Yeah definitely, I’m looking forward to seeing something that you’re working on currently, Usually I do not use texts in the production of my series. But I always like to write a presentation text and other annotations in parallel on my process of creating images, as a daily. But this is a material that end up not showing, perhaps I always focus on the images. But now it is a new project, we can do differently... And by the way, I’ve just receive this link here about the Arles photo festival, which begins now in July, and has just opened a related category for photo-text books, to see how this relationship is really important ... http://www.rencontres-arles.com/C.aspx?VP3=CMS3&VF=ARLAR1_460_VForm&FRM=Frame%3AARLAR1_457 I’ve attached the PDF file with the contents of my Religare photobook for you to realize how I treat the question of narrative in this series in particular. And about the one you mentioned, Vila Longuinhos, maybe its even one of the most minimalists works I have ever done, in all aspects. It has something of melancholy as were all done in one day of moving, it’s a kind a farewell of a space. I’m currently working on a project related with upcoming issues such as space, ruin and architecture, but there’s a long way to go because it tracks the transformation of a improvement space, and is still at the beginning. I don’t know if I would have something to show yet ...
And I would like to say I liked those pictures of that project “Suburbia” you are working on. They seem to bring a picture of a local atmosphere, a place at the same time controlled, monitored, although an “alleged” quiet. I think there’s a lot to work on what’s behind the images suggest. But I already see threads and developments in this way there .. Meanwhile I’ll wonder what can send in return related to it all .. we’ll keep in touch ;) Wes, thanks for the e-mail! I really liked this images you sent - there are many interesting signs on it... I like these contrast between the plants and the walls and how they can be read somehow in relation to the idea of having “borders” and how nature always