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A NOTE FROM THE ARTISTIC DIRECTOR Welcome to Yale Rep—where spring is in full bloom! I am delighted you are here with us for the world premiere of Elevada by Sheila Callaghan. This new love story, commissioned by Yale Rep, is a witty and wise revelation of contemporary society, particularly of the technologies and feelings that can keep us from truly connecting with others. So if you’re going to take a selfie, please do it before the show (#elevada @yalerep, please!), then turn off your phone, and let yourself be swept away by the imagination of the playwright, director Jackson Gay, and their remarkable company of collaborators. Whether you are a first-time attendee at Yale Rep, or you are a frequent member of our audience, thank you for making the 2014–15 season such a rewarding experience. I invite you to join us again in the fall: our recently announced 2015–16 season includes three world premieres and two classics brought to life by some of the most daring and honored artists working in the American theatre today. We begin again in September with Indecent, a deeply moving new play with music, created by our Pulitzer Prize-winning Playwright-in-Residence Paula Vogel and director Rebecca Taichman, and continue with Jiehae Park’s blisteringly funny peerless, directed by Margot Bordelon, and Jen Silverman’s The Moors, an outrageous contemporary riff on 19th-century gothic romances, directed by Jackson Gay. Next spring, OBIE Award-winning Resident Director Evan Yionoulis will stage Shakespeare’s romantic adventure Cymbeline, and I will direct a new production of Samuel Beckett’s masterpiece, Happy Days, featuring two-time Oscar winner Dianne Wiest. These premieres and revitalized classics reflect our highest aspirations for artistry—they will be filled with sensory delights, astonishing ideas, revelatory emotions, and a courageous commitment to theatrical adventure in communion with our audience. We can just barely wait to share them with you! Thank you again for joining us today. I look forward to hearing your thoughts about Elevada or any of your Yale Rep experiences (my email address is email@example.com), as well as to seeing you again next season! Sincerely,
James Bundy Artistic Director
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YALE REPERTORY THEATRE James Bundy, Artistic Director
Victoria Nolan, Managing Director
PRESENTS THE WORLD PREMIERE OF
Callaghan Directed by Jackson Gay Choreographers Scenic Designer Costume Designer Lighting Designer Sound Designer Projection Designer Production Dramaturg Casting Director Stage Manager
KYLE ABRAHAM KEVIN WILLIAMSON KURTIS BOETCHER STEVEN M. ROTRAMEL TYLER MICOLEAU KATE MARVIN SHAWN BOYLE CATHERINE SHEEHY TARA RUBIN CASTING EMILY DeNARDO
Elevada was commissioned by Yale Repertory Theatre. Development and production support are provided by Yale’s Binger Center for New Theatre and the Andrew W. Mellon Foundation. Elevada is the recipient of a 2014 Edgerton Foundation New American Plays Award. Yale Rep’s 2014–15 season has been made possible in part by a gift from Tracy Chutorian Semler and is supported by the Connecticut Department of Economic and Community Development.
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CAST in order of appearance Ramona Khalil June Owen
LAUREL CASILLO ALFREDO NARCISO KEIRA NAUGHTON GREG KELLER
DANCERS FRANKIE ALICEA LUIS ANTONIO EVAN GAMBARDELLA MELISSA KAUFMAN REBECCA MADDY
SETTING NEW YORK CITY, NOW THERE WILL BE ONE 15-MINUTE INTERMISSION.
WALKING ON AIR
or, What Is An Elevada?
You can sail a ship by yourself Take a nap or nip by yourself You can get into debt on your own There are lots of things that you can do alone But it takes two to tango...
—AL HOFFMAN AND DICK MANNING,1952 start
Rudolph Valentino did it in gaucho pants in The Four Horsemen of the Apocalypse, and women across the country fainted. Jack Lemmon did it in lipstick and heels in Some Like It Hot, and Joe E. Brown forgave him everything—well, nobody’s perfect. The Tango has always had an extraordinary power to seduce. Although no history of the dance is definitive, the legend of the tango has it rising from the cobblestoned backstreets, smoky taverns, and dens of dubious virtue in Buenos Aires in the late 19th century. It next traversed the Atlantic, perhaps, as part of the repertoire of a dancing master who set up shop in Paris, where it claimed kin with that city’s infamous Apache dance and became à la mode, before finally finding its way to immortality in early film.
In Argentina the dance was originally done by compadritos, young toughs who lived and worked on the waterfront, cultivating an air of danger. When the scions of wellheeled society came slumming, looking for nightlife with a bit of edge, they discovered the tango. In order to keep their contact with the grime and dust of the dingy dance parlors to a minimum, it is said they created “the elevada,” a means of stepping high to minimize contact with the ground. In Sheila Callaghan’s play, the heroine, her sister, her love and his roommate find out that it’s all well and good to step high, to avoid messy interaction, and go walking on air; you’ll keep your hem clean and your shoes fresh. But it can be just as important to risk ruining your best pair of dancing slippers, to caress the floor, and to stand on your own two feet. —CATHERINE SHEEHY, PRODUCTION DRAMATURG
Making Connections K R O J
In Elevada, playwright Sheila Callaghan imagines the intersection of moods, modes, and methodologies that are often considered mutually exclusive, if not downright antipodean. She manages to chart the unlikely places where such antithetical notions as hope and despair, love and loathing, certainty and doubt, gravitas and loft—against all odds—converge. Callaghan’s idiosyncratic system map guides all of Elevada’s characters, and armed with it, they navigate the service changes, track work, and rush-hour crowding of modern social interaction. Ramona, Khalil, June, and Owen may feel lost from time to time, but they all come to realize that it’s only at a junction that you can change the direction of your life. —CAS
“Hit Me” + “Stand Pat” It’s “fight or flight!” Owen says to Khalil. Do you take what’s behind door number two or stick with what you’ve won? Do you take a card when you’ve got 17 showing, or do you stay? What’s the risk/ reward analysis? Elevada makes the case for leaping, while refusing to assert that the world promises a landing spot any more comfortable outside the frying pan.
Lyricism + Stark Reality Among Sheila Callaghan’s many gifts is the capacity to create characters that might remind you of friends or family, to craft conversations that you might overhear on the subway, and then to deploy them in situations that, though you could never imagine them, you believe them completely. This may be heartwarming, soul-crushing, or cringe-inducing. Her litany has a most impressive breadth. She doesn’t shy away from anything, because she is a poet, who, to be sure, believes with the 2nd-century BCE Roman playwright, Terence, “I am a human being. Nothing that is human is alien to me.”
Also in her arsenal, however, is the capacity for the sudden flight of fancy. The flight may be linguistic, dramaturgical, spectacular, or situational. But all at once, a play in whose plot we are confident and with whose characters we are comfortable, will take off, transporting us to undiscovered countries— some of them beautiful, some of them hideous or horrifying. You’ll know it when you see it. And when you have seen it, you will know just how exhilarating such a juxtaposition of the real and the fantastical can be.
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Meme, My Selfie,
and Thousands of Eyes
Now that “friend” has become an omnipresent verb and you don’t need to start a cult to have followers, now that announcements of presidential aspirations and condolences for unimaginable tragedy are conveyed in 140 characters or less, how do we know others—and how are we known? These are central questions in Elevada. So it seemed only appropriate to let Sheila Callaghan introduce herself to Yale Rep audiences via that most modern means of autobiography, the “selfie.” To let us get a little closer to her, Sheila sent a years’ worth of images taken at arm’s length. Here are just a few with some hashtags and tweets we’ve added.
@Awards—LA Drama Critics, Ted Schmitt Award, Whiting Prize, Jerome Fellowship, Susan Smith Blackburn Prize #SWAG!
@SC-TVwork— Shameless (Producer), United States of Tara (4 Episodes), Over/ Under (TV Movie) #PremiumCable #DayJob
@HavingItAll—People, Let Me Tell Ya ’Bout My Best Friend.
@PlaysPenned—Elevada, Everything You Touch, Fever/ Dream, Roadkill Confidential, Kate Crackernuts, Dead City, That Pretty Pretty; or, the Rape Play #PartialList
CAST LAUREL CASILLO* (RAMONA) is making her Yale Rep debut. Her New York credits include the Broadway production of Act One (Lincoln Center Theater); Bryan and Kim, The Custodian, Don’t Step on the Cracks (New York International Fringe Festival); In Naked Time (The Beckett); The Kitchen Plays (HB Playwrights Theater); and What a Life (Center Stage). Regional credits include The Rainmaker (Good Theater); Miracle on South Division Street, The Diary of Anne Frank, A Shayna Maidel (Chenango River Theatre); and Black Comedy (Shadowland Theatre). Film: Roman Citizen, Evil Things, Trials of a Scientific Mind, Merry Christmas, and The Call. She holds a BA in theatre performance from Marymount Manhattan College. Laurel supports the St. Baldrick’s Foundation. To learn more about her campaign, and to make a donation, please search “laurel casillo” at stbaldricks.org.
GREG KELLER* (OWEN) previously appeared at Yale Rep in War and Belleville. Broadway: Wit (Manhattan Theatre Club). Off-Broadway: The Who & The What (Lincoln Center Theater’s LCT3); Somewhere Fun (Vineyard Theatre); Belleville (New York Theatre Workshop); Cradle and All (Manhattan Theatre Club); The Seagull with Dianne Wiest and Alan Cumming (Classic Stage Company); Sheila Callaghan’s That Pretty Pretty; or, The Rape Play (in which he originated the role of Owen), Steve & Idi (Rattlestick Playwrights Theater); Telethon (Clubbed Thumb); Reborning (The Public Theater/Summer Play Festival); and Smudge (Women’s Project). Regional: Seminar with Jeff Goldblum and 33 Variations with Jane Fonda (Ahmanson Theatre) and nine plays at Berkshire Theatre Group. Television: Orange Is the New Black, The Good Wife, Lipstick Jungle, Law & Order. MFA: NYU. Greg was a Lila Acheson Wallace playwriting fellow at The Juilliard School. His plays have been produced at Cherry Lane, Williamstown Theatre Festival, Berkshire Theatre Festival, and Labyrinth Theater Company, where he is a member. Upcoming: Of Good Stock (Manhattan Theatre Club) and The Humans (Roundabout Theatre Company).
ALFREDO NARCISO* (KHALIL) is making his Yale Rep debut. Previous theatre credits include Basilica (Rattlestick Playwrights Theater), The Good Mother (The New Group), Red Dog Howls (New York Theatre Workshop), Chimichangas and Zoloft (Atlantic Theater Company), and The Ugly One (Soho Rep./Play Co.), among others. Recent film and television credits include Me & Lizzie, One Day Home, Beauty and the Beast (CW), The Following (Fox), Madam Secretary (CBS), and The Blacklist (NBC). He is also a company member of Labyrinth Theater Company, Ensemble Studio Theatre, Partial Comfort, and The Actors Studio. www.site.alfredonarciso.com
KEIRA NAUGHTON* (JUNE) previously appeared at Yale Rep in These Paper Bullets! and Edward Albee’s A Delicate Balance. She has appeared on Broadway in The Rivals (Lincoln Center Theater), Dance of Death, and The Three Sisters. Off-Broadway credits include The Jammer, Hunting and Gathering, Indoor/ Outdoor, All My Sons, Lucy, The American Clock, Tesla’s Letters, and Roses in December, among others. Regional credits include The Dining Room (Westport Country Playhouse); Becky Shaw (Huntington Theatre); Proof (Arena Stage, Helen Hayes Award nomination); Company (Kennedy Center Sondheim Celebration); Faith Healer, Macbeth, The Book Club Play (Berkshire Theatre Festival); Uncle Vanya, Wonder of the World (Barrington Stage); as well as productions at Shakespeare & Company, Cleveland Playhouse, and Williamstown Theatre Festival. She directed the world premiere of Cedars by Erik Tarloff at Berkshire Theatre Festival. Her television and film appearances include Body of Proof, 3 Lbs., Law & Order: SVU, Sex and the City, All My Children, Book of Shadows: Blair Witch 2, and Cradle Will Rock. She is Mrs. Peterson in the band The Petersons and is a founding member of New Neighborhood. Upcoming: the world premiere of I Saw My Neighbor On the Train and I Didn’t Even Smile by Suzanne Heathcote, co-produced by New Neighborhood and Berkshire Theatre Group. Keira received her MFA from Tisch School of the Arts at NYU.
DANCERS FRANKIE ALICEA (DANCER) is an actor, dancer, performer, and writer. His credits include ¡Olé! (Theater in Asylum in Prague, New York, Connecticut, and Illinois); Sacrificio, Det. Riot, This Must Be the Place, Walk (New York University); Rise Like Lions, Imagination Event (Rescue Agreement Theatre Company); and Fighter (Times Square Arts Center). Frankie holds a BFA in acting from NYU.
LUIS ANTONIO (DANCER) is a choreographer and dance teacher from New Haven. His choreography credits include Fiddler on the Roof, Into the Woods (Wilbur Cross High School); Back to Our Roots, Winter in the Elm, Dance Showcase 2013, Guys and Dolls Jr., Black History Month Jazz Show, Home for the Holidays, Dance Showcase 2013, The Little Mermaid Jr., 2013 Black History Month Show (Betsy Ross Arts Magnet School); and Vaudeville Frolic (Bijou Theatre). His dance credits include Wally Cardona’s Really Real (International Festival of Arts & Ideas), The Nutcracker (New England Ballet School), as well as projects with Elm City Dance Collective, Dance Productions, and Across the Water. *MEMBER OF ACTORS’ EQUITY ASSOCIATION, THE UNION OF PROFESSIONAL ACTORS AND STAGE MANAGERS.
DANCERS EVAN GAMBARDELLA (DANCER) is making his Yale Rep debut. His credits include Assassins (New Repertory Theatre); The Velveteen Rabbit, Pinocchio (Connecticut Family Theatre); Joseph and the Amazing Technicolor Dreamcoat (Theater of the Stars); Gutenberg! The Musical!, Pacific Overtures, The Vanek Plays, Silence in Wonderland, Confines of a Carcass (Boston University School of Theatre); Pippin, A Midsummer Night’s Dream (ACES Educational Center for the Arts); columbinus, After Ashley (Quarter Zero); and The Dick and the Rose (Outcast Café Theatrix). Film credits include The Balloon Artist, The Green, and Film Camp: Reel 1. Evan holds a BFA in acting from Boston University.
MELISSA KAUFMAN (DANCER) is making her Yale Rep debut. Her theatre credits include The House of Yes, Sunday Papers (Ansonia Theatre); Metamorphoses (Play House on Park); Spring Awakening, Behind the Bedroom Wall (Connecticut Repertory Theatre); The Secret Garden, Pippin, The Boyfriend (Foote Theatre); How to Succeed in Business Without Really Trying (Lyman Center); and High School Musical as the vivacious Sharpay (Thornton Wilder Theatre). Melissa has a BFA in acting from the American Musical and Dramatic Academy and has also studied with the UCONN acting program.
REBECCA MADDY (DANCER) is making her Yale Rep debut. Her theatre credits include The Theory of Relativity (Goodspeed Musicals); Pippin (Cirillo Summer Theatre); Dreamgirls, Footloose, and I’m Connecticut (Ivoryton Playhouse). She has a BFA in musical theatre from The Hartt School, where she appeared in Spring Awakening, Barnum, Big River, and Miss Saigon, among others. Rebecca has also been seen in several short films and commercials.
CREATIVE TEAM KYLE ABRAHAM (CHOREOGRAPHER), originally from Pittsburgh, Pennsylvania, is a 2013 MacArthur Fellow, a 2012 Jacob’s Pillow Dance Award recipient, and a 2012 USA Ford Fellow. In 2010, he received a prestigious Bessie Award for Outstanding Performance in Dance for his work on The Radio Show as well as a Princess Grace Award for Choreography the same year. Named one of Dance Magazine’s “25 to Watch” in 2009, he was called the “best and brightest creative talent to emerge in New York City in the age of Obama” by Out Magazine in 2011. abrahaminmotion.org
KURTIS BOETCHER (SCENIC DESIGNER) is a third-year MFA candidate at Yale School of Drama, where his credits include THUNDERBODIES. Previously he worked as a freelance and resident scenic designer in Los Angeles and Chicago. In 2011 Kurtis was awarded the Los Angeles Drama Critics Circle Award for Career Achievement in Set Design, as well as the LA Weekly Award for Best Production Design for the west coast premiere of Gregory Moss’s House of Gold. He holds a BFA in scenic design from the Theatre School of DePaul University. kurtisb.com
SHAWN BOYLE (PROJECTION DESIGNER) is a third-year MFA candidate at Yale School of Drama, where his credits include Bird Fire Fly and THUNDERBODIES. Previous designs include Pierrot Lunaire (Yale Cabaret); La Bôite à Joujoux, Spiegel im Spiegel (Yale School of Music); The Nutcracker (Grand Rapids Ballet); The Witches of Eastwick (Ogunquit Playhouse); City of Angels (Goodspeed Musicals); Lover’s Tale, The Who’s Tommy, K2, Red Remembers (Berkshire Theatre Festival); Singin’ in the Rain, and My Mother’s Lesbian Jewish Wiccan Wedding (Merry-Go-Round Playhouse). He holds a BFA from Mason Gross School of the Arts at Rutgers University and is a member of United Scenic Artists 829, Projection and Lighting. ShawnEdwardBoyle.com
SHEILA CALLAGHAN (PLAYWRIGHT) is making her Yale Rep debut. Her plays have been produced and developed with Soho Rep., Playwrights Horizons, South Coast Repertory, Clubbed Thumb, The LARK, Actors Theatre of Louisville, New Georges, The Flea, Woolly Mammoth, Boston Court, and Rattlestick Playwrights Theater, among others. Sheila is the recipient of the Princess Grace Award for emerging artists, a Jerome Fellowship from the Playwrights’ Center in Minneapolis, a MacDowell Residency, a Cherry Lane Mentorship Fellowship, the Susan Smith Blackburn Prize, and the prestigious Whiting Award. Her plays have been produced internationally in New Zealand, Australia, Norway, Germany, Portugal, and the Czech Republic. These include Scab, Crawl Fade to White, Crumble (Lay Me Down, Justin Timberlake), We Are Not These Hands, Dead City, Lascivious Something, Kate Crackernuts, That Pretty Pretty; or, The Rape Play, Fever/Dream, Everything You Touch, Roadkill Confidential, Elevada, and Women Laughing Alone with Salad. She is published with Playscripts.com and Samuel French, and several of her collected works are published with Counterpoint Press. She has taught playwriting at Columbia University, University of Rochester, The College of New Jersey, Florida State University, and Spalding University. Sheila is an affiliated artist with Clubbed Thumb and a member of the OBIE-winning playwrights organization 13P. Sheila is also an alumna of New Dramatists. In 2010, Callaghan was profiled by Marie Claire as one of “18 Successful Women Who Are Changing the World.” She was also named one of Variety magazine’s “10 Screenwriters to Watch” of 2010. She is currently a writer/producer on the Showtime hit Shameless and is a founding member of the activist group The Kilroys.
CREATIVE TEAM EMILY DeNARDO* (STAGE MANAGER) is a third-year MFA candidate at Yale School of Drama, where her credits include Bird Fire Fly, The Visit, Blueberry Toast, Cloud Nine, and King Richard 2. Her other credits include Crave, Don’t Be Too Surprised, Rose and the Rime, Touch, MuZeum, and Shiny Objects (Yale Cabaret); The Fairytale Lives of Russian Girls (assistant stage manager, Yale Repertory Theatre); American Buffalo, Macbeth, Julius Caesar, Pericles (Elm Shakespeare Company); My Fair Lady, Tarzan, Legally Blonde, The King and I, A Christmas Carol, and Footloose (North Shore Music Theatre). Emily graduated summa cum laude from Ramapo College of New Jersey with a BA in theatre.
JACKSON GAY (DIRECTOR) Recent projects include the world premiere of These Paper Bullets! at Yale Rep (Connecticut Critics Circle Awards: Outstanding Direction and Outstanding Production of a Play), which she will direct later this year at the Geffen Playhouse in Los Angeles and Atlantic Theater Company in New York; The Insurgents by Lucy Thurber (Labyrinth Theater Company); 3C by David Adjmi (Rattlestick Playwrights Theater/piece by piece/Rising Phoenix); Kingdom City by Sheri Wilner (La Jolla Playhouse); Arlington by Victor Lodato with music by Polly Pen (San Francisco’s Magic Theatre); Lucy Thurber’s Where We’re Born, part of the 2014 OBIE Award-winning The Hilltown Plays (Rattlestick), and Scarcity (Atlantic Theater Company); Rolin Jones’s The Jammer (Atlantic Theater Company) and The Intelligent Design of Jenny Chow (Atlantic; Yale Rep, Connecticut Critics Circle Award: Outstanding Production of a Play); A Little Journey (Mint Theater Company; Drama Desk nomination: Outstanding Revival of a Play). Jackson is a founding member of New Neighborhood. She is the Director of Artistic Programming for Fuller Road Artist Residency in Vermont and teaches directing at Columbia University. Upcoming: the world premiere of I Saw My Neighbor On the Train and I Didn’t Even Smile by Suzanne Heathcote, co-produced by New Neighborhood and Berkshire Theatre Group. Originally from Sugar Land, Texas, Jackson received her BFA in acting from the University of the Arts and MFA in directing from Yale School of Drama.
KATE MARVIN (SOUND DESIGNER) is a second-year MFA candidate at Yale School of Drama, where her credits include Riverbank: A Noh Play for Northerly Americans and The Seagull. Other credits include A Map of Virtue, We Are Proud to Present a Presentation…, Middletown, and Why Torture Is Wrong, and the People Who Love Them (Yale Summer Cabaret); He Left Quietly, The Mystery Boy, Heiner Muller’s Quartet, Shiny Objects, and Look Up, Speak Nicely, and Don’t Twiddle Your Fingers All the Time (Yale Cabaret); These Paper Bullets! (associate sound designer, Yale Repertory Theatre); Chimpanzee (St. Ann’s Warehouse Puppet Lab); Set in the Living Room of a Small Town American Play, Three Seagulls or MASHAMASHAMASHA! (Theater Reconstruction Ensemble); Uncle Vanya, POZHAR! (or Time Machine Ignition), The Tempest, Second Language (Target Margin Theater); and The Latvia Project (warner|shaw). Kate is an associate artistic director of Theater Reconstruction Ensemble and an associate artist with Target Margin Theater.
*MEMBER OF ACTORS’ EQUITY ASSOCIATION, THE UNION OF PROFESSIONAL ACTORS AND STAGE MANAGERS.
TYLER MICOLEAU (LIGHTING DESIGNER) has designed lighting for over 300 live productions including plays, dance, movement-theatre, multimedia performance, and puppetry. Recent Off-Broadway credits: Iowa (Playwrights Horizons), The World of Extreme Happiness (Manhattan Theatre Club), The Invisible Hand (New York Theatre Workshop), The Fortress of Solitude (The Public Theater), The Wayside Motor Inn (Signature Theatre), and The City of Conversation (Lincoln Center Theater). Notable design credits: When the Rain Stops Falling (Lincoln Center Theater), The Aliens (Rattlestick Playwrights Theater), Blasted (Soho Rep.), God’s Ear (Vineyard Theatre), and Bug (Barrow Street). Regional credits: Huntington Theatre Company, Goodman Theatre, American Repertory Theater, Trinity Rep, The Old Globe, Dallas Theater Center, Long Wharf, among others. He is the recipient of an American Theatre Wing Hewes Award, two Lucille Lortel Awards, two Village Voice OBIE Awards, the Connecticut Critics Circle Award, a Helen Hayes nomination, four Barrymore nominations, a Jefferson nomination, and the NEA/Theatre Communications Group Career Development Program. He has held visiting artist positions at Yale University and Dartmouth College and for six years served as adjunct faculty in the Sarah Lawrence College Department of Dance.
STEVEN M. ROTRAMEL (COSTUME DESIGNER) is a third-year MFA candidate at Yale School of Drama where he designed costumes for Cardboard Piano and Platonov. Other credits include A Map of Virtue, We Are Proud to Present a Presentation…, Middletown, Why Torture is Wrong, and the People Who Love Them (Yale Summer Cabaret); American Gothic, Bound to Burn, The Twins Would Like To Say (Yale Cabaret); Dead Man’s Cell Phone (Openstage Theatre Company); Always...Patsy Cline and Romance/Romance (Snowy Range Summer Theatre). Steven was a recipient of the 2014–15 Donald and Zorka Oenslager Scholarship in Stage Design. He holds a BFA in theatre from the University of Wyoming. stevenro.com
TARA RUBIN CASTING (CASTING DIRECTOR) has been casting at Yale Rep since 2004. Selected Broadway: Bullets Over Broadway; Aladdin; A Time To Kill; Big Fish; The Heiress; One Man, Two Guvnors (US Casting); Ghost; How to Succeed in Business Without Really Trying; Promises, Promises; A Little Night Music; Billy Elliot; Shrek; Guys and Dolls; The Farnsworth Invention; Young Frankenstein; The Little Mermaid; Mary Poppins; Les Misérables; Spamalot; Jersey Boys; The 25th Annual Putnam County Spelling Bee; The Producers; Mamma Mia!; The Phantom of the Opera; Contact. Off-Broadway: Love, Loss, and What I Wore; Old Jews Telling Jokes. Regional: The Kennedy Center, La Jolla Playhouse, Dallas Theater Center, The Old Globe, Westport Country Playhouse, Bucks County Playhouse. Film: Lucky Stiff, The Producers.
CATHERINE SHEEHY (PRODUCTION DRAMATURG) is Resident Dramaturg at Yale Repertory Theatre and the Chair of Dramaturgy and Dramatic Criticism at Yale School of Drama. Her Yale Rep credits include These Paper Bullets!, In a Year with 13 Moons, The Winter’s Tale, Bossa Nova, POP!, Trouble in Mind, and The King Stag (which she 21
CREATIVE TEAM also co-adapted with Evan and Mike Yionoulis). Her adaptation of Pride and Prejudice has been produced at Asolo Repertory Theatre and Dallas Theater Center. She has worked at the Royal Shakespeare Company, the Public Theater, Yale Institute of Music Theatre, the Signature Theatre, O’Neill Playwrights Conference, Center Stage, and in New York and Ireland with the late Joseph Chaikin. For four seasons she was Festival Dramaturg at Shakespeare Santa Cruz. She is a former associate editor of American Theatre and a former editor of Theater magazine. She received her doctorate from Yale in 1999 for her dissertation: If You Care to Blast for It: Excavating the Lost Comic Masterpieces of the American Canon.
KEVIN WILLIAMSON (CHOREOGRAPHER) is a Los Angeles-based movement artist who received his BA and MFA from UCLA’s Department of World Arts and Cultures/Dance. He is a Lestor Horton Award recipient and a Bates Dance Festival Educators Fellow. His works have been presented at Danspace Project, REDCAT Studio, CounterPulse, Los Angeles County Museum of Art, Beijing Dance Festival, and Edinburgh Fringe Festival. Working with director Peter Kazaras, Kevin choreographed the operas L’enfant et les Sortileges and I Due Figaro (UCLA Opera) and Cendrillon (The Juilliard School). Performance credits include dancing with David Rousseve/ REALITY, David Gordon/Pick Up Performance, Julie Taymor and Angelin Preljocaj for LA Opera, Robert Moses’ Kin, Stephan Koplowitz, Sebastian Prantl, and David Bridel. Kevin currently teaches composition and dance technique at UCLA and Loyola Marymount University. williamsonkevin.com
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June 12-27, 2015
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Mark Morris Dance Group JUNE 18–19
TAYLOR MAC: THE 1990s JUNE 12–13
by Roger Guenveur Smith JUNE 18–21
EMPLOYEE OF THE YEAR 600 HIGHWAYMEN JUNE 20–27
THEATER, MUSIC, DANCE, TALKS, TOURS, AND MORE
ARTIDEA.ORG • NEW HAVEN CONNECTICUT 23
YALE REPERTORY THEATRE JAMES BUNDY (ARTISTIC DIRECTOR) is in his 13th year as Dean of Yale School of Drama and Artistic Director of Yale Repertory Theatre. In his first 12 seasons, Yale Rep has produced more than 30 world, American, and regional premieres, eight of which have been honored by the Connecticut Critics Circle with the award for Best Production of the year and two of which have been Pulitzer Prize finalists. During this time, Yale Rep also has commissioned more than 40 artists to write new work and provided low-cost theatre tickets to thousands of middle and high school students from Greater New Haven through WILL POWER!, an educational program initiated in 2004. In addition to his work at Yale Rep, he has directed productions at Oregon Shakespeare Festival, Great Lakes Theater Festival, The Acting Company, California Shakespeare Festival, Alabama Shakespeare Festival, and The Juilliard School Drama Division. A recipient of the Connecticut Critics Circle’s Tom Killen Award for extraordinary contributions to Connecticut professional theatre in 2007, Mr. Bundy served from 2007–13 on the board of directors of Theatre Communications Group, the national service organization for nonprofit theatre. Previously, he worked as Associate Producing Director of The Acting Company, Managing Director of Cornerstone Theater Company, and Artistic Director of Great Lakes Theater Festival. He is a graduate of Harvard College; he trained at the London Academy of Music and Dramatic Art and Yale School of Drama. VICTORIA NOLAN (MANAGING DIRECTOR) is in her 22nd year as Managing Director of Yale Repertory Theatre, serves as Deputy Dean of Yale School of Drama, and is on its faculty. She was previously Managing Director of Indiana Repertory Theatre, Associate Managing Director at Baltimore’s Center Stage, Managing Director at Ram Island Dance Company in Portland, Maine; and she has held various positions at Loeb Drama Center of Harvard University; TAG Foundation, an organization producing Off-Broadway modern dance festivals; and Boston University School for the Arts. Ms. Nolan has been an evaluator for the National Endowment for the Arts, for which she has chaired numerous grant panels, and has served on other panels and foundation review boards including the AT&T Foundation, The Heinz Family Foundation, Lila Wallace-Reader’s Digest Fund, and the Metropolitan Life Foundation. She has also served on the Executive Committee of the League of Resident Theatres (LORT) and on numerous negotiating teams for national labor contracts. A Fellow at Yale’s Saybrook College, she is the recipient of the Betsy L. Mahaffey Arts Administration Fellowship Award from the State of Connecticut and the Elm/Ivy Award, given jointly by Yale University and the City of New Haven for distinguished service to the community. JENNIFER KIGER (ASSOCIATE ARTISTIC DIRECTOR AND DIRECTOR OF NEW PLAY PROGRAMS) is in her tenth year as Associate Artistic Director of Yale Repertory Theatre and is also the Director of New Play Programs of Yale’s Binger Center for New Theatre, an artistdriven initiative that supports the creation of new work for the American stage through commissions, residencies, workshops, and productions. Since its founding in 2008, the Binger Center has supported the work of more than 40 commissioned artists and 24
underwritten the world premieres and subsequent productions of 18 new American plays and musicals at Yale Rep and theatres across the country. Ms. Kiger came to Yale Rep from South Coast Repertory, where she was Literary Manager from 2000–2005 and served as Co-Director of the Pacific Playwrights Festival. She was dramaturg for more than 40 new plays at SCR. Prior to that, she served as production dramaturg at American Repertory Theater, collaborating with directors Robert Brustein, Robert Woodruff, Liz Diamond, and Kate Whoriskey. She adapted Robert Coover’s Charlie in the House of Rue and Mac Wellman’s Hypatia for the stage with director Bob McGrath. She has been a dramaturg for the Playwrights Center of Minneapolis and Boston Theatre Works and a panelist for the National Endowment for the Arts and the California Arts Council. Ms. Kiger completed her training at the American Repertory Theater Institute for Advanced Theater Training at Harvard University, where she taught courses in acting and dramatic arts. She is currently on the playwriting faculty of Yale School of Drama. BRONISLAW SAMMLER (HEAD OF PRODUCTION) has been Chair of Yale School of Drama’s acclaimed Technical Design and Production Department since 1980. In 2007 he was named the Henry McCormick Professor (Adjunct) of Technical Design and Production by former Yale President, Richard C. Levin. He is co-editor of Technical Brief and Technical Design Solutions for Theatre, Vols. I, II, & III. He co-authored Structural Design for the Stage, which won the United States Institute of Theatre Technology’s (USITT) Golden Pen Award. Demonstrating his commitment to excellence in technical education and professional production, he co-founded USITT’s National Theatre Technology Exhibit, an on-going biennial event; he has served as a commissioner and a director at-large and is a lifetime Fellow of the Institute. He was honored as Educator of the Year in 2006 by the New England Theatre Conference and chosen to receive the USITT Distinguished Achievement Award in Technical Production in 2009. His production management techniques and his introduction of structural design to scenic technology are being employed in both educational and professional theatres throughout the world. JAMES MOUNTCASTLE (PRODUCTION STAGE MANAGER) has been at Yale Rep since 2004. He has stage managed productions of Arcadia, The House that will not Stand, A Streetcar Named Desire, American Night: The Ballad of Juan José, Three Sisters, We Have Always Lived in the Castle, The Master Builder, Passion Play, Eurydice, and the world premiere of The Clean House. Broadway credits include Damn Yankees, Jekyll & Hyde, Judgment at Nuremberg, The Boys from Syracuse, The Smell of the Kill, Life x(3), and Wonderful Town. Mr. Mountcastle spent several Christmas seasons in New York City as stage manager for the now legendary production of A Christmas Carol at Madison Square Garden. Broadway national tours include City of Angels, Falsettos, and My Fair Lady. He served as Production Stage Manager for Damn Yankees starring Jerry Lewis for both its national tour and at the Adelphi Theatre in London’s West End. In addition, Mr. Mountcastle has worked at The Kennedy Center, Center Stage in Baltimore, Actors Theatre of Louisville, Brooklyn Academy of Music, and elsewhere. James and his wife Julie live in North Haven and are the very proud parents of two beautiful girls: Ellie, who is 16 years old, and Katie, age 14. 25
ELEVADA STAFF ARTISTIC
Kevin Hourigan, Assistant Director Claire DeLiso, Assistant Scenic Designer Sylvia Xiaomeng Zhang, Assistant Costume Designer Solomon L. Weisbard, Assistant Lighting Designer Pornchanok Kanchanabanca, Associate Sound Designer Jessica Hawkins, Assistant Sound Designer and Engineer Yana Biryukova, Assistant Projection Designer Frankie Alicea, Dance Captain Avery Trunko, Assistant Stage Manager Emma Dalbey Stanton, Assistant to the Playwright
Kat Wepler, Associate Production Manager Jonathan Seiler, Technical Director Spencer Hrdy, Nick Vogelpohl, Assistant Technical Directors Alexandra Reynolds, Assistant Properties Master Rae Powell, Master Electrician Mitchell Cramond, Projection Engineer Kristen Ferguson, Adam Frank, Shannon L. Gaughf, James Lanius III, Lynda A.H. Paul, Jesse Rasmussen, Gavin Whitehead, Haydee Zelideth, Run Crew
Cara Correll, House Manager
Christopher Ross-Ewart, Cello
Lauren E. Banks,** Dancer Melanie Field,** June Christopher Ghaffari, Owen George Hampe,** Dancer Julian Elijah Martinez,** Khalil Elizabeth Stahlmann,** Ramona **Appears courtesy of Actors’ Equity Association
Kenyatta Cheese, Patch Darragh, Erik Ehn, Betty Gilpin, Kirstin Ohrt, Maison Mathis, Lola Musslewhite, Bhavesh Patel, Jessica at PoleFly Arial Fitness, Salon J, Felipe Suriel at Tweed New Haven Airport
YALE REPERTORY THEATRE STAFF James Bundy, Artistic Director Victoria Nolan, Managing Director Jennifer Kiger, Associate Artistic Director Director of New Play Programs
Resident Artists Paula Vogel, Playwright in Residence Liz Diamond, Evan Yionoulis, Resident Directors Catherine Sheehy, Resident Dramaturg Michael Yeargan, Set Design Advisor, Resident Set Designer Ilona Somogyi, Costume Design Advisor Jess Goldstein, Resident Costume Designer Jennifer Tipton, Lighting Design Advisor Stephen Strawbridge, Resident Lighting Designer David Budries, Sound Design Advisor Walton Wilson, Voice and Speech Advisor Rick Sordelet, Fight Advisor Mary Hunter, Stage Management Advisor Associate Artists 52nd Street Project, Kama Ginkas, Mark Lamos, MTYZ Theatre/Moscow New Generations Theatre, Bill Rauch, Sarah Ruhl, Henrietta Yanovskaya Artistic Management James Mountcastle, Production Stage Manager Amy Boratko, Literary Manager Kay Perdue Meadows, Artistic Associate Benjamin Fainstein, Artistic Coordinator Helen C. Jaksch, Kelly Kerwin, Literary Associates Tara Rubin, C.S.A.; Laura Schutzel, C.S.A.; Lindsay Levine, C.S.A.; Kaitlin Shaw C.S.A.; Eric Woodall, C.S.A.; Scott Anderson, Casting Lindsay King, Teresa Mensz, Library Services Josie Brown, Senior Administrative Assistant to the Artistic Director and Associate Artistic Director Laurie Coppola, Senior Administrative Assistant for the Directing, Dramaturgy and Dramatic Criticism, Playwriting, and Stage Management Departments Mary Volk, Senior Administrative Assistant for the Design, Sound Design, and Projection Departments
The Scenic, Costume, Lighting, and Sound Designers in LORT are represented by United Artists Local USA-829, IATSE.
Yale Repertory Theatre operates under an agreement between the League of Resident Theatres (LORT) and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
Elevada April 24–May 16, 2015 Yale Repertory Theatre, 1120 Chapel Street
Production Management Bronislaw J. Sammler, Head of Production Jonathan Reed, Production Manager Edward Lapine, Associate Head of Production and Student Labor Supervisor Grace O’Brien, Senior Administrative Assistant to the Production and Theater Safety and Occupational Health Departments Scenery Neil Mulligan, Matt Welander, Technical Directors Alan Hendrickson, Electro Mechanical Laboratory Supervisor Eric Sparks, Shop Foreman Matt Gaffney, Ryan Gardner, Sharon Reinhart, Master Shop Carpenters Emmet Sellars, Carpenter Samantha Catanzaro, Kelly Rae Fayton, Alexandra Reynolds, Assistants to the Technical Director
Painting Ru-Jun Wang, Scenic Charge Lia Akkerhuis, Nathan Jasunas, Assistant Scenic Artists Emily Baldasarra, Assistant to the Painting Supervisor Properties Brian Cookson, Properties Master David P. Schrader, Properties Craftsperson Jennifer McClure, Master Properties Assistant Bill Batschelet, Properties Stock Manager Ashley Flowers, Assistant to the Properties Manager Costumes Tom McAlister, Costume Shop Manager Robin Hirsch, Associate Costume Shop Manager Clarissa Wylie Youngberg, Mary Zihal, Senior Drapers Deborah Bloch, Harry Johnson, Senior First Hands Linda Kelley-Dodd, Costume Project Coordinator Denise O’Brien, Wig and Hair Design Barbara Bodine, Company Hairdresser Linda Wingerter, Costume Stock Manager Christina King, Assistant to the Costume Shop Manager Electrics Donald W. Titus, Lighting Supervisor Brian Quiricone, Linda-Cristal Young, Senior Head Electricians Sound Mike Backhaus, Sound Supervisor Monica Avila, Staff Sound Engineer Jessica Hawkins, Stephanie Smith, Assistants to the Sound Supervisor Projections Erich Bolton, Projection Supervisor Mike Paddock, Head Projection Technician Stage Operations Janet Cunningham, Stage Carpenter Kate Begley Baker, Head Properties Runner Elizabeth Bolster, Wardrobe Supervisor Jacob Riley, FOH Mix Engineer
General Management Louisa Balch, Sarah Williams, Associate Managing Directors Steven C. Koernig, Stephanie Rolland, Assistant Managing Directors Emalie Mayo, Senior Administrative Assistant to the Managing Director Flo Low, Management Assistant Annie Middleton, Company Manager Flo Low, Emily Reeder, Assistant Company Managers Development and Alumni Affairs Deborah S. Berman, Director of Development and Alumni Affairs Janice Muirhead, Senior Associate Director of Development Eric Gershman, Associate Director of Development Barry Kaplan, Senior Staff Writer Susan C. Clark, Development and Alumni Affairs Officer Katherine Ingram, Development Associate Jason Najjoum, Development Assistant Belene Day, Senior Administrative Assistant to Development and Marketing & Communications
Finance and Human Resources Katherine D. Burgueño, Director of Finance and Human Resources Joanna Romberg, Jennifer Truong, Business Office Specialists Janna J. Ellis, Director, Yale Tessitura Consortium Toni Ann Simiola, Senior Administrative Assistant to Business Office; Technology, Media, and Web Services; Operations; and Tessitura Ashlie Russell, Business Office Associate Marketing, Communications, and Audience Services Daniel Cress, Director of Marketing Steven Padla, Director of Communications Anh Lê, Associate Director of Marketing Marguerite Elliott, Publications Manager Caitlin Griffin, Marketing and Communications Assistant Paul Evan Jeffrey, Art and Design Joan Marcus, Production Photographer Laura Kirk, Director of Audience Services Shane Quinn, Assistant Director of Audience Services Tracy Baldini, Subscriptions Coordinator Roger-Paul Snell, Audience Services Assistant Charles Cowen, Nathaniel Dolquist, Paul Hanna-Cook, Adam Jenkinson, Katie Metcalf, Andrew Moore, Kenneth Murray, Peter Schattauer, Box Office Assistants Operations Diane Galt, Director of Facility Operations Nadir Balan, Interim Operations Associate Ian Dunn, Operations Associate—on leave Joe Proto, Arts and Graduate Studies Superintendent Vondeen Ricks, Team Leader Michael Humbert, Facility Steward Lucille Bochert, Tylon Frost, Kathy Langston, Warren Lyde, Patrick Martin, Louis Moore, Mark Roy, Custodians Technology, Media, and Web Services Sarah Stevens-Morling, Director of Technology, Media, and Web Services Daryl Brereton, Associate Director of Technology, Media, and Web Services Kathleen Martin, Web Services Associate Theater Safety and Occupational Health William J. Reynolds, Director of Theater Safety and Occupational Health Jacob Thompson, Security Officer Ed Jooss, Audience Safety Officer Kevin Delaney, Fred Geier, Patrick Grant, John Marquez, Customer Service and Safety Officers
Winner! 2014 Outstanding Production of a Play ConneCtiCut CritiCs CirCle
These Paper Bullets! adapted by Rolin Jones from William Shakespeare’s Much Ado About Nothing, with songs by Billie Joe Armstrong; Yale Rep, world premiere, 2014.
binger CenTer FOr neW THeATre Yale RepeRtoRY theatRe, the internationally celebrated professional theatre in residence at Yale School of Drama, has championed new work since 1966, producing well over 100 premieres—including two Pulitzer Prize winners and four other nominated finalists—by emerging and established playwrights. Twelve Yale Rep productions have advanced to Broadway, garnering more than 40 Tony Award nominations and eight Tony Awards. Yale Rep is also the recipient of the Tony Award for Outstanding Regional Theatre. Established in 2008, Yale’s BingeR CenteR foR new theatRe has distinguished itself as one of the nation’s most robust and innovative new play programs. To date, the Binger Center has supported the work of more than 40 commissioned artists and underwritten the world premieres and subsequent productions of 21 new American plays and musicals at Yale Rep and theatres across the country—including next season’s Indecent created by Paula Vogel and Rebecca Taichman, peerless by Jiehae Park, and The Moors by Jen Silverman. For more information, including a complete list of Yale Rep commissioned artists, please visit yalerep.org/center. Photos by T. Charles Erickson, Joan Marcus, Carol Rosegg, and Richard Termine.
“Thoughtful and truly thought-provoking. So eye-opening that it almost blinds you.”
the new York times
War by Branden Jacobs-Jenkins; Yale Rep, world premiere, 2014.
Winner! 2013 Outstanding Production of a Play ConneCtiCut CritiCs CirCle
Marie Antoinette by David Adjmi; Yale Rep and American Repertory Theater, world premiere, 2012; Soho Rep., New York premiere, 2013.
“An ecstasy of theatrical surprises!” new hAven AdvoCAte
Top Ten Plays of the Year, 2011 and 2013! the new York times
Belleville by Amy Herzog; Yale Rep, world premiere, 2011; New York Theatre Workshop, New York premiere, 2013.
In a Year with 13 Moons adapted by Bill Camp and Robert Woodruff from the film and screenplay by Rainer Werner Fassbinder; Yale Rep, world premiere, 2013.
Top Ten Plays of the Year, 2012 and 2014!
the new York times
Best Broadway Play of 2014! usA todAY
The Realistic Joneses by Will Eno; Yale Rep, world premiere, 2012; Broadway premiere, 2014. 29
FOR YOUR INFORMATION HOW TO REACH US Yale Repertory Theatre Box Office 1120 Chapel Street (at York St.) PO Box 208244, New Haven, CT 06520 203.432.1234 Email: firstname.lastname@example.org BOX OFFICE HOURS Monday to Friday from 10AM to 5PM Saturday from 12PM to 5PM Until 8PM on all show nights FIRE NOTICE Illuminated signs above each door indicate emergency exits. Please check for the nearest exit. In the event of an emergency, you will be notified by theatre personnel and assisted in the evacuation of the building. RESTROOMS Restrooms are located in the lower level of the building. EMERGENCY CALLS Please leave your cell phone, name, and seat number with the concierge. We’ll notify you if necessary. The emergency-only telephone number at Yale Rep is 203.764.4014. GROUP RATES Discounted tickets are available for groups of ten or more. Please call 203.432.1234. SEATING POLICY Everyone must have a ticket. Sorry, no children in arms or on laps. Patrons who become disruptive will be asked to leave the theatre. THE TAKING OF PHOTOGRAPHS OR THE USE OF RECORDING DEVICES OF ANY KIND IN THE THEATRE WITHOUT THE WRITTEN PERMISSION OF THE MANAGEMENT IS PROHIBITED. 30
ACCESSIBILITY SERVICES Yale Repertory Theatre offers all patrons the most comprehensive accessibility services program in Connecticut, including a season of open-captioned and audio-described performances, a free assistive FM listening system, large-print and Braille programs, wheelchair accessibility with an elevator entrance into the Yale Rep Theatre located on the left side of the building, and accessible seating. For more information about the theatre’s accessibility services, contact Laura Kirk, Director of Audience Services, at 203.432.1522 or email@example.com. OPEN CAPTIONING A digital display of the play’s dialogue as it’s spoken. The open captioned performance for Elevada is Saturday, May 9 at 2PM. AUDIO DESCRIPTION A live narration of the play’s action, sets, and costumes for patrons who are blind or low vision. The audio described performance for Elevada is Saturday, May 16 at 2PM. (The pre-show description begins at 1:45PM.)
Yale Repertory Theatre thanks the Eugene G. and Margaret M. Blackford Memorial Fund, Bank of America, Co-Trustee, for its support of audio description services for our patrons.
c2 is pleased to be the official Open Captioning provider of Yale Repertory Theatre.
EDUCATION PROGRAMS As a part of Yale Rep’s commitment to our community, we provide two significant annual educational outreach programs. WILL POWER! offers specially-priced tickets and early school-time matinees for middle and high school students for one of Yale Rep’s productions every season. Since our 2003–04 season, WILL POWER! has served more than 20,000 Connecticut students and educators. The Dwight/Edgewood Project brings middle school students to Yale School of Drama for a month-long, after-school playwriting program designed to strengthen their self-esteem and creative expression. Yale Rep’s education programs are supported in part by the Josef and Anni Albers Foundation; Allegra Print and Imaging; Alyssa Anderson; The Anna Fitch Ardenghi Trust, Bank of America, Trustee; Carolyn Foundation; Susan C. Clark; CT Humanities; Bob and Priscilla Dannies; Bruce Graham; the George A. & Grace L. Long Foundation, Bank of America, N.A. and Alan S. Parker, Esq., Co-Trustees; the Lucille Lortel Foundation; Romaine A. Macomb; Mrs. Romaine Macomb; Jane Marcher Foundation; Dawn G. Miller; Beth Morrison; Arthur and Merle Nacht; NewAlliance Foundation; Barret O’Brien; Bryce Pinkham; Jorge Rodríguez; Robbin A. Seipold; Sandra Shaner; Cheever and Sally Tyler; Esme Usdan; Charles and Patricia Walkup; Bert and Martha Weisbart; Jonathan Wemette; and Becca Wolff. LEFT, FROM TOP: SCHOOLS GATHERING FOR WILL POWER!, DWIGHT/EDGEWOOD PROJECT (DEP) WORKSHOP, AND A DEP PERFORMANCE, 2014.
SPONSORSHIP: COMMUNITY PARTNERS Allegra Print and Imaging Box 63 American Bar and Grill Café Romeo Katalina’s Bakery
Kelly’s GastroPUB GHP Printing and Mailing Heirloom Hull’s Art Supply and Framing
ROÌA Savour Catering The Study at Yale Willoughby’s Coffee and Tea
This list includes current pledges, gifts, and grants received from January 1, 2014, through April 1, 2015.
YALE SCHOOL OF DRAMA BOARD OF ADVISORS John B. Beinecke, Chair John Badham, Vice Chair Jeremy Smith, Vice Chair Amy Aquino Sonja Berggren Lynne Bolton Carmine Boccuzzi Clare Brinkley Sterling B. Brinkley, Jr. Kate Burton Lois Chiles Patricia Clarkson Edgar M. Cullman III Scott Delman
Michael Diamond Polly Draper Charles S. Dutton Sasha Emerson Heidi Ettinger Lily Fan Terry Fitzpatrick Marc Flanagan Marcus Dean Fuller Anita Pamintuan Fusco Donald Granger David Marshall Grant Ethan Heard
Ruth Hendel Catherine MacNeil Hollinger David Henry Hwang Ellen Iseman David Johnson Asaad Kelada Sarah Long Donald Lowy Elizabeth Margid Drew McCoy Tarell Alvin McCraney David Milch
Tom Moore Arthur Nacht Lupita Nyong’o Carol Ostrow Amy Povich Liev Schreiber Tracy Chutorian Semler Tony Shalhoub Michael Sheehan Anna Deavere Smith Edward Trach Courtney B. Vance Henry Winkler
Thank you to the generous contributors to Yale School of Drama and Yale Repertory Theatre: LEADERSHIP SOCIETY ($50,000 and above)
Anonymous (2) John B. Beinecke Sonja Berggren and Patrick Seaver Lynne and Roger Bolton Sterling and Clare Brinkley Lois Chiles and Richard Gilder Nicholas Ciriello Edgar M. Cullman, Jr. Edgar M. Cullman III Connecticut Department of Economic and Community Development Anita Pamintuan Fusco and Dino Fusco The Horace W. Goldsmith Foundation Lane Heard and Margaret Bauer Stephen J. Hoffman Frederick Iseman David Johnson Adrian and Nina Jones Jennifer Lindstrom The Frederick Loewe Foundation Neil Mazzella Andrew W. Mellon Foundation Pam and Jeff Rank Robert Riordan Robina Foundation Linda Frank Rodman Talia Shire Schwartzman The Shubert Foundation Stephen Timbers Jennifer Tipton
Edward Trach Kara Unterberg Esme Usdan Albert Zuckerman
Anonymous Burry Fredrik Foundation CT Humanities Council, Inc. Educational Foundation of America Heidi Ettinger Ruth and Steve Hendel National Endowment for the Arts James Munson Tracy Chutorian Semler Jeremy Smith G. Erwin Steward
Nina Adams and Moreson Kaplan Americana Arts Foundation Mary L. Bundy John Conklin The Cornelius-Schecter Family Fund Scott Delman Michael Diamond Christopher Durang Edgerton Foundation Albert R. Gurney Catherine MacNeil Hollinger Ellen Iseman Rocco Landesman Sarah Long Lucille Lortel Foundation
Donald Lowy The Adam Mickiewicz Institute Carol Ostrow Alec and Aimee Scribner The Seedlings Foundation Ted and Mary Jo Shen Trust for Mutual Understanding Carolyn Seely Wiener
The Josef and Anni Albers Foundation Deborah Applegate and Bruce Tulgan Amy Aquino and Drew McCoy John Badham Alexander Bagnall Foster Bam The Eugene G. and Margaret M. Blackford Memorial Fund, Bank of America, Co-Trustee Carmine Boccuzzi and Bernard Lumpkin Jim Burrows Carolyn Foundation The Noël Coward Foundation Polly Draper Jane Head Terry Fitzpatrick Marc Flanagan Barbara and Richard Franke Donald Granger Mabel Burchard Fischer Grant Foundation Ben Ledbetter and Deborah Freedman Arthur and Merle Nacht
New England Foundation for the Arts Lupita Nyong’o Michael and Riki Sheehan Philip J. Smith Amanda Wallace Woods
PRODUCER’S CIRCLE ($2,500-4,999)
Donald Brown Ben Cameron The Frederick A. DeLuca Foundation Sasha Emerson Marcus Dean Fuller Fred Gorelick and Cheryl MacLachlan JANA Foundation The Ethel & Abe Lapides Foundation The George A. and Grace L. Long Foundation William Ludel Jenny Mannis and Henry Wishcamper Dw Phineas Perkins Jack Pierson Ben and Laraine Sammler Eugene Shewmaker Joel and Joan Smilow Courtney B. Vance
DIRECTOR’S CIRCLE ($1,000–$2,499)
Anna Fitch Ardenghi Trust, Bank of America, Trustee Jody Locker Berger Deborah S. and Bruce M. Berman Jeffrey A. Bleckner Edward Blunt Cyndi Brown James Bundy
Joan D. Channick Patricia Clarkson Bill Connor Peggy Cowles Michael S. David Ramon Delgado The Cory & Bob Donnalley Charitable Foundation Glen R. Fasman Melanie Ginter and John Lapides Stephen Godchaux Judith Hansen Karsten Harries and Elizabeth Langhorne Linda Gulder Huett Mary and Arthur Hunt James Earl Jewell Rolin Jones Reed and Elizabeth Hundt Jane Kaczmarek Barnet Kellman Roger Kenvin Anne Simone Kleinman Dr. Gary and Hedda Kopf George N. Lindsay, Jr. Peter Marshall Thomas Masse and Dr. James Perlotto Tarell Alvin McCraney Dawn G. Miller Tom Moore Garrett and Mary Moran NewAlliance Foundation Chris Noth Richard Ostreicher F. Richard Pappas Lucy and Piers Playfair Amy Povich Kathy and George Priest Dr. Michael Rigsby and Prof. Richard Lalli Gordon Rogoff Liev Schreiber Marie S. Sherer Benjamin Slotznick Anna Deavere Smith Dr. Matthew Specter and Ms. Marjan Mashhadi Kenneth J. Stein Shepard and Marlene Stone Lee Stump David Sword Arlene Szczarba John Henry Thomas III Patricia Thurston Carol M. Waaser Cliff Warner Barbara Wohlsen George Zdru
Emily Aber and Robert Wechsler Actors’ Equity Foundation Mr. and Mrs. B. N. Ashfield Emily Bakemeier Christopher Barreca Robert L. Barth Sarah Bartlo John Lee Beatty Debbie Bisno and David Goldman Susan Brady and Mark Loeffler Mark Brokaw James T. and Alice B. Brown Judith H. Brown Jonathan Busky Ian Calderon Dr. Michael Cappello and Kerry Robinson Joy G. Carlin Cosmo Catalano, Jr. Jim Chervenak Robert Cotnoir Marycharlotte Cummings John W. Cunningham Ernestine and Ronald Cwik Bob and Priscilla Dannies Robert Dealy Bernard Engel Roberta Enoch and Steven Canner Peter Entin Betty Goldberg David Marshall Grant Rob Greenberg Regina Guggenheim William B. Halbert Katherine W. Haskins Barbara Hauptman Ethan Heard Carol Thompson Hemingway Donald Holder John Robert Hood David Henry Hwang Asaad Kelada Alan Kibbe Harvey Kliman and Sandra Stein Mildred Kuner Katherine Anne Latham Maryanne Lavan Charles Long and Roe Curtis Linda Lorimer and Charles Ellis Dr. and Mrs. Robert W. Lyons Timothy Mackabee Romaine A. Macomb
Brian Mann John McAndrew George Miller and Virginia Fallon Janice Muirhead Laura Naramore Victoria Nolan and Clark Crolius Arthur Oliner Louise Perkins and Jeff Glans Brittany Behrens and William Rall Bill and Sharon Reynolds Steve Robman Abigail Roth Mr. and Mrs. Michael Schmertzler Sandra Shaner Erich Stratmann Lee Styslinger III Zelma Weisfeld Vera Wells Steven Wolff Evan Yionoulis Steve Zuckerman
Victor and Laura Altshul Frances Ashley Mary Ellen and Thomas Atkins Sandra and Kirk Baird James Bakkom Robert Baldwin Lee-ann Boatwright Drs. Linda Bockenstedt and Jonathan Fine Katherine Borowitz Tom Broecker Claudia Brown William J. Buck Dr. Adalgisa Caccone and Prof. Jeffrey Powell Anne and Guido Calabresi Lawrence Casey Dr. and Mrs. W.K. Chandler Barbara Jean and Nicholas Cimmino Aurélia and Ben Cohen Robert S. Cohen William Connolly Audrey Conrad Daniel R. Cooperman and Mariel Harris Stephen Coy Charles Dillingham Dennis Dorn Terrence Dwyer Kem and Phoebe Edwards Pat Egan Dustin Eshenroder
Susan and Fred Finkelstein Joel Fontaine Anthony Forman Walter M. Frankenberger III James Gardner Joseph Gantman Bruce Graham Kris and Marc Granetz Elizabeth M. Greene Anne K. Gregerson Eduardo Groisman Douglas Harvey Barbara Hauptman Michael Haymes and Logan Green Dr. Lothar Hennighausen Jeffrey Herrmann Jennifer Hershey-Benen Kathleen Houle Joanna and Lee A. Jacobus Elizabeth Johnson Abby Kenigsberg Ashley Kennedy Alan Kibbe David Kriebs Bernard Kukoff Frances Kumin William Kux Kenneth Lewis Laura Brown MacKinnon Linda Maerz and David Wilson Peter Andrew Malbuisson Elizabeth Margid Deborah McGraw Barry Nalebuff and Helen Kauder James Naughton Regina and Thomas Neville Jane Nowosadko William and Barbara Nordhaus Maulik Pancholy Michael Parrella Cesar Pelli Andy Perkins Stephan Pollack Michael Potts Meghan Pressman Bennett Pudlin Carol A. Prugh Alec and Drika Purves Margaret Adair Quinn Faye and Asghar Rastegar Jonathan and Sarah Reed Barbara and David Reif Daniel and Irene Mrose Rissi Howard Rogut Constanza Romero Russ Rosensweig
Contributors to Yale School of Drama and Yale Repertory Theatre Fernande Ross Jean and Ron Rozett Edgar and Marion Russell Edward and Alice Saad Suzanne Sato Joel Schechter Dr. Mark Schoenfeld Gale Sherwin Mark and Cindy Slane David Soper and Laura Davis Mary C. Stark Regina Starolis James Steerman Ted Stein Nausica Stergiou Bernard Sundstedt Matthew Suttor Jack Thomas and Bruce Payne Patricia Thurston Suzanne Tucker Paul Walsh William and Phyllis Warfel Nathan Wells Dana Westberg Henry Winkler Alex Witchel Andrew and Fiona Wood Judith and Guy Yale Yale School of Drama, Acting Class of 2014 Donald and Clarissa Youngberg
Anonymous Paola Allais Acree Aged In Wood, LLC Christopher Akerlind Michael Albano Sarah Jean Albertson Narda Alcorn Ian and Rachel Alderman Dorothy Allen Richard Ambacher Glenn R. Anderson Susan and Donald Anderson Leif Ancker William Atlee Angelina Avallone Frank and Eileen Baker Raymond Baldelli and Ronald Nicholes Michael Baron and Ruth Magraw Robert Barr Edward and Barbara Barry William and Donna Batsford Richard Baxter Nancy and Richard Beals John Beck
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The world premiere of Elevada by Sheila Callaghan, directed by Jackson Gay. Yale Repertory Theatre, April 24 to May 16, 2015