Women CineMakers, Special Edition, vol 8

Page 188

So, with this film I would like to audience to undestand more of the live in this unknown European capital, the current political-social situation in a postsoviet context. Reflect on the evolution of labor market, its adaptation to contemporary needs and the positive and negative consequences of globalization. Will the bus service in Moldova become like any other ones you can find in Switweland or Singapur? Will the knowledge of the mechanisim of old film soviet cameras will be lost or to who will be taught, if no one ones to take on Ghena’s job? Will the jewist community have a significant relevance in the Moldovan culture as ones had? For me one of the most interesting thought process I had when doing this project, is that I kept thinking in this situation being lived in Spain not that long ago and how things can change socially in the short amount of time of just a decade or few. We want to catch this occasion to ask you to express your view on the future of women in cinema. For more than half a century women have

interview

the labor market contains, it is about a society in transition. Here the characters, all inhabitants and workers of Chisinau, in different magnitudes struggle to draw themselves professionally in the future. But it also reflects on the break that happened before in the Moldovan society in a more a-temporal approach. The characters struggle either because they belong to a minority that was almost erase, because a late technological capitalism is chasing their professional space or because social costumes are adapting to contemporary times.


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