788 Columbus Ave, New York NY 10025, USA
(718) 510-2775
wx2278@columbia.edu
SELECTED EXPERIENCE
Fosun Tourism Group Design and Planning Institute, Shanghai, China
Architecture & Urban Intern AUG 2020 - OCT 2020
Sustainable Tourism - Extension of Sanya Atlantis Theme Park, Hainan, China
• Fully participated in the early phase planning of the 2nd phase of Atlantis Theme Park in Sanya, China, which covers over 1,000,000 square metre (266 acres).
• Demonstated a thorough site and functionality research through case studies, massing sketches, water and policy research, and traffic study.
• Sorted programs with AutoCAD, Adobe Illustrator and Photoshop, Rhinoceros. Utilized efficiency tools such as Excel, Illustrator, and InDesign to analyze precedents and collect basic data for the planning scheme.
Entertainment - Taicang Foyou Ski Center, Zhejiang, China
• Cooperated with engineer and operation teams. Overcame property operation and construction challenges by optimizing materials, area optimizations and re-organizing traffic flow.
• Developed the visual system for the ski center.
OPEN Architecture, Beijing, China
Architecture Intern OCT 2021 - DEC 2021
Retail+Rennovation - Wangfujin Foreign Language Bookstore
• Developed and supported the conceptural design by making series of section drawing.
EDUCATION
Columbia University, Graduate School of Architecture, Planning and Preservation
Master of Advanced Architectural Design MAY 2022 - MAY 2023
• HP in all Advanced Studios :
Summer - Adv Studio "Proxy Landscape" (9pt, instructed by Marco Ferrari & Elise Hunchunk).
Autumn - Adv Studio "Futurism Brazil" (9pt, instructed by Vanessa Keith).
Spring - Adv Studio "Decolonizing Museums" (9pt, instructed by Juan Herreros).
• Further developed design thinking in different skillsets and work-flow such as Revit, ArcGIS and Unreal Engine.
Shanghai Jiao Tong University, School of Design
Bachelor of Architecture
• Overall GPA 3.9/4.3, top 1%.
• Recepient of National Scholarship of China, 2018.
SEP 2017 - JUN 2022
• Nominated as Outstanding Graduation Design of Shanghai Jiao Tong University, 2022.
University Of California, Berkeley, College of Environmental Design
Certificate, Global Access Program
AUG 2019 - DEC 2019
• Recepient of outstanding scholarship for the Global Access Program.
• Research assistant for urban void space research in Beijing. Responsible for social media management and creating media content using Premiere and After Effects.
Office Zhu, Shanghai, China
Design Intern JUL 2019 - SEP 2019
Exhibition - Boating in Shanghai (Exhibited, Shanghai Urban and Art Season 2019)
• Focused on the visualization of Boating at Shanghai using AutoCAD and Illustrator.
• Achieved comprehensive experience about CMYK printing, proof-reading and layout design working with press and print manufaturing.
McKinsey & Company, Shanghai, China
Part-time Assistant DEC 2021 - MAY 2022
• Utilized data visualization tools to help present research results.
• Executed research, data mining, and analyses towards different industries, including real estate, retail, chemistry, medicine, e-commerce, healthcare, and manufacturing.
Global Knowledge Lei Feng, China
Curator & Podcast Host DEC 2019 - NOW
• Co-hosted Architectural Eye, an online podcast platform to popularize architectural knowledge, from Oct 2020 to May 2021.
PROJECTS & AWARDS
• "Tomb of Species", Nominated Entry, UNI Architecture Competition of Climate Memorial. (2018)
• "Earth in Bamboo", Fabrication research at Anji Earth Ramming Institute, Zhejiang, China. (2018)
“Architecture and spaces provide an in-depth vessel for urbanism, ecology and imaginations.”
In the city of New York where everything is about time, time becomes homogenized, unnoticed, extracted from the reality of our quotidian life. In this project, our research manifesto is using architecture fragments and ruins to articulate the temporality of history. It is a manipulation of time, an instrument of slowness and an alphabet of contradiction.
Archive of Time
Transforming the MET Cloisters into Instrument of Manipulation of Time
Instructed by Juan Herreros
In Collaboration with Valentina Jaramillo
COLUMBIA GSAPP 2023 SPRING
ADVANCED ARCH DESIGN STUDIO
“...A
Marked red elements in the floor plan, the met cloister is exposing spaces rather than objects, which makes it unique and different from other museums. Fragments coming from different parts of europe are made into 4 gardens and 4 chambers. Which are articulated with new museum functionality.
History of Homogenization and Displacement.”
“...A Fragmented Culture of Diversity.”
Behind the walls of a homogenized space, the current MET Cloisters has killed the diversity of a collections of architectural fragments that comes from different time. This project recoperates the power of the fragments and gives back the dignity of coming from otherwhere in time.
Our main strategy is taking out all the fragments from the cloisters museum, and reconstruct the European monasteries’ historical typology, by articulating the spaces through a continuous circulation, giving an experience of slowness.
“...A Practice of Peripatiticism.”
Our main strategy is taking out all the fragments from the cloisters museum, and reconstruct the European monasteries’ historical typology, by articulating the spaces through a continuous circulation, giving an experience of slowness.
Through this approach the design this project tries to share the experience of introspection and socializatoin. Through the transitions of indoor and outdoor, we want to exaggerate the difference between introspection and publicness.
“...A Dialogue between Indoor and Outdoor.”
Insistancy in contrasting situation. Everything is red is contrasting with the black. They are not looking for homogeneity again, its seeking the significance of architecture operation of contradiction, and understanding the geographical conditions where the museum stands.
“...An Archive of Operations.”SPRING - Cuxa Cloister Autumn - San Guilham Cloister SUMMER - Bennefont Cloister Winter - Trie Cloister
“...A Manipulation of Time.”
“A Pivotal of Environment.”
‘The Metamorphosis’ is an absurdist novella by Franz Kafka. It used a metaphor of humans transforming into an insect to depict the alienation and exploitation of our egos and existence in contemporary society.
Inspired by the notion of transforming scales, this narration translates the social dilemma in Oakland into an urban-scale complex of social operation. The analogy compressed the social context into four stages of acts, endlessly performs the abstraction of dwelling, socializing, working, and producing.
OAKLAND METAMORPHOSIS
Gentrification and Alienation: Chapters in Dwelling, Socializing, Working and Producing
UNIVERSITY OF CALIFORNIA, BERKELEY GRADUATE ACCESS PROGRAM 2019 FALL, CORE STUDIO
Instructed by Tommy Haddock, Shiyuan Chen Individual WorkWhat is the metabolism that cities need in our time?
Nearly 50 years after the Nakagin Capsule Tower’s inaugration, Tokyo decided to dismantle it, as it has already become the redundancy of Tokyo’s continuous urbanization. This deign speculate on the possibility for architecture to adapt to the inevitable urban transformation, and give back to the society needs by changes of programs related to agriculture and food.