them, something new might have happened. We can tell them in the details of portraits. When I am making this kind of paintings, the slight and subtle changes become my diary. I don’t write diary, but through paintings I can see the changes no matter they are good or bad. I keep those changes. They richen my connections with people I paint. We are one on our own way of life, but our relationships to others are always changing, no matter that’s because of one conversation or one thing we see, even the weather can change our way of thinking. And I just believe in that. However, so far I still
tried to paint positive things, I think that’s the part I want to keep more. J：Most of your works are pretty popular, do you want to talk about your experience with the galleries or market? H：Compare to my classmates, I did receive more favor form the galleries or collectors, and it’s certainly an approval to my efforts. I appreciate it. Meanwhile, deep in myself it’s still very confusing and hesitating to see my works become something like a merchandise and it’s really struggling for me to imagine where my works are going and I might
們，因為會使我跟它們之間變的 更豐富，就像我們每一個人自己 走在人生的道路上，你跟每個人 的關係，都有可能因為一句話； 或是聽到甚麼；或是今天天氣改 了，它就會成為你們改變的理 由。沒錯，我就是相信這些，但 是我做作品的時候，到目前為止 我還是盡量做很正面的東西，我 覺得那些是會比較想要留住的部 分。
H：當然和同學們相比，能夠受 到畫廊青睞或是有人喜歡我的作 品，都是很大的肯定，但我覺得 我在面對自己的作品就要變成商 品的過程，內心還是有很大的疑 惑和猶豫，這對我自己來說也是 很掙扎的經驗，而且有時候相當 困難。在這方面我想還有很多細 微的感受可以討論，但目前我還 在整理自己的情緒，或許這個部 份我們之後再聊吧。
J：你做很多作品都還蠻受歡迎 J：你是台灣人嗎？ 的，要不要談談與畫廊或這個圈 H：是阿。雖然這樣回答，但這 子的關係？ 個問題讓我想到很多事。我媽
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