think in a physical way, where my main point is to convey a concept. I think the collaboration between us created a very unique kind of film. The scripts we developed together reached new places which where very different from the original idea of the script that I came with. Yoav also added his uncompromising professionalism in directing, cinematography, and editing. The initiative for the film and its concept was mine; I wanted to use different images from our reality as examples for different limitations of the environment, and as a simile of our own personal limits. I wanted to film the dancers dancing in different locations and see how the actual place affects the body and movement. The only way to make it happen in one harmonic work was to use cinematic tools and to create a film. That was when I turned to Yoav. Yoav pushed the idea to a new place in terms of details and the full script, and a whole new way of execution. So it was not a situation where I use Yoav as professional cinematographer to simply execute my idea and concept. Rather, together we deepened the idea to a full script of a girl that goes out for a journey between the mind and reality, and creates to herself a kind of lab where she is investigating the influence of the environment on different individuals. In this way the project became a
interview
Women Cinemakers