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i am from

HONGKONG

studied in Australia and New Zealand


things i see the most in

AUSTRALIA

the political affairs, the cartoons of Prime Minister


Ka mate, Ka mate Ka ora, Ka ora Ka mate, Ka mate Ka ora, Ka ora Tenei Te Tangata Puhu Nana i tiki mai whaka Upane, Upane Upane Kaupane


things i learnt in

NEWZEALAND

uruhuru awhiti te ra the Haka


y e n r u o j e th


stor y the hi or y the st logo... . . . g n i d ...bran d r r r r harrr Work yer... fl . . . d a .. tions. a c i l b pu e .colleg . . i n u . .. rrrrrd r r r r r r harrr Work sign... e d e p ty aha... h a h ard Play h ... raphy g o t o h ers...p t s o p . t.. y hear m n i deep s... credit . . . m umm


The history Red-white-blue bag is a bag which

with families. But it is not commonly

is invented and commonly known in

used in Hong Kong now, as it looks old

Hong Kong. We call this bag “Bag of

school and is not fashionable. But this

going home�. It was a cultural trend to

is definitely a figure of Hong Kong, the

pack up and go back to our old home

Red, White, Blue bag.


The story o

Red White B


of

Blue bag Red-white-blue bag is made by a

I also see the three colours being

long lasting material. It is ordinary but

used in the flags of the countries I

strong. It is old fashioned, but it has a

spend my life in: Australia, New

lot of potential to be designed in many

Zealand and Hong Kong. Sometimes I

different ways. The combination of the

feel like a refugee as I need to pack

three colours slowly reveal the

many times in a year. Where will I be

uniqueness of the bag. The bag seems

next? I have already packed myself up

to be telling people that “I am very

for you.

creative.� It is practical but artistic at the same time. It is me.

(Sadly, I am too huge for the bag!)


work hard


Branding Eucalypt kids is a kids clothing

The final logo was not classic but tended

company. I communicated with my client

towards a friendly and warm feeling. It

and tried to understand her thoughts. In

was a shape like a map of Australia,

our initial conversation , she mentioned

created by cloths, trousers and sock. The

that she wants a classic logo like “SEED�.

two chosen colours were baby blue and

Throughout the design process I felt that

baby red, which stands for young boys

she was not very certain on what she

and girls.

wants. I provided a large range of designs to understand what her preference was.

WORK HARD

The size of the business card is unique: made proportional to the logo.

Client Eucalypt kids

Software AI PS


eucalypt kids eucalypt

eucalypt kids

kids

s


Logo Most of my clients are owners of small businesses. They would like to have a branding design for company start up. Most of them need to set up a logo and business card.

Selene Design...A designer jewelry brand i4c Marketing...A marketing agency Melbourne Youth enterprise...A group who help youth to start up their own business Cycle Plus...A recycle material firm Best...A property agency Another Designer...A group of designers

WORK HARD

Client Selene Design i4c Marketing Melbourne Youth enterprise Cycle Plus Best Property Pty Ltd Another Designer


a

p l u s

f o r

o u r

e a r t h


Publications Sameway Magazine is a weekly

I am interested in designing

magazine. It contains sports, art,

things related to world issues because

travel and more. The company was

I care about them. I enjoy putting

using AI to do their publishing work,

seriousness and creativity into my

but one of my colleagues and I

design.

suggested to use ID to have better and faster layout design. The art director and I both agree

I also had experience in starting up a newspaper where I was the key person in charged. I designed the

that I am better at designing in terms

header, layout and grid set up

of art and travel contents.

individually.

WORK HARD

Client World Issues

Software AI PS ID


㚹ಁжࣨ photo: Xinhua text: ҏѐጡᒮഋ џӎࣆܹᘛ᎛ൊԊණᢜ಩ඞ ళണᇊਫ೐Ϙ੮ც૭аൊఐ޶

Ⴣ᝱߰ਛ៳ ֲᔝᔵࡖ

ग़஼ः‫ى‬ᖧӔಿఔ݇ ȶ3·11ȷЂԳᏩϘ༉Ր

2011ԑ3Т11РήϿ2ਢ26ϷȂР ҏ‫ݍ‬ѕഋ੕୿ีҡ 9.0 ઻஼ᎪȂЕ ี੕ቤ‫ڷ‬ਯႫમᒭৢࣉᅓȄࡸྱР ҏឌຜᢈᄠՍ2012ԑ3Т10Р‫ޟ‬ಛ ॎȂӴᎪ‫ڷ‬੕ቤӓഅԙ 15854 Ρႄ ᜲȃ 3155 ΡѶᙹȂՍϬ‫ۦ‬Ԥ 34 ࿲ ᎷӪ‫خ‬ҕӵӨӴᗗᜲȂငᔼཬѶଽ ႀ2100ቇछϯȄΙԑࡣ‫ޟ‬ϬЈȂ‫خ‬ ᜲ‫ޟ‬ഛኇ‫ٷ‬ณ᠖ဋ๿РҏȂ१࡚ড় ༪‫ޟ‬ၯഊᡗுᅞߝՄᖟٚȂณՄȂ џӎᇊਫȈ ᖍԍఔീ߰

‫ר‬ঈ஀߬Ȃ७ᄇ‫ᜲخ‬ȂΡ᜸‫ܚ‬ᐭี

џӎࣆܹୠఔኇՑ॔݇ ȶ3·11ȷЂԳᏩϘ༉Ր

ю‫ޟ‬ᜰᛄϣօȃღ๖Ꮽ໌‫ޟ‬Ψ໔ತ ‫ـ‬૖ᏽഽ༃ུȂߔ‫پ‬ᔩӎȊ

16

17

16•03•2012

s

s

s

16•03•2012

㚹ಁжࣨ

s

㚹ಁжࣨ

2

photo: Xinhua text: ҏѐጡᒮഋ

photo: Xinhua text: ӎҏ፠ᓭൊ

൦ල

5

6

࣏Ο33Ӫᝪώ‫ך‬щ ข‫׀‬33ԩജ‫ק‬ឩЍК঵ԩ‫קۦ‬ឩЍӄः৖֘ླྀ•ࠠӞः෻ညԳ੡༡13џ≩౐ ՘ґпСᖔాȄ

1 2

3

ညԳ੡༡13џწ੡12жȞᑫࣷ‫ތ‬ൊ੡༡14੡12жȟҽҠȂᔌ຾ȶኂ஖2ၳȷ ాӠᒺ፤፤пҍԳবȂ‫קۦ‬Сϭ௟ࠕ69чԬȂၐ֣ཫቚឩឩ᝱঵ԩឩЍࠠӞ ः෻՘ґᖔాȄྥႶࠠӞः෻ߞాӠᒺпСჅ຀ϩж༶‫׀‬Ȃᑢ੡15жៗȄࠠ Ӟः෻ᕛ຾ᐍᝡ‫ڕ‬ҍాӠᒺȂᢖఀࠑఐӀᔖȂҁሃຈ৏Դ‫ڤ‬㡯ߞਛϠѽфข ‫׀‬ᗁ೚өઠ‫ݛ‬ȃᎎӠൊࠜ୺ૼ‫܈׀‬۶ా෯Ϡ৶ϘϘᐾ‫ݱ‬Ȅ

4

಩Ր31࿐ߞࠠӞः෻࣏ឩЍታ઱Ȃԯऎ‫ڗ‬ᢜஉ‫״‬փѷ၃ᢚᚳනജᓴऎ঵ԩп СឩЍȄҁԴత‫َࠐۦ‬ᢜᕭࢢ௟ജߡпᑟ୙݀ॊө‫ޯڲ‬Գ஡ᛁ୰་֖ᣍᅅȄ ྤᎈ ௿ධᑻ ௿ධᓌၾ

8ѡ5џȂข‫׀‬ҔൊْᆐϘቚឩ๴Ӡིў‫ࣇڰ‬Ȃᐱ७33ԩឩЍജ‫ק‬700ռಎС ϭ֌ЫȄ၃ჅࠜႿዴѡߞ࿤൯Ѝ֯ࢢȂా෯Ϡ৶ೣ‫ࢶݺ‬഼Ϟా෯഼ႽȂ‫ݺڭ‬ ညԳ੡༡12џ౎ӒՑ༟‫ܕ‬൵ࢢ༥ࣱߞా෯֖ஜȄ ಑Ι՝໷ցܰႀӴ७‫ޟ‬ೝ֨ᝪώᇄ‫ێ‬υ᏿ܲ

16

15•10•2010

17

Ѿ ή

2

සցᖂಛҪ੡‫ܜ‬಑Ι՝໷ցܰႀӴ७‫ޟ‬ೝ֨ᝪώ᏿ܲ

3

಑ΙӪήϢ௿ධடড়ӵήϢࠉ‫ڷ‬ᖂಛҪ੡‫ܜ‬ණЙ

4

൬ᡝᇄೝ֨ᝪώড়Ρӵฐࡨ้࡟

5

௿ධடড়ήϢ‫ڷ‬ᝪώЀϢӒᎬ೻এ௿ධঘ

6

гӹ‫ژ‬ኑޯై઎ ֖၃ᔋႽߞгӹ‫ژ‬ᅔܺ‫ݦ‬ᘢ ஥ਛԴጄᣍКிࢺᖉ྽ ‫ۊ‬ຆᛁ୰ӏକুֺȂౕؓភភ๑ਸ ҾӔԴജѪઓٟߞӮᑜϯ‫܋‬໿ ‫ܤ‬ՂɆѪϯៜɇ Ϙᅆఐ࠴ԴᆝчЂѪК઻዆

1

4 3

2011ՐȂК஼ࠜկࣹா࿂ᇑчઈࢺ᠈๴ӠȄԴࠜ կКϭหԳ஡ࢺ᠈‫ی‬ৎԺѡߞ‫ৣৣ٭ؿ‬ຕ‫ف‬Ȃទদ ߞѪ‫٭‬ϫతᓫփ֌Ȅ֜‫ࠜݺ‬կሃᆔկӹབྷ഍ߞ‫ޠ‬ ᆔȂԴ‫ڙ‬ӻভ‫ۻ‬100༉ՐߞদঋџЄ㡯Ȃ၃ᑢϞ‫ؿ‬ ሃѪߞᛕদւᢚȄЙჅȂ‫ޠ‬ᆔҾӔ‫ڶ‬๒҇ᆕጄᣍȂ ᕕᅆᗞ᝱ߞџЄȂಲൣӠࣿᘘঋា᠈Ȅ ం 17 џ 8 ੡ ༟ ‫ ߞ ܕ‬௻ ফ ࠥ ᐱ ७ ‫ ޠ‬ᆔ ࡱ ஡ Ժ ഍ ᆖ ѪȂ‫ژ‬Ꮓ഼֖‫᝱ק‬ȂϘ‫ژڱ‬ᏃѪКᆪѫȄϘ‫ڱ‬Ⴎ ࣱᆖѪ໹ჅҗռȂϘ‫ڱ‬٠‫ژ‬ЏᆪѫᆓԴѪКȂຈ ࢞ా෯Ȅ 18 џȂ‫ޠ‬ᆔుஜϞ‫ڨ‬մ V ૺᠩᕕȂҾȃ ஡‫ڨૺی‬մൊࠝӒ௜зᝯަࠥఐմఐȂ‫ڨ‬ፑҞକ ๴ӠߞԳᎳ‫٭‬ਚȄညџȂ‫ޠ‬ᆔчޫᑟඞᗜ੡ᝯൕ 1 ৎЈ੡Ȃ་ҍสଝ઱‫ۦ‬዆ᠩȂൊж་ส঳ᑟജ ঝ‫ؼ‬ফ۹᝝ᑟඞȄ֌12ᙇ30жҽҠȂᑟඞଝ઱Ж ൙᠈ࢭ෇Ӓ௱Ȅ తാЙᙝߞዷࠥЏᐱ७ࠜկ‫ޠ‬ᆔկࣱѪ֜Ђ඼ϯ ᆚȄЫՐࠜկ‫ޠ‬ᆔᝯѪ֜ា14џ঵ըॎ૔20ռН ࢢȂԓ࢘ࢺ᠈ϯᆚȂ‫ޠ‬ᆔԑব་ϢմงᅁᐼߐᅗȄ ࠜկѪ‫܎׀‬৶ྻѪћᆾเዴᑂᢖӯȂ֌ 18 џ 10 ੡Ȃࠜկ‫ޠ‬ᆔᝯѪ֜ЏႿۖ21.57ռȂѧ5ѡ஀‫ؿ‬ ੡Րа൵ֲѪ֜15.25ռϯᆚϞ6.32ռȄ

1

Ⴋຜ‫ޢ‬ኬᄠყห७Ȉ಑ΙӪήϢ௿ධடড়ܰႀϢ‫ۻ‬ᗗᜲ‫ܚ‬

15•10•2010

ෙኔჶ຤ዐ

1 2 3 4

17

24•06•2011


Publications Loreal Melbourne Fashion Festival

amount of text usually cannot make a

held every year in Melbourne. This year,

good use of photos and cannot create

we have permission to use the photo.

good looking design. I am the first

I did the layout base on the original

person in the company to suggest cut

design, I would like the readers can be

down the amount of text on colour

reminded when they see the

pages. As I understand that photos

advertisement on streets.

and heading are the first to attract

I normally have to deal with a large amount of text. But a large

WORK HARD

readers eyesight.

Client Loreal Melbourne Fashion Festival 2012


photo: LMFF

Lucas Dawson Photography

L'ORÉAL PARIS RUNWAY 1-7

text:

LMFF

3 9

MARIE CLAIRE & L'ORÉAL PARIS BEAUTY WORKSHOP

15

LMFF

3 14

LMFF

LMFF

LMFF Rae Morris Marie Claire Alex Noonan

80 Marie Claire

L'ORÉAL PARIS PRESENTS ALEX PERRY Alex Perry

12/13

L'Oréal Melbourne Fashion Festival 2012 3 8 3 15

LMFF OPENING EVENT

Docklands 3 8

TARGET VON FOLLIES BY DITA VON TEESE FOR TARGET 3

T www.lmff.com.au

10

Dita Von Teese Target Lime Door brands Diamondcut International Von Follies

LMFF RED CARPET RUNWAY PRESENTS TONI MATICEVSKI 15 Maticevski

3 To n i

AD

30

16•03•2012

31

16•03•2012


ӣၽѲ੕

photo: Lucas Dawson Photography text: ҏѐጡᒮഋ

ዉ຀໯Ꮞᅭҏਢ၆࿽໠ᄍԒ

LMFF OPENING EVENT

3 ѡ 8 џȂ֯ऎ੡ႅြѹඞߞᐍᆬӎԺֹ

ॳߛࢺᙽ ቲ൪ิൟ

᠋Ȃᢏ‫ڗ‬՘ऎϞߩઈК҇ᆕϞᄱёଠᠲϧ ߞ᜹ങ੡‫ܥ‬ЂँᅆȄ

ġ Еሴжࣨਢ‫ۦ‬ዘࢺ ዉ຀໯Ꮞᅭҏਢ၆࿽ყ৤

ΙԑΙ࡙‫ޟ‬ዉ຀໯Ꮞᅭҏਢ ၆࿽ȞL'Oréal Melbourne Fashion Festivalȟ ܻ 2012 ԑ 3 Т 8 РՍ 3 Т 15 Р ӵᏎᅭҏ‫ޟ‬෫ᢊᔻୢӻպ៌ ȞDocklandsȟ໪१ิൟȂ հ࣏ᐬࢸҬࠉೣ዁ശσиശ ࣏ԙђ‫ޟ‬ੑາ‫ޟܒ‬ਢ‫ࣀۦ‬ ଢ଼ȂᒊӫΟਢ၆ȃ೩ॎȃ୦ ཾᇄഺཎȂ֜ЕΟฒኵᄇܻ ਢ‫ۦ‬ᛢଜ‫ޟ‬Ρ᠍ᆹΙஆȄ

ᐬࢸਢ၆೩ॎடཾ ౳ཾҡਢ၆৤

NATIONAL GRADUATE SHOWCASE 3ѡ13џȂ‫֋ڽ‬ԑᑫߞϩϟ֜੡ႅന঍௞྽ ߞᔹ‫ٽ‬ಲ྽ӠȂҁেߞന঍൹ྍ۶ሦ֯Ѝ ᜹ȂՂԢϘߵ૷ಐߞ౻ࣵฯϢ੡‫ܥ‬धȄഺϘ ඞપ‫ߞ־‬੡ႅ‫ٽ‬Ȃ҄Ϡে‫ޟ‬ඈԳऻۖᑫࣷ੡ ႅന঍ߞӏ‫ڽ‬Ȋ

18

ዉ຀໯БᏍ੫௰ਢ၆ഥ઻ ೩ॎৱ‫ٳ‬ᐣպ඼ȅ‫ڃ‬٨டൟ‫ؾ‬

L'ORÉAL PARIS PRESENTS ALEX PERRY

3ѡ 9џȂપయᑫЂ‫ڲ׀‬൤ૺ‫އ‬ႅന঍ਰ‫ڲ‬ ᑢֹ෻ȅ‫ڧۂ‬ȞAlex Perryȟߞ௞ඞ‫ٽ‬Ȃொ ົᆽᢖȄ

ᐬࢸσ፲ൟTARGET໱ღ ਢ၆‫ؾ‬டൟȈအ༱ȅ࿲ඪ඼

VON FOLLIES BY DITA VON TEESE FOR TARGET

3ѡ10џȂԑಧ੡‫ܥ‬ԩඬၠ཰ȅေ෩෻ ȞDita Von Teeseȟ௞ඞਣ಩‫ێ‬൵ྲߞৎ Ϡࡡ๕ȶVon Folliesȷ෇ҟа֗‫ڀ‬ԕȂ࣍ ਡҍϞՁᅆ‫ݺ‬ҟ‫ۏ‬ग़ߞϘരጤྑሃୠِȄ

ዉ຀໯Ꮞᅭҏਢ၆࿽औӴ෧ ਢ၆‫ؾ‬டൟ

LMFF RED CARPET RUNWAY PRESENTS TONI MATICEVSKI

3 ѡ 15 џ Ȃ ᑫ ࣷ ൤ ૺ ੡ ႅ ന ঍ Ђ ਰ Toni Maticevski ‫܇‬ឥϯϘඞᑾϘ๑ϟߞൕᅌЂ ᚃȂ҄Ϡࣹാ‫ߞࠔ؞‬ग़ដȃ҇ᆕϞӖࢮߞ ᐃϧȂϫ‫؜‬ՂԢѪ෿ଠ଑਴ȂЙ‫ء‬ៈဥȂ ُϘԆൌ࣏‫ڤ‬ଠᢸஜȂᐖᇸϞന঍ਰಎኸ ߞఐྏȄ

ዉ຀໯БᏍਢ၆‫ؾ‬

L'ORÉAL PARIS RUNWAY 1-7 ੡ႅြӖࢮЙᢏߞѹӇࣿஜȂ֋ 3 ѡ 9 џ༟ ‫ ֌ܕ‬15 џຕ‫ف‬ാ᠈ϛඞȂᆽ಩ᑫࣷ൤Ջ‫އ‬ ႅന঍ਰߞ൵ྫྷјߞ՜᚟‫ڀ‬ԕȄ

19

Loreal Melbourne Fashion Festival 2012

WORK HARD


▇ၽѲ੕ photo: Melbourne Food & Wine Festival text: ҏѐጡᒮഋ

melbourne food & wine

ғԃȮӣၯΡȯԪࠉෆငϭಝႆ ‫ޟ‬ȂϬԑতႆ‫ׇ‬ΠΪྑҡР‫ޟ‬Ꮞ

1 2

ᅭҏछନछॵ࿽Ȟ Melbourne Food and Wine Festivalȟ Ȃ࢐ΙൟԤ຺ႆघέԻ໶Ϛӣ‫ޟ‬

festival

4

ᆠிࣀଢ଼ȂӵߝႀΠΪЈ‫ޟ‬ਢ໢ ϱࡻ៉ΰᅋ‫୽ޟ‬ሬ‫ܒ‬छନछॵ౾

໽ॵМϽᅾᡗᆰԎ੫Փ Ꮞᅭҏछନछॵ࿽੫տൢᏲ

ོȄኵоν࿲‫ޟ‬छନछॵདྷԁ ‫ܻޱ‬࿽Р෈໢ቆᆹᏎᅭҏȂӓ

3

ӣᡝᡛछନछॵ‫ޟ‬ЈஆϞਡȄ ӵҏ۩Ꮞᅭҏछନछॵ࿽։஠

Joost

๖‫؂‬ϞਢȂωጡԤ۷юৰΟӵ ȶGreenHouse By Joostȷ ᓡᢈϱ‫ܚ‬ᖞᒲ‫ޟ‬ȂᅾᡗᆰԎ໽ॵ МϽ੫Փ‫ޟ‬ȶPut Victoria On Your Tableȷఏঢ়Ȅ

᠜ՙऔ࢖ཆ

఼ୁႎ 1 ੥ฎဎσցٰ ༃ᐚᢉᚃҘ

ര 2 ኁৱঈғӵྥ ࡹዺ ᆰӻց‫ٰٳ‬ႎ

On Your Table 3 Put Victoria ࡹዺ 4 ᆰӻց‫ٰٳ‬ႎ By Joost ֑ use nHo Gree 5 ᓡᢈΠዂ࣏ନ ѴශΙዂ࣏к By Joost‫ޟ‬ 6 GreenHouse er ॎৱJoost Bakk

6

GreenHouse By Joost Դᙇໞ౎ਜНࡈȂӅ༷ऎЂਛЬ೜ߞȂ࣏ഺ༡֜‫ݺ‬ ༮‫ޫݛ‬ષȂЃѳᑜዃඞКҴߞᇥ֒ᖖ࠲ᔠᣇ۶‫ێ‬൹ ྍϠѐֹȞJoost BakkerȟȄ ҍӠ‫ݺ‬ഈ᠋ߞѐֹȂ‫ێ‬чЖଠߞႭᐯॊ൹ൄϧ۶ቈ ‫ڍ‬ϧϘԨऎ྽а‫ऻݙ‬দȂ‫ێ‬᎜Ժ֯ࡡജ᠖ऎȶᢏ኿ ऎភߞ᜹ങȷȄ֯ऎ೐У҃ߞᣭࠛশᇌน߰Ȃѐֹ ௟ȶবจཀϿ०จчȷߞӠࣿদྲ‫ܠ‬၍Ȃ՘ऎϞ༰ ന঍ਰȃЍ຀ਰȃ࢙ᒝਰȃॊᐯਛȃႺඞѹ۶ዀਰ ऎϘᢜߞ൹ྲ࡭ϠЖȄҁ௟ഺϘзߞߢᝊ༰Кᕕӡ ۶ᢜ಩ԴϞ GreenHouse ᔠᣇϯȂం࢙ᒝѹຕᅹ ȞᅁѢȟۖҳᖒȞһЂߞ࡬ߡऴ੺ࠅཀྵȟȂం࿰‫ށ‬ ȞӨчч๒ళԍ+‫౎܆‬࿢ࣘ᠐ᖍȟ֌੸ฎȞѢሦ‫ݕ‬ ջ / ᜼፠ȟȂంᔠ‫ۍ‬Ȟ൜Ͽȃटጬȃ૽Ꮃȟ֌້ඏ Ȟ෈ᖖ૽ȟȂߡۖ‫ݙ‬գߞྲᘿ঴‫ل‬১ਫ਼ȞգᑟႺ֯ ߏȟȌ๑ϘЙᢜᢚϞᅆЂ֋๒ߞᝯྑȃᅆᖖᄩߞ࠲ ᠕ȃᅆҞࢺ᠈๴ਣߞிࢺ۶ᅆӠ‫ߞۻ‬පদȊ

GreenHouse ᔠᣇߞന঍۶࢙ൄ՞ԴऎညϭߞϠ ে෩‫ڻ‬ϘৎԑྲߞᓴᑄȂԴᅁӡ‫ݑ‬ȃҞࢺ᠈‫ݑ‬ሃग़ ដϬўব‫ۖر‬ӀᓊߞњᙇȄԯթȂُϘ഍ߞ೟ြ ൌᢜ಩ϞѐֹߞҞ෈ᖖന঍ನ݇șșြॗࠛᓿ۶କ ࿚ȇంல୧ಬۖᗲບ୪Ȃ‫҇׮‬ԊւዋϞ‫ێ‬КߞҞԓ ԰՜‫׀‬ӡ‫ݑ‬Ȅ

GreenHouseᔠᣇ൵ࠐ‫ݺ‬2008ՐԴᐍᆬӎ൹ӲȂ ࢢ‫֌ྦྷڽ‬ढ෻ȂՂЫЏ၃՘ऎϞढ෻ߞϘЂપ֒Ȅ ୵Ϟ࢙ᒝўবȂ GreenHouse ֯ऎϘࣹߞᔠᣇȂ ‫ێ‬ҩϘЂપᙇ֋๒බ࣏ҹߞ༼঴ȂԴయዃᇥ֒உ௵ ጗ࣹ۶యЬዀਰྲ࣐ўবߞһЂ֯ӡȄ

PUT VICTORIA ON YOUR TABLE ȶPut Victoria On Your TableȷȂፁՂ‫ێ‬ԩȂ౎ ਜᇟᓴϞᇯՍ൤ૺߞ঴‫ل‬۶୧ࡡȇѹዀেϵൌ‫֋ڽ‬ ᇯՍႵգ҃ࠑ‫ߞݑ‬ϘࣹԳ஡‫ݑ‬ᔠᣇȂҒࣁϞPietro Porcu (Tea Rooms of Yarck / Yarck)ȂMatthew Feagan (Mr Carsisi / Kyneton) ȂAndrew Doughton (The Long Table / Red Hill)ѽфMatt Stone(Greenhouse)ȄϘಿ‫ڽ‬ሼȂ᎘૯লӠȂϘ ඞៃ‫ף‬ϞᇯՍ༏Ͽলఐߞग़঴ਜ਷਷‫ݛ‬༟ؔᅌȄ ᔠ੸ߞֶ၉ຜϠѽᎳᑓȃ࿢៟ȃັᏋߞӣཀྵНྏȂ ᔠ‫ۍ‬К൵ऎપ֒ߞබ࣏Өȃགȃᑕȃᇥߞ௾֒൜Ͽ ᐡӪ۶ਛ‫ܧ‬ՑߞटጬಬȄЙঋᢘതȂٟᓾȂᘵ๒Ϡ েϘര࿄݇Кߞ୼ᕫ֘ᔠᗾ‫ڤٿ‬ᙇ‫୼ۊ‬༮ȂՀ୧୨ Հ‫ޓ‬ᄗȇ࣏֭ЙԢߞटጬಬ୨ϯЙԢߞ୧ࡡȂϵ‫־‬ գϘ๫লۧऻᔝȄ ӎըߞ౎ਜԒұႽȂ‫ێ‬Кࡈ້ϬԕȂж‫־‬તํ၍ Ђ‫گ׀‬౻஀Ⴭᡛ֘॓ࣕ྅གᑙᣈᛂӗȂᎩ㡯ଖև ୨ᒤ೿Ꭷ‫ڑ‬۶መ੿ْࢠȂ࿬ᙲᎱ൦߇Ђ൪Ȃྥ୨ Bakery Hill 8yo ࢃЀҙҐྲᘿេ‫ލ‬ȃመ੿ᙤᙡ‫ލ‬ ӗᇧևੳᒤᛗ‫؍‬୧Ȅѹ້‫ی‬ႽȂж‫־‬ᙤᙡ૰ឳ ओໄϧ઒ᣉࠦϾȂ୨ࡑӝᣀኜ‫ڑ‬Ȃጓުᙤᙡ࿬ᙲ གบӗ‫ڭ‬শନْࢠྥ୨‫֋ڽ‬༮‫ڐݛ‬Գߞཫֹ෻ჲ ၬ່ཀྵ2010ՐಯᘷԺដȞGiant Steps, Sexton vineyard 2010 Chardonnayȟȇᇆથᘁᆬ۶ѱ ୨Ҕ࿂ᆩႺඞಯ๑ࠅ‫ލ‬ȃၬ່᜼૰Ґ֘ࠄ۶ᢍ፾ ᢈᢌᛂȂྥ୨‫֋ڽ‬༮‫ڐݛ‬Գߞ൶ԕ2006Րಯ॓ၬ ່୧ȞCarlei 2006 Tri RossiȟȄᔠࢢᙇϘႽȂ ऎᇯԺ‫گڲ׀‬Ⴭࢸጹྥ୨‫֋ڽ‬ംᄾჲҗਫߞ2011 ಯֹ㡯ጞ๳ᠺশӨၬ່୧ȞCrittenden 2011 MoscatoȟȄ

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ᗁᢜϯ‫ڽ‬ሲȂُϘႽ້ߞႅጹᙚനൌᚎጒփЙҵ ᇟग़Ȃ೑Ԫ֘ᔠߞϘര᜹ങग़ྏȄԴϾྏϯȂҞ ѽሲُϘႽ້ൌգЙԢߞলۧȂ࿬ᙲᎱ൦߇Ђ൪ ѽфᇆથᘁᆬ۶ѱంҳᣍ۶ۧႽϯ‫ـ‬գ‫֘ތ‬ўຕ Ԫߞ࿄݇ȄԴ‫ݙ‬գߞ້۶୧ࡡКȂৎϠѧႵКྍ ߞգȈᎩ㡯ଖև୨ᒤ೿Ꭷ‫ڑ‬۶መ੿ْࢠȂթႽ້ ԫߞ࣏൹ྍ���୨ȂᎩև୨መ੿ທᅆ໹ҍϞົϠ௄ ‫ݺ‬Кົਫ਼ನϯߞ௱ᝊȂ֭‫ڰ‬ᅁϯࡡᄘϭ‫ڽ‬ȂӨ֒ ߞᙲથᎩ㡯ଖևᎳԳ᛫ഹࡒЙҵធࡏȂ௲ϯϞᇴ ᇥ֒ᒤᎧ‫ߞڑ‬౻଑শಮ۶౶ᑕ֒መ੿ߞቕಮۧȂ ࣏࢝ಜϾȂ֒௾ߞྥ୨ӺࢫۖՀ഍Ȃϩжᕕ฀ਆ чߞྏះȇᇆથᘁᆬ۶ѱȂթႽ້ԫߞ࣏ۧႽȂ ಎ॓֒ߞ۶ѱևᎳᘿᄷȂರ௲ऒѫߞ౻শȂҳҐ Өࣶᎀߞྋ‫ڙ‬Ȃ๑ࠅ‫ߞލ‬ӟಮȂࠦ֒ߞၬ່᜼૰ Ґ֘ࠄ۶ᢍ፾ᢈᢌᛂપգߞ‫ڱ‬ྋॴᖁ۶౻শȂⳏ ԪۖϘ഍ȂᢰЈ፠Й၃ᗑྐۖਆчհ཭㡯җ༟җ పߞഈࠅȇᛗ‫؍‬୧Ȃመ੿۶ᙤᙡӗߞಮۧȂК۶ ϞࢃЀҙߞᑧ࢘Ȃྲᘿߞេ‫ލ‬ບԢևੳᒤᢰ‫ۧލ‬ ‫ـ‬ҐᏔࡓȂ‫࣏ڹ׈‬ՂЫЙщޭఀ୧ᇟߞЈ፠ϵऎ Н൜ᏕȇᠺশӨၬ່୧ȂඈᡌߞನӤЂ࿄ϵ࣏ԯ ऎ‫ێ‬К‫ݙ‬௲գߞᑧᣭѪ‫߾ࠆލ‬ȂᖁКԺಮۧȂ୧ ᇟᑧ࢘ᘵ๒Й୼Ȃ֭අۖᒸᔝϯϵྻ҄Ϡྋ᠝Ȅ

࡚ᑞ೩

ᘢ઱᝴ 7 ኁৱӵྥരᘥ ο ࣔ຅Ψ੓ᢊߧ

គ‫ݎ‬ȃᇙੀᘥ ନ ᆨՈ਴ᑥᚘ‫׎‬

9 ᇽࡊᔼᔼΙஆ

7

5

ЙߢЙះౕҝຄҳȂЏ࣏ົᑶࠐϯȂ༮‫ޫݛ‬ϯᏂ࣍ ߞᑶѫȂԢዹ҄ϠѕᏕȂ‫ݕ‬ധഺබ࣏‫ا‬ጤྑᐍᆬ ӎȂ‫ڭ‬ಎྏ‫ێ‬ऎ೐ϟࣇ༏ߞ፡Ӥ‫א‬Ȋ‫ڽ‬Րߞᐍᆬӎ ग़୧ग़঴ြȂӅ௟দ֌ȂऎЂਛឥϯ‫ـ‬Ժȃ‫ـ‬ᇟ௾ ߞग़঴ፔൢȄ

31

30•03•2012

7 8

Melbourne Food and Wine Festival 2012

ࡄρњёཱིᘀ

8yo 8 Bakery Hill ᘢ‫ݎ‬Ҙ

30•03•2012

9


Publications This is a set of promotion for National Gallery of Victoria. National Gallery of Victoria had a set of

be different based on what exhibition we introduced. This set is proved by NGV officer

exhibition hold in 2011. I was in

and she asked to have a copy of it. The

charged of all the publication from

officer email me and was very happy

beginning to the end. The style would

with the design.

WORK HARD

Client National Gallery of Victoria


Advertisement In the two years of working at

personally think that the process is not

Sameway Magazine, I did many printed

always appropriate to produce the best

advertisement for various clients. The

design. I suggested to break the

working process of this firm is like the

tradition: by discussing with the sales

following: The Sales department dealt

department and clients together. I was

with clients and instructed the

successful and the clients appreciated

designers on what to design. I

and were satisfied with my design.

WORK HARD

Client Sameway Magazine

Software AI PS


You can try new cars in anywhere impossible at home online. Car testing report website.

Feel the

Feel the

Feel the

Feel the

Silence

Speed

Luxury

Wildness

THE NEW CAR TESTING REPORT WEBSITE

THE NEW CAR TESTING REPORT WEBSITE

THE NEW CAR TESTING REPORT WEBSITE

THE NEW CAR TESTING REPORT WEBSITE

Guide the audience to travel the world by using the red line, but how? You will see the answer on the next page.

ONLINE TRAVELLING


Flyer One of my client’s strategy is to

design only the graphical with

promote and invite international

typographical design elements. My

students to study in a particular

client was very pleased with my first

Melbourne tertiary institution. I first

attempt at the design.

communicate with my client before

I mainly used three colours for the

commencing on my design. The target

flyer, the meaning of the colours are

audience of the flyer is international

fresh, fun and youthful. I increased the

students in Melbourne and is given out

percentage of black content in green

to the public by sales representatives. A

and try not to use very bright colours

special requirement from my client is

to make the flyer not only look young,

to have a QR code printed on the flyer.

fun but also professional.

As there was no images provided by

The hierarchy of the brochure is

my client and the flyer had to contain

expressed by the abstract talk boxes

long chains of words, I suggested to

and arrows.

WORK HARD

Client eEagle Group


INTERNATIONAL

S T N E D U T S DO YOU WANT TO..

JOIN US! ENROL A COURSE WITH US! U will get-Monthly public transport ALLOWANCE Monthly living expenses SUBSIDY Job OPPORTUNTITIES FREE migration, investment recruitment, travel, accommodation and daily life assistance

PAY LESS TO STUDY?

For more information please visit www.eeaglegroup.com/education/exclusive Email education@eeaglegroup.com

MINIMIZE LIVING COST?

RECEIVE JOB OPPORTUNITIES?

Representative Contact

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Back to Uni Most designers do not put their

softwares and stuff, but more

school work in their folio except for

importantly it is about the concept and

fresh grads. The reason of placing in my

how our ideas can change the world.

school work is not because my works

However, the reality is quite

were awesome like masterpieces. I

different to what I have learnt from

think that was part of my journey in

school, but I am hoping to survive

becoming a better and better designer.

with my ample passion in design and,

In the three years of my university life,

change the world as the lectures

I did not learnt a lot of how to use

hoped for.

WORK HARD

Client Swinburne University


WORK HARD


Back to Nz New Zealand is where I first got in

was the first one at school who had two

touch with design. Honestly, I did not

excellent graded art folios. I was very

know what to expect upon stepping

fortunate to have the New Zealand

into design. What I did in college was

education department inviting me to

free and fun. I almost spent my two

have a photo taken of my folio, and to

whole years, day and night in a dark

have it printed on the 2009 New

room and the design classroom as I was

Zealand College art design work. Both

so passionate in it.

of my folios are ranked the top 5% of

These two years are very much treasured. I excelled in all units and I

the New Zealand folios.

Client Bethlehem College


play hard


PLAY HARD


Types Design I love types. I believe typography designs tell stories. Chinese characters have 5000 years of history. Each character is formed by pictures, so almost every

CXE is designed based on ancient Chinese font and it is drawn by Chinese writing brush and written on old Chinese paper. This is a mixture of multiple

Chinese character tells its own

cultures like what I have personally

meaning pictorially.

experienced.

Project Chinese X English


Deep inside of me 2009 - 2011 was the most depressing period of my life. Seems like

Iron Me is a project to note down this depressing stage.

I have lost my soul, my passion and my

The font is made up of half

life. The reality kept hitting against me

aluminium foil and half sketches. It

even though I reflected on what to do. I

means my creativity is being covered by

understand it is challenging, but I am

something emotionless and stony. The

not defeated and am still alive. I need

video has the same meaning and finally

to find out how to be passionate again.

you can see my smile. I will bring back a passionate me.

PLAY HARD

Project Iron ME


click here to watch video


Posters Design is colourful, design is depressive. Design is complicated, design is simple. Design is smart, but it has to be stupid at times. I would say design is life, design is living.

PLAY HARD

Project Life by Design


Photography Living in Australia and New

When we see most of the products

Zealand for the past seven years, I

being ‘Made in China’, we see China as

experienced the good government

getting richer and richer. However,

structure and ruling. The government

what I see is the government being

try to take care of all people as best as

riddled with corruption and the poor

they can. You might not agree with it.

becoming even poorer. No one is

In fact, we should be pleased as we are

offering help to the poor except the

not living in countries like Iraq, Syria

NON MAINLAND CHINESE. Isn’t China an A-grade country?

or...China.

PLAY HARD

Project China Affairs


Types

Software

Hardware

Wendy

ID

MacBook Pro

Chaparral Pro

AI

HP PC (it's dead)

PS

Fujiflim X100

Acrobat Pro

Red White Blue Bag

Adobe Distiller

Me

THE END

Cr


Countries

Others

Australia

Junk food

China

PS3

Hong Kong

Basketball

New Zealand

TV Day draming

And...you!

...........

redits



Portfolio