i am from
HONGKONG
studied in Australia and New Zealand
things i see the most in
AUSTRALIA
the political affairs, the cartoons of Prime Minister
Ka mate, Ka mate Ka ora, Ka ora Ka mate, Ka mate Ka ora, Ka ora Tenei Te Tangata Puhu Nana i tiki mai whaka Upane, Upane Upane Kaupane
things i learnt in
NEWZEALAND
uruhuru awhiti te ra the Haka
y e n r u o j e th
stor y the hi or y the st logo... . . . g n i d ...bran d r r r r harrr Work yer... fl . . . d a .. tions. a c i l b pu e .colleg . . i n u . .. rrrrrd r r r r r r harrr Work sign... e d e p ty aha... h a h ard Play h ... raphy g o t o h ers...p t s o p . t.. y hear m n i deep s... credit . . . m umm
The history Red-white-blue bag is a bag which
with families. But it is not commonly
is invented and commonly known in
used in Hong Kong now, as it looks old
Hong Kong. We call this bag “Bag of
school and is not fashionable. But this
going home�. It was a cultural trend to
is definitely a figure of Hong Kong, the
pack up and go back to our old home
Red, White, Blue bag.
The story o
Red White B
of
Blue bag Red-white-blue bag is made by a
I also see the three colours being
long lasting material. It is ordinary but
used in the flags of the countries I
strong. It is old fashioned, but it has a
spend my life in: Australia, New
lot of potential to be designed in many
Zealand and Hong Kong. Sometimes I
different ways. The combination of the
feel like a refugee as I need to pack
three colours slowly reveal the
many times in a year. Where will I be
uniqueness of the bag. The bag seems
next? I have already packed myself up
to be telling people that “I am very
for you.
creative.� It is practical but artistic at the same time. It is me.
(Sadly, I am too huge for the bag!)
work hard
Branding Eucalypt kids is a kids clothing
The final logo was not classic but tended
company. I communicated with my client
towards a friendly and warm feeling. It
and tried to understand her thoughts. In
was a shape like a map of Australia,
our initial conversation , she mentioned
created by cloths, trousers and sock. The
that she wants a classic logo like “SEED�.
two chosen colours were baby blue and
Throughout the design process I felt that
baby red, which stands for young boys
she was not very certain on what she
and girls.
wants. I provided a large range of designs to understand what her preference was.
WORK HARD
The size of the business card is unique: made proportional to the logo.
Client Eucalypt kids
Software AI PS
eucalypt kids eucalypt
eucalypt kids
kids
s
Logo Most of my clients are owners of small businesses. They would like to have a branding design for company start up. Most of them need to set up a logo and business card.
Selene Design...A designer jewelry brand i4c Marketing...A marketing agency Melbourne Youth enterprise...A group who help youth to start up their own business Cycle Plus...A recycle material firm Best...A property agency Another Designer...A group of designers
WORK HARD
Client Selene Design i4c Marketing Melbourne Youth enterprise Cycle Plus Best Property Pty Ltd Another Designer
a
p l u s
f o r
o u r
e a r t h
Publications Sameway Magazine is a weekly
I am interested in designing
magazine. It contains sports, art,
things related to world issues because
travel and more. The company was
I care about them. I enjoy putting
using AI to do their publishing work,
seriousness and creativity into my
but one of my colleagues and I
design.
suggested to use ID to have better and faster layout design. The art director and I both agree
I also had experience in starting up a newspaper where I was the key person in charged. I designed the
that I am better at designing in terms
header, layout and grid set up
of art and travel contents.
individually.
WORK HARD
Client World Issues
Software AI PS ID
㚹ಁжࣨ photo: Xinhua text: ҏѐጡᒮഋ џӎࣆܹᘛൊԊණᢜඞ ళണᇊਫϘ੮ც૭аൊఐ
Ⴣ߰ਛ៳ ֲᔝᔵࡖ
ग़ःىᖧӔಿఔ݇ ȶ3·11ȷЂԳᏩϘ༉Ր
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photo: Xinhua text: ҏѐጡᒮഋ
photo: Xinhua text: ӎҏ፠ᓭൊ
൦ල
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8ѡ5џȂข׀ҔൊْᆐϘቚឩӠིўࣇڰȂᐱ७33ԩឩЍജק700ռಎС ϭЫȄ၃ჅࠜႿዴѡߞ൯Ѝ֯ࢢȂా෯Ϡ৶ೣࢶݺ഼Ϟా෯഼ႽȂݺڭ ညԳ༡12џӒՑ༟ܕ൵ࢢ༥ࣱߞా෯֖ஜȄ Ι՝ցܰႀӴ७ޟೝ֨ᝪώᇄێυܲ
16
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සցᖂಛҪܜΙ՝ցܰႀӴ७ޟೝ֨ᝪώܲ
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ΙӪήϢධடড়ӵήϢࠉڷᖂಛҪܜණЙ
4
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6
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1
Ⴋຜޢኬᄠყห७ȈΙӪήϢධடড়ܰႀϢۻᗗᜲܚ
15•10•2010
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17
24•06•2011
Publications Loreal Melbourne Fashion Festival
amount of text usually cannot make a
held every year in Melbourne. This year,
good use of photos and cannot create
we have permission to use the photo.
good looking design. I am the first
I did the layout base on the original
person in the company to suggest cut
design, I would like the readers can be
down the amount of text on colour
reminded when they see the
pages. As I understand that photos
advertisement on streets.
and heading are the first to attract
I normally have to deal with a large amount of text. But a large
WORK HARD
readers eyesight.
Client Loreal Melbourne Fashion Festival 2012
photo: LMFF
Lucas Dawson Photography
L'ORÉAL PARIS RUNWAY 1-7
text:
LMFF
3 9
MARIE CLAIRE & L'ORÉAL PARIS BEAUTY WORKSHOP
15
LMFF
3 14
LMFF
LMFF
LMFF Rae Morris Marie Claire Alex Noonan
80 Marie Claire
L'ORÉAL PARIS PRESENTS ALEX PERRY Alex Perry
12/13
L'Oréal Melbourne Fashion Festival 2012 3 8 3 15
LMFF OPENING EVENT
Docklands 3 8
TARGET VON FOLLIES BY DITA VON TEESE FOR TARGET 3
T www.lmff.com.au
10
Dita Von Teese Target Lime Door brands Diamondcut International Von Follies
LMFF RED CARPET RUNWAY PRESENTS TONI MATICEVSKI 15 Maticevski
3 To n i
AD
30
16•03•2012
31
16•03•2012
ӣၽѲ
photo: Lucas Dawson Photography text: ҏѐጡᒮഋ
ዉᏎᅭҏਢ၆ᄍԒ
LMFF OPENING EVENT
3 ѡ 8 џȂ֯ऎႅြѹඞߞᐍᆬӎԺֹ
ॳߛࢺᙽ ቲ൪ิൟ
᠋ȂᢏڗऎϞߩઈК҇ᆕϞᄱёଠᠲϧ ߞങܥЂँᅆȄ
ġ Еሴжࣨਢۦዘࢺ ዉᏎᅭҏਢ၆ყ
ΙԑΙ࡙ޟዉᏎᅭҏਢ ၆ȞL'Oréal Melbourne Fashion Festivalȟ ܻ 2012 ԑ 3 Т 8 РՍ 3 Т 15 Р ӵᏎᅭҏޟ෫ᢊᔻୢӻպ៌ ȞDocklandsȟ१ิൟȂ հ࣏ᐬࢸҬࠉೣശσиശ ࣏ԙђޟੑາޟܒਢࣀۦ ଢ଼ȂᒊӫΟਢ၆ȃ೩ॎȃ୦ ཾᇄഺཎȂ֜ЕΟฒኵᄇܻ ਢۦᛢଜޟΡ᠍ᆹΙஆȄ
ᐬࢸਢ၆೩ॎடཾ ཾҡਢ၆
NATIONAL GRADUATE SHOWCASE 3ѡ13џȂڽԑᑫߞϩϟ֜ႅന ߞᔹٽಲӠȂҁেߞന൹ྍ۶ሦ֯Ѝ ȂՂԢϘߵಐߞ౻ࣵฯϢܥधȄഺϘ ඞપߞ־ႅٽȂ҄ϠেޟඈԳऻۖᑫࣷ ႅനߞӏڽȊ
18
ዉБᏍ੫௰ਢ၆ഥ ೩ॎৱٳᐣպȅڃ٨டൟؾ
L'ORÉAL PARIS PRESENTS ALEX PERRY
3ѡ 9џȂપయᑫЂڲ׀ૺއႅനਰڲ ᑢֹȅڧۂȞAlex PerryȟߞඞٽȂொ ົᆽᢖȄ
ᐬࢸσ፲ൟTARGETღ ਢ၆ؾடൟȈအ༱ȅඪ
VON FOLLIES BY DITA VON TEESE FOR TARGET
3ѡ10џȂԑಧܥԩඬၠȅေ෩ ȞDita Von Teeseȟඞਣێ൵ྲߞৎ Ϡࡡ๕ȶVon Folliesȷҟа֗ڀԕȂ࣍ ਡҍϞՁᅆݺҟۏग़ߞϘരጤྑሃୠِȄ
ዉᏎᅭҏਢ၆औӴ෧ ਢ၆ؾடൟ
LMFF RED CARPET RUNWAY PRESENTS TONI MATICEVSKI
3 ѡ 15 џ Ȃ ᑫ ࣷ ૺ ႅ ന Ђ ਰ Toni Maticevski ܇ឥϯϘඞᑾϘ๑ϟߞൕᅌЂ ᚃȂ҄Ϡࣹാߞࠔ؞ग़ដȃ҇ᆕϞӖࢮߞ ᐃϧȂϫՂԢѪଠȂЙءៈဥȂ ُϘԆൌ࣏ڤଠᢸஜȂᐖᇸϞനਰಎኸ ߞఐྏȄ
ዉБᏍਢ၆ؾ
L'ORÉAL PARIS RUNWAY 1-7 ႅြӖࢮЙᢏߞѹӇࣿஜȂ 3 ѡ 9 џ༟ ܕ15 џຕفാ᠈ϛඞȂᆽᑫࣷՋއ ႅനਰߞ൵ྫྷјߞ՜ڀԕȄ
19
Loreal Melbourne Fashion Festival 2012
WORK HARD
▇ၽѲ photo: Melbourne Food & Wine Festival text: ҏѐጡᒮഋ
melbourne food & wine
ғԃȮӣၯΡȯԪࠉෆငϭಝႆ ޟȂϬԑতႆׇΠΪྑҡРޟᏎ
1 2
ᅭҏछନछॵȞ Melbourne Food and Wine Festivalȟ ȂΙൟԤ຺ႆघέԻϚӣޟ
festival
4
ᆠிࣀଢ଼ȂӵߝႀΠΪЈޟਢ ϱࡻ៉ΰᅋޟሬܒछନछॵ౾
ॵМϽᅾᡗᆰԎ੫Փ Ꮞᅭҏछନछॵ੫տൢᏲ
ོȄኵоνޟछନछॵདྷԁ ܻޱРቆᆹᏎᅭҏȂӓ
3
ӣᡝᡛछନछॵޟЈஆϞਡȄ ӵҏ۩Ꮞᅭҏछନछॵ։
Joost
๖ϞਢȂωጡԤ۷юৰΟӵ ȶGreenHouse By Joostȷ ᓡᢈϱܚᖞᒲޟȂᅾᡗᆰԎॵ МϽ੫ՓޟȶPut Victoria On Your Tableȷఏঢ়Ȅ
ՙऔཆ
఼ୁႎ 1 ฎဎσցٰ ༃ᐚᢉᚃҘ
ര 2 ኁৱঈғӵྥ ࡹዺ ᆰӻցٰٳႎ
On Your Table 3 Put Victoria ࡹዺ 4 ᆰӻցٰٳႎ By Joost ֑ use nHo Gree 5 ᓡᢈΠዂ࣏ନ ѴශΙዂ࣏к By Joostޟ 6 GreenHouse er ॎৱJoost Bakk
6
GreenHouse By Joost ԴᙇໞਜНࡈȂӅ༷ऎЂਛЬߞȂ࣏ഺ༡֜ݺ ༮ޫݛષȂЃѳᑜዃඞКҴߞᇥ֒ᖖ࠲ᔠᣇ۶ێ൹ ྍϠѐֹȞJoost BakkerȟȄ ҍӠݺഈ᠋ߞѐֹȂێчЖଠߞႭᐯॊ൹ൄϧ۶ቈ ڍϧϘԨऎаऻݙদȂێԺ֯ࡡജ᠖ऎȶᢏ ऎភߞങȷȄ֯ऎУ҃ߞᣭࠛশᇌน߰Ȃѐֹ ȶবจཀϿ०จчȷߞӠࣿদྲܠ၍ȂऎϞ༰ നਰȃЍਰȃ࢙ᒝਰȃॊᐯਛȃႺඞѹ۶ዀਰ ऎϘᢜߞ൹ྲϠЖȄҁഺϘзߞߢᝊ༰Кᕕӡ ۶ᢜԴϞ GreenHouse ᔠᣇϯȂం࢙ᒝѹຕᅹ ȞᅁѢȟۖҳᖒȞһЂߞߡऴࠅཀྵȟȂంށ ȞӨчч๒ళԍ+܆ࣘ᠐ᖍȟฎȞѢሦݕ ջ / ፠ȟȂంᔠۍȞ൜Ͽȃटጬȃ૽Ꮃȟ້ඏ Ȟᖖ૽ȟȂߡۖݙգߞྲᘿل১ਫ਼ȞգᑟႺ֯ ߏȟȌ๑ϘЙᢜᢚϞᅆЂ๒ߞᝯྑȃᅆᖖᄩߞ࠲ ᠕ȃᅆҞࢺ᠈ਣߞிࢺ۶ᅆӠߞۻපদȊ
GreenHouse ᔠᣇߞന۶࢙ൄ՞ԴऎညϭߞϠ ে෩ڻϘৎԑྲߞᓴᑄȂԴᅁӡݑȃҞࢺ᠈ݑሃग़ ដϬўবۖرӀᓊߞњᙇȄԯթȂُϘߞြ ൌᢜϞѐֹߞҞᖖനನ݇șșြॗࠛᓿ۶କ ࿚ȇంல୧ಬۖᗲບ୪Ȃ҇ԊւዋϞێКߞҞԓ ՜׀ӡݑȄ
GreenHouseᔠᣇ൵ࠐݺ2008ՐԴᐍᆬӎ൹ӲȂ ࢢྦྷڽढȂՂЫЏ၃ऎϞढߞϘЂપ֒Ȅ ୵Ϟ࢙ᒝўবȂ GreenHouse ֯ऎϘࣹߞᔠᣇȂ ێҩϘЂપᙇ๒බ࣏ҹߞ༼ȂԴయዃᇥ֒உ௵ ࣹ۶యЬዀਰྲ࣐ўবߞһЂ֯ӡȄ
PUT VICTORIA ON YOUR TABLE ȶPut Victoria On Your TableȷȂፁՂێԩȂ ਜᇟᓴϞᇯՍૺߞل۶୧ࡡȇѹዀেϵൌڽ ᇯՍႵգ҃ࠑߞݑϘࣹԳݑᔠᣇȂҒࣁϞPietro Porcu (Tea Rooms of Yarck / Yarck)ȂMatthew Feagan (Mr Carsisi / Kyneton) ȂAndrew Doughton (The Long Table / Red Hill)ѽфMatt Stone(Greenhouse)ȄϘಿڽሼȂ᎘૯লӠȂϘ ඞៃףϞᇯՍ༏Ͽলఐߞग़ਜݛ༟ؔᅌȄ ᔠߞֶ၉ຜϠѽᎳᑓȃȃັᏋߞӣཀྵНྏȂ ᔠۍК൵ऎપ֒ߞබ࣏Өȃགȃᑕȃᇥߞ֒൜Ͽ ᐡӪ۶ਛܧՑߞटጬಬȄЙঋᢘതȂٟᓾȂᘵ๒Ϡ েϘര࿄݇Кߞᕫ֘ᔠᗾڤٿᙇۊ༮ȂՀ୧୨ Հޓᄗȇ࣏֭ЙԢߞटጬಬ୨ϯЙԢߞ୧ࡡȂϵ־ գϘলۧऻᔝȄ ӎըߞਜԒұႽȂێКࡈ້ϬԕȂж ־તํ၍ Ђگ׀౻Ⴭᡛ֘॓ࣕ྅གᑙᣈᛂӗȂᎩ㡯ଖև ୨ᒤᎧڑ۶መْࢠȂᙲᎱ൦߇Ђ൪Ȃྥ୨ Bakery Hill 8yo ࢃЀҙҐྲᘿេލȃመᙤᙡލ ӗᇧևੳᒤᛗ؍୧Ȅѹ້یႽȂж ־ᙤᙡ૰ឳ ओໄϧᣉࠦϾȂ୨ࡑӝᣀኜڑȂጓުᙤᙡᙲ གบӗڭশନْࢠྥ୨ڽ༮ڐݛԳߞཫֹჲ ၬ່ཀྵ2010ՐಯᘷԺដȞGiant Steps, Sexton vineyard 2010 Chardonnayȟȇᇆથᘁᆬ۶ѱ ୨Ҕ࿂ᆩႺඞಯ๑ࠅލȃၬ່૰Ґ֘ࠄ۶ᢍ ᢈᢌᛂȂྥ୨ڽ༮ڐݛԳߞ൶ԕ2006Րಯ॓ၬ ່୧ȞCarlei 2006 Tri RossiȟȄᔠࢢᙇϘႽȂ ऎᇯԺگڲ׀Ⴭࢸጹྥ୨ڽംᄾჲҗਫߞ2011 ಯֹ㡯ጞᠺশӨၬ່୧ȞCrittenden 2011 MoscatoȟȄ
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ᗁᢜϯڽሲȂُϘႽ້ߞႅጹᙚനൌᚎጒփЙҵ ᇟग़ȂԪ֘ᔠߞϘരങग़ྏȄԴϾྏϯȂҞ ѽሲُϘႽ້ൌգЙԢߞলۧȂᙲᎱ൦߇Ђ൪ ѽфᇆથᘁᆬ۶ѱంҳᣍ۶ۧႽϯـգ֘ތўຕ Ԫߞ࿄݇ȄԴݙգߞ້۶୧ࡡКȂৎϠѧႵКྍ ߞգȈᎩ㡯ଖև୨ᒤᎧڑ۶መْࢠȂթႽ້ ԫߞ࣏൹ྍྥ୨ȂᎩև୨መທᅆҍϞົϠ ݺКົਫ਼ನϯߞ௱ᝊȂ֭ڰᅁϯࡡᄘϭڽȂӨ֒ ߞᙲથᎩ㡯ଖևᎳԳ᛫ഹࡒЙҵធࡏȂ௲ϯϞᇴ ᇥ֒ᒤᎧߞڑ౻শಮ۶ᑕ֒መߞቕಮۧȂ ࣏࢝ಜϾȂ֒ߞྥ୨ӺࢫۖՀȂϩжᕕਆ чߞྏះȇᇆથᘁᆬ۶ѱȂթႽ້ԫߞ࣏ۧႽȂ ಎ॓֒ߞ۶ѱևᎳᘿᄷȂರ௲ऒѫߞ౻শȂҳҐ ӨࣶᎀߞྋڙȂ๑ࠅߞލӟಮȂࠦ֒ߞၬ່૰ Ґ֘ࠄ۶ᢍᢈᢌᛂપգߞڱྋॴᖁ۶౻শȂⳏ ԪۖϘȂᢰЈ፠Й၃ᗑྐۖਆчհ㡯җ༟җ పߞഈࠅȇᛗ؍୧Ȃመ۶ᙤᙡӗߞಮۧȂК۶ ϞࢃЀҙߞᑧ࢘ȂྲᘿߞេލບԢևੳᒤᢰۧލ ـҐᏔࡓȂ࣏ڹՂЫЙщޭఀ୧ᇟߞЈ፠ϵऎ Н൜ᏕȇᠺশӨၬ່୧ȂඈᡌߞನӤЂ࿄ϵ࣏ԯ ऎێКݙ௲գߞᑧᣭѪ߾ࠆލȂᖁКԺಮۧȂ୧ ᇟᑧ࢘ᘵ๒ЙȂ֭අۖᒸᔝϯϵྻ҄ϠྋȄ
࡚ᑞ೩
ᘢ 7 ኁৱӵྥരᘥ ο ࣔΨᢊߧ
គݎȃᇙੀᘥ ନ ᆨՈᑥᚘ
9 ᇽࡊᔼᔼΙஆ
7
5
ЙߢЙះౕҝຄҳȂЏ࣏ົᑶࠐϯȂ༮ޫݛϯᏂ࣍ ߞᑶѫȂԢዹ҄ϠѕᏕȂݕധഺබ࣏اጤྑᐍᆬ ӎȂڭಎྏێऎϟࣇ༏ߞ፡ӤאȊڽՐߞᐍᆬӎ ग़୧ग़ြȂӅদȂऎЂਛឥϯـԺȃـᇟ ߞग़ፔൢȄ
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30•03•2012
7 8
Melbourne Food and Wine Festival 2012
ࡄρњёཱིᘀ
8yo 8 Bakery Hill ᘢݎҘ
30•03•2012
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Publications This is a set of promotion for National Gallery of Victoria. National Gallery of Victoria had a set of
be different based on what exhibition we introduced. This set is proved by NGV officer
exhibition hold in 2011. I was in
and she asked to have a copy of it. The
charged of all the publication from
officer email me and was very happy
beginning to the end. The style would
with the design.
WORK HARD
Client National Gallery of Victoria
Advertisement In the two years of working at
personally think that the process is not
Sameway Magazine, I did many printed
always appropriate to produce the best
advertisement for various clients. The
design. I suggested to break the
working process of this firm is like the
tradition: by discussing with the sales
following: The Sales department dealt
department and clients together. I was
with clients and instructed the
successful and the clients appreciated
designers on what to design. I
and were satisfied with my design.
WORK HARD
Client Sameway Magazine
Software AI PS
You can try new cars in anywhere impossible at home online. Car testing report website.
Feel the
Feel the
Feel the
Feel the
Silence
Speed
Luxury
Wildness
THE NEW CAR TESTING REPORT WEBSITE
THE NEW CAR TESTING REPORT WEBSITE
THE NEW CAR TESTING REPORT WEBSITE
THE NEW CAR TESTING REPORT WEBSITE
Guide the audience to travel the world by using the red line, but how? You will see the answer on the next page.
ONLINE TRAVELLING
Flyer One of my client’s strategy is to
design only the graphical with
promote and invite international
typographical design elements. My
students to study in a particular
client was very pleased with my first
Melbourne tertiary institution. I first
attempt at the design.
communicate with my client before
I mainly used three colours for the
commencing on my design. The target
flyer, the meaning of the colours are
audience of the flyer is international
fresh, fun and youthful. I increased the
students in Melbourne and is given out
percentage of black content in green
to the public by sales representatives. A
and try not to use very bright colours
special requirement from my client is
to make the flyer not only look young,
to have a QR code printed on the flyer.
fun but also professional.
As there was no images provided by
The hierarchy of the brochure is
my client and the flyer had to contain
expressed by the abstract talk boxes
long chains of words, I suggested to
and arrows.
WORK HARD
Client eEagle Group
INTERNATIONAL
S T N E D U T S DO YOU WANT TO..
JOIN US! ENROL A COURSE WITH US! U will get-Monthly public transport ALLOWANCE Monthly living expenses SUBSIDY Job OPPORTUNTITIES FREE migration, investment recruitment, travel, accommodation and daily life assistance
PAY LESS TO STUDY?
For more information please visit www.eeaglegroup.com/education/exclusive Email education@eeaglegroup.com
MINIMIZE LIVING COST?
RECEIVE JOB OPPORTUNITIES?
Representative Contact
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Back to Uni Most designers do not put their
softwares and stuff, but more
school work in their folio except for
importantly it is about the concept and
fresh grads. The reason of placing in my
how our ideas can change the world.
school work is not because my works
However, the reality is quite
were awesome like masterpieces. I
different to what I have learnt from
think that was part of my journey in
school, but I am hoping to survive
becoming a better and better designer.
with my ample passion in design and,
In the three years of my university life,
change the world as the lectures
I did not learnt a lot of how to use
hoped for.
WORK HARD
Client Swinburne University
WORK HARD
Back to Nz New Zealand is where I first got in
was the first one at school who had two
touch with design. Honestly, I did not
excellent graded art folios. I was very
know what to expect upon stepping
fortunate to have the New Zealand
into design. What I did in college was
education department inviting me to
free and fun. I almost spent my two
have a photo taken of my folio, and to
whole years, day and night in a dark
have it printed on the 2009 New
room and the design classroom as I was
Zealand College art design work. Both
so passionate in it.
of my folios are ranked the top 5% of
These two years are very much treasured. I excelled in all units and I
the New Zealand folios.
Client Bethlehem College
play hard
PLAY HARD
Types Design I love types. I believe typography designs tell stories. Chinese characters have 5000 years of history. Each character is formed by pictures, so almost every
CXE is designed based on ancient Chinese font and it is drawn by Chinese writing brush and written on old Chinese paper. This is a mixture of multiple
Chinese character tells its own
cultures like what I have personally
meaning pictorially.
experienced.
Project Chinese X English
Deep inside of me 2009 - 2011 was the most depressing period of my life. Seems like
Iron Me is a project to note down this depressing stage.
I have lost my soul, my passion and my
The font is made up of half
life. The reality kept hitting against me
aluminium foil and half sketches. It
even though I reflected on what to do. I
means my creativity is being covered by
understand it is challenging, but I am
something emotionless and stony. The
not defeated and am still alive. I need
video has the same meaning and finally
to find out how to be passionate again.
you can see my smile. I will bring back a passionate me.
PLAY HARD
Project Iron ME
click here to watch video
Posters Design is colourful, design is depressive. Design is complicated, design is simple. Design is smart, but it has to be stupid at times. I would say design is life, design is living.
PLAY HARD
Project Life by Design
Photography Living in Australia and New
When we see most of the products
Zealand for the past seven years, I
being ‘Made in China’, we see China as
experienced the good government
getting richer and richer. However,
structure and ruling. The government
what I see is the government being
try to take care of all people as best as
riddled with corruption and the poor
they can. You might not agree with it.
becoming even poorer. No one is
In fact, we should be pleased as we are
offering help to the poor except the
not living in countries like Iraq, Syria
NON MAINLAND CHINESE. Isn’t China an A-grade country?
or...China.
PLAY HARD
Project China Affairs
Types
Software
Hardware
Wendy
ID
MacBook Pro
Chaparral Pro
AI
HP PC (it's dead)
PS
Fujiflim X100
Acrobat Pro
Red White Blue Bag
Adobe Distiller
Me
THE END
Cr
Countries
Others
Australia
Junk food
China
PS3
Hong Kong
Basketball
New Zealand
TV Day draming
And...you!
...........
redits