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TH E BULLETIN• SUNDAY, OCTOBER 20, 2013
THAT SCRAMBLED WORD GAME
SU D O K U
by David L. Hoyt and Jeff Knurek
co mpletethegrid
Unscramble these six Jumbles one letter to each square, to form six ordinary words.
so that every row, column and3x3 box contains every digit from 1 to 9 inclusively.
By Seth Sherwood
ROTHYN
New York Times News Service
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Now arrange the circled letters to form the surprise answer, as suggested by the above cartoon.
PRINT YOUR ANSWER IN THE CIRCLES BELOW
DIFFICULTY RATING: *** *
* JUMBLE SOLUTION IS ON C3
SUDOKU SOLUTION IS ON C3
DAILY BRIDGE CLUB
Road to success By FRANK STEWART Tribune Content Agency
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knowledge gained through study,
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return and wins the last three tricks with good diamonds. Would you visualize the winning rg
proficient by reading; bridge is less play? intuitive than, say, chess. But good
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On the fourth trump he unblocks a
(C) 2013 Tribune Content Agency, LLC
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Opening lead — gog 10
the king of spades and draws trumps.
Lisbonmore than just fado Eeva Tuuhea remembers the precise moment when she received a friend's phone call telling her that the Hot Clube de Portugal, an iconic Lisbon jazz joint since the 1940s and her beloved regular hangout for two decades, was on fire — literally. "It was a rainy night, the 22nd of December, 2009, at 3 a.m., n recalled Tuuhea, a blond, middle-aged Finnish expat who said she has been "part of the furniture" at the Hot Clube since the late 1980s. nI was called and c ame down to see it; 8,500 hearts broke on Facebook, and God knows how m a n y b e sides that," she said. The fire an d s ubsequent flooding by the fire department destroyed the building. But the mourning period was short. The city government pledged to help, putting up money and installing the club in a small building just a few doors from the original. Completed in 2011 and reopened officially last year, the relaunched Hot Clube de Portugal is back in business with a full assortment of local and international live acts. On a balmy fall evening last year, any fears that Hot Clube 2.0 wouldn't match the heat of its predecessor had apparently been assuaged. "They recreated the space b ut they b rought over t h e spirit from the old place," Tuuhea said, sipping red wine at the club's bar and awaiting a performance byCarlos Bica, a Portuguese bassist with a cult following. Over the past couple of years, innovative new music
spots have been popping up
around Lisbon, and defunct and departed iconic music venues have been rising from their ashes, literally or figuratively. From intimate supper clubs to warehouse dance halls, the new generation of hangouts is enriching the Portuguese capital's sonic spectrum and expanding the array of places where music aficionados and bands of all stripes can converge. These days, a
Francisco Seco/The New York Times
Gonqalo Prazeres, with the jazz band TRiSoNTe, performs on the stage of the Hot Clube de Portugal jazz club in Lisbon, Portugal, earlier this month. A tour of contemporary Lisbon's music venues is a journey across continents and styles a world apart from the melancholy fado folk music for which the city is best known. spin around town is a journey across continents and styles, from indie jazz t o A f r ican beats toAmerican retro rock to electronic experiments. "Everyone thinks that Lisbon is only fado," said Luis Rodrigues, music editor for Time Out Lisbon, referring to the homegrown melancholy folk music that has become almost a cliche of Lisbon. nBut there's so much more going on." For instance, if you're seeking a classy evening of global sounds (from jazz to folk to ethno-groove) an d r e f i ned neo-Portuguese cuisine, the airy and angular Vinyl caferestaurant began serving dinner and hosting concerts last year. And if yo u absolutely must hear fado, you can find the music reborn in unexpected, avant-garde forms (as well as other Portuguese music, both traditional and experimental) at Can the Can, a new g allery-like r estaurant a n d «Fado laboratory" started by Rui Pregal da Cunha, singer for afamous 1980s Portuguese rock band called Herois do Mar — Heroes of the Sea. The same week as the Carlos Bica show at Hot Clube de Portugal, an eclectic crowd ambled into B.Leza, a bubblegum-pink warehouse amid the dingy docklands next to Cais do Sodre train station. African immigrants and native
Portuguese from allreaches of Lisbon society paid the 10euro covercharge and milled around the soaring neo-industrial space. Along the w alls, colorful posters announced past and future concertsby a bevy of prestigious African artists, including Bombino, the Tuareg guitarist from Niger, and the legendary Cape Verdean singer-guitarist Tito Paris. Ask any Lisbon music fan about B.Leza and you'll get a nostalgic sigh and a wistful tale about the beauty and character of the original space, an 18th-century palace that the club had to abandon in 2007. While the shiny contemporary B.Leza, which opened last year, might lack the faded grandeur of its forefather, it certainly retains its pan-African
programming and remarkably loyal, diverse fan base. B.Leza isthe Lisbon club where you're most likely to run into your mom or incognito A-listers like Jeremy Irons and Pierre Casiraghi of Monaco, both of whom stopped in last year. "They come here like normal people," said Sofia Saudade e Silva, whose father, a Portuguese lawyer in love with African music, founded the club and then left it to Saudade and her sister when he died. "Here everyone is equal: rich, poor, black, white."
LOS ANGELESTIMES SUNDAY CROSSWORD Edited by Rich Norrisand Joyce Nichols Lewis "GRID LINES" By JOHN FARMER
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