The Wine Merchant issue 92

Page 32

JUST WILLIAMS

‘It’s nice ... but I really just miss seeing people’ The wine trade has found digital ways of adapting to lockdown. Some have been pretty successful. But in the longer term, the “generous rectangle” of a screen is no substitute for real human contact

E

ven for an author with a

reputation for writing about the more grotesquely surreal and

alienating features of modern life years before they have actually come to pass

in the real world, JG Ballard’s short story The Intensive Care Unit is disturbingly prescient.

Written in 1977, it depicts a society

where everyone lives alone in splendid, luxuriously comfortable isolation, and

where all social contact (including school, work, and time spent with families)

is experienced through “the generous rectangle of the TV screen”.

What makes the story all the more

uncanny is the way Ballard builds the sense of unease even as the characters describe their collusion with the situation – they

don’t want social interaction, they willingly comply with their isolation. Contact with

other humans feels to them archaic, dirty, something to be looked back on in horror

and disgust in much the same way that we

look back on medieval hygiene.

– barking and grunting you through your

of us have long had the creeping feeling

killjoy here, the patronising digital

Reading the story at any time would have

been an uncomfortable experience. Most

that we are spending too much of our lives online, willingly (blindly) reducing human contact for something mediated by more or less sinister organisations and their algorithms.

But reading the story (on real paper

pages, imagine that!) during a rare break

from the flickering screen during a global pandemic was something else altogether. This is a time when, for many of us, the

virtual world’s victory over real life has seemed to be almost complete, a time

when the screen has annexed more and more parts of our existence.

Screens haven’t just replaced the

newspaper and the cinema during

Covid-19. They’ve filled in for the dinner party, the pub, even the gym (up to

and including providing the annoying

motivating instructors – hello Gregg, hi Joe

This is a time when, for many of us, the virtual world’s victory over real life has seemed to be almost complete THE WINE MERCHANT june 2020 32

workout).

I don’t want to be the condescending

refusenik going on about his “amazing

concentration app” that blackmails you

out of looking at social media by growing a virtual tree or sending links to articles about 11 ways to digitally detox in a pandemic.

Online, after all, has provided a lifeline

for those of us lucky enough to have

stable broadband connections. And just as I’ve had to accept that my teenage

son’s ballooning online gaming habit is actually a perfectly reasonable way for

him to maintain his social relationships

when he’s basically not allowed to leave

the house, so I’m never going to decry the

compensations offered by online sales (and those via phone and email) to retailers.

The internet has made a kind of facsimile

of normal life possible for wine journalists, too, with Zoom tastings and winemaker webinars providing some sort of

replacement for the content we’d normally find at tastings and on travels to vineyard areas.

It’s also allowed The Wine Merchant to

hold the judging of our eighth annual Top 100 competition, a logistically complex


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