE NOT INCLUDED IN PROGRAM BUT PROVIDED UPON OWNER REQUEST.
27 m²
2
PROPOSED AREA
R3.D
R3.C
221-1017-001
05/08/18 221-1017-001
0
2.5
5
10
N
20 0
2.5
5
10
M 20
N
M
05/08/18
h otel d e l c orona d o Location : Coronado, CA Periods : April, 2018 Project type : Hotel Renovation Design Phases: Concept - Schematic design Design Director: Ryan Martin Individual Participations - BIM Modelling, Revised Construction Documents, Sections, Presentation, Client Meeting Preparation , Visualization
referen c e s Ryan D. Martin VP, Design Director at Leo A Daly rdmartin@leoadaly.com 214.765.8840 Lowell Miller Fabrication Coordinator at UIUC lrmiller@illinois.edu 406-948-1280 Carl Lewis Adjunct Professor at UIUC cglewis1@illinois.edu 217-722-0658 Jiyong Ahn Founder/ CEO at Manifesto Architecture +82 2-542-7501 Sunghun Ryu Founder/CEO at Novo Architecture +82 2-545-1895
Yoonah Noh nohnya.noh@gmail.com +1 972. 330. 9647