Women CineMakers, Special Edition, vol. 2

Page 174

The soundtrack of We Are All Leaving sometimes provides the film with such uncanny atmosphere: according to media theorist Marshall McLuhan there is a 'sense bias' that affects Western societies favoring visual logic, a shift that occurred with the advent of the alphabet as the eye became more essential than ear. How do you see the relationship between sound and moving images? I love Marshall McLuhon and feel very inspired by his insight! The relationship between sound and moving image is profound. Sound is so visceral. Literally, the resonance of sound moves our bodies. Visual image on the other hand is conceptual, associative‌ it moves our brains. When they combine we can have experiences that complete a circuit between body and brain, between mind and emotion. The sound in this piece is all composed of field recordings taken from that landscape. But they are cut up, augmented and arranged in such a way that they create their own sensation which is often juxtaposed to the visual image. For me this was a way to provoke a disruption, which could then lead to awareness of the spaces between physical, emotional and mental sensations. have always been fascinated with the potential of the human body, and the ability to express and understand oneself through movement. We Are All Leaving considers the body as temporary material: many artists express the ideas that they explore through representations of the

interview

that creates experiences of coming and going, but never being a part of, never investing or settling in. For me this piece is about remembering and honoring the connection to land, and deeply involving myself in it.


Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.