bibliography • 359 Joseph Highmore johnston, elizabeth , ‘Joseph Highmore’s Paris Journal, 1734’, Walpole Society, vol. 42 (1970), pp. 61–104. lewis, alison shepherd , ‘Joseph Highmore 1692–1780: An Eighteenth-Century English Portrait Painter’, Ph.D. dissertation, Harvard University, 1975.
William Hoare newby, evelyn , William Hoare of Bath, R.A.,
1707–1792, exhibition catalogue, Victoria Art Gallery, Bath, 1990.
William Hodges brunt, peter , ‘Savagery and the Sublime: Two Paint-
ings by William Hodges Based on an Encounter with Maori in Dusky Bay, New Zealand’, The Eighteenth Century: Theory and Interpretation, vol. 38, no. 3 (1997), pp. 266–86. —— ‘The Sublime and the “Civilized” Subject: History, Painting, and Cook’s Second Voyage’, Ph.D. dissertation, Cornell University, 2000. guest, harriet , Empire, Barbarism, and Civilisation: Captain Cook, William Hodges and the Return to the Pacific, Cambridge, 2007. —— ‘The Great Distinction: Figures of the Exotic in the Work of William Hodges’, Oxford Art Journal, vol. 12, no. 2 (1989), pp. 36–58. macdonald, simon , ‘To “shew virtue its own image”: William Hodges’s The Effects of Peace and The Consequences of War, 1794–1795’, British Art Journal, vol. 9, no. 1 (Spring 2008), pp. 57–66. quilley, geoff and bonehill, john , eds., William Hodges 1744–1797: The Art of Exploration, exhibition catalogue, National Maritime Museum, Greenwich, New Haven and London, 2004. smith, bernard , ‘William Hodges and English PleinAir Painting’, Art History, vol. 6, no. 2 (June 1983), pp. 143–52. stuebe, isabel combs , ‘The Life and Works of William Hodges’, Ph.D. dissertation, 2 vols., New York University, 1978. tillotson, giles , The Artificial Empire: The Indian Landscapes of William Hodges, London, 2000.
William Hogarth antal, frederick , Hogarth and His Place in European
Art, London, 1962. barlow, jeremy , The Enraged Musician: Hogarth’s Musical Imagery, Aldershot and Burlington, VT, 2005. bindman, david , Hogarth, London, 1981. —— Hogarth and His Times: Serious Comedy, exhibition catalogue, British Museum, London, 1997. —— and wilcox, scott , eds., “Among the Whores and Thieves”: William Hogarth and ‘The Beggar’s Opera’, exhibition catalogue, Yale Center for British Art, New Haven, 1997. ——, ogée, frédéric and wagner, peter , eds., Hogarth: Representing Nature’s Machines, Manchester, 2001. craske, matthew , Hogarth, London, 2000. crown, patricia , ‘Clothing the Modern Venus: Hogarth and Women’s Dress’, in Elise Goodman, ed., Art and Culture in the Eighteenth Century: New Dimensions and Multiple Perspectives, Newark, DE, 2001, pp. 90–105.
dabydeen, david , Hogarth, Walpole and Commercial
Britain, London, 1987. fordham, douglas , ‘William Hogarth’s The March to Finchley and the Fate of Comic History Painting’, Art History, vol. 27, no. 1 (February 2004), pp. 95–128. fort, bernadette and rosenthal, angela , eds., The Other Hogarth: Aesthetics of Difference, Princeton, 2001. gibson, william , ‘The Significance of the Iconography of Bishop Benjamin Hoadly (1676–1761), British Art Journal, vol. 7, no. 2 (Autumn 2006), pp. 3–10. godby, michael , ‘The First Steps of Hogarth’s Harlot’s Progress’, Art History, vol. 10, no. 1 (March 1987), pp. 23–37. hallett, mark , Hogarth, London, 2000. —— and riding, christine , Hogarth, exhibition catalogue, Tate Britain, London, 2007. hogarth, william , The Analysis of Beauty [1752], ed. Ronald Paulson, New Haven and London, 1997. —— Apology for Painters, ed. Michael Kitson, Walpole Society, vol. 41 (1968), pp. 46–111. marks, arthur s ., ‘Hogarth’s Mackinen Children’, British Art Journal, vol. 9, no. 1 (Spring 2008), pp. 38–56. ogée, frédéric , ed., The Dumb Show: Image and Society in the Works of William Hogarth, Oxford, 1997. paulson, ronald , ‘Hogarth and the Distribution of Visual Images’, in Brian Allen, ed., Towards a Modern Art World, Studies in British Art 1, New Haven and London, 1995, pp. 27–46. —— Hogarth: His Life, Art, and Times, 2 vols., New Haven and London, 1971. —— Hogarth. Volume 1: The ‘Modern Moral Subject’, 1697–1732, London, 1991. —— Hogarth. Volume 2: High Art and Low, 1732–1750, Cambridge, 1992. —— Hogarth. Volume 3: Art and Politics, 1750–1764, Cambridge, 1993. —— Hogarth’s Graphic Works, 3rd rev. edn, London, 1989. —— Hogarth’s Harlot: Sacred Parody in Enlightenment England, Baltimore, 2003. pointon, marcia , William Hogarth’s ‘Sigismunda’, in Focus, exhibition catalogue, Tate Britain, London, 2000. shesgreen, sean , Hogarth and the Times-of-the-Day Tradition, Ithaca, NY and London, 1983. simon, robin , Hogarth, France and British Art: The Rise of the Arts in 18th-Century Britain, London, 2007. solkin, david h ., ‘The Fetish over the Fireplace: Disease as Genius Loci in Hogarth’s Marriage Ala-Mode’, British Art Journal, vol. 2, no. 1 (Autumn 2000), pp. 26–34.
Wenceslaus Hollar godfrey, richard t ., Wenceslaus Hollar: A Bohemian
Artist in England, exhibition catalogue, Yale Center for British Art, New Haven and London, 1994. griffiths, antony and kesnerova, gabriela , Wenceslaus Hollar, Prints and Drawings, from the Collections of the National Gallery, Prague and the British Museum, London, exhibition catalogue, British Museum, London, 1983. parry, graham , Hollar’s England: A Mid-SeventeenthCentury View, Salisbury, 1980.
pennington, richard , A Descriptive Catalogue of
the Etched Work of Wenceslaus Hollar 1607–1677, Cambridge, 1982. turner, simon , ‘Hollar’s Prospects and Maps of London’, in Michael Hunter, ed., Printed Images in Early Modern Britain: Essays in Interpretation, Farnham and Burlington, VT, 2010, pp. 145–66.
Nathaniel Hone butler, nesta , ‘Nathaniel Hone the Elder and William
Baillie: Irish Artists in Late 18th-Century London and Their Shared Admiration for Rembrandt’, British Art Journal, vol. 8, no. 2 (Autumn 2007), pp. 39–52. newman, john , ‘Reynolds and Hone: The Conjuror Unmasked’, in Nicholas Penny, ed., Reynolds, exhibition catalogue, Royal Academy of Arts, London, 1986, pp. 344–54. rooney, brendan , ‘Hone, Nathaniel (1718–1784)’, Oxford Dictionary of National Biography, Oxford University Press, 2004, online edn January 2008, http:// www.oxforddnb.com/view/article/13658 stefanis, konstantinos , ‘Nathaniel Hone’s 1775 Exhibition: The First Single-Artist Retrospective’, Visual Culture in Britain, vol. 14, no. 2 (2013), pp. 131–53. thom, danielle , ‘Kitty Fisher & the Fishing Kitty’, in The Droll Hackabout: Visual Culture and Social History in the Long Eighteenth-Century, http://thedrollhackabout.wordpress.com/2013/05/12/kittyfisher-the-fishing-kitty/.
John Hoppner mckay, william and roberts, william , John Hoppner, R.A., 2 vols., London, 1909–14.
wilson, john human , ‘The Life and Work of John
Hoppner (1758–1810)’, Ph.D. dissertation, Courtauld Institute of Art, University of London, 1992.
Thomas Hudson iveagh bequest, kenwood house , Thomas Hudson
1701–1779: Portrait Painter and Collector. A Bicentenary Exhibition, exhibition catalogue, London, 1979. miles, ellen gross , ‘Thomas Hudson (1701–1779): Portraitist to the British Establishment’, Ph.D. dissertation, 2 vols., Yale University, 1976.
Ozias Humphry williamson, george charles , Ozias Humphry, London, 1918.
Jacob Huysmans braverman, richard , ‘Monmouth, the Baptist, and
the Succession: Three Portraits by Jacob Huysmans’, Journal for Eighteenth-Century Studies, vol. 17, no. 2 (September 1994), pp. 139–47.
Julius Caesar Ibbetson clay, rotha mary , Julius Caesar Ibbetson 1759–1817, London, 1948.
mitchell, james , Julius Caesar Ibbetson (1759–1817): ‘The Berchem of England’, London, 1999.
This bibliography is published in David Solkin: Art in Britain 1660–1815 (Pelican History of Art) available from Yale University Press www.yalebooks.com isbn 078-0300-21556-4