Y I N G H U A N G
PROJECTS
E X P E R I E N C E
Grand Central Reading Room Reading Room Design Floating Music Club Design Waterfront Community center design RESTAURANT & RETAIL
RESIDENTIAL- WORK SAMPLE
Pastry Shop Lighting Design
Ding's Apartment Residential designgn
Tiziana Terenzi Retail design
Residential Apartments Residential designgn
557 CAFE Restaurant Design O F F I C E
HIP Office Design
Troutman Residential designgn O T H E R
W O R K S
Lamp designgn Rhino /Revit /Photoshopgn Modular Furniture designgn Leaf / Ceramic / Decorative Wall gn Rain Installation gn
3000K-Display Area
YING HUANG
105 Grand Ave. Brooklyn. NYC yhuang26@pratt.edu 3472441452 hy19950819.wixsite.com/website
EDUCATION
Pratt Institute,
Master of Arts in
GPA:3.5 ● Retail D ELISAVA
University of t interior designer with experience in various countries， worked on various project on commercial design, residential design and retail design and established an appreciation for materiality, furniture and an intimacy with handicraft, pattern and ornament.
SKILLS passion of design. positive attituce and willingness to learn and practice skills. knowledge and love of diverse cultures and design styles. ability of working with multiple-tasks and in a busy environment under pressure. comfortable with work in a team and collaborate with others.
SOFTWARE
Bachelor of Art
SELECTED PROJE
Floating Boxe
A music club in L tion media, this cl ● Deep research of ● Sketchup modeli ● lasercut models a
HIP - Office De An incubator for y ● Autocad Plan, Re ● Knowledge of AD
557 Cafe, 2017 Hospitality projec materials. ● FFE selection, pr ● Specify color, fin
● Deep research of the area and diffrenet kinds of historical CLUB types ● Sketchup modeling and rendering by V-ray ● lasercut models and built museum board model at 1/8’’
Revit, Rhino, Autocad HIP - Office Design, 2017 An incubator for young designers in based on a co-working intention in Industry City, New york. EDUCATION ● Autocad Plan, Revit modeling and rendering Knowledge of ADA life safety codes ●Pratt 08/2017 - 06/2019 Institute, Newand York
YING HUANG
interior designer with experience in various countries， worked on various project on commercial design, residential design and retail design and established an appreciation for materiality, furniture and an intimacy with handicraft, pattern EDUCATION and ornament.
Pratt Institute, New York
Master of Arts in Interior Design 105 Grand Ave. Brooklyn. NYC Master of Arts in Interior Design 557 Cafe, 2017 Revit, Autocad, Photoshop GPA:3.5 GPA:3.5 yhuang26@pratt.edu SKILLS Hospitality project based on a re-design of Fransworth House for the client. Tested diverse lighting fixtures and Design Program at ● Retail 07/2018 ● Retail Design Program 3472441452 passion of design. materials. ELISAVA (Barcelona School of Design and Engineering), Barcelona ELISAVA (Barcelona Sc positive attituce and willingness to learn and ● FFE selection, prepare specification, schedules, RCP, and electrical plans. hy19950819.wixsite.com/website of the Arts lighting, London,and London University of the Arts London practice skills. Specify color, finishes, material selection and produce sample boards09/2014 - 07/2017 ●University Bachelor of Arts in Spatial Design Bachelor of Arts knowledge and love of diverse cultures andin Spatial Desig interior designer with experience in various countries， design styles. worked on various project on commercial design, residential EXPERIENCE ability design and retail design and established an appreciation for of working with multiple-tasks and in a busy environment under pressure. PROJECTS (UNBUIL SELECTED PROJECTS (UNBUILT) SELECTED materiality, furniture and an intimacy with handicraft, pattern Intern 12/2018-2019 EDUCATION Floating Boxes Music Club Design, 2018 Sketch Up, Autocad comfortable with work in a team and Boxes collaboFloating - Music Club D and ornament. Beam Architects 08/2017 - 06/2019 Pratt“music” Institute, York rate with others. A music club in Low east Manhattan. Did deep research in Low East Manhattan. Using as aNew communicaA music club in Low east Manhatt ● tion Assist senior designers, create design solutions for multiple residential projects. 105 Grand Ave. Master of Arts ininteracting. Interior Design media, this club actsBrooklyn. as an urbanNYC collective participation, provides an oppotunity for citizens tion media, this club acts as an urb ● ● Deep Prepare documents including FF&E,kinds furniture systems, specifications, color, theory and materials GPA:3.5 research of the area and diffrenet of historical CLUB types yhuang26@pratt.edu ● Deep research of the area and diff SOFTWARE SKILLS Retail Design Program at and rendering by V-ray ● Sketchup modeling ● 07/2018 Sketchup modeling and rendering ● 3472441452 Adobeand AutoCAD ELISAVA (Barcelona School of Design Engineering), Barcelona Internmodels and built museum board model at 1/8’’ ● lasercut passion of design. ● lasercut models and built museum hy19950819.wixsite.com/website
YING HUANG
07/2015 - 08/2015 to learn and Revit CCDI (China Construction Design International), Beijing positive Revit, attituce and Autocad willingness Rhino, HIP Office Design, 2017 HIP - Office Design,- 2017 University of the Arts London, London Rhino 09/2014 07/2017 ● Assited with junior designers, prepared initial research and ideas. practice skills. An incubator for young designers in based on a co-working intention in Industry City, New york. Bachelor of Arts in Spatial Design An incubator for young designers Sketchup Participated in the design of ZhongXin Shopping Center in Changsha, China and love of diverse cultures and ●interior knowledge designer experience various countries， ● Autocad Plan,with Revit modelingin and rendering ● Autocad Plan, Revit modeling and Vectorworks on various project residential drawings anddesign, visualized design proposals design styles. ●worked Knowledge oftechnical ADA andon lifecommercial safety codes ● Assoiciated ● Knowledge of ADA and life safety design and retail design and established an appreciation for ability of working with multiple-tasks and in aPhotoshop SELECTED PROJECTS (UNBUILT) Indesign materiality, furniture and an intimacy with handicraft, pattern Volunteer busy environment under pressure. 557 Cafe , 2017 Revit, 01/2014 Autocad, Photoshop 557 CafeSketch , 2017 Up, Autocad Floating Boxes Music Club Design, 2018 and ornament. Team London, comfortable with workfixtures in a team Hospitality project London based on a re-design of Fransworth House for the client. Tested diverse lighting andand collabo-Illustrator Hospitality project based on a re-d ● materials. Participated in prop design about charity performances for children.A music club in Low east Manhattan. Did deep researchOffice in Low East Manhattan. Using “music” as a commu Microsoft rate with others. materials.
tion media, this club acts as an urban collective participation, provides an oppotunity for citizens interactin ● FFE selection, prepare specification, schedules, RCP, and electrical plans. ● Deep research of the area and diffrenet kinds of historical CLUB types ● FFE selection, prepare specificatio boards ● Specify color, finishes, lighting, and material selection and produce sample ● Specify color, finishes, lighting, an SKILLS SOFTWARE V-ray ● Sketchup modeling and rendering by LANGUAGE passion of design. ● lasercut models and built museum board model at 1/8’’ English Adobe AutoCAD
positive attituce and willingness to learn and EXPERIENCE practice skills.
Mandarin Revit HIP - Office Design, 2017 EXPERIENCE Revit, Rhino, Autocad Rhino An incubator for young designers in based on a co-working intention in Industry City, New york. Intern 12/2018-2019 Intern knowledge and love of diverse cultures and Sketchup ● Autocad Plan, Revit modeling and rendering Beam Architects design styles. Beam Architects Vectorworks ● Knowledge of ADA and life safety codes ability of working with multiple-tasks and in afor multiple residentialPhotoshop ● Assist senior designers, create design solutions projects. ● Assist senior designers, create de busy environment under pressure. ● Prepare documents including FF&E, furniture systems, specifications, Indesign color,557 theory materials Cafeand , 2017 ● Prepare documents Revit, Autocad, Photo including FF comfortable with work in a team and collaboHospitality project based on a re-design of Fransworth House for the client. Tested diverse lighting fixtures Illustrator rate with others. materials. Intern Microsoft Office Intern 07/2015prepare - 08/2015 ● FFE selection, specification, schedules, RCP, and electrical plans.CCDI (China Construction Desig CCDI (China Construction Design International), Beijing boards ● Specify color, finishes, lighting, and material selection and produce●sample Assited with junior designers, prepared initial research and ideas. ●SOFTWARE Assited with junior designers, pr LANGUAGE in the design of ZhongXin Shopping Center in Changsha, China ● Participated ● Participated in the design of Zho Adobe AutoCAD
Main Concourse
Vanderbilt Hall
42nd st
Sensing the Transition A Reading Room in Grand Central Terminal
2019
New Yorkers spend so much time traveling so I think that will be an opportunity for reading. Grand Central Terminal is such an important and busy transportation hub in NYC with enormous space, a complex vertical connection, and huge crowds. Vanderbilt Hall can be seen as a transitional space between 42 street and the main concourse. People have to pass through here before they arrive at the main concourse. Everyone moves so fast, so I think the reading room here maybe can be used as a waiting area which provides a place to slow down and relax a bit. This reading room is designed for exchanging old books and reading, aim to explore the method of slow people down from a designer's perspective.
SEC1
sec2
ENTERING TERMINAL
LEAVING TERMINAL
SITE ANALYSIS SOUND AND WALKING SPEED
sec1
SEC2
Located at the intersection of Park Avenue and 42nd Street, Grand Central Terminal is a landmark and essential transportation hub that can accommodate large numbers of trains and people. It is designed to be enormous enough to handle the huge crowd which passes through every day. Nowadays, it is also a destination for shopping, dining, and some special events. This site shows an entirely opposite environment with a reading room - which requires quiet and peace. Therefore, the key to this project is how to slow people down and provide a transition from a BUSY city context to a SLOW reading space.
SECTION
LONG SECTION
Slow Path
A long ramp to expand the experience, maximize the length, and get closer to the building.
For different users. the space provides two paths with opposite experiences -Slow Path and Quick Path. Books are displayed along with the ramp. The slow zone has a long ramp while the fast zone has astaircase. Here is the space to slow people down, expand the journey and encourage people to enjoy a moment with this historical landmark . The slow path and the quick path have the same destination, but the ramp maximizes the journey.
Quick Path
A staircase quickly brings people to the destination - the main reading room. This zone is designed to be as accessible as possible. The selfcheck out machines are located here so they can quickly leave books and borrow books.
In the Slow Path, sensory factors play an important role. All the sensory strategies are gradually changing to achieve different reading environments. ramp. There are four vertical translucent boxes and involve the existing window. The users will walk into the vertical boxes which are covered by fabric; the fabric also works as a filter of lighting. Overally, the space is transforming from low to extreme high, to low, then to high again, from vertical( in the box) to horizontal(reading room), from small(reading box) to huge(reading room), from extremely open (seating zone) to relatively open(reading box and ramp) to extremely enclosed(main reading room), from noisy to quiet, from filtered to unfiltered. Each part is a threshold between two spaces.
MAIN READING ROOM
RCP
CIRCULATION
FIRST FLOOR
OFFICE
READING SPACE
GROUND FLOOR
RECEPTION
T R A N S I T I O N Q U I C K
S
L
O
W
SCALE
QUICK
fit body - narrow/ low
SLOW
high / wide
QU
starig
UICK
ght
What creates a quick transition and what creates a slow transition? Through the manipulation of light, color, and a sequence of space with different scales and openness, this project explores the experience of transitioning between the noisy transportation hub of Grand Central Terminal and the elevated quiet reading room. These models show different spatial conditions - in different scales, straight or serpentine, transparent or opaque, open or enclosed.
ANGLE
TRANSPARENCY
SLOW
serpentine
QUICK
transparent / open
COLOR
SLOW
opaque/ enclosed
QUICK
people can directly see the color
SLOW
people only can see the color from a specific angle.
UNFOLDED ELEVATION
UNFOLDED ELEVATION
SCALE
DAY LIGHT
SOUND
BOOKSHELF SYSTEM
UNFOLDED ELEVATION
Through these tests of a series of sensory parameters, this project demonstrates that these multi-sensory elements are useful in impacting the emotion of both people and space, and shape an experience. People will get different reading experiences when they walk in these spaces with different scales, transparency and lighting conditions. Scale plays a core role in this project. Since the project is sited in Grand Central Terminal, both transition sequences had to negotiate between this monumental space and a more intimate space for reading. The shrouded scaffolding system serves to re-frame and re-contextualize monumental elements of the space, such as a window or a chandelier, allowing the user a more intimate connection to the building. The three main reading spaces: the seating zone, the reading box, and the main reading room show the difference between standing in a huge space, or in a really small scale space, allowing people to focus on their immediate surroundings or reading material.
This design builds a very intimate relationship between people and the existing construction. The structure borrows the idea from scaffolding system which is a very prototype of a city. For example, the ramp and verticle boxes guide people to observe the c o l u m n s a n d o r n a m e nt s o r t h e historical building and outside view; the reading pod really captures the chandelier, create an intimate living room feeling for people to get higher and closer to the chandelier which is largely invisible in our life.
Floating Box Music Club Design
2018
A music club located in the low east side of New York which is using "MUSIC" as a communication media, aiming to encourage people to meet neighbors, hang out with different people with age and culture background. This club acts as urban collective participation, provides an opportunity for residents talking or sharing information through music activities.Â
C h r y s i t e S t r e e t Low East Side, New York
S
I
T
E
We've been asked to design a club in the Low East Side of New York to encourage the local residents commmunicate with each otehr. One of the most interesting character of this area is people are all from different culture background. In the site research, we noticed lots of residents here with high education don't get corresponding high income. Therefore, we guess that residents here are difficult to immerse themselves in the local community.
Class Mode
Exihibition Mode
Rehersal Mode
Performancel Mode
Party Mode
GROUND FLOOR
FIRST FLOOR
Lighting
Sensory Analysis Lighting : The whole space for music performances keeps a dim ambience, the reception and offices near the southward window has sufficient natural light. Sound: The space keeps a close conenction between each other. The ground floor is entierly open. All the panels are acoustic panels.
Sound
Privacy: The transition from the entrance to ground floor to the second floor is from open to private. Administration and office are seperated into two corners. open administration membership Privacy
EXPERIENCING This club has a double-height space which is divided into two clear levels with distinct functionality. The first floor is flexible with moveable panels on tracks. The panels are able to achieve spatial configurations: rooms with different sizes provide many possibilities for various functions.
V
E
R
T
I
C
A
L
COMMUNICATION The second floor is composed of 11 boxes. The five central boxes which I call 'experience boxes' are all connected, and thus visitors can walk through. All the boxes are hung from the ceiling. Visitors in the experience boxes are able to see what happens downstairs and join the activities they are interested in. This creates an interesting communication vertically and encourage people to interact.
TING Community Center Design
2017
"TING", means "stop" in Chinese. This is a landscape architectural project of a community center for the residents in Anhui, China. This neighborhood has a peaceful environment and well-protected eco-system. The design builds a realy close link with the nature. To maintain sustainability, many local materials are reused in this project. The design thesis rethinks the current
situation of over- reliance on modern technology and busy metropolis life. Nowadays, everything is designed for achieving efficiency and convenience. This community center encourages visitors to slow down, walk through an untraditional route, feel and listen to the world. The project considers the experience in this space as a continuous journey from the external to the internal space. People are able to explore the building in different heights and walk around the construction both horizontally and vertically.
Residential Zone
Estimated Design
Island
Bamboo (local)
Grass (local)
Reclaimed roof tiles(local)
Design Proposal Roof Garden
SITE ANALYSIS
concrete
Walking bridge safety glass
Construction
The site of the community center is located on an island. It is not too far
 away from the residential area, but isolate the community center from the crowd. It has a good view and is easy to access. The spacious water area makes this area ventilated. - CULTURE AND HISTORY This place in China has a famous architectural style and unique culture. These historical elements are used in the design.
 The layout follows the traditional Chinese Courtyard House structure, and the walls are painted in black and white which is a classical architectural style. With the development of China, many people have left here and gone into urban locales. This has caused a large amount of abandonment and demolition of old buildings. To protect the history, the newly designed constructions have recycled and reformed some waste materials such as bamboo and old slate tiles.
Branch (local)
artificial built water zone (water from the lake)
island ground
elm panel
Reclaimed wood (local)
plaster
--LONG DETOUR-The outdoor corridor bridge is designed in a coiled way wrapping around the constructions. The long wooden corridor bridge connects all the buildings together, and also connects the roof garden and ground, it thus provides views from different heights. This consideration is to force a 'long detour' and push people to explore the construction from different angles. N
1
4
2
3
EXTERIOR
--LISTEN TO THE SOUND AROUND YOU -Glass is a main material in the tea room. Due to the long rain season in this city, the intention of the walls with lots of openings is engaging people to quiet down, listen the sound of wind and rain, and get a moment of peace.
PASTRY SHOP Pastry Shop Design
2017
This project uses Farnsworth House as a site and aims to design a new Cafe and pastry shop for a French chef. The contrast between the new function and existing construction is a big challenge. Compared with a modern urban context with a super rapid pace of life, one of the benefits of the site is its forest environment with sufficient sunshine and relaxed ambience. Starting from the research of the chef 's previous experience, this project uses the color of his pastry desserts as an inspiration and tries to represent the chef ’s identity. The design pays much attention to the lighting and materials selection, and thus gives customs a different sensory feeling. The project combines the surrounding natural environment with indoor space while keeping a good interaction. The whole atmosphere is easy, comfortable and neutral.
FUNCTION
CLIENT
INSPIRATION 1 - HIS WORK
SITE
INSPIRATION 2 - PAINTING
COLOR COLLAGE
MATETAIL COLLAGE
L I G H T I N G
The space is divided into three areas. The free-standing area is furnished with yellow and 
blue chairs, white tables and starry lighting fixtures to create an active and welcoming atmosphere. The private seating zone has dim light and sofas with soft textiles to create an intimate environment for private conversation. The bakers zone is set up for displaying desserts. The color temperature of the lighting is around 2700k, it’s a bit warm to highlight the color of the pastry and makes it more attractive. The copper above is to reflect the light and make the space more modern.
T E S T
PRIVATE SEATING ZONE -2000k Wood and bricks keep a similar language with the surrounding natural context, also brings a fresh and relaxed feeling. The vertical lighting sources provide soft and warm lighting, therefore creates an intimate space for private conversation.
BAKERS ZONE-5000k Bakers zone is for displaying psatries. There are three glass walls, thus has sufficient natural lighting to delight the space and highlight the bakery. The copper on the ceiling is for reflecting the lighting to create a more bright space.
MAIN SEATING ZONE -3000k
Extremely small lighting fixtures - like stars in the night - make the space more interesting and romantic. The curved glass panels around them are transparent and will be used as a filter of the lighting.
SPECIFICATIONS
Tiziana Terrenzi Retail Design
2017
Carrer de la Tapineria, 39, 08002 Barcelona
A new retail store of perfume brand - Tiziana Terenzi, on the busiest street in Barcelona,Spain. This area is always crowded with lots of tourists. The weather is always hot and sunny. The aim is to show the identity of this brand and give customers a relaxed space to try perfumes. Two windows as a hook of the store, shows the idea of Black and White. There is a transitional space before the entrance, therefore isolate the storefront with the outside crowd but draw people into the store.
CULTURE
CONCEPT BLACK
&* &*
WHITE
BLACK ZONE
LUNA ZONE
WHITE ZONE
SENSING T H E PERFUME
Section 2
Section 1
This design follows three collections of this brand - Black collection, Luna collection and white collection. Customers are following the corresboding ambience from a bright and open space to a dim and intimate space.
Flow Chart Ingredients History
+
+
Space for WHITE collection draws inspiration from angel and heaven. The ballons help to create a light and delicate atmosphere.
Perfumes of LUNA collection got inspirations from natural elements such as trees, snow mountains... This area use flowers in the decorative glass cloche to present the elegance and purity.
BLACK zone shows the serene and sexy atmosphere of this collection. In this inmate room with warm table lighting, users will use perfume as ink to write something on the paper and feel the smell.
557 Cafe Restaurant Design
2017
3
2
2
2
A-200
A-300-1
2
2
A-200
A-300-1
bar area
P R O J E C T T E A M:
INTERIOR DESIGNER NAME ADDRESS 1 ADDRESS 2 T: xxx.xxx.xxxx; F: xxx.xxx.xxxx
23' - 0"
6' - 4"
CLIENT: PRATTINSTITUTE -INTERIORDESIGN-INT 724
4' - 11"
3' - 7"
Room Schedule 1
Number
A-500
37' - 9"
3
BAR SEATING AREA
1
3
2 3
1
4
Level
FREE STANDING SITTING
Area
Level 1
720 SF
Level 1 Level 1
61 SF 799 SF
second floor second floor
55 SF
BAR SEATING AREA 09 30 00
3
655 SF
2
5
Name FREE-STANDING AREA WC BAR SEATING AREA OFFICE
A-600
5
A-600
FINAL SUBMISSION
2
FD
8' - 2"
1
4
6''*6'' porcelain tile
WC
2
WC 3
FD
1
6' - 5"
2
1
6' - 8"
2
09 30 13 2
11' - 0" 2
6' - 8"
1
8' - 2"
5
1
4
12' - 0"
OFFICE
6' - 10"
1
23' - 1"
7' - 6"
2 UP
0' - 9"
3
10' - 7"
3' - 0"
2'*2' cem 5
DN
NIC
Room Legend
Room Legend FREE STANDING SITTING
BAR SEATING AREA WC
1
09 30 00 N O.
DA T E
DE S C R I P T I ON
UP
PRATT INSTITUTE | INT724
FREE-STANDING AREA
1
5
A-300
P R OJ E C T :
20' - 3"
16' - 1"
ATLANTIC RESTAURANT
1 UP
525 Atlantic Ave
UP
D R A WI N G T I T L E :
CONSTRUCTION PLAN
3' - 0"
0' - 0"
1
4' - 9"
6' - 7"
OFFICE
FREE STANDING SITTING
1
NIC
12' - 4"
14' - 0"
3
7' - 7"
12' - 0"
FREE-STANDING AREA
REV
FREE-STANDING AREA
37' - 0"
1
DN
3 UP
1
S E A L & S I G NAT UR E
DA T E :
5/ 12/ 18
P R OJ E C T NO. 17- 724- 01
UP
D R A WI N G B Y : Y i n g Hu a n g
C HK B Y :
1 first floor construction plan 1/4" = 1'-0"
1
first floor color scheme 1/16" = 1'-0"
2 second floor construction plan 1/4" = 1'-0"
Che c k e r
D R A WI N G N O .
2
second floor color scheme 1/16" = 1'-0"
A-100
2
first floor finish plan 1/4" = 1'-0"
4
entrance
REV NO.
DATE
DESCRIPTION
PRATT INSTITUTE | INT724
FINAL SUBMISSION
PROJECT:
ATLANTIC RESTAURANT
525 Atlantic Ave
DRAWING TITLE:
SEAL & SIGNATURE
perspective
DATE:
5/12/18
PROJECT NO. 17-724-01 DRAWING BY: Ying Huang CHK BY:
Checker
DRAWING NO.
3
bathroom
4
entrance
5
second floor
3
A-700 bathroom
3
bathroom
5
second floorsecond floor 5
P R O J E C T T E A M:
REV NO.
INTERIOR DESIGNER NAME ADDRESS 1 ADDRESS 2 T: xxx.xxx.xxxx; F: xxx.xxx.xxxx
Finish Schedule Type Mark
Room number
09 30 00
1
Free-standing seating
09 30 13
2
restroom
09 30 00
3
Bar seating finish
09 00 64.B2
4
Room Name
DATE
DESCRIPTION
PRATT INSTITUTE | INT724
CLIENT: PRATTINSTITUTE -INTERIORDESIGN-INT 724
Legend
Material
Notes
2’*2’ cement matt pocelain tile
Image
upper floor slab
grey
PROJECT:
6”*6” porcelain tile
4''deep carriage DRAWING TITLE:
1’*4’ wood board
second floor free standing seating
09 30 00
steel joint
525 Atlantic Ave
2’*2’ cement matt pocelain tile
office
5
ATLANTIC RESTAURANT
mat finish
perspective
2’*2’ cement matt pocelain tile
Gypsum Board 0' - 11"
Paint
wood stud
SEAL & SIGNATURE
DATE:
0' -0'0"- 1"
0' - 7"
5/12/18
PROJECT NO. 17-724-01 DRAWING BY: Ying Huang
FINAL SUBMISSION
CHK BY:
Checker
DRAWING NO.
3
bathroom
5
second floor
A-700
24*24 PORCELAIN TILE 3/8" thinset
PLYWOOD 3' - 0"
1'' thick solid pine wood railing
1'' thick solid pine wood
Engineered wood flooring
1
7' - 3"
OFFICE 4
stair detail at first floor 3" = 1'-0"
09 64 00.B2
UP
mnet tile
grey painted wood door 2'*2' cemnet tile
DN
Door type 1
door 1/4" = 1'-0" 1'' thick solid pine wood strip
REV
3' - 0"
09 30 00
N O.
DA T E
7' - 3"
5
2' - 10"
PRATT INSTITUTE | INT724
FREE STANDING SITTING
1'' thick solid pine wood s
DE S C R I P T I ON
P R OJ E C T :
office door 1/4" = 1'-0"
ATLANTIC RESTAURANT
525 Atlantic Ave
Door Schedule
1 2
Door Type 3 panel wooden flush wooden
Finish
height
Width
quantity
wood
7' - 0"
2' - 8"
1' - 0"
wood
7' - 0"
2' - 8"
1' - 0"
Description
D R A WI N G T I T L E :
FINISH PLAN
2hfire rated
0' - 11"
1'' thick solid pine wood stair board
0' - 7"
0' -0'0"- 1"
Door number
1/4'' metal support board 0' - 1"
S E A L & S I G NAT UR E
DA T E :
5/ 12/ 18
P R OJ E C T NO. 17- 724- 01
1 second floor finish plan 1/4" = 1'-0"
D R A WI N G B Y : Aut ho r C HK B Y :
Che c k e r
D R A WI N G N O .
A-101
2
stair detail at second floor 3" = 1'-0"
3
stair guadrail detail 3" = 1'-0"
4
stair railing detail 3" = 1'-0"
P R O J E C T T E A M:
INTERIOR DESIGNER NAME ADDRESS 1 ADDRESS 2 T: xxx.xxx.xxxx; F: xxx.xxx.xxxx
DAVID CODDI BAR CHAIR CLIENT: PRATTINSTITUTE -INTERIORDESIGN-INT 724 3' - 0"
CH1
TB1
CH1
Furniture Schedule
1' - 4"
CH1
TB1
CH1
Product
1' - 9" CH2
Description
Terrific Awesome
Sofa CH1
TB1
CH1
CH1
TB1
CH1
Manufactur er
Level
Model
Color
second floor
yellow
First
white
Image
DAVID PLC CAFE TABLE
CH2
CH2
Cafe table
Garza
Cafe chair
Jonathan Preswich
First floor
Cafe chair
Karim Rashid Ottawa Chair
second floor
floor
CH2 DAVIS LIPSE CHAIR
CH2
3' - 6"
1' - 6"
CH2
CH1
TB1
CH1
CH1
TB1
CH1
CH2
BAR SEATING AREA
white
white and black
FINAL SUBMISSION
`
3 3' - 11"
FD
WC
BUILD IN COUCH
2
SF1
OFFICE
PLYWOOD SHELF
TB2
4 CH3
CH3
CH1 UP
CH1
TB1
DN
CH1
NIC
CH1
REV
CH1
CH1
TB1
CH3
CH1 Ellington - RECLAIMED ELM WOOD CAFE TABLE
FREE-STANDING AREA
CH1
TB3
CH1
NIC
CH1
TB1
SF1
1
TB2
N O.
DA T E
DE S C R I P T I ON
PRATT INSTITUTE | INT724
CH3
DAVID PLC CAFE TABLE
CH3
CH3
FREE STANDING SITTING
5
CH1
CH3
Emmerson® RECLAIMED WOOD CAFE TABLE P R OJ E C T :
CH3
TB2
ATLANTIC RESTAURANT
CH3
525 Atlantic Ave
DAVIS LIPSE CHAIR
SF2
CH3
CH1
D R A WI N G T I T L E :
CH3
CH1 CH1
TB1
CH3
TB3
UP
TB2
CH1
CH3
CH3
TB2
CH3 SF1
CH1
CH3
CH3
FURNITURE PLAN
UP CH3
CH3
S E AL & S I GNAT UR E
DA T E :
5/ 12/ 18
P R OJ E C T NO. 17- 724- 01 D R A WI N G B Y : Y i n g Hu a n g C HK B Y :
Che c k e r
D R A WI N G N O .
2
fist floor furniture plan 1/4" = 1'-0"
1
second floor furniture plan 1/4" = 1'-0"
A-102
P R O J E C T T E A M:
INTERIOR DESIGNER NAME ADDRESS 1 ADDRESS 2 T: xxx.xxx.xxxx; F: xxx.xxx.xxxx
2 A-200 2' - 4"
CLIENT: PRATTINSTITUTE -INTERIORDESIGN-INT 724 PROJECT TEAM:
2
-
INTERIOR DESIGNER NAME ADDRESS 1 ADDRESS 2 T: xxx.xxx.xxxx; F: xxx.xxx.xxxx
---
PENDENT CEILING
A-504
3/4'' marble top
1'' plywood
CLIENT: PRATTINSTITUTE-INTERIORDESIGN
3/4'' CNC board
3"
11' - 10"
3/4''plywood board
3/4'' plywood board 3'' plywood base
1
drawer
space for oven
bar section 1" = 1'-0"
3 FINAL SUBMISSION
A-504
1 transverse section 1/4" = 1'-0"
1/2'' thick white marble 1'' thick solid plywood 3/4'' CNC board
1/2'' thick white marble 1'' thick solid plywood
FINAL SUBMISSION
1/2'' linear lighting fixture track 3/4'' thick sliding track REV NO.
1/2''plywood board
DATE
DESCRIPTION
PRATT INSTITUTE | INT724
PROJECT:
Atlantic Restaurant
525 Atlantic Ave
2
bar detail
DRAWING TITLE:
1 1/2" = 1'-0"
SEAL & SIGNATURE
bar section and detail
DATE:
5/12/18
DRAWING BY: Author CHK BY:
Checker
DRAWING NO.
A501
9' - 6"
10' - 0"
1' - 2"
0' - 10"
PROJECT NO. 17-724-01
0' - 10"
N O.
DA T E
DE S C R I P T I ON
PRATT INSTITUTE | INT724
13' - 0"
10' - 10"
12' - 0"
1' - 1"
1' - 10"
1' - 4"
REV
P R OJ E C T :
ATLANTIC RESTAURANT
525 Atlantic Ave
D R A WI N G T I T L E :
SECTION
S E A L & S I G NAT UR E
DA T E :
5/ 12/ 18
P R OJ E C T NO. 17- 724- 01 D R A WI N G B Y : Y i n g Hu a n g C HK B Y :
Che c k e r
D R A WI N G N O .
2
Longitudinal section 1/4" = 1'-0"
A-200
HIP OFFICE Design
2018
This is an office design for a designer's incubator in New York. As a coworking space and incubator for artists, the aim of this space is to provide as many as possible resources for users and encourage them to work with each other, make comments and share creativities. That’s why the design follows the layout of a circular library. The core of a library is putting all the resources around users, so that it makes everything conveniently accessible. This office uses the geometry of the octagon, which is the shape of the existing columns. Using the central octagonal zone and staircase as a central part, all the amenities for various functions such as open work stations, lounge seating, conference rooms and fabrication equipment are all placed around it which makes all of the resources accessible and flexible.
Central hall
Reception
Co-working & CIRCULAR LIBRARY MODE & CIRCULAR LIBRARY MODE Co-working &Co-working CIRCULAR LIBRARY MODE
Work Alone Work Alone
Work Alone
resourece
USER
Work Together Work Together
resourece
USER
resourece
USER
USER USER
USER resourece
resourece
resourece
Admistration
Admistration
The Octagonal Space plays a significant role in the project. It could be used as an event space, and also could be used as a communication venue. It is not a very serious or formal place but shows a young and active altitude. In the meantime, the stair contains a storage space. Architecturally speaking, the shelf system hides the existing columns and makes the space neater. The shelf system maintains communication in the office because users can see each other through the openings. Thus it keeps an interactive working environment.
Admistration Membership
Membership Membership
Work Together
o-working & CIRCULAR LIBRARY MODE
Work Alone
resourece
Work Together
USER
Second Floor Isometric
USER
resourece
Admistration
Membership
First Floor Isometric physical models
sound tape
sound tape digital lab
phone booth
phone booth fabrication
digital lab
fabrication conference room
restroom (with shower) mother’s room
restroom (with shower) openlibrary
reception
shelves for all kind shelves of for all kind of resources resources openlibrary
mother’s room
phone phone restroom restroom (with shower) booth (with shower) booth
Presentation Hall Presentation Hall / Board Room / Board Room
reception
open workshop area
open workshop area
shelves for all kind shelves of for all kind of resources resources seating area
lounge
conference room
lounge pantry
seating area
pantry
First Floor Plan
Second Floor Plan
Different with the first floor which is all for sharing, the second floor is more personal and furnished with independent workstations and private offices. However, it still keeps a language of co-working for different teams to work together. The circular layout keeps the same language as the first floor, It is open enough for chatting and sharing ideas while keeping independent teams separate.
FURNITURE SELECTION:KNOLL
Central Octagonal Hall KNOLL-PICNIC
KNOLL-ZONE
KNOLL-QUES
DIVIDENDS HORIZON
TOBOGGAN® CHAIR DESK
Work Station
DING'S Residential Design
2017
The client likes Japanese culture, that's why the whole apartment follows a Japnese style which is noted for its Zen-like aesthetic and simplicity. The beauty of Japanese or Chinese architecture shows on clean lines, some unique patterns and draws its influence from thousands of years of Chinese culture and decorating. The wood arch screen draws inspirations from classical chinese garden and frames the outside view. All the furniture follow a same triditional japanese and Chinese form, and create a relaxing and minimal living style.
HALLWAY
The main house has a more minimal style. Different with triditional Chinese interior design style, this design includes a sleek surface of furniture and allusions to nature, simplifies the complex patterns and lines, but still matain a sense of Zen and peace.
EAT IN KITCHEN
LIVING ROOM
The tea room and large dining room are separated from the main apartment, thus keeps a wellprotected privacy. This room is big and located near a big window which provides perfect day
lighting. By using large amount of wood furniture and a warm color tone, the space looks warm and good for family events. Geometry is another part of the design, circle and squares - the lines form an elegant graphical layout.
MAIN DINING HALL
Work Sample Residential Design
14'-0"
4"
7'-6"
16'-0"
4"
1'-3"
LIVING ROOM
4"
4"
3'-2"
11'-3"
9'-6"
5'-11"
1'-3"
2019
6"
2'-2"
CL
9'-10"
REF. 10'-0"
CL
DN
4"
6"
CL
2'-4"
4"
PLAY ROOM
8'-7"
11'-0"
4'-3"
8'-8"
CL
6'-4"
5'-3"
2'-7"
6"
2'-6"
3'-4" 2'-8"
18'-6"
16'-0"
6" 1'-3"
REF.
7"
4"
CL
4'-0"
4"
4'-0"
4"
CL
CL CL
4'-0"
CL
1'-3"
1'-3"
7'-8"
11'-8"
4"
4'-7"
7"
4" 2'-1" 4"
2'-4" 5'-8"
EAT IN KITCHEN
11'-6"
1'-3"
5'-1"
4"
8'-5" PROJECT:
BEDROOM
1705 CATON AVE. BROOKLYN, NY
SHEET TITLE:
1
FLOOR PLAN - OPTION 1
FLOOR PLAN OPTION 1
SCALE: 1/4" = 1'-0"
Co-living Apartment with seperate entrances
DATE:
4/15/2019
DEBBIE WEG
DESIGN BY:
NAME
DRAWING BY: CONTACT:
DEBBIE@JGOLDMANDESIGN.COM
SHEET SIZE:
24 x 36
ID-100.00 THE PLANS SCOPE IS LIMITED TO THE DESIGN INTENT OF THE AESTHETICS ONLY AND IT SHALL NOT BE CONSTRUED TO INCLUDE ANY OTHER DESIGN DESIGNATION OR BUILDING CODE REQUIREMENT INCLUDING BUT NOT LIMITED TO STRUCTURAL, FIRE PROTECTION, ENERGY EFFICIENCY, FUNCTIONALITY, OR OTHER BUILDING OR CONSTRUCTION REQUIREMENT. THESE PLANS ARE SUBJECT TO REVIEW AND APPROVAL BY THE RELEVANT LICENSED DESIGN PROFESSIONAL/S.
PAGE
XX OF XX
EAT IN KITCHEN
FLOOR PLAN
1595 Broadway
Patio Design
SPACES DEFINED BY COLORS
LOUNGE ROOM
127-129 Troutman .
GYM
2019
OUTDOOR
OTHER WORKS
LAMP Design Grasshopper 3D Printing
Rhino -Internal Space
Rhino
Rhino + Revit
Rhino + Revit + Photoshop
Modular Furniture Design - Twist fabric + cardboard
LEAF 3D Printing
CERAMIC
DECORATIVE WALL DESIGN
Installation - Rain London. Oxford Circus