Portfolio

Page 1

Xiaofei Zhu 2014-2018


XIAOFEI ZHU

LEED Green Associate

xz4kb@virginia.edu (+1) 434-249-6247 726 Madison Ave Apt B Charlottesville VA 22903

Education

Master of Architecture, Path 2, University of Virginia, USA

expect to graduate May 2018

BA(Hons) in Architecture, 2.1 Degree (GPA 3.4/4), University of Liverpool, UK

Graduated in 2015

Royal Institution of British Architects, Part 1 Certificate, Student Membership

User Experience Research and Design, MicroMaster certificate by edx and University of Michigan 5 out of 9 courses completed. Expect to get certificated in summer 2018

Experience

Hord Coplan Macht, Alexandria, VA January 2018 -Externship during winter break. Shadowing several meetings including a budget discussion for a stadium design project at Georgetown University, a primary school construction site inspection and an interior design skype meeting with the colleague in the different office. Helping modeling projects using Revit and making diagrams for the meeting with the client.

Hilton Worldwide, Shanghai, China Summer 2017 -Internship in the Technical Services team ( also known as Architecture & Construction in North America) of Hilton Worldwide, Greater China and Mongolia headquarter. -Given tutorials and introductions by senior design and project director Clarence Chan about precautions for hotel architecture design and what project manager focused on, including the understanding of pre-opening stage, milestone report, pre-opening checklist, handover documents, etc. Attending Doubletree Hilton Quzhou MUR and MEP inspection and project meeting. -Studying Hilton brand and design standard. Understanding hotel operation including FOH and HOH design. Having a chance to attend an immersion in Hilton Shanghai Hongqiao hotel. Learning from Chief engineer, Huian Zhang, about hotel operation in terms of architectural design and engineering. -Working with senior director Alen Chen on the pitching material of new Hilton lifestyle brand Canopy for the Chinese market. Having a chance to give a presentation on monthly department meeting to introduce canopy and doubletree residence, two newly developed brands to the staffs.

Vector Architects, Beijing, China January - June 2016 -Schematic design and research for a museum project. Making concept model, draw conceptual images and present idea to the client. -Drawing construction documents, making physical models and working in an interior design team for a housing renovation project. -Editing a book about the most influential project of the company, seashore library.

IBI Group, Shanghai, China Summer 2014 - Making several physical models and help to photoshop renderings.


Article 25, Volunteer of site construction work, Liverpool, UK June 2014 -Helping to do construction works for a minority community square renovation project in the suburban area in Liverpool including basic woodwork like cutting nailing and painting.

Enactus, Designer 2013-2014 -Enactus is an international nonprofit organization dedicated to inspiring students to improve the world through entrepreneurial action. I worked in enactus to provide graphic design service and creative thinking for their projects.

Freelance Designer 2013-Doing several professional graphic design projects including visual identity design for a gym, personal logo and brand design for a famous author in China, an hourglass design winning the competition and productized. I also worked with the student council to teach student from other major some basic skill of photoshop.

Recognition

Hilton Worldwide Scholarship, University of Virginia, 2017 Studio Project Selected for the exhibition, University of Virginia 2016- 2017 Second Class Tuition scholarship, University of Liverpool, 2014-2016 Shortlisted entry, Young Bird Plan architecture competition, 2016 Project selected for Liverpool school of architecture Degree show, 2015 Project Selected for RIBA Visiting board exhibition, 2014

Skill

Revit, Auto CAD

Sketch, After Effect, Flash, Axure, InVision

Photoshop, Illustrator, Indesign

Premier, Final cut, After Effect

Rhinoceros, Cinema 4D, 3D Max, Sketchup

Python, html, CSS

Maxwell render, V-Ray

Native in Chinese, Advance in English

Grasshopper, Processing

Reference

Clarence Chan

Ray Li

Design & Project Director

Architectural Technologist

Hilton Worldwide

IBI Group

clarence.chan@hilton.com

ray.li@ibigroup.com

William Sherman ( 2017 Spring Studio Tutor)

Robin Dripps ( 2016 Fall Studio Tutor)

Lawrence Lewis, Jr. Eminent Scholar Professor

T. David Fitz-Gibbson Professor of Architecture

University of Virginia

University of Virginia

whs2b@virginia.edu

rdd9a@virginia.edu



C O N T E N T S

1. Urban Catalyst Hudson Yard Mixed-use building design

2. Chapel Design Design Development Study

3. Re- Narrative Berlin Kulturforum neue nationalgalerie Extension

4.Fablab Prototype Charlottesville Virginia

5.Back and Forth Liverpool School of Architecture Extension

6.Food, Water and Job Informal Urbanism of Sau Paulo

Othe Works and Exercises


Urban Catalyst Mix-used Building

Hudson Yard, New York

2017 Spring Research Studio Project Individual Work

During past a decade, creative industry has become the major economic power of New York city. But a research of artists living conditions told a sad story that more artists are leaving New York towards other cheap places. Considered a win-win situation, what artist do can activate and create a new public space for citizens, and in return, their living-working spaces should be as creative as it can be to simulate their thoughts. Therefore, three elements as main catalyst to active a building tower: A common lobby, A living working studio, A vertical gym. Those elements effects environment based on sharing system. To house talented artist and meanwhile making citizens life creative and colorful, it was the purpose of this project.



+ 34.2m

+ 23.4m

+ 15.8m

+ 8m


7F-27F Office/ free public recreation space

5F/6F

Workshop/Studio

7F-27F Residential/ Vertical Gym

3F/4F Liv-working space

2F Exhibition Hall

2F shopping mall

G/1F Common lobby


A Shared Wall Based on the research of artist life style, I believed that sharing space will inspired artists therefore, discrete the extrem private function from public functions: bedroom, living room, basic facilities. Except bedroom, other facilities are sharing in different extend. The wall has been enlarged as a space for bathroom and mini kitchen which can be used both inside and outside.





Site Plan Site 1:50 Plan 1:50

BasementBasement Plan 1:50 Plan 1:50

Chapel Design 1'-6"

1'-6"

15'

15'

3'

3'

15'

15'

3'

3'

15'

15'

Plan 1:24 Floor PlanFloor 1:24

ARCH 7230 ARCH Design 7230 Development Design Development

Charlottesville, VA

Chapel Design Chapel Design Kelly Suppes

2017 Spring Design Development Studio Project Cooperate with Kelly Suppes Instructed by Ted Jones 6'' x 3' Black Walnut Flooring 6'' x 3' Black Walnut Flooring

1"x3" Trim

1"x6" Stud 1"x6" Stud 1"x3"2"x6" Stud 2"x6" Stud Trim 2"x8" Trim Stud2"x8" Trim Stud

Kelly Xiaofei Suppes Zhu

Xiaofei Zhu

The chapel focuses The chapel on the focuses relationship on the between relationship light and between dark as light well and dark as well as solid and void. as Using solid and steelvoid. for Using the buildings steel forstructure the buildings allow for structure more allow for more freedom withinfreedom the rest within of thethe building. rest ofIt the alsobuilding. makes the It also 17.5-foot makes the 17.5-foot cantilever at thecantilever far end of at the the building far end possible, of the building creating possible, the illusion creating of the illusion of a building floating a building over thefloating site. Using over steel the site. alsoUsing meanssteel the also space means belowthe space below

1' x 1' White Marble Tile1' x 1' White Marble Tile

the building to be theleft building open,tocreating be left an open, entrance creating thatanrequires entrance thethat user requires the user to move under the to move building under before the entering. building before The perimeter entering.ofThe theperimeter chapels of the chapels floor and roof isfloor comprised and roof of isa comprised continuous of C-channel a continuous and the C-channel buildings and the buildings

The chapel focuses on the relationship between light and dark as well as solid and void. Using steel for the buildings structure allow for more freedom within the rest of the building. It also makes the 17.5-foot cantilever at the far end of the building possible, creating the illusion of a building floating over the site. Using steel also means the space below Details to 1:10 Details 1:10 the building be left open, creating an entrance that requires the user to move under the building before entering.

columns are out columns board are of the out C-channel, board of the thisC-channel, helps emphasize this helps the emphasize the difference between difference solid and between void within solid the andbuilding void within by creating the building a vertical by creating a vertical datum. The restdatum. of the The building rest isofwood the building frame which is wood is nested frame which within isthe nested within the

1"x2" Door Stop 1"x2" Door Stop

steel frame andsteel references frame and the construction references the of construction the rest of the of the buildings rest of the buildings on the site. Theonbuilding the site. consists The building of three consists 15’ cubic of three volumes 15’ which cubic are volumes which are separated by 3’ separated voids. The by material 3’ voids.selection The material enforces selection this relation enforces this relation between solid and between void. solid Within and thevoid. chapel Within this the means chapel the this “solid” means cubes the “solid” cubes are outfitted in wood, are outfitted on the in floor, wood, ceiling, on the and floor, walls. ceiling, The void and spaces walls. The are void spaces are where light enters where the space light enters and materials the spaceare and chosen materials to accentuate are chosenthis, to accentuate this, windows make up windows the fullmake area up of the these fullsections area of of these the sections walls, theofceiling the walls, the ceiling is a sky light and is the a sky floor lightis and a white the floor marble is tile a white which marble reflects tilethe which light. reflects the light. At the ground level At the theground void bands level are the tile, void inbands reference are tile, to the in reference tile in theto the tile in the chapel and the chapel solid bands and the aresolid gravel bands as a are reminder gravel that as athe reminder space that is the space is excavated from excavated the hill. from the hill. All the buildingsAll mechanical the buildings systems mechanical are nested systems in the areceiling nestedand in the walls, ceiling and walls, this leaves the solid this leaves and void the structure solid andofvoid thestructure chapel uninterrupted. of the chapelThe uninterrupted. The Chapels gutter Chapels system sit gutter on top system of the sit c-channel on top of and the c-channel funnels water and funnels water to a pond on the to aentrance pond onlevel the of entrance the site, level which of the provides site, which drainage provides drainage without complicating without thecomplicating relationship the between relationship the roof between and the theskylight roof and the skylight also creating a grotto also creating space under a grotto thespace chapelunder with the the chapel pond adds with to thethe pond adds to the diversity of spaces diversity withinofthe spaces project, within withthe theproject, grotto with both the in the grotto ground both in the ground and within the building, and within thethe entrance building, courtyard the entrance carvedcourtyard in the ground carvedbut in the ground but open air as well open as under air as thewell building, as under andthe thebuilding, main chapel and the space, mainwhich chapel is space, which is both in the building bothand in the above building the ground. and above the ground.

1"x7" Trim Board 1"x7" Trim Board

1"x7" Trim Board 1"x7" Trim Board

1"x7" Trim Board 1"x7" Trim Board

1'-4"

1'-4"

7'-6"

7'-6"

7'-6"

7'-6"

1'-4"

1'-4"

2'-2"

2'-2"

15'

15'

1'

1'

7'-6"

7'-6"

1"x2" Door Stop 1"x2" Door Stop

W 8 X 18

W 8 X 18

6'' x 3' Black Walnut Flooring/ 6'' x 3' 1' Black x 1' White WalnutMarble Flooring/ Tile1' x 1' White Marble Tile 3 / 4'' Plywood Panel 3 / 4'' Plywood Panel 3 - 1 /2'' Blown Cellulose3 Insulation - 1 /2'' Blown Cellulose Insulation 2 X 4 Wood Studs Spaced 2 X Max. 4 Wood 16 IN. Studs O.C. Spaced Max. 16 IN. O.C. 1'' Rigid Insulation Board 1'' Rigid Insulation Board 5 / 8'' Gypsum Board 5 / 8'' Gypsum Board

1:24 Section Section 1:24 1'-6"

1'-10"

1'-6"

15'

15'

3'

3'

15'

15'

3'

3'

15'

15'

1'-10"

W 6 X 8.5 1'' Roof Decking 1'' Roof Decking 5/8’’ Roof Board 5/8’’ Roof Board 1 - 1/2'' Expanded Polystyrene 1 - 1/2'' Board Expanded Polystyrene Board 1- 1/2’’ Steel Deck 1- 1/2’’ Steel Deck

W 6 X 8.5


Plan Perspective 1:24

1'-6"

15'

6'' x 3' Black Walnut Flooring

3'

15'

3'

15'

N. O. P. Q. R. S.

1' x 1' White Marble Tile

N

1'' Roof Decking 1 - 1/2'' Expanded Polystyrene Board 3 / 8'' Wood Panel 1- 1/2’’ Steel Deck 3 / 8'' Roof Board 9 / 16'' Ceiling Board

O

P

Q

R

W 6 X 8.5

S

C 9 X 20

A B C E G

F D

H

I J

A.

B. C. D. E. F.

K

1'' Cedar Board Siding 7/16'' Rainscreen Fiber mesh Drainage Plane 1'' Expanded Polystyrene Board 1/2'' Plywood Sheathing 2x4 Wood Stud, 16'' o.c. 3-1/2'' Blown Cellulose Insulation 1x6 Wood Panel

W W W W C

6 X 8.5 8 X 18 10 X 39 12 X 50 9 X 20

L M

1'-4"

7'-6"

G. H. I. J. K. L. M.

1' x 1' White Marble Tile 6'' X 3' Black Walnut Flooring 3 / 4'' Plywood Panel 3 - 1 /2'' Blown Cellulose Insulation 2 X 4 Wood Studs Spaced Max. 16 IN. O.C. 1'' Rigid Insulation Board 1'-4" 5 / 8'' Roof Board 7'-6"

2'-2"

C 9 X 20

1"x2" Door Stop

15'

C 9 X 20

1'

W 8 X 18

1'-6"

15'

3'

15'

3'

15'

1'-10"

W 6 X 8.5 1'' Roof Decking 5/8’’ Roof Board 1 - 1/2'' Expanded Polystyrene Board 1- 1/2’’ Steel Deck W 6 X 8.5 Steel Beam 3 / 8'' Rood Board 9 / 16'' Ceiling Board 1'' Cedar Board Siding 7/16'' Rainscreen Fiber mesh Drainage Plane 1'' Expanded Polystyrene Board 1/2'' Plywood Sheathing 2x4 Wood Stud, 16'' o.c. 3-1/2'' Blown Cellulose Insulation 1x6 Wood Panel

15'

1'

W 6 X 8.5 W 10 X 39

7'-6"

6'' x 3' Black Walnut Flooring/ 1' x 1' White Marble Tile 3 / 4'' Plywood Panel 3 - 1 /2'' Blown Cellulose Insulation 2 X 4 Wood Studs Spaced Max. 16 IN. O.C. 1'' Rigid Insulation Board 5 / 8'' Gypsum Board

7'-6"


N

O

P

Q

R

W 6 X 8.5

S

C 9 X 20

A B C E F D

A.

B. C. D. E. F.

1'' Cedar Board Siding 7/16'' Rainscreen Fiber mesh Drainage Plane 1'' Expanded Polystyrene Board 1/2'' Plywood Sheathing 2x4 Wood Stud, 16'' o.c. 3-1/2'' Blown Cellulose Insulation 1x6 Wood Panel


N. O. P. Q. R. S.

1'' Roof Decking 1 - 1/2'' Expanded Polystyrene Board 3 / 8'' Wood Panel 1- 1/2’’ Steel Deck 3 / 8'' Roof Board 9 / 16'' Ceiling Board

All the buildings mechanical systems are nested in the ceiling and walls, this leaves the solid and void structure of the chapel uninterrupted. The Chapels gutter system sit on top of the c-channel and funnels water to a pond on the entrance level of the site, which provides drainage without complicating the relationship between the roof and the skylight also creating a grotto space under the chapel with the pond adds to the diversity of spaces within the project, with the grotto both in the ground and within the building, the entrance courtyard carved in the ground but open air as well as under the building, and the main chapel space, which is both in the building and above the ground.

G

H

I J K

W W W W C

6 X 8.5 8 X 18 10 X 39 12 X 50 9 X 20

L M

G. H. I. J. K. L. M.

1' x 1' White Marble Tile 6'' X 3' Black Walnut Flooring 3 / 4'' Plywood Panel 3 - 1 /2'' Blown Cellulose Insulation 2 X 4 Wood Studs Spaced Max. 16 IN. O.C. 1'' Rigid Insulation Board 5 / 8'' Roof Board


Re-Narrative Berlin Kulturforum neue nationalgalerie extension Berlin, Germany 2017 Fall Research Studio Project Individual Work

Mies van der rohe's neue national galerie in Berlin is a symbol of both modern architecture and cold war. It is so important that it is almost impossible to design a successful extension for it. After many years of debates and competitions, a design was finally selected by the jury and city council. However, that scheme is still very controversial that the city decided to reconsider their decision. This project tries to explore the historical and cultural complexity of Berlin as a seperated and reunified city in the past years as long as providing a strategy responding it.


Monumentality All the structures on kulturforum have significant monumentality and historical context. Even a big tree on the north west corner of the site which survive the world war II bombs is seen as a monument. Therefore, a extension of nenu nationalgalerie in the center of kulturforum has to answer the question what is its monumentality. However, there is no significant things today to memorize. That is the main reason two winning proposal in the past 20 years can not be accepted by the public and start to construct.

WW II

Neue nationalgalerie

Cold War

St. Mathew Church

Reunitication

“Sacred” Tree

kulturforum

What does it represent?

... It’s just a museum!

NO!!

Philharmonic


Strategy Concept

It is almost impossible to make an agreement in terms of ideology and taste. However, most people will agree it is unacceptable that the only catering space in kulturforum a small food cart. strategy It is almost impossible to make isan agreement inMy terms of is ideology taste. However, most on people will as agree it is to makeand the only outstanding structure the ground a restaurant unacceptable the space only catering spaceThe in restaurant kulturforum aa and hide thethat museum underground. canisbe small food cart. My strategy is to make the only outstanding gathering node and the public space around it can be enjoyed by structure on the ground as a restaurant and hide the museum both tourist and local people with different opinions about their city. space underground. The restaurant can be a gathering node is notpublic a monument, it is just aitrestaurant that everyone needs it. andIt the space around can be enjoyed by both tourist and local people with different opinions about their city. It is not a monument, it is just aneeds restaurant everyone needs it. people Aslo, the new gallery to be athat catalyst to attract more to the kulturforum. According to the foorprint map of people below, kulturforum is not welcome at all. The new design should be a good civic space as long as a good gallery.

Development Site Strategy new landscapetries triesto tokeep keep the the present TheThe new landscape presentpath pathfor for people to walk around Kulturforum and create people to walk around Kulturforum and createvisual visual connection between andobjects objects connection betweenoriginal originalnew new gallery gallery and on on thethe site. Also, on kulturforum kulturforumisis site. Also,allallthe the museum museum on either tootoo high make public publicfeel feel either highorortoo too close close that that make unwelcome and difficult to understand what is unwelcome and difficult to understand what is happening there. Part of the plaza is sunken which happening Part of the and plazamake is sunken which vaguely definethere. the boundary people see vaguely define the boundary and see inside the museum even if they do notmake enterpeople it. inside the museum even if they do not enter it.



Interior Strategy Special Collection

1900~1945(I)

1900~1945(II)

Chronology

1960s

1970s

Sculpture

Painting

Installation/Multi-media

Typology

Lobby

-1 -2 -3

Circulation

Catering

-1

Lobby

Outdoor Theatre

Shop Education

Gallery

Audiotrium

Service

-2

Gallery

Storage Storage

Programme

-3

Gallery


Outdoor Theatre

Tunnel to neue natioanlgalerie

Shop & Education Service

Workshop& Storage

Auditorium

Gallery Space Workshop& Storage

Circulation & Service Box


Plan 1:1000

-1

-2

-3


2

3

1

Structure Plan


Lateral Support




These three renderings can conclude the general concepts of this design. The museum tries to provide a chance for visitors to compare different types of art from the same time period, the same type of art from different times and let public see what's happening inside the museum even when they do not enter it.



Back and Forth Liverpool School of Architecture Extension 2015 Spring Design Studio Project Individual Work Instructed by Ian Scullion & Marco Lluniano


Concept The Liverpool School of Architecture has a quite long history. In its long his t or y, t h ere w ere t w o major extensions: the first in 1933 and the second in 1988. When I compared the old plans to the new ones, I found the building changed a lot despite the extension part in 1988. For example, the original crit rooms was changed to be offices when the 1988 extension finished. However, they became studio space 5 years ago. The need will continue to change every year. How to make the school of architecture building more flexible to be suited to different circumstances is what I try to explore in this projects. Inspired by the 1988 extension, the simple steel frame flying over the old building and the plaster board for both divsion of space and place for pinup. The basic concept is to use a more blurred way to define a space. A walled space defined to be a room. The area and the boundar y are determined so that it will be uneasy to change in the future. My idea is to use several walls to cut the space roughly. The space is not strongly defined which means it is still a large whole, walls do not divide the area into small parts. When you need add a different function in the future, you can use furnitures like shelves or some partition boards to enclose the space.

University of Liverpool, Campus Plan

1970 and 2015

School of Architecture Floor Plan

1960 and 2015



Ground Floor

First Floor


Second Floor



Fablab Prototype Charlottesville, VA 2018 Spring Design Development Studio Project Instructed by Charlie Menefee School of Architecture needs a new fablab to have better facility and space for fabrication projects. Meanwhile, because of current maker space culture, University of Virginia also needs a new building for all the students and faculty to use to make whatever they want. The site was in the territory which belongs to university’s facility management department. Therefore, the new project also needs to accommodate them. This project is trying to re-plan the site to define the territory of three different group of people and meanwhile, making connection between them so that they can inspire each other.




B

C

B

A

A

C

B

C

A

A

B

C

D

A

B

C

D

A

B

C

D

D

D

D


H

H

H

E

F

G

H

J

E

F

G

H

J

E

F

G

H

J

J

G

J

G

J

G

LG

LG

LG


Art Ground

Primary School

Vertical Farming

Food market Cultural facilities

Water Collection

Train Station Food Distribution Centre

Shopping mall

Swimming Pool

Green Filter Belt

Commercial & Office Buildings


Food, Water and Job Informal Urbanism Sau Paulo, Brazil 2016 Fall Research Studio Project Cooperated with Hao Zhang Instructed by Robin Dripps

The master plan of this project is generally defined by the water system. The idea of water system is to connect the rain water household water and river to create mobility and solve the water pollution, water shortage problem.

The second concept is to keep the original train station and the center of the market to create a commercial area. A riverside area is created to connect the two station and become a main public space of the community. An art & culture area is designed to locate some the public facilities like school and gallery there.

Based on the division of different area, people will gather in the center of the site and move to the riverside to both the public space and the station. Therefore, a gradient is created from the completed apartment to the self built land. It provides opportunity for low income people to do small business and provide middle class people a quiet place to live.Also, the shape of the canals that divide the site is influenced by the potential movement of people. The sub divions of each block is determined by the study of urban block around the world. In order to create a bike/ pedestrain friendly community, motorway should be as less as possible. According to the pattern around the site and the road context, the roads on the site is designed. Car parking

Population at Barcelona Density 60,000

Population at Manhattan Density 50,000

120 Blocks

650 Blocks


Landscape Strategy

Rainwater Harvest

Vertical Farming

Flooding Plaza

Wetland

Household Water

Pinheiros River

Green Filter Belt


RAIN

WATER SUPPLY

Filter Belt

HOUSEHOLD

Wetland

CANAL

Grey Water

Black Water

Fertilizer

FARMLAND

PINHEIROS RIVER




Public Open Private Public

Apartment with Space for self-built

Private Public Gradient Space

Farming Business Extra Room

Self-Built

Opposition

Poverty

WALLED CITY

Narrow the Gap

Private Connection/ Communication

Public Space for Everyone

Lack of Public Space

Market Job

Station Pool

Expanding Private Space

Natural Ventilation Alley Self- Built for small business/ farm

Street Life

Reservoir

Farm Land


Walled Community Space

Facility to share

Walled Community Space

Facility to share

Walled Block & Private Puplic space

Community Facility Community Facility

Shared Public Space & Lifted Private Public Space

Street Life

Community Terrace

Street Life

Public

Community Terrace/ Facilities

Public Private Communcal Farmland

Private Public

Private

Car Park

Main Public Traffic with River

Community Terrace


Grasshopper Spatial Practice Individual Work Instructed by Lucia Phinney & Earl Mark

This bridge is completely constructed by grasshopper. It started simply from a point. All the elements including beams, wires, rails, slabs are adjustable.


Parametric Energy Design Individual Work Instructed by Eric Field

Tableau

Energy 2D

Shadow Analysis

Sefaira


Professional Work Vector Architects, Beijing China Architectural Assistant

&0(5-,0 '/; :/

% /(825::,9<022, $ A >@ 1) <08.040( ,+; A During my 6 months stay in Vector Architects, I firstly worked in a

house rennovation project. I helped to do interior and furniture design, make renderings, physcial models and construction documents. Archdaily reports this project.

6620*(:054 -58 8(+;(:, 049:8;*:58 5- !

I also worked in a museum project. I participate in the schematic

and helped to make concept model and collage for discussion. design

Skills , Sample work & Experience in Office : /(<, (28,(+? :(1,4 04:,849/069 04 :/, 6(9: -,= 9;33,8 /520+(?9 04*2;+04. 04 953, -(45;9, (8*/0:,*:;8, *536(4? 201, 85;6 (4+ $,*:58 8*/0:,*:9 "/09 9;33,8 =5;2+ 201, :5 :8? 953,:/04. 4,= 9 (4 (8*/0:,*:;8, 9:;+,4: ),20,<, :/,9, 9;33,8 " 8(+ 49:8;*:58 6590:054 =5;2+ ), ( 6,8-,*: 56658:;40:? -58 :5 ,>6258, 0- 0: 09 65990)2, -58 3, :5 9:(8: ( *(8,,8 04 (8*/0:,*:;8, ,+;*(:054 :/(4 04 (8*/0:,*:;8, *536(4? "/, 542? :,(*/04. ,>6,80,4*, -58 3, =(9 9:;+0,+ 04 #40<,890:? 5- 0<,86552 =581,+ 04 ( 9:;+,4: 58.(40@(:054 :5 :,(*/ 9:;+,4:9 (22 (85;4+ :/, 9*/552 /5= :5 ;9, +0--,8,4: 104+9 5- 95-:=(8,9 "/, 2,*:;8,9 .(<, 04*2;+,+ /5= :5 ;9, /5:59/56 022;9:8(:58 (4+ !1,:*/;6 ),20,<, *(4 ), ( <(2;()2, (++0:054 :5 :/, 9;33,8 9:;+059

尺寸

窗

é—¨

ĺş•éƒ¨ć ‡éŤ˜ 饜éƒ¨ć ‡éŤ˜

4.320 4.320 4.070 0.700 1.200 0.700 1.800 1.800

M3: 900*2500

5.020 5.220 5.870 2.500 1.900 2.500 2.500 2.500

0.000 2.500

150

150

7.080(3F) 6.930(ĺŽ&#x;)

7.080(3F) 6.930(ĺŽ&#x;)

1500

600

2670

100

150

2.500

2500

M3

100

1.200 0.700

600

Âą0.000(1F) 550

700

3.620(2F) 3.470(ĺŽ&#x;)

1.900 C18

C17

100 2200

2.500

1.900

抽沚çƒ&#x;ćœşĺ‡şéŁŽĺ?Ł 1.750

1100

100

700

600

Âą0.000(1F)

4.070 3.620(2F) 3.470(ĺŽ&#x;)

630

1800

550 100 350 100

2.300

C16

300

0.700

1800

1170

100 1800

1200

970

710

970

150

2200

870

700

150 350 100

600

600

4.320 3.620(2F) 3.470(ĺŽ&#x;) 560

2.500

3310

900 100

100

C13

C14

1800

100 700

C15

150

4.320 3.620(2F) 3.470(ĺŽ&#x;)

5.870

100

5.220 5.020

100

1810

1610

960

150

7.080(3F) 6.930(ĺŽ&#x;)

150

7.080(3F) 6.930(ĺŽ&#x;)

C13: 700*700 C14: 2700*900 C15: 1800*1800 C16: 700*1800 C17: 700*700 C18: 1800*1800 C4: 700*700 CC: 1200*600

1420

1800

0.700

Âą0.000(1F)

630

1065

Âą0.000(1F) 700

965

900

200

600

220

�獋�洞�回 1:50 3460

F

1910

E

2100

D

5100

C

4530

B

A



To be continued


Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.