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YALEREP@YALE.EDU Marin Ireland in Marie Antoinette. Photo by T. Charles Erickson, 2012.

A Mabou Mines Masterclass Workshop Production

Glass Guignol The Brother/Sister Play

Conceived and adapted by Lee Breuer and Maude Mitchell


Saturday, February 16, 2013 at 8pm CFA Theater, 271 Washington Terrace $25 general public; $20 senior citizens, students

CENTER FOR THE ARTS Wesleyan University Middletown, Connecticut


A NOTE FROM THE ARTISTIC DIRECTOR Welcome to Yale Repertory Theatre’s production of Stones in His Pockets by Marie Jones! I am delighted you are here to celebrate Resident Director Evan Yionoulis’s twelfth production at our theatre and to welcome Fred Arsenault, last seen here in Marie Antoinette in the fall, and Euan Morton, a Tony Award nominee for his performance as Boy George in Taboo: together these two remarkable actors play all fourteen characters. Marie Jones is one of the most celebrated playwrights in contemporary Irish theatre. Her plays have been embraced for their compassionate good humor and broad appeal. Stones in His Pockets debuted at the West Belfast Festival in 1996 and traveled to the Edinburgh Fringe Festival in 1999 before landing on London’s West End, where it played for more than three years and was honored with the Olivier Award for Best New Comedy. The play opened on Broadway in the spring of 2001 to similar critical acclaim and was nominated for three Tony Awards that season, including Best Play. However, the play’s life in New York was short; it was one of many productions that closed in the immediate aftermath of 9/11. And yet, Stones continues to capture the imaginations of artists and audiences across the country and around the world. Its comment on global citizenship—both what it means to be from someplace and what it means to meet people from other places—can only be more resonant now than when it was first written. Certainly, Stones has stayed with me in the dozen years since I first saw the play, and I am thrilled to share this new production with you here in New Haven. Thank you for being here with us today. As always, I look forward to hearing what you think about the play (my email is and I hope that you will also help us spread the word to your friends and colleagues. Stones in His Pockets plays through February 16 only—and your good word makes a big difference!


James Bundy Artistic Director 5















































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2006 2007 2008 2009 2010 2011


YALE REPERTORY THEATRE James Bundy, Artistic Director Victoria Nolan, Managing Director by arrangement with Paul Elliott, Adam Kenwright, and Pat Moylan


By MARIE JONES Directed by EVAN YIONOULIS Scenic and Projection Designer Costume Designer Lighting Designer Sound Designer Production Dramaturg Dialect Coach Casting Director Stage Manager





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Source: Q1 2012 Omniture; Jan. 2012 Comscore.


Jake Quinn Charlie Conlon


SETTING A scenic spot near a small village in County Kerry, Ireland. The present.

“One cannot think well, love well, sleep well, if one has not dined well.”

Virginia Woolf

Lunch Dinner Bar des Artistes Private Events New York Times “Extraordinary”


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A Pocket Guide to The Troubles Violent hostilities over British rule and Catholic persecution in Northern Ireland that took place officially from 1969–1998, though related violence occurred before these dates and has continued to the present. Catholic Nationalists, who favored unification with the Republic of Ireland, and Protestant Unionists, who favored remaining part of the United Kingdom, clashed in a series of riots, bombings, and shootings, mostly in Northern Ireland but spilling into the Republic of Ireland and England. More than 3,000 were killed. The Troubles reached a shaky end with the 1998 Good Friday Accord, which made Northern Ireland largely self-governing. RUC Royal Ulster Constabulary, the police force of Northern Ireland from 1922– 2000 (in 2001 it was renamed Police Service of Northern Ireland), charged with maintaining order during the Troubles. In its handling of IRA attacks, RUC was often accused of brutal, vigilante-like tactics, mistreatment of political prisoners, and loyalty to the Crown over commitment to peacekeeping.

IRA The Irish Republican Army, a paramilitary organization created in 1916 with the purpose of using violence to prove British rule ineffective and bring about a united and independent Ireland. The IRA carried out numerous bombing attacks, assassinations, kidnappings, and other violent acts in Northern Ireland, the Republic of Ireland, and England, most heavily during the Troubles. Special Branch The Crime and Security branch of the Irish police force, also known as the Special Detective Unit; in other words, the Irish FBI.

The Quiet Man A 1952 film directed by John Ford, starring John Wayne and Maureen O’Hara, shot in County Mayo and County Galway (but not Stones’s County Kerry!). The Quiet Man takes place in the fictional Irish village of Innisfree, meant to be situated near Lough (Lake) Gill between Counties Sligo and Leitrim. Ford also famously directed How Green Was My Valley; the play’s fictional film The Quiet Valley seems to be a composite of the two titles.


“Turnover, speed, mark it” Signals before a director calls “action” on a film set for: 1) sound and camera to begin rolling 2) confirmation that the sound equipment is running at the proper speed 3) the film slate to be shown to the camera and clapped “Check the gate” The signal to verify that the camera was working properly during the take and that there is no debris in the area that contains the film (“the gate”). Digging turf Also referred to as digging peat. Peat is a type of soil that contains a large amount of dead organic matter and has been used as fuel in Ireland for hundreds of years. Peat farmers slice squares of peat from the bogs in which they are found, stacking them up or arranging them in coneshaped piles (called “castling”)—an emblematic image of Ireland. Scrake As in, “the scrake of dawn;” very early, or the crack of dawn. The jacks The bathroom. Xtra-vision A chain video store in Northern Ireland and the Republic of Ireland.


Seamus Heaney The Nobel Prize-winning Irish poet and author of “Exposure,” the poem that Jake recites to Caroline Giovanni and claims as his own. The poem talks about Heaney’s “self-exile” from Northern Ireland to Dublin and the questions of identity it forced him to consider. Pockets Full of Stones Ancient stone monuments, miles of stonewall, the Blarney Stone—stones are an Irish icon. The earliest known writing in Ireland, called Ogham, was etched on stones. In his novel Molloy, Samuel Beckett writes about a sequence of transferring “sucking stones” from a pocket to his mouth to another pocket. And though the reference is not Irish, putting stones in one’s pockets is a known suicide method because of English writer Virginia Woolf, who filled her coat pockets with stones and walked into the River Ouse near her house. Hugh Grant and the Prostitute In Los Angeles in 1995, British actor Hugh Grant was caught with a prostitute and arrested for “lewd conduct.” The prostitute, Denise “Divine” Brown, subsequently became famous on the tabloid and talk show circuit.

Gee up To motivate or energize someone; comes from “giddy-up.” County Kerry cows One of the oldest breeds of cattle in Europe, native to County Kerry. They are smaller than most breeds and have a nearly all-black coat.

Knock it on the head To stop doing something. Haring off Running off. “DYB DYB DYB, I was in the Brownies” DYB stands for Do Your Best, a traditional Scouts slogan. Throw a wobbler To lose one’s temper. Gob Mouth.

“It’s just the day that’s in it” A Hiberno-English phrase, or a phrase in English patterned after Gaelic construction. For example, some Irish say, “Is it yourself that’s in it?” (An tú féin atá ann?) to mean, “Is it you?” When Charlie says, “It’s just the day that’s in it,” he simply means that the sad day is what’s making him upset. Coddin’ Kidding, fooling. RTE Raidió Teilifís Éireann, Ireland’s National Public Service Broadcaster. Matt Talbot A reformed alcoholic who became a devout Catholic ascetic and hero of the temperance movement in early twentieth-century Ireland. Upon his death, it was discovered that he had practiced self-flagellation.

Stuffing his gob.

“The West’s Awake” In Act II, Mickey sings a verse of “The West’s Awake,” a 19th-century ballad that traces the battles in Ireland’s past and calls for its independence from Britain. It was written by Thomas Davis, a poet and Irish nationalist: When all beside a vigil keep, The West’s asleep, the West’s asleep. Alas and well may Erin weep, When Connaught lies in slumber deep. Their lake and plain smile fair and free, ’Mid rocks their guardian chivalry. Sing Oh! Let man learn liberty, From lashing winds and crashing sea. —SARAH KRASNOW, PRODUCTION DRAMATURG 13

Directed by John Ford Starring John Wayne and Maureen O’Hara Set in County Sligo Filmed in County Mayo

The Quiet Man, 1952

Dramatic Landscapes

Does your film require a picturesque or historical setting? Look no further than the Emerald Isle, where you can find natural backdrops to suit your motion picture or TV series, even if they don’t take place in Ireland!


Old-Timey Urban

Directed by and starring Mel Gibson Set in Scotland and England Filmed in County Meath

Medieval Abbeys Braveheart, 1995


Created by David Benioff and D.B. Weiss Starring Peter Dinklage and Lena Heady Set in the mythical land Belfast of Westeros Filmed in Ballycastle

Game of Thrones, 2011

Cliffs and Seaside


Directed by Clem Curtis Starring Caroline Giovanni and Kurt Steiner with Charlie Conlon and Jake Quinn Filmed on location in County Kerry

The Quiet Valley, 2013

Islands and Traditional-Style Houses


Directed by Stanley Kubrik Starring Ryan O’Neal Set in Ireland, England, and Germany Filmed in County Tipperary

Barry Lyndon, 1975




Directed by Steven Spielberg Starring Tom Hanks, Matt Damon, and 2,500 extras courtesy of the Irish Defence Forces Set in Normandy, France Filmed in County Wexford

Saving Private Ryan, 1998


Directed by Peter Collinson Starring Michael Caine and Noel Coward Set in Turin, Italy Jail scenes filmed in Dublin

The Italian Job, 1969

CAST FRED ARSENAULT (JAKE QUINN) made his Yale Rep debut earlier this season in Marie Antoinette. He appeared on Broadway in The Royal Family (Manhattan Theatre Club) and Born Yesterday. Off-Broadway credits include Henry V (The Guthrie Theater/The Acting Company) and Blue Man Group. Regional and international: The Spy (The Guthrie Theater); The Book Club Play (Arena Stage); Travesties (McCarter Theatre); Twelfth Night, She Stoops to Conquer, Measure for Measure (The American Shakespeare Center); Billy Bishop Goes to War (Virginia Stage); The Blackamoor Angel (Bard Summerscape); Playboy of the Western World (Hangar Theatre); and Pericles (The Continuum Company in Florence, Italy). Film and television: Shadows & Lies, The Good Wife, Person of Interest, and Law & Order: SVU. Training: MFA from the NYU/Tisch School of the Arts Graduate Acting Program, where he was awarded the Baryshnikov Fellowship. He is a Beinecke Fellow at Yale School of Drama.

EUAN MORTON (CHARLIE CONLON), a native of Scotland, received Olivier Award (London) and Tony Award nominations for originating the role of Boy George in the musical Taboo. He also won the Theatre World Award for Outstanding Broadway Debut. Subsequently Euan has appeared in the Broadway revival of Cyrano de Bergerac and in Sondheim on Sondheim with Barbara Cook. His Off-Broadway credits include Howard Katz opposite Alfred Molina (Roundabout Theatre Company) and Measure for Pleasure (The Public Theater, OBIE Award). His other stage appearances include title roles in Tony Kushner’s adaptation of Brundibar (The New Victory Theater and Berkeley Repertory Theatre), The Who’s Tommy (Bay Street Theatre), and Caligula (New York Musical Theatre Festival, NYMF Award for Outstanding Individual Performance), in addition to Moisés Kaufman’s production of Into the Woods (Kansas City Repertory Theatre) and Chess directed by Eric Schaeffer (Signature Theatre Company). Morton recently won the Helen Hayes Award for Outstanding Lead Actor, Resident Musical for his portrayal of Leo Frank in Ford’s Theatre’s production of Parade and played Launce in The Shakespeare Theatre Company’s production of The Two Gentlemen of Verona. On film he can be seen in the documentary Show Business: The Road to Broadway. He has recorded two solo CDs, NewClear and Caledonia. He is a Beinecke Fellow at Yale School of Drama.

CREATIVE TEAM NIKKI DELHOMME (COSTUME DESIGNER) is a third-year MFA candidate at Yale School of Drama, where she designed costumes for Cymbeline, Antony and Cleopatra, and La Voix Humaine. Her credits also include multiple productions at Yale Cabaret and designing sets and costumes for the Dwight/Edgewood Project. Prior to Yale, she was a freelance costume designer in Chicago and Los Angeles. Some notable companies include CalArts University, Disney’s REDCAT Theater, A Noise Within, Maltz 16

Jupiter Theatre, Los Angeles Theatre Center, Theatre at the Center in Indiana, Light Opera Works, Piven Theatre Ensemble, Strawdog Theatre Company, Evanston Dance Ensemble, and the Appletree Theatre. Film and television assistant credits include True Blood (HBO), Party Down, Crash (Starz), The Super Sportlets (Nickelodeon), and Our Family Wedding (Fox Searchlight). Her work has been showcased in the 2007 Prague Quadrennial and is a recipient of the Elizabeth Schrader Costume Design Award. She has been nominated for a Joseph Jefferson Equity Award and holds a BFA from Carnegie Mellon University.

STEPHEN GABIS (DIALECT COACH) Six previous Yale Rep productions include A Woman of No Importance, Safe in Hell, The People Next Door, The Clean House, The Ladies of the Camellias, and The Way of the World. Mr. Gabis has coached over 30 productions on Broadway, including The Book of Mormon, Once, Magic/Bird, Man and Boy, Lombardi, Memphis, Lend Me a Tenor, A View from the Bridge, The Lieutenant of Inishmore, Jersey Boys, Coram Boy, Doubt, A Day in the Death of Joe Egg, The 39 Steps, Heartbreak House, and Frozen. He has coached over 50 Off-Broadway productions, including The Freedom of the City; Tribes; Look Back in Anger; Bluebird; Through a Glass Darkly; The Shags; Kin; By The Way, Meet Vera Stark; When the Rain Stops Falling; Port Authority; Dublin Carol; Stuff Happens; five plays by Mike Leigh for The New Group; The Emperor Jones; and Juno and the Paycock. Film and television credits include Boys Don’t Cry (for Chloe Sevigny), Confessions of a Dangerous Mind (for Sam Rockwell), Million Dollar Baby (for Brían F. O’Byrne), Bernard and Doris (for Ralph Fiennes), The Notorious Bettie Page, Across the Universe, Mildred Pierce (for Brían F. O’Byrne), Salt, Prime Suspect (for Brían F. O’Byrne and Aidan Quinn), and Boardwalk Empire (seasons 2 and 3).

MARIE JONES (PLAYWRIGHT) Marie Jones’s plays have toured extensively throughout the world, including the former Soviet Union, Germany, coast to coast in the United States, Canada, Britain, and Ireland. Her plays include an adaptation of Gogol’s The Government Inspector, which toured in Britain and Ireland, A Night in November (London, Glasgow, New York, and three tours of Ireland), Women on the Verge of HRT (Belfast, Dublin, Glasgow, and London’s Vaudeville Theatre), and Stones in His Pockets, which toured Ireland prior to the Dublin Theatre Festival and its West End and Broadway debut in 2001. It garnered many awards including the Laurence Olivier Award, The Evening Standard Award, and three Tony nominations including Best Play. Her most recent play, Fly Me to the Moon, was presented Off-Broadway in the fall as part of the 1st Irish Festival at 59E59 Theaters.

SARAH KRASNOW (PRODUCTION DRAMATURG) is a second-year MFA candidate at Yale School of Drama, where her credits include What a Very Pretty Pageant! and The Bachelors. At Yale Cabaret, she appeared in Mac Wellman’s Dracula and performed in and helped create Creation 2011, Ain’t Gonna Make It, and Dilemma!. Sarah has worked in arts funding at Roundabout Theatre Company and for the Israel Philharmonic Orchestra and as a critic for CUNY TV’s theatre blog, New Theater Corps. In 2008, she won a Vassar Maguire Fellowship to France where she studied theatre, 17

CREATIVE TEAM taught English, and worked at the Avignon Theatre Festival. She has also served as a French translator for the World Performance Project at Yale. She holds a BA in French from Vassar College and an MA in theatre studies from the Université d’Avignon.

NICOLE MARCONI (STAGE MANAGER) is a third-year MFA candidate at Yale School of Drama, where her credits include Cymbeline, The Tall Girls, The Taming of the Shrew, the friendship of her thighs, and Uncle Vanya. Previously at Yale Rep, she served as assistant stage manger for American Night: The Ballad of Juan José and The Winter’s Tale. Nicole worked as a freelance stage manager in New York City and in regional theatres around the northeast before coming to Yale. Some of her previous credits include Sweet Karma, Vine Tata: Daddy’s Coming (Queens Theatre in the Park); the world premiere of Coney Island Avenue (New York Theatre Workshop); and TRACES/fades (2008 Ice Factory Festival at The Ohio Theater). Nicole holds a BA in drama studies from SUNY Purchase. She is a proud member of Actors’ Equity.

EDWARD T. MORRIS (SCENIC AND PROJECTION DESIGNER) is a third-year MFA candidate at Yale School of Drama, where he designed the scenery for The Bachelors and the scenery and projections for Angels in America, Part Two: Perestroika. Other credits include Carnival/Invisible, Basement Hades, Trannequin! A New Musical, Street Scenes, Future Oprah Lovesong, Creation 2011 (Yale Cabaret); Caroline, or Change, Bus Stop, A Tuna Christmas (Gallery Players); Come Back to Me, Jump Jim Crow, Parallax (Subjective Theatre Company); Così fan tutte (Opera Memphis); The Fantasticks! (Infinity Theatre Company); Ivanov (Columbia University); 1918, The Burial at Thebes, and The Blue Room (University of Michigan).

MATT OTTO (SOUND DESIGNER) is a third-year MFA candidate at Yale School of Drama, where he has designed such projects as Vieux Carré; Angels in America, Part Two: Perestroika; Rodeo; Julius Caesar; and Fox Play. At Yale Cabaret his credits include Underneath the Lintel; Hollow Roots; Hong Kong Dinosaur; Christie in Love; Chamber Music; Clutch Yr Amplified Heart Tightly and Pretend; Brainsongs, or the play about the dinosaur farm; The Fatal Eggs; and Dilemma!. His regional credits include Clybourne Park and the world premiere of K of D (Woolly Mammoth Theatre Company), Four of Us (Theater J), Charlotte’s Web (Adventure Theatre), El Mejor Alcalde el Rey (GALA Hispanic Theatre), and Johnny Meister and the Stitch (Solas Nua), which earned Matt a nomination for a Helen Hayes Award in Outstanding Sound Design, Resident Play. Matt Otto received his BFA from Boston University.

TARA RUBIN CASTING (CASTING DIRECTOR) has been casting at Yale Rep since 2004. Broadway: The Heiress; Scandalous: The Life and Trials of Aimee Semple McPherson; Ghost; One Man, Two Guvnors (US casting); Jesus Christ Superstar (US casting), Hugh Jackman: Back on Broadway; How to Succeed in Business Without Really Trying; Promises, Promises; A Little Night Music; Billy Elliot; Shrek; Guys and Dolls; The Country Girl; Rock ’n’ Roll; The Farnsworth Invention; Young Frankenstein; The Little Mermaid; Mary Poppins; My Fair Lady; The Pirate Queen; Les Misérables;


The History Boys; Spamalot; Jersey Boys; The 25th Annual Putnam County Spelling Bee; The Producers; Mamma Mia!; The Phantom of the Opera; Oklahoma!; Contact. OffBroadway: Love, Loss, and What I Wore, Second Stage Theatre. Regional: The Kennedy Center, La Jolla Playhouse, Dallas Theatre Center, The Old Globe, Westport Country Playhouse. Film: Lucky Stiff, The Producers.

SOLOMON WEISBARD (LIGHTING DESIGNER) is a third-year MFA candidate at Yale School of Drama, where his credits include Vieux Carré, The Bachelors, Fox Play, Cymbeline, and Much Ado About Nothing. At Yale Cabaret: Cat Club (set and lighting), This. (projections), The Fatal Eggs (projections), Clutch Yr Amplified Heart Tightly and Pretend, reWilding, Persona (sound), Trannequin! A New Musical, Hollow Roots, and Crumbs. Selected professional theatre credits include Christina Anderson’s Hollow Roots (Under the Radar at The Public Theater); A Class Act (Berkshire Theatre Group); White’s Lies (New World Stages); Agamemnon (La MaMa E.T.C.); Faust, The Barber of Seville (Tri-Cities Opera); 9 to 5, A Chorus Line, All Shook Up (MerryGo-Round Playhouse); Frank London’s A Night in the Old Marketplace (Merkin Hall and international tour); What of the Night and St. Joan of the Stockyards (Barnard College). Original evening-length dance/movement pieces with Alethea Adsitt, Jennifer Archibald, Julian Barnett (set), Ximena Garnica/Leimay, Lane Gifford, Ofelia Loret de Mola/danscores (set and lighting), The Nerve Tank (set and lighting), Patrick Lovejoy, Stefanie Nelson (set and lighting), WaxFactory (as featured in American Theatre magazine), and three new works as associate set designer with renowned choreographer Bill T. Jones.

EVAN YIONOULIS (DIRECTOR) is a resident director at Yale Rep where her productions include Bossa Nova, The Master Builder, Richard II, Black Snow, The People Next Door, The King Stag, Heaven, and Galileo. New York credits include Howard Brenton’s Sore Throats, Adrienne Kennedy’s Ohio State Murders (Lucille Lortel Award, Best Revival) at Theatre for a New Audience; Daisy Foote’s Him (Primary Stages) and Bhutan (Cherry Lane Theatre); as well as Richard Greenberg’s The Violet Hour (Broadway), Everett Beekin (Lincoln Center Theater), and Three Days of Rain (Manhattan Theatre Club, OBIE Award). With frequent collaborator, composer/lyricist Mike Yionoulis, she has written and directed the short film Lost and Found (Cleveland International Film Festival) and is working on the musical and transmedia project Redhand Guitar. Other credits include productions at such theatres as the Mark Taper Forum, South Coast Rep, Huntington Theatre Company, New York Shakespeare Festival, Vineyard Theatre, Second Stage, Dallas Theater Center, Actors Theatre of Louisville, and Denver Center. She has directed presentations of the documentary play Seven, which tells the stories of seven extraordinary women who work for human rights, in New York, Boston, Washington, London, New Delhi, and Deauville, France. She is the recipient of a Princess Grace Foundation Fellowship and the Foundation’s prestigious statuette. She is a professor in Yale School of Drama’s Department of Acting.

19 17

YALE REPERTORY THEATRE JAMES BUNDY (ARTISTIC DIRECTOR) is in his eleventh year as Dean of Yale School of Drama and Artistic Director of Yale Repertory Theatre. In his first ten seasons, Yale Rep has produced more than thirty world, American, and regional premieres, six of which have been honored by the Connecticut Critics Circle with the award for Best Production of the year, and two of which have been Pulitzer Prize finalists. During this time, Yale Rep has also commissioned nearly three dozen artists to write new work and provided low-cost theatre tickets and classroom visits to thousands of middle and high school students from Greater New Haven through WILL POWER!, an educational program initiated in 2004. Mr. Bundy’s directing credits include The Psychic Life of Savages, The Ladies of the Camellias, All’s Well That Ends Well, A Woman of No Importance, Death of a Salesman, and A Delicate Balance at Yale Rep, as well as productions at Great Lakes Theater Festival, The Acting Company, California Shakespeare Festival, Alabama Shakespeare Festival, and The Juilliard School Drama Division. A recipient of the Connecticut Critics Circle’s Tom Killen Award for extraordinary contributions to Connecticut professional theatre in 2007, Mr. Bundy currently serves on the board of directors of Theatre Communications Group, the national service organization for nonprofit theatre. Previously, he worked as Associate Producing Director of The Acting Company, Managing Director of Cornerstone Theater Company, and Artistic Director of Great Lakes Theater Festival. He is a graduate of Harvard College and Yale School of Drama. VICTORIA NOLAN (MANAGING DIRECTOR) is in her 20th year as Managing Director of Yale Repertory Theatre, serves as Deputy Dean of Yale School of Drama, and is on its faculty. She was previously Managing Director of Indiana Repertory Theatre, Associate Managing Director at Baltimore’s CENTERSTAGE, Managing Director at Ram Island Dance Company in Portland, Maine; and she has held various positions at Loeb Drama Center of Harvard University; TAG Foundation, an organization producing Off-Broadway modern dance festivals; and Boston University School for the Arts. Ms. Nolan has been an evaluator for the National Endowment for the Arts, for which she has chaired numerous grant panels, and has served on other panels and foundation review boards including the AT&T Foundation, The Heinz Family Foundation, Lila Wallace-Reader’s Digest Fund, and the Metropolitan Life Foundation. She has also served on the Executive Committee of the League of Resident Theatres (LORT) and on numerous negotiating teams for national labor contracts. A Fellow at Yale’s Saybrook College, she is the recipient of the Betsy L. Mahaffey Arts Administration Fellowship Award from the State of Connecticut and the Elm/Ivy Award, given jointly by Yale University and the City of New Haven for distinguished service to the community.


JENNIFER KIGER (ASSOCIATE ARTISTIC DIRECTOR AND DIRECTOR OF NEW PLAY PROGRAMS) is in her eighth year at Yale Rep and is also Director of the New Play Programs of Yale’s Binger Center for New Theatre, an artistdriven initiative that supports the creation of new plays and musicals for the American stage through commissions, residencies, workshops, and productions. Ms. Kiger came to Yale Rep from South Coast Repertory (SCR), where she was Literary Manager from 2000 to 2005 and served as Co-

Director of the Pacific Playwrights Festival. She was dramaturg on more than 40 new plays at SCR, including the world premieres of Rolin Jones’s The Intelligent Design of Jenny Chow, Amy Freed’s The Beard of Avon, and the West Coast premieres of Sarah Ruhl’s The Clean House and Nilo Cruz’s Anna in the Tropics. Prior to that, she served as production dramaturg at American Repertory Theatre, collaborating with Robert Brustein, Robert Woodruff, Liz Diamond, and Kate Whoriskey, and with multi-media director Bob McGrath on stage adaptations of Robert Coover’s Charlie in the House of Rue and Mac Wellman’s Hypatia. She has been a dramaturg for the Playwrights’ Center of Minneapolis and Boston Theatre Works and a panelist for the National Endowment for the Arts and the California Arts Council. Ms. Kiger completed her training in Dramaturgy at the American Repertory Theatre Institute for Advanced Theatre Training at Harvard University, where she taught courses in acting and dramatic arts. BRONISLAW SAMMLER (PRODUCTION SUPERVISOR) has been Chair of Yale School of Drama’s acclaimed Technical Design and Production Department since 1980. In 2007 he was named the Henry McCormick Professor (Adjunct) of Technical Design and Production by Yale’s President, Richard C. Levin. He is co-editor of Technical Brief and Technical Design Solutions for Theatre, Vols. I & II. He co-authored Structural Design for the Stage, which won the United States Institute of Theatre Technology’s (USITT) Golden Pen Award. Demonstrating his commitment to excellence in technical education and professional production, he co-founded USITT’s National Theatre Technology Exhibit, an ongoing biennial event; he has served as a commissioner and a director at-large and is a lifetime Fellow of the Institute. He was honored as Educator of the Year in 2006 by the New England Theatre Conference and chosen to receive the USITT Distinguished Achievement Award in Technical Production in 2009. His production management techniques and his introduction of structural design to scenic technology are being employed in both educational and professional theatres throughout the world. JAMES MOUNTCASTLE (PRODUCTION STAGE MANAGER), has been at Yale Rep since 2004. He has stage managed productions of American Night: The Ballad of Juan José, Three Sisters, We Have Always Lived in the Castle, The Master Builder, Passion Play, Richard II, Eurydice, a new adaptation of The Cherry Orchard, and the world premiere of The Clean House. A professional stage manager for more than twenty years, he has worked in regional, stock, and Broadway theatre. Broadway credits include Damn Yankees, Jekyll & Hyde, Judgment at Nuremberg, The Boys from Syracuse, The Smell of the Kill, Life x(3), and Wonderful Town. Mr. Mountcastle spent several Christmas seasons in New York City as stage manager for the now legendary production of A Christmas Carol at Madison Square Garden. Broadway national tours include City of Angels, Falsettos, and My Fair Lady. He served as Production Stage Manager for Damn Yankees starring Jerry Lewis for both its national tour and at the Adelphi Theatre in London’s West End. In addition, Mr. Mountcastle has worked at The Kennedy Center, CENTERSTAGE in Baltimore, Actors Theatre of Louisville, Brooklyn Academy of Music, and elsewhere. James and his wife Julie live in North Haven and are the very proud parents of two beautiful girls: Ellie, who is 14 years old, and Katie, age 12. 21

YALE REPERTORY THEATRE STAFF James Bundy, Artistic Director Victoria Nolan, Managing Director Jennifer Kiger, Associate Artistic Director Director of New Play Programs


Resident Artists Paula Vogel, Playwright-in-Residence Liz Diamond, Evan Yionoulis, Resident Directors Catherine Sheehy, Resident Dramaturg Michael Yeargan, Set Design Advisor, Resident Set Designer Jane Greenwood, Costume Design Advisor Jess Goldstein, Resident Costume Designer Jennifer Tipton, Lighting Design Advisor Stephen Strawbridge, Resident Lighting Designer David Budries, Sound Design Advisor Walton Wilson, Voice and Speech Advisor Rick Sordelet, Fight Advisor Mary Hunter, Stage Management Advisor

Finance and Information Technology Katherine D. Burgueño, Director of Finance and Human Resources Denise Zaczek, Associate Director of Finance Cristal Coleman, Alex Grennan, Joanna Romberg, Business Office Specialists Randall Rode, Information Technology Director Daryl Brereton, Associate Information Technology Director Mara Hazzard-Wallingford, Director, Yale Tessitura Consortium Toni Ann Simiola, Senior Administrative Assistant to Business Office, Information Technology, Operations, and Tessitura

Marketing, Communications, and Audience Services Anne Trites, Director of Marketing and Communications Steven Padla, Senior Associate Director of Communications Daniel Cress, Senior Associate Director of Marketing Associate Artists Rachel Smith, Associate Director of Marketing 52nd Street Project, Kama Ginkas, Mark Lamos, Brittany Behrens, Associate Director of Marketing MTYZ Theatre/Moscow New Generations Theatre, Sarah Stevens-Morling, Online Communications and Bill Rauch, Sarah Ruhl, Henrietta Yanovskaya Advertising Manager Marguerite Elliott, Publications Manager Artistic Administration Emika Abe, Marketing Assistant Amy Boratko, Literary Manager Kathleen Martin, Online Communications Assistant Ruth M. Feldman, Director of Education and Fraver, Graphic Designer Accessibility Services Joan Marcus, Production Photographer Kay Perdue Meadows, Artistic Associate Janna J. Ellis, Associate Director of Audience Services Walter Byongsok Chon, Artistic Coordinator and Tessitura Specialist Benjamin Fainstein, Ilinca Tamara Todorot, Laura Kirk, Assistant Audience Services Director Literary Associates Shane Quinn, Audience Services Assistant Tara Rubin, C.S.A.; Merri Sugarman, C.S.A.; Tracy Baldini, Subscriptions Coordinator Eric Woodall, C.S.A.; Dale Brown, C.S.A.; Evan Beck, Amanda Bermudez, Brandon Boyer, Lindsay Levine; Kaitlin Shaw; Reynaldi Lolong, Katie Metcalf, Andrew Stephanie Yankwitt, Casting Moore, Emily Sanna, Peter Schattauer, Lindsay King, Teresa Mensz, Tobin Nelhaus, Box Office Assistants Library Services Josie Brown, Senior Administrative Assistant to the Operations Artistic Director and Associate Artistic Director Diane Galt, Director of Facility Operations Laurie Coppola, Senior Administrative Assistant for Ian Dunn, Operations Associate the Directing, Dramaturgy and Dramatic Criticism, Paul Catalano, Arts and Drama Zone Superintendent Playwriting, and Stage Management Departments Krista J. MacLellan, 217 Park and 212 York Mary Volk, Senior Administrative Assistant for the Superintendent Design, Sound Design, and Projection Departments VonDeen Ricks, Senior Custodian Marcia Riley, Facility Steward ADMINISTRATION Lucille Bochert, Norma Crimley, Donell D’Gioia, Jennifer Lagundino, Katie Liberman, Associate Ty Frost, Patrick Martin, Mark Roy, Custodians Managing Directors Lico Whitfield, Associate Director of Special Programs Theater Safety and Occupational Health Eric Gershman, Alyssa Simmons, Assistant William J. Reynolds, Director of Theater Safety Managing Directors and Occupational Health Louisa Balch, Management Assistant Jacob Thompson, Security Officer Emalie Mayo, Senior Administrative Assistant Ed Jooss, Audience Safety Officer to the Managing Director Fred Geier, Patrick Grant, Customer Service and Lauren Wainwright, Company Manager Safety Officers Sarah Williams, Assistant Company Manager Development and Alumni Affairs Deborah S. Berman, Director of Development and Alumni Affairs Janice Muirhead, Senior Associate Director of Development Reynaldi Lolong, Associate Director of Development Barry Kaplan, Senior Staff Writer Susan C. Clark, Laura J. Eckelman, Development Associates Belene Day, Senior Administrative Assistant to Development and Marketing & Communications



Bronislaw J. Sammler, Production Supervisor James Mountcastle, Production Stage Manager Jonathan Reed, Senior Associate Production Supervisor Grace O’Brien, Senior Administrative Assistant to the Production, Theater Safety and Occupational Health Departments

Scenery Colin Buckhurst, Neil Mulligan, Matt Welander, Technical Directors Alan Hendrickson, Electro Mechanical Laboratory Supervisor Eric Sparks, Shop Foreman Matt Gaffney, Ryan Gardner, Sharon Reinhart, Master Shop Carpenters Brandon Fuller, Shop Carpenter Emily Erdman, Wyatt Heatherington Tilka, Assistants to the Technical Director Painting Ru-Jun Wang, Scenic Charge Keri Kriston, Scenic Artist Stephanie Huck, Assistant Scenic Artist Nathan Jasunas, Clare McCormick, Assistants to the Painting Supervisor Properties Brian Cookson, Properties Master David P. Schrader, Properties Craftsperson Jennifer McClure, Properties Assistant Bill Batschelet, Properties Stock Manager Elizabeth Zevin, Assistant to the Properties Manager Costumes Tom McAlister, Costume Shop Manager Robin Hirsch, Associate Costume Shop Manager Mary Zihal, Senior Draper Clarissa Wylie Youngberg, Draper Deborah Bloch, Harry Johnson, Senior First Hands Linda Kelley-Dodd, Costume Project Coordinator Denise O’Brien, Wig and Hair Design Barbara Bodine, Company Hairdresser Linda Wingerter, Costume Stock Manager Electrics Donald W. Titus, Lighting Supervisor Linda Young, Senior Head Electrician Brian Quiricone, Head Electrician Sound Mike Backhaus, Sound Supervisor Paul Bozzi, Staff Sound Engineer Sanghyun Ahn, Pornchanok Kanchanabanca, Assistants to the Sound Supervisor Projections Erich Bolton, Projection Supervisor Christopher Russo, Head Projection Technician Stage Operations Janet Cunningham, Stage Carpenter Kate Begley Baker, Head Properties Runner Elizabeth Bolster, Wardrobe Supervisor Jacob Riley, FOH Mix Engineer


Dustin Wills, Assistant Director Mariana Sanchez, Assistant Scenic Designer Steven Rotramel, Assistant Costume Designer Justin Bennett, Assistant Lighting Designer Jing (Annie) Yin, Assistant Sound Designer and Engineer Shawn Boyle, Assistant Projection Designer Carolynn Richer, Assistant Stage Manager Nicole Bromley, Associate Production Supervisor Ted Griffith, Technical Director Rosalie Bochansky, Ross Rundell, Assistant Technical Directors Dan Perez, Assistant Properties Master Hannah Shafran, Master Electrician Dade Veron, Projection Engineer Anh Le, House Manager Christopher Ash, Eric Casanova, Nicholas Johnson, Stephanie Rolland, Run Crew UNDERSTUDIES James Cusati-Moyer, Charlie Conlon Christopher Geary, Jake Quinn SPECIAL THANKS Anna Case-Hoffmeister, Robin Hirsch and Ella

The Actors and Stage Manager employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

The Scenic, Costume, Lighting, and Sound Designers in LORT are represented by United Artists Local USA-829, IATSE.

Yale Repertory Theatre operates under an agreement between the League of Resident Theatres (LORT) and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. Stones in His Pockets January 25 to February 16, 2013 Yale Repertory Theatre, 1120 Chapel Street


BINGER CENTER FOR NEW THEATRE YALE REPERTORY THEATRE is dedicated to the production of new plays and bold interpretations of classics and has produced well over 100 premieres—including two Pulitzer Prize winners and four other nominated finalists—by emerging and established playwrights. Eleven Yale Rep productions have advanced to Broadway, garnering more than 40 Tony Award nominations and eight Tony Awards. Yale Rep is also the recipient of the Tony Award for Outstanding Regional Theatre. Professional assignments at Yale Repertory Theatre are integral components of the program at Yale School of Drama, the nation’s leading graduate theatre training conservatory. Established in 2008, Yale’s BINGER CENTER FOR NEW THEATRE is an artist-driven initiative that devotes major resources to the commissioning, development, and production of new plays and musicals at Yale Rep and across the country. Among the Center’s programs, a key component is its Production Enhancement Fund, which provides financial support for productions at other theatres of works commissioned by and/or first produced at Yale Rep. The Center also facilitates residencies of playwrights and composers at Yale School of Drama. Permanently endowed by a gift from the Robina Foundation, and supported by additional funding from the Andrew W. Mellon Foundation and individual donors, the Center is named in honor of James H. Binger (1916–2004), the noted businessman, theatre impresario, and philanthropist who created the Robina Foundation. To date, the Center has supported the work of more than forty commissioned artists as well as the world premieres and subsequent productions of twelve new American plays and musicals—including David Adjmi’s Marie Antoinette, Dear Elizabeth by Sarah Ruhl, and Bill Camp and Robert Woodruff’s new adaptation of In a Year with 13 Moons by Rainer Werner Fassbinder, all of which will premiere at Yale Rep this season. Dostoevsky’s Notes from Underground, adapted by Bill Camp and Robert Woodruff, was the first commissioned play supported by the Center to receive its world premiere at Yale Rep. In 2010, Notes had its West Coast premiere at La Jolla Playhouse and its New York premiere at Theatre for a New Audience, in association with the Baryshnikov Arts Center. The Center also supported the world premiere co-production of Rinne Groff’s Compulsion at Yale Rep, Berkeley Rep, and The Public Theater; the world premiere of the Yale Rep-commissioned On the Levee by Marcus Gardley, Todd Almond, and Lear deBessonet at Lincoln Center Theater’s LCT3; and the world premiere of Maggie-Kate Coleman and Anna K. Jacobs’s musical POP! at Yale Rep and its May 2012 production at Pittsburgh’s City Theatre. For more information, please visit

COMMISSIONED ARTISTS David Adjmi, Todd Almond, Christina Anderson, Hilary Bell, Adam Bock, Sheila Callaghan, Bill Camp, Lucinda Coxon, Lear deBessonet, Will Eno, Dorothy Fortenberry, Marcus Gardley, Matt Gould, Kirsten Greenidge, Danai Gurira, Ann Marie Healy, Amy Herzog, Naomi Iizuka, Branden Jacobs-Jenkins, Aditi Brennan Kapil, Carson Kreitzer, Dan LeFranc, Elizabeth Meriwether, Scott Murphy, Julie Marie Myatt, David Lefort Nugent, Lina Patel, Jay Reiss, The Rude Mechs, Sarah Ruhl, Octavio Solis, Rebecca Taichman, Lucy Thurber, Alice Tuan, Paula Vogel, Kathryn Walat, Anne Washburn, Marisa Wegrzyn, Robert Woodruff 24

Yale Rep productions supported by the BINGER CENTER FOR NEW THEATRE, clockwise from the top: Merritt Janson and Bill Camp in Notes from Underground, 2009; Clifton Duncan, Angela Lewis, de’Adre Aziza, and Marc Damon Johnson in Good Goods, 2012; Cristin Paige and Randy Harrison (background: Leslie Kritzer and Emily Swallow) in POP!, 2009; Maria Dizzia and Gilbert Owuor in Belleville, 2011; Teale Sperling and Marin Ireland in Marie Antoinette, 2012. All photos by Joan Marcus, except Marie Antoinette by T. Charles Erickson. 25



HOW TO REACH US Yale Repertory Theatre Box Office 1120 Chapel Street (at York St.) PO Box 208244, New Haven, CT 06520 203.432.1234 Email:

Yale Repertory Theatre offers all patrons the most comprehensive accessibility services program in Connecticut, including a season of open-captioned and audiodescribed performances, a free assistive listening system, large-print and Braille programs, wheelchair accessibility with an elevator entrance into the Yale Rep Theatre located on the left side of the building, and accessible seating. For more information about the theatre’s accessibility services, contact Ruth M. Feldman, Director of Education and Accessibility Services, at 203.432.8425 or

BOX OFFICE HOURS Monday to Friday from 10AM to 5PM Saturday from 12PM to 5PM Until 8PM on all show nights FIRE NOTICE Illuminated signs above each door indicate emergency exits. Please check for the nearest exit. In the event of an emergency, you will be notified by theatre personnel and assisted in the evacuation of the building.

Yale Repertory Theatre’s accessibility services are supported in part by The Seedlings Foundation and the Carol L. Sirot Foundation. Yale Repertory Theatre gratefully acknowledges the Carol L. Sirot Foundation for underwriting the assistive listening systems in our theatres.

RESTROOMS Restrooms are located downstairs. Please contact the concierge for assistance with the elevator. EMERGENCY CALLS Please leave your cell phone and/or beeper, name, and seat number with the concierge. We’ll notify you if necessary. The emergency-only telephone number at Yale Rep is 203.764.4014. GROUP RATES Discounted tickets are available for groups of ten or more. Please call 203.432.1572. SEATING POLICY Everyone must have a ticket. Sorry, no children in arms or on laps. Patrons who become disruptive will be asked to leave the theatre.


AUDIO DESCRIBED (AD) A live narration of the play’s action, sets, and costumes for patrons who are blind or low vision. OPEN CAPTIONING (OC) You’ll never again have to ask, “What did they say?” Open Captioning provides a digital display of the play’s dialogue as it’s spoken. Open Captioning and Audio Described performances are on Saturdays at 2PM.* AD pre-show description begins at 1:45PM.

Stones in His Pockets Hamlet* In a Year with 13 Moons

Feb 9 Feb 16 Apr 6 Apr 13 May 11 May 18

*Hamlet OC and AD performances begin at 1:30PM with the pre-show description at 1:15PM.

c2inc is pleased to be the official Open Captioning provider of Yale Repertory Theatre.

YALE REP’S EDUCATION PROGRAMS As part of Yale Rep’s commitment to our community, we provide two significant youth theatre programs. Since our 2003–04 season, WILL POWER!, which offers teacher training and curricular support prior to seeing a selected play at Yale Rep, has served more than 17,000 Connecticut students and educators. The Dwight/Edgewood Project brings eight middle school students from New Haven’s Augusta Lewis Troup Middle School to Yale Rep for a month-long, after-school playwriting program designed to strengthen their self-esteem and creative expression. Yale Rep’s education programs are supported in part by Allegra Print and Imaging; Deborah S. Berman; Bob and Priscilla Dannies; Bruce Graham; the George A. and Grace L. Long Foundation, Bank of America, N.A. and Alan S. Parker, Esq. Co-Trustees; the Lucille Lortel Foundation; Romaine A. Macomb; Mrs. Romaine Macomb; Dawn G. Miller; NewAlliance Foundation; Robbin A. Seipold; Sandra Shaner; Cheever and Sally Tyler; Esme Usdan; Charles and Patricia Walkup; and Bert and Martha Weisbart.


SPONSORSHIP: COMMUNITY PARTNERS Allegra Print and Imaging Est Est Est Fleur de Lys Floral and Gifts Heirloom

Hull’s Art Supply and Framing New Haven Register The Study at Yale Take the Cake GHP Printing and Mailing

Union League Cafe Willoughby’s Coffee and Tea The Wine Thief The Yale Bookstore Yellowbook

These lists include current pledges, gifts, and grants received from July 1, 2011‚ through January 1, 2013. 27


When you make a gift to Yale Rep’s Annual Fund, you support the creative work on our stage and our innovative outreach programs. For more information, or to make a donation, please call Susan Clark, 203.432.1559. You can also give online at

THANK YOU TO THE GENEROUS CONTRIBUTORS TO YALE SCHOOL OF DRAMA AND YALE REPERTORY THEATRE: LEADERSHIP SOCIETY ($50,000 and above) Anonymous (2) John B. Beinecke Nicholas Ciriello Lynne and Roger Bolton Sterling and Clare Brinkley State of Connecticut, Office of the Arts Edgar M. Cullman, Jr. Edgar M. Cullman III Anita Pamintuan Fusco and Dino Fusco Horace W. Goldsmith Foundation Frederick Iseman David Johnson Adrian and Nina Jones Jennifer Lindstrom Neil Mazzella Andrew W. Mellon Foundation William S. Monaghan Don Nelson Pam and Jeff Rank Robert Riordan Robina Foundation Linda Frank Rodman Talia Shire Schwartzman The Shubert Foundation Stephen Timbers Kara Unterberg Esme Usdan Reggie Van Lee

GUARANTORS ($25,000–$49,999) Anonymous Lois Chiles and Richard Gilder Educational Foundation of America Heidi Ettinger Estate of Richard G. Mason* National Endowment for the Arts


National Endowment for the Arts/Arts Midwest, Shakespeare for a New Generation James Munson Jeremy Smith Edward Trach

BENEFACTORS ($10,000–$24,999) Americana Arts Foundation Anonymous Bisno Productions Sonja Berggren and Patrick Seaver The Cornelius Schecter Family Fund Scott Delman Ruth and Steve Hendel Catherine MacNeil Hollinger Ellen Iseman Sarah Long Lucille Lortel Foundation Donald B. Lowy Stacey Mindich Productions Michael and Riki Sheehan Ted and Mary Jo Shen Carol L. Sirot Foundation Trust for Mutual Understanding Carol M. Waaser

PRODUCER’S CIRCLE ($5,000–$9,999) Nina Adams and Moreson Kaplan Deborah Applegate and Bruce Tulgan Amy Aquino and Drew McCoy Merritt Forrest Baer Foster Bam Mary L. Bundy Jim Burrows The Noël Coward Foundation Michael Desantis and Patrick Baugh

Michael Diamond Terry Fitzpatrick Beth Galston F. Lane Heard III Linda Gulder Huett Ben Ledbetter and Deborah Freedman Peter Nelson NewAlliance Foundation Carol Ostrow Theater Communications Group Robert Pohly and Julie Turaj Philip J. Smith Susan Stroman

DIRECTOR’S CIRCLE ($1,000–$4,999) Actors’ Equity Foundation Anna Fitch Ardenghi Trust, Bank of America, N.A., Trustee Paula Armbruster Mr. and Mrs. B. Ashfield John Badham Alexander Bagnall Robert L. Barth Estate of Cynthia K. Barrington* Jody Locker Berger Deborah S. Berman Jeffrey A. Bleckner Walter Bobbie Michael Broh Raymond Carver James Bundy CECArts Link Joan D. Channick Enrico Colantoni Sue Ann Gilfillan and Tony Converse Peggy Cowles The Frederick A. DeLuca Foundation Michael S. David Sasha Emerson Glen R. Fasman Marc Flanagan

Lawrence and Megan Foley Marcus Dean Fuller Melanie Ginter and John Lapides Fred Gorelick and Cheryl MacLachlan James W. Gousseff Albert R. Gurney Judith Hansen Richard Harrison Carol Thompson Hemingway James Ingalls James Earl Jewell Rolin Jones Jane Kaczmarek The Ethel & Abe Lapides Foundation The George A. and Grace L. Long Foundation George N. Lindsay, Jr Linda Lorimer and Charley Ellis William Ludel Drs. Robert and Wendy Lyons Romaine A. Macomb Jenny Mannis and Henry Wishcamper Jane Marcher Foundation Thomas Masse and Dr. James Perlotto Maximum Entertainment Productions Dawn G. Miller The Garret and Mary Moran Family Foundation Neil Mulligan Arthur and Merle Nacht Victoria Nolan and Clark Crolius Richard Ostreicher Mr. and Mrs. Albert Pailet F. Richard Pappas Dw Phineas Perkins George and Kathy Priest

Hal Prince Lance Reddick Marie S. Sherer Eugene F. Shewmaker Benjamin Slotznick Rachel Smith Kristin Sosnowsky Kenneth J. Stein Shepard and Marlene Stone Lee Stump Arlene Szczarba John Henry Thomas Tobin Theatre Arts Fund Courtney Vance Barry and Fran Weissler Terrence Witter Steve Zuckerman

PARTNERS ($500–$999) The Bruce Altman Family Mary Ellen and Thomas Atkins Christopher Barreca Ed Blunt Alice B. and James T. Brown Joy G. Carlin Cosmo Catalano, Jr. Patricia Clarkson CT Humanities Ernestine and Ronald Cwik Bob and Priscilla Dannies Ramon L. Delgado The Cory & Bob Donnalley Charitable Foundation Roberta Enoch and Steven Canner Paul Cleary Richard Sutton Davis Peter Entin Dr. and Mrs. Frederic Finkelstein Rob Greenberg Elizabeth M. Greene William B. Halbert Karsten Harries and Elizabeth Langhorne Katherine W. Haskins Jane C. Head Jeffrey Hermann Donald Holder John Robert Hood Helen Kauder and Barry Nalebuff Mildred Kuner Edward Lapine


Charles Long and Roe Curtis Chih-Lung Liu Brian Mann John McAndrew Johanna D. McAuliffe George Miller and Virginia Fallon Daniel Mufson Janice Muirhead James Naughton Arthur Oliner Maulik Pancholy Amy Povich Dr. Michael Rigsby Peter S. Roberts Liev Schreiber Sandra Shaner Jack Thomas and Bruce Payne Thomas Thurston Cheever and Sally Tyler Zelma Weisfeld Vera Wells Carolyn S. Wiener Steven Wolff Evan Yionoulis

INVESTORS ($250–$499) Anonymous Susan and Bruce Ackerman Richard Ambacher Clayton Mayo Austin James Bakkom Robert Baldwin John Lee Beatty Richard Bianchi* Lewis Black Deborah Bloch Irving and Jackie Blum Edward Blunt Susan Brady and Mark Loeffler Tom Broecker Donald Brown Claudia Brown Jonathan Busky Sheldon Bustow Anne and Guido Calabresi Ian Calderon Anna Cascio Robert Cotnoir Stephen Coy John W. Cunningham Charles Dillingham Merle Gordon Dowling Pat Egan Marc and Heidi Eisenberg

Arthur Furgenson Joel Fontaine Walter M. Frankenberger III David Freeman Joseph Gantman Robert Gerwien Joseph Wayne Gordon David M. Grant Anne K. Gregerson Norma and Richard Grossi Regina Guggenheim Sarah Hancock D. Keith Hargreaves Douglas Harvey Barbara Hauptman Sara Hedgepath Michael Haymes and Logan Green Nicole and Larry Heath Amy Herzog June and George Higgins Mary and Arthur Hunt Albert Hurwitz* Raymond P. Inkel Joanna and Lee Jacobus Cynthia Kaback Asaad Kelada Barnet K. Kellman Fredrica Klemm David Kriebs Bernard Kukoff Frances Kumin Suttirat Larlarb Kenneth Lewis Suzanne Cryer Luke Nancy F. Lyon Robert and Nancy Lyons Peter Marshall Wendy McCabe Deborah McGraw George Miller and Virginia Fallon David Nancarrow William and Barbara Nordhaus Louise Perkins and Jeff Glans Stephan Pollack Michael Potts Meghan Pressman Carol A. Prugh Alec and Drika Purves Margaret Adair Quinn Sarah Rafferty Faye and Ashgar Rastegar Barbara and David Reif Bill and Sharon Reynolds Daniel and Irene Mrose Rissi

Steve Robman Constanza Romero Russ Rosensweig Fernande E. Ross Jean and Ron Rozett Suzanne Sato Cindy and Mark Schoenfeld Mark and Cindy Slane Matthew Specter Mary C. Stark Sandra T. Stein and Harvey Kliman Jennifer Tipton Anne Trites Suzanne Tucker David J. Ward William and Phyllis Warfel Dana Westberg Judith and Guy Yale

FRIENDS ($100–$249) Anonymous Emily Aber and Robert Wechsler Ade Ademola Michael Albano Sarah Jean Albertson Narda Alcorn Susan Anderson Leif Ancker Bob and Jane Archibald Mary B. Arnstein Andrew Asensio Victor and Laura Atshul Angelina Avallone Sandra and Kirk Baird Frank and Eileen Baker Raymond Baldelli and Ronald Nicholes Michael Barker and Heidi Leigh Hanson Robert Barr William Batsford Nancy and Richard Beals Thomas Beckett Barbara and Jack Beecher James Bender Melvin Bernhardt Saundra and Donald Bialos Martin Blanco Anders Bolang Paul Bordeau John Cummings Boyd Mark Boyer Amy Brewer and David Sacco Julie Anne Brown


Contributors to Yale School of Drama and Yale Repertory Theatre Oscar Lee Brownstein William J. Buck Gerard and Ann Burrow Robert and Linda Burt Kate Burton Susan Byck Michael Cadden Susan Cahan and Jürgen Bank Donald Cairns Kathryn A. Calnan Lisa Carling Nicholas Carriere William E. Caruth Sami Joan Casler Marcelo Castro Patricia Cavanaugh Dr. and Mrs. W.K. Chandler Jim Chervenak Suellen G. Childs Cynthia Clair Christian Clemenson Lani Click Katherine D. Cline Robert S. Cohen Mr. and Mrs.Thomas Colville Patricia J. Collins Forrest Compton Audrey Conrad David Conte Jack and Helen Cooper Greg Copeland Aaron Copp George Corrin, Jr. Robert Cotnoir Dana S. Croll Timothy and Pamela Cronin Julie Crowder Douglas and Roseline Crowley Jane Ann Crum William Cuddy Sean Cullen Marycharlotte Cummings William Curran Donato Joseph D’Albis F. Mitchell Dana Sue and Gus Davis Robert Dealy Nigel W. Daw Mr. and Mrs. Clifford E. DeBaptiste Mr. and Mrs. Paul DeCoster Melissa de La Cruz Elizabeth DeLuca Julia L. Devlin


Liz Diamond Jose A. Diaz Leslie Dickert Peter and Connie Dickinson Melinda DiVicino Alexander Dodge Peter Donat JoAnne E. Droller, R.N. Jeanne Drury George and Diane Dumigan Carolyn Dundes John A. Duran East Coast Management & Consulting Robert Einenkel Frances L. Egler Dr. and Mrs. Richard Ehrenkranz Nancy Reeder El Bouhali Janann Eldredge Elizabeth English Dirk Epperson David Epstein Howard and Jackie Ertel Dustin Eshenroder Christine Estabrook Frank and Ellen Estes Dan and Elizabeth Esty Euphoria Salon Jerry N. Evans Douglass Everhart John D. Ezell Patricia Fahey Michael Fain Kristan Falkowski Christopher Feeley Barbara and Richard Feldman Ruth M. Feldman Earle Finch Aurelia Fisher David Florin and Robin Thomashauer Lewis Folden Anthony Forman Nanci Fortgang Keith Fowler Meredith Freeman Richard Fuhrman Michael T. Fulton and Catherine Hernandez Barbara and Gerald Gaab Jim and Eunice Galligan Karin Geballe Steven Gefroh Stuart and Beverly Gerber

Patricia Gilchrist Robert Glen Marian Godfrey Lindy Lee Gold Betty and Joshua Goldberg Robert Goldsby Naomi Grabel Kris and Marc Granetz Katharine Grant Raymond Grasso Bigelow Green Joe Grifasi Elizabeth Greenspan Margaret Grey and Michael Lauterback Michael Gross John Guare Jessica and Corin Gutteridge Phyllis Hammel Alexander Hammond Ann T. Hanley Jerome R. Hanley Scott Hansen Charlene Harrington Betty and Walter Harris Ihor and Roma Hayda Brian Haynsworth Heather Henderson Jennifer Hershey-Benen Rachel Hewitt Dennis and Joan Hickey Matthew and Lee Hieb Christopher Higgins Hill Regional Career High School Ira Hoffman Elizabeth Holloway Nicholas Hormann David Howson Evelyn Huffman Hull’s Art Supply and Framing Derek Hunt Peter H. Hunt Timothy and Diane Hunt John Huntington John and Patricia Ireland Lisa Iverson Andrew Jackness Candace Jackson Kirk Jackson John W. Jacobsen Chris Jaehnig Ina and Robert Jaffee Jim and Cynthia Jamieson Jeffrey’s, a restaurant Allison Hall Johnson

Geoffrey A. Johnson Marcia Johnson Donald E. Jones, Jr. Elizabeth Kaiden Carol Kaplan James D. Karr Dr. and Mrs. Michael Kashgarian Bruce Katzman Edward A. Kaye Richard Kaye Jay Keene Arthur J. Kelley, Jr. Abby Kenigsberg Roger Kenvin Alan Kibbe Colette Kilroy Peter Young Hoon Kim Carol Soucek King Shirley Kirshner Raymond Klausen David and Charlotte Koskoff Brenda and Justin Kreuzer Joan Kron William Kux Howard and Shirley Lamar Marie Landry and Peter Aronson James Larkin David Jeremy Larson Sylvia Lavietes James and Cynthia Lawler Wing Lee Charles E. Letts III Bradford Lewis Irene Lewis Malia Lewis Drew Lichtenberg Alan Lichtenstein Jerry Limoncelli Chuck and Helana Litty Benjamin Lloyd Bruce Lockwood Tony Lolong Derek Lucci Paul David Lukather Thomas Lynch Nancy Lyon Andi Lyons Janell M. MacArthur Timothy Mackabee Elizabeth M. MacKay Lizbeth Mackay Jonathan Macey Wendy MacLeod Alan Mokler MacVey

Linda Maerz and David Wilson Peter Andrew Malbuisson Jocelyn Malkin Orla and Mithat Mardin Elizabeth Margid Jonathan Marks Timothy and Leslie Marsh Maria Mason and William Sybalsky Carole A. Masters Craig Mathers James and Margaret Mathis Beverly May Brian McEleney Thomas McGowan Robert McKinna and Trudy Swenson Mr. and Mrs. James Meisner Robert Melrose Stephen W. Mendillo Donald Michaelis Carol Mihalik Carol Mikesell Jonathan Miller Lesley Miller Sandra Milles Inga-Brita Mills Mary Jane Minkin and Steve Pincus Cheryl Mintz Marjorie Craig Mitchell Jennifer Moeller Richard R. Mone Elizabeth H. Moore Tom Moore George Morfogen Grafton V. Mouen Gayther Myers, Jr. Rachel Myers James Naughton Tina C. Navarro Meg Neville Regina and Thomas Neville Ruth Hunt Newman Ronald Dean Nolen Grace O’Brien Dwight R. Odle Fran and Ed O’Neill Sara Ormond

Kendric T. Packer Ginny Parker Dr. and Mrs. Michael Parry Dr. Ismene Petrakis William Peters Roberta Pilette David Pomeran Nancy B. Porter Michael B. Posnick Gladys Powers Robert Provenza Jeffry Provost Alvin S. Prusoff and Dr. Deborah DeRose James Quinn Ronald Recasner James and Cynthia Reik Mary B. Reynolds Peter S. Roberts Brian Robinson Lori Robishaw Priscilla Rockwell Doug Rogers Howard Rogut Joanna Romberg Andrew Rubenoff Dr. Ortwin Rusch Raymond Rutan Edward and Alice Saad Steven Saklad Clarence Salzer Robert Sandberg Robert Sandine and Irene Kitzman Frank Sarmiento Peggy Sasso William and Annita Sawyer Joel Schechter Anne Schenck Kenneth Schlesinger Mr. and Mrs. Michael Schmertzler Ruth Hein Schmitt William Schneider Judith A. Schomer Drs. Carol and Sandy Schreiber Georg Schreiber Jennifer Schwartz Alexander Scribner Forrest E. Sears Paul Selfa Subrata K. Sen

Sandra Shaner Morris Sheehan Paul R. Shortt Mark Shufro Lisa-Marie Shuster Carol M. Sica Lorraine Siggins and Braxton McKee Michael Vaughn Sims E. Gray Smith, Jr. Helena L. Sokoloff Suzanne Solensky and Jay Rozgonyi Amanda Spooner Regina Starolis Louise Stein Neal Ann Stephens John Stevens Jaroslaw Strzemien Mark Sullivan Katherine Sugg Thomas Sullivan Sy Sussman Jane V. Suttell David Loy Sword Ellen Tsangaris Muriel Test Eleanor Q. Tignor Eric Ting David F. Toser Albert Toth Russell L. Treyz Richard B. Trousdell Deborah Trout Marge Vallee Joan Van Ark Carrie Van Hallgren Russell Vandenbroucke Hyla and Barry Vine Arthur Vitello Eva Vizy Fred Voelpel Elaine and Patrick Wackerly Mark Anthony Wade Andrea S. Walker Charles and Patricia Walkup Erik Walstad Barbara Wareck and Charles Perrow Joan Waricha Steven I. Waxler Gil Wechsler Robert Wechsler

Margaret Weidlein Rosa Weissman Vera Wells Susan Wheeler Peter White Richard Whittington Lisa A. Wilde Robert Wildman Marshall Williams David Willson The Winokur Family Foundation Alexandra Witchel Carl Wittenberg Stephen Wolff Yun C. Wu David York Arthur and Ann Yost Donald and Clarissa Youngberg Patricia and John Zandy Catherine Zuber

EMPLOYER MATCHING GIFTS Aetna Foundation Component Engineers,Inc. Corning, Inc. General Electric Corporation IBM The John D. and Catherine T. MacArthur Foundation Mobil Foundation, Inc. Pfizer Pitney Bowes Procter & Gamble The Prospect Hill Foundation The Shelley and Donald Rubin Foundation SBC Communications, Inc. United Technologies Corporation

This list includes current pledges, gifts, and grants received from July 1, 2011, through January 1, 2013. For more information about making a donation to Yale Repertory Theatre, please contact Susan Clark at 203.432.1559 or 31


super night shot by gob squad

FEbRuARY 1 & 2


paul giamatti


by william shakespeare directed by james bundy

MARcH 15 TO APRiL 13


in a year with 13 moons

Film and screenplay by rainer werner Fassbinder adapted For the stage by bill camp and robert woodruFF directed by robert woodruFF Featuring bill camp

APRiL 26 TO MAY 18

For tickets or more information, call 203.432.1234

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VertR1.indd 1

3/2/07 1:14:43 PM


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   

New Haven, Connecticut

Great art Big ideas FESTIVAL 2013 JUNE 15-29 featuring A MIDSUMMER NIGHT’S DREAM Bristol Old Vic & Handspring Puppet Company SHANTALA SHIVALINGAPPA US premiere of a new Kuchipudi dance (photo, right: C.P. Satyajit) KRONOS QUARTET with special guest WU MAN FREE on the New Haven Green COMPLETE FESTIVAL ANNOUNCEMENT IN EARLY APRIL



217 PARK STREET, NEW HAVEN | 203 432 1566

Thursdays 8 pm Fridays and Saturdays 8 and 11 pm Dinner and drinks starting at 6:30 and 10 pm FEBRUARY 14–16

Ermyntrude & Esmeralda: A Naughty Puppet Play Based on the Novella by Lytton Strachey FEBRUARY 21–23

Halfway House Created by Jackson Moran



MARCH 14–16


The Bird Bath

Lindbergh’s Flight

Created by Ensemble

By Bertolt Brecht

The Twins Would Like to Say

MARCH 28–30

By Seth Bockley & Devon de Mayo


The Small Things By Enda Walsh

Arnold Schoenberg’s

Pierrot Lunaire

APRIL 11–13

The Ugly One By Marius von Mayenburg


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Yale University Art Gallery VISIT WITH FRIENDS

Expanded museum now open Yale University Art Gallery, view of the American paintings and sculpture galleries, 2012

Free and open to the public

Profile for Yale Repertory Theatre

Stones in His Pockets  

Stones in His Pockets program

Stones in His Pockets  

Stones in His Pockets program

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